tag:klefnotes.com,2005:/blogs/music-reviews?p=2Music Reviews2024-03-09T06:25:59-12:00Klef Notesfalsetag:klefnotes.com,2005:Post/73644062024-03-09T06:25:59-12:002024-03-09T06:27:10-12:00Enrique Iglesias & Miranda Lambert - "Space In My Heart"<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/393930/9a2772d808588c400065233969e956e45e7313dc/original/ei-and-miranda-space-in-my-heart.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_inline border_" height="412" /><p><span><o:p></o:p></span></p><p> </p><p><span style="color:hsl(0,0%,90%);">Country Music is having its movement in 2024. True, Country music has never faded away, but Pop music and Hip-Hop has been dominating the airwaves. And while I have been tired of some of the songs that major labels force feed the masses, I have been a fan of Latin Pop Music for years. </span></p><p><span style="color:hsl(0,0%,90%);">Enrique Iglesias’ latest single is called “Space In My Heart” - a duet with Miranda Lambert one of Country music’s best.</span></p><p><span style="color:hsl(0,0%,90%);">Two music worlds come together on this track, Latin Pop, and Country, and both artists bring their “A” game to a song that many are calling “captivating.” Lambert commented on Iglesias’ IG post stating, “<span>"Texas meets Spain! </span>🤠Can't wait for y'all to hear this one." And we are ready!</span></p><p><span style="color:hsl(0,0%,90%);">“Space In My Heart” is the English version of Iglesias’ 2022 track “<span>Espacio en tu Corazón.</span>” And while this translation still opens with a simple guitar and automatically sits itself in your ear, hearing the addition of the female vocal allows for two points of views that speak on the same topic - lost love. </span></p><p><span style="color:hsl(0,0%,90%);">Both vocalists are lyrically strong enough to stand alone in the verses and not lose themselves in the choruses. In the choruses, Iglesias’ vocal ends scale down while Lambert’s vocal ends scale up giving a harmonious, double-rhythm, effect much like a heartbeat. The chorus sings: <span>"</span><i><span>You don't love me yet, but I know you will / If you only felt half of what I feel / If you ever go, I will never change / There's a space in my heart / and it's just your shape</span></i><span>."</span> </span></p><p><span style="color:hsl(0,0%,90%);">The “less is more” technique used on this track allows for the listener to really listen to the message without distraction - you hear the breaths; you understand the meaning; you feel the emotion. And OMG! To hear Iglesias’ voice singing a ballad. What a gift. I miss the Hero-type of songs where Iglesias just pours out his emotions when you hear his soul. It's here in this song. And to hear Iglesias and Lambert’s vocals match each other well, chef’s kiss. </span></p><p><span style="color:hsl(0,0%,90%);">The emotions placed on each lyric and the passionate power the storyline delivers, all make for a great duet. Notice I said “duet,” not “collaboration.” Collaborations can feature 2 or more vocalists, but a true duet features only two. And, i<span>t has been a minute since the music industry has given us a true DUET - like what Michael Jackson and Lionel Richie used to give us decades ago</span>. "Space In My Heart" is that type of song - no bells and whistles, no expletives, no over dubbing, or special vocal FX, just lyrics, music, a story, and voices. Thank you, Enrique Iglesias for reimagining this song for your fans, and thank you for including Miranda Lambert. This is 2024’s love letter about lost love, and my heart is full from this song.</span></p><p><span style="color:hsl(0,0%,90%);">Click </span><a class="no-pjax" href="https://youtu.be/ohaBYmDbeBc?si=CK-NUWcPYTuPjsOK%20" target="_blank" data-link-type="url"><span style="color:hsl(0,0%,90%);">here </span></a><span style="color:hsl(0,0%,90%);">to hear the track:<span><o:p></o:p></span></span></p><p><span style="color:hsl(0,0%,90%);"><i><strong>FINAL II by Enrique Iglesias is set to be released on March 29th. Check back after its release for my review of FINAL I and FINAL II.</strong></i></span></p>Klef Notestag:klefnotes.com,2005:Post/72945472023-10-27T05:52:43-12:002023-10-27T05:54:49-12:00REVIEW: J VESSEL “REASON” – SILKY R&B VOCALS TELL THE STORY OF FINDING YOUR “WHY” IN LIFE<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/393930/61311722b980593464956edecbc23e977da26548/original/reason-01-squared-696x696.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:hsl(0, 0%, 90%);"><span>The song “Reason” is a single off of J Vessel’s upcoming EP entitled </span><i><strong>XO</strong></i><span>. The song begins with a subtly provoking piano that modulates into the verse as it is joined by a teasing hi-hat. Filled with Afro percussions, the beats on this track are alive and vibrant – giving the song its core to which J Vessel’s silky R&B vocals tell the story of finding your “WHY” in life – your purpose, and not settling at zero but leveling yourself up to 100. </span>The storyline to this track is so much deeper in its message than many songs today. J Vessel is not singing about a club, someone’s body, a moment in time, or even a trend, he is singing about reality, complex emotions, and giving every listener the thought to live for their reason. Watch the video</span><span style="color:rgb(68,68,68);"> </span><a class="no-pjax" href="https://youtu.be/CtO9NrJNri8?si=xsZV7h3D8bnaal3e" target="_blank" data-link-type="url"><span>here</span></a><span style="color:rgb(68,68,68);">.</span></p><p><span style="color:hsl(0, 0%, 90%);"><span>I cannot wait to hear more from J Vessel. “Reason” is setting the tone, and </span><i><strong>XO</strong></i><span> is going to shock everyone!</span></span></p><p> </p><p style="text-align:center;"><a class="no-pjax" href="http://www.instagram.com/jvessel" target="_blank" data-link-type="url"><span>Official Instagram</span></a></p><p style="text-align:center;"><a class="no-pjax" href="https://www.youtube.com/user/realjvessel" target="_blank" data-link-type="url"><span>Official YouTube Channel</span></a></p><p style="text-align:center;"><a class="no-pjax" href="http://jvessel.com/" target="_blank" data-link-type="url"><span>Official Website</span></a><span> </span></p><p style="text-align:center;"><a class="no-pjax" href="http://www.facebook.com/realjvessel" target="_blank" data-link-type="url"><span>Official Facebook Page</span></a></p><p style="text-align:center;"><a class="no-pjax" href="http://www.twitter.com/realjvessel" target="_blank" data-link-type="url"><span>Official Twitter Page</span></a></p><p> </p><p> </p><p><a class="no-pjax" href="https://www.artisticechoes.co.uk/2023/10/05/review-j-vessel-reason/" target="_blank" data-link-type="url">REPOSTED from Artistic Echoes</a></p>Klef Notestag:klefnotes.com,2005:Post/72840782023-10-06T09:57:49-12:002023-10-16T02:55:16-12:00Album Review: "Ten Steps" by Max ZT and Dan Whitehouse<p><meta charset="utf-8"></p><p dir="ltr"><meta charset="utf-8"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/393930/5fe05c793754c81b1a0037e537fc5c35c3627a3e/original/10steps.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p dir="ltr"><span style="color:hsl(0,0%,90%);">In today’s world of music, it is hard to find music that truly allows the listener to use their five senses to simply exist in the now - their sight, hearing, touch, smell, and taste. Some mainstream, and now some Indie, music have taken on the storylines of social trends, short attention span melodies, over done collaborations, stale riffs, and emotionless vocals. <i><strong>Ten Steps </strong></i>by Max ZT and Dan Whitehouse<i> </i>is so well composed that the listener is immersed into the music; they are able to metaphorically digest its contents, and complete the listen with a takeaway that sticks.</span></p><p dir="ltr"><span style="color:hsl(0,0%,90%);"><i><strong>Ten Steps</strong></i> is the creation of Max ZT (House of Waters) known as the Jimi Hendrix of the hammered dulcimer, and Dan Whitehouse, an acclaimed and award-winning English songwriter and composer known for his “subtle and delicate melodies” (<i>The Sunday Times</i>).</span></p><p> </p><p style="text-align:center;" dir="ltr"><span style="color:#000000;"><span><img src="https://lh3.googleusercontent.com/NPD8z5ErALMNL-EiTRLW39Xn7lFvb4Iute7TRVc9vWIZW9Fq5wTyOsK1K_OZuPC04T_HFPAaB3CuEbyjGc7rby86_W3EtDhIwHRK2Ayx66XENYuKYmvAzT62iaMzUsUBkWiIRPgDx8-LIXmhB5x4Xx0" class="size_orig justify_inline border_" height="356" width="535" /></span></span></p><p dir="ltr"><span style="color:hsl(0,0%,90%);">The track Listing includes:</span></p><ol>
<li dir="ltr" aria-level="1"><span style="color:hsl(0,0%,90%);">Ten Steps</span></li>
<li dir="ltr" aria-level="1"><span style="color:hsl(0,0%,90%);">Bury One's Head</span></li>
<li dir="ltr" aria-level="1"><span style="color:hsl(0,0%,90%);">Shizuka</span></li>
<li dir="ltr" aria-level="1"><span style="color:hsl(0,0%,90%);">The Perfect Circle</span></li>
<li dir="ltr" aria-level="1"><span style="color:hsl(0,0%,90%);">Hammerhead</span></li>
<li dir="ltr" aria-level="1"><span style="color:hsl(0,0%,90%);">How To Strike</span></li>
<li dir="ltr" aria-level="1"><span style="color:hsl(0,0%,90%);">The Many Colours of Morning</span></li>
</ol><p dir="ltr"><span style="color:hsl(0,0%,90%);">And while there are more instruments being played on each track so professionally and outspoken, my focus is on the hammered dulcimer as this instrument is literally like a second vocalist.</span></p><p dir="ltr"><span style="color:hsl(0,0%,90%);">Usually, this is when I say “these are the album’s highlights,” but in this case, the entire album is a highlight. This is so rare. But so is the collaboration of two strong music forces creating an album that is so needed in today’s world. An album that is great for just listening but also delivers a message - we can heal; with music, we can heal. Just listen! </span></p><p dir="ltr"><span style="color:hsl(0,0%,90%);">This is my interpretation of <i><strong>Ten Steps</strong></i>.</span></p><p dir="ltr"><span style="color:hsl(0,0%,90%);">We start with the </span><a class="no-pjax" href="https://soundcloud.com/danwhitehouse/ten-steps-ten-steps?in=danwhitehouse/sets/ten-steps&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing" target="_blank" data-link-type="url"><span style="color:hsl(0,0%,90%);"><strong><u>title track</u></strong></span></a><span style="color:hsl(0,0%,90%);"> - a powerful song that illustrates the direction of the album by prepping the listener to be able to thread all of the emotions that is weaved throughout the entire collection of music. The words spoken by Dan White house, “<i>you must not fear these steps; let me take your hand</i>,” is very meditative in its delivery and plays well with the hammered dulcimer surgically played by Max ZT. This track’s message is to not be afraid to take the first step of letting go of whatever does not honor your existence. Watch the live video </span><a class="no-pjax" href="https://youtu.be/j2I4NYoGHVY?si=K2rpfD0S7ULINq8d" target="_blank" data-link-type="url"><span style="color:hsl(0,0%,90%);"><u>here</u></span></a><span style="color:hsl(0,0%,90%);">. </span></p><p dir="ltr"><span style="color:hsl(0,0%,90%);">“</span><a class="no-pjax" href="https://soundcloud.com/danwhitehouse/bury-ones-head-ten-steps?in=danwhitehouse/sets/ten-steps&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing" target="_blank" data-link-type="url"><span style="color:hsl(0,0%,90%);"><strong><u>Bury One’s Head</u></strong></span></a><span style="color:hsl(0,0%,90%);">” plays like the parenthetical part of one’s life. Every lyric sung by Dan Whitehouse’s lips reminds me of what a person’s thinking as they are going through an action. The reciprocal effect of pondering on what they think will happen and what is going to happen is brought out lovely throughout the production of the track. The gated reverb effect on Whitehouse’s vocals equally reflects that “echo” parenthetical vibe. </span></p><p dir="ltr"><span style="color:hsl(0,0%,90%);"> The next track automatically gives the listener a mental picture of serenity at its opening by incorporating natural FX in the background - stillness, quiet. This is “</span><a class="no-pjax" href="https://soundcloud.com/danwhitehouse/shizuka-ten-steps?in=danwhitehouse/sets/ten-steps&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing" target="_blank" data-link-type="url"><span style="color:hsl(0,0%,90%);"><strong><u>Shizuka</u></strong></span></a><span style="color:hsl(0,0%,90%);">.” The lyrics sing: <i>A gentle bow of the head. The ever growing list of things unsaid. The grey and brown canvas tones of this season’s fashion. The soft whirl of the helicopter fans overhead</i>. The “shh” adlib is a great approach that focuses the listener to the song’s message - one of quiet secrets being kept in a place where things are not so peaceful. The harmonies add texture to a track. Watch the video </span><a class="no-pjax" href="https://youtu.be/sxaxdbS0VCE?si=V3of2NWyYEsq4rWo" target="_blank" data-link-type="url"><span style="color:hsl(0,0%,90%);"><u>here</u></span></a><span style="color:hsl(0,0%,90%);">.</span></p><p dir="ltr"><span style="color:hsl(0,0%,90%);">The fourth track, “</span><a class="no-pjax" href="https://soundcloud.com/danwhitehouse/the-perfect-circle-ten-steps?in=danwhitehouse/sets/ten-steps&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing" target="_blank" data-link-type="url"><span style="color:hsl(0,0%,90%);"><strong><u>The Perfect Circle</u></strong></span></a><span style="color:hsl(0,0%,90%);">,” has an uplifting vibe. The bright synthesizers dance with Whitehouse's second tenor vocals. The hammered dulcimer is very emotive on this track, really presenting itself as that second vocalist. In addition, this song should resonate with all listeners as its message is one that is universal - that things in life do not always happen linearly. </span></p><p dir="ltr"><span style="color:hsl(0,0%,90%);">The most contemplative track of the collection is “</span><a class="no-pjax" href="https://soundcloud.com/danwhitehouse/hammerhead-ten-steps?in=danwhitehouse/sets/ten-steps&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing" target="_blank" data-link-type="url"><span style="color:hsl(0,0%,90%);"><strong><u>Hammerhead</u></strong></span></a><span style="color:hsl(0,0%,90%);">.<strong>”</strong> It starts very quietly with nothing but the spoken word and the hammered dulcimer,, then it climbs with instrumentation and backing vocals that literally sets up the listener’s mind and soul to receive the message in the music. </span></p><p dir="ltr"><span style="color:hsl(0,0%,90%);">My initial takeaway of “Hammerhead” was that the lyrics are telling the story of taking care of someone or the observation of a lover to another. But during my second listen of “Hammerhead,” I interpreted the lyrics to be illustrating the observance of a father to its child - I could see a father reflecting on his childhood that was not so great and how he wishes the most for his child. Regardless of your takeaway, you are sure to leave with a musical impression. It is as if Max ZT and Dan Whitehouse as the artists have produced music that personifies life imitating art in that the artists are allowing the listener to take from the track what they need defined. Spectacular!</span></p><p dir="ltr"><span style="color:hsl(0,0%,90%);"><i>Down at the bay his tall frame casts a long shadow in the afternoon sun / he settles himself and prepares to play</i>. These are the opening words to <strong>“</strong></span><a class="no-pjax" href="https://soundcloud.com/danwhitehouse/how-to-strike-ten-steps?in=danwhitehouse/sets/ten-steps&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing" target="_blank" data-link-type="url"><span style="color:hsl(0,0%,90%);"><strong><u>How To Strike</u></strong></span></a><span style="color:hsl(0,0%,90%);"><strong>.”</strong> This touches on playing the sport golf. But listen carefully to the hammered dulcimer, close your eyes and wait a few seconds. Now, could you see the golf course; the man standing there ready to pull off that perfect shot? I could; I bet you could. WOW! To be able to play an instrument like that. Brilliance! Then when the spoken words appear, almost like an announcer calling the game, you begin to notice something else. This song is a symbolic gesture of living life … ride the ride and reap the benefits. </span></p><p dir="ltr"><span style="color:hsl(0,0%,90%);">The final track is “</span><a class="no-pjax" href="https://soundcloud.com/danwhitehouse/the-many-colours-of-the-morning-ten-steps?in=danwhitehouse/sets/ten-steps&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing" target="_blank" data-link-type="url"><span style="color:hsl(0,0%,90%);"><strong><u>The Many Colours of the Morning</u></strong></span></a><span style="color:hsl(0,0%,90%);"><strong>.” </strong>Metaphorically, this song refers to being “woke” or living in the now - the present. Nothing else matters, not the past, or what tomorrow may bring, it’s just “the many colours of the morning.” On this track, Max ZT’s hammered dulcimer shares about half of the song with Whitehouse’ spoken words. An intentional balance - like how life should be. A reflective track.</span></p><p> </p><p style="text-align:center;" dir="ltr"><span style="color:hsl(0,0%,90%);"><span><img src="https://lh5.googleusercontent.com/kl-1CuKb7rMJtowWpqIJL3f9jqsxVo20aDWR9XlTY4deDvg-CVgFkGYbVyn6WFY0s8Kiuh0F_QRqpjN5h1kkqU6RY_QtXIKpqV08Ta-1obY0lj5uX0oDvu32V9eahtZOeMyKQGg8h4u2GohBuf6yG1c" class="size_orig justify_inline border_" height="347" width="522" /></span></span></p><p> </p><p dir="ltr"><span style="color:hsl(0,0%,90%);">There are typically 12 steps to recovery in many circumstances, especially addiction. But in life, there are usually five steps that people need to take in order to just exist: faith, recognition of self, health, motivation, and action. If these five steps, or aspects of one’s life, are expounded upon (or hyper focused), I guess we can say that there are 10 steps. This album is a vocal, lyrical, and instrumental illustration of those five steps hyper focused.</span></p><p dir="ltr"><span style="color:hsl(0,0%,90%);">The entire collection of Ambient music illustrates what happens when two powerhouses come together - it’s passion with a purpose. There is no “real” theme to the album, but its purpose is to illustrate how music has the power to heal and truly transform lives and people to be their best selves. Yet, the songs also illustrate how even failures need to be reflected upon. It is staggering that some of the tracks were done in improv - just off the cuff. No script; no game plan - just pure talent.</span></p><p dir="ltr"><span style="color:hsl(0,0%,90%);">And unlike the majority of Ambient music where it may lack a true composition or structure, <i><strong>Ten Steps</strong></i> has an emotional core and a strongly structured melody. And true to most Ambient music, <i><strong>Ten Steps</strong></i> is layered with textures of full bodied instrumentation and a juxtaposition of thought provoking and meditative lyrics.</span></p><p dir="ltr"><span style="color:hsl(0,0%,90%);">Very cathartic. </span></p><p dir="ltr"><span style="color:hsl(0,0%,90%);">This is serious music, because gone are the bells, whistles, and fluff that distorts the messages in most songs recorded in mainstream music today. With the words and music of <i><strong>Ten Steps</strong></i> there are no trends, citing of social media, comparing apples to oranges, or any additional gimmicks. </span></p><p dir="ltr"><span style="color:hsl(0,0%,90%);">So, it is truly wonderful to listen to a collection of music that allows the listener to use their five senses: touch, to put on an album; hearing, to listen to the music; sight, to see the reality in its lyrics and to see the stories come to life; smell, to inhale deeply while listening to the music, and then exhale in release of stress; and taste, to just close your mouth and lick your lips, swallow, and grimace at all of the nuances laid out by such masterful musical artists. Just to sit in the present, reminisce on the past, and prepare for the future in just 25 minutes is an awesome experience!</span></p><p dir="ltr"><span style="color:hsl(0,0%,90%);">To be able to vibe, become a collective, and inspire with pure vocals and instrumentation, is nothing short of phenomenal!</span></p><p style="text-align:center;" dir="ltr"><span style="color:hsl(0,0%,90%);">The TEN STEPS UK tour begins 18th October 2023:</span></p><p style="text-align:center;" dir="ltr"><span style="color:hsl(0,0%,90%);">Wed 18th October - Arc Theatre, Winchester</span></p><p style="text-align:center;" dir="ltr"><span style="color:hsl(0,0%,90%);">Thur 19th October - Music At The Unicorn, Abingdon</span></p><p style="text-align:center;" dir="ltr"><span style="color:hsl(0,0%,90%);">Sun 22nd October - Stables 2, Milton Keynes</span></p><p style="text-align:center;" dir="ltr"><span style="color:hsl(0,0%,90%);">Tue 24th October - The Pheasantry, Pizza Express, London</span></p><p style="text-align:center;" dir="ltr"><span style="color:hsl(0,0%,90%);">Wed 25th October - Ropetackle Arts, Shoreham</span></p><p style="text-align:center;" dir="ltr"><span style="color:hsl(0,0%,90%);">Thur 26th October - The Old Stables, Cricklade</span></p><p style="text-align:center;" dir="ltr"><span style="color:hsl(0,0%,90%);">Fri 27th October - Royal Birmingham Conservatoire</span></p><p style="text-align:center;" dir="ltr"><span style="color:hsl(0,0%,90%);">Sat 28th October - The Stoller Hall, Manchester </span></p><p> </p><p dir="ltr"><span style="color:hsl(0,0%,90%);">Tickets available now from </span><a class="no-pjax" href="http://fromthewhitehouse.com/max-zt-dan-whitehouse" target="_blank" data-link-type="url"><span style="color:hsl(0,0%,90%);"><u>fromthewhitehouse.com/max-zt-dan-whitehouse</u></span></a><span style="color:hsl(0,0%,90%);"> or </span><a class="no-pjax" href="http://dan-whitehouse.com/live" target="_blank" data-link-type="url"><span style="color:hsl(0,0%,90%);"><u>dan-whitehouse.com/live</u></span></a><span style="color:hsl(0,0%,90%);"> </span></p><p> </p><p style="text-align:center;" dir="ltr"><span style="color:hsl(0,0%,90%);">Facebook: </span></p><p style="text-align:center;" dir="ltr"><a class="no-pjax" href="https://www.facebook.com/fromtheWhiteHouse" target="_blank" data-link-type="url">https://www.facebook.com/fromtheWhiteHouse</a></p><p style="text-align:center;" dir="ltr"><a class="no-pjax" href="https://www.facebook.com/danwhitehousemusic" target="_blank" data-link-type="url">https://www.facebook.com/danwhitehousemusic</a></p><p style="text-align:center;" dir="ltr"><a class="no-pjax" href="https://www.facebook.com/maxztmusic" target="_blank" data-link-type="url">https://www.facebook.com/maxztmusic</a><span style="color:hsl(0,0%,90%);"> </span></p><p style="text-align:center;" dir="ltr"> </p><p style="text-align:center;" dir="ltr"><span style="color:hsl(0,0%,90%);">Twitter</span></p><p style="text-align:center;" dir="ltr"><a class="no-pjax" href="https://twitter.com/frtheWhiteHouse" target="_blank" data-link-type="url">https://twitter.com/frtheWhiteHouse</a></p><p style="text-align:center;" dir="ltr"><a class="no-pjax" href="https://twitter.com/dan_whitehouse" target="_blank" data-link-type="url">https://twitter.com/dan_whitehouse</a></p><p style="text-align:center;" dir="ltr"><a class="no-pjax" href="https://twitter.com/maxztmusic" target="_blank" data-link-type="url">https://twitter.com/maxztmusic</a></p><p style="text-align:center;" dir="ltr"> </p><p style="text-align:center;" dir="ltr"><span style="color:hsl(0,0%,90%);">Instagram</span></p><p style="text-align:center;" dir="ltr"><a class="no-pjax" href="https://www.instagram.com/frthewhitehouse" target="_blank" data-link-type="url">https://www.instagram.com/frthewhitehouse</a></p><p style="text-align:center;" dir="ltr"><a class="no-pjax" href="https://www.instagram.com/whitehousedan" target="_blank" data-link-type="url">https://www.instagram.com/whitehousedan</a></p><p style="text-align:center;" dir="ltr"><a class="no-pjax" href="https://www.instagram.com/maxzt/" target="_blank" data-link-type="url">https://www.instagram.com/maxzt/</a><span style="color:hsl(0,0%,90%);"> </span></p><p> </p><p> </p><p style="text-align:center;" dir="ltr"><span style="color:hsl(0,0%,90%);"><span><img src="https://lh6.googleusercontent.com/za8F9ygARibv2hr_mTtO2EzeiJLJ2QI7gD3sHp8382bP9qhUqEz_bCIMgl7AfOocJg3AaSc2hmkIuCSlxFJaQo_KGzrV_LIT7Afr9A65C09WyItXs0qCv9YyzBS89EcKBkTdDYA6jpdk1W5iF6Nny1A" class="size_l justify_inline border_" height="276" width="276" /></span></span></p><p> </p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0,0%,90%);"><strong>TEN STEPS Written and Produced by Max ZT (ASCAP) & Dan Whitehouse (PRS / MCPS) </strong></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0,0%,90%);"><strong>Lyrics by Dan Whitehouse </strong></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0,0%,90%);"><strong>Mixed by Max ZT </strong></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0,0%,90%);"><strong>Mastered by Mark Freegard </strong></span></p><p style="text-align:center;"> </p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0,0%,90%);"><strong>Dan Whitehouse - Vocals, Guitars, recorded in Yokohama, Japan </strong></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0,0%,90%);"><strong>Max ZT - Hammered Dulcimer, Percussion, Synthesizers, recorded in New York, USA </strong></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0,0%,90%);"><strong>Ösp Eldjárn - Background Vocals (Ten Steps) </strong></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0,0%,90%);"><strong>Gustaf Ljunggren - Synthesizers (Ten Steps) </strong></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0,0%,90%);"><strong>Taiga Mori-Whitehouse - Background Vocals (Shizuka) </strong></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0,0%,90%);"><strong>Art & Design – Martin Hyde </strong></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0,0%,90%);"><strong>Photos - Peter James Millson </strong></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0,0%,90%);"><strong>P+C Max ZT & Dan Whitehouse 2023 </strong></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0,0%,90%);"><strong>WTK006 Want To Know Records</strong></span><span class="text-small" style="color:#343333;"><strong> </strong></span></p>Klef Notestag:klefnotes.com,2005:Post/71979732023-04-27T05:38:19-12:002023-04-27T05:38:20-12:00Album Review: Jambrains' LAND OF THE WEARY<p><meta charset="utf-8"></p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/393930/b63a19b5b964d84118cb5534f52c14bbf134ca68/original/land-of-the-weary-cover-art.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p style="text-align:justify;" dir="ltr"><span style="color:hsl(0, 0%, 90%);">When have you put on an album in today’s world of music, in 2023, and you were speechless? Completely moved or totally frozen by emotions in your mind that were asleep? For me, it’s been a minute. In comes Swedish multi-instrumentalist and songwriter Jambrains with his latest album <i><strong>Land of Weary</strong></i>. This album is alive with poignant stories that go in the ears, on to the soul, and end up in the mind.</span></p><p style="text-align:justify;" dir="ltr"><span style="color:hsl(0, 0%, 90%);"><i><strong>Land of the Weary </strong></i>contains eight songs:</span></p><ol>
<li dir="ltr" aria-level="1"><span style="color:hsl(0, 0%, 90%);">Land of the Weary</span></li>
<li dir="ltr" aria-level="1"><span style="color:hsl(0, 0%, 90%);">Walk Away</span></li>
<li dir="ltr" aria-level="1"><span style="color:hsl(0, 0%, 90%);">A Brand New Stage</span></li>
<li dir="ltr" aria-level="1"><span style="color:hsl(0, 0%, 90%);">Lift the Weight</span></li>
<li dir="ltr" aria-level="1"><span style="color:hsl(0, 0%, 90%);">Turn of the Tide</span></li>
<li dir="ltr" aria-level="1"><span style="color:hsl(0, 0%, 90%);">So Worth It</span></li>
<li dir="ltr" aria-level="1"><span style="color:hsl(0, 0%, 90%);">The Sweetness of Surrender</span></li>
<li dir="ltr" aria-level="1"><span style="color:hsl(0, 0%, 90%);">Omaha Beach</span></li>
</ol><p style="text-align:justify;" dir="ltr"><span style="color:hsl(0, 0%, 90%);">In this review, I will highlight the album's standout tracks that clearly illustrate the album’s theme of resilience through observation and acceptance.</span></p><p style="text-align:justify;" dir="ltr"><span style="color:hsl(0, 0%, 90%);">The album opens up with the title track, “</span><a class="no-pjax" href="https://open.spotify.com/track/46DKoWU91tpIcoZ4zcIgbM?si=5191cff89416404e" target="_blank" data-link-type="url"><span style="color:hsl(0, 0%, 90%);"><strong>Land of the Weary</strong></span></a><span style="color:hsl(0, 0%, 90%);">.” The song is a moderate-tempo track with a guitar intro. The lyrics describe the relationship between the narrator and road partner as they travel across America detailing their experiences. The lyrics sing:</span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>We passed through</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>mid-size, midwest cities</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>where confidence and hope</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>are things of the past</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>We passed through</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>mid-size, midwest cities</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>Through the land of the weary</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>and the home of the damned</i></span></p><p> </p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>Tacos kept us fed driving down the I-94</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>eyes glued to the road</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>Top down, wind in our hair</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>Adventures waiting to unfold</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>With every stop and every stay</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>Met so many souls along the way</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>the same old story, long hours</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>and no decent pay</i></span></p><p style="text-align:justify;" dir="ltr"><span style="color:hsl(0, 0%, 90%);">The title could serve as a double entendre in that the “land of the weary '' could describe the good, the bad and the ugly of traveling through a foreign land, but it could also illustrate the highs, lows, good, and bad within a relationship that smooths itself out in the end when two are a united front.</span></p><p style="text-align:justify;" dir="ltr"><span style="color:hsl(0, 0%, 90%);">“<strong>A Brand New Stage</strong>” tells the tale of a relationship that has run its course and demonstrates Jambrains’ theme of resilience through observation and acceptance lyrically with the narrator having the courage to move on from a love he once knew and stand on a “new” stage starting life over. The most potent lyric: <i>Please won't you see that this bird has flown. It rose from the ashes, escaped from its cage, the curtain is raised for a brand new stage</i>. When you first listen to the instrumentation on this track, the listener may feel as if this is a song of new love, bliss, and captivation with the light opening strings and percussions. But soon, the lyrics spell out a track featuring something different. It <i>is </i>optimistic, and it <i>is </i>about NEW, but in the form of escapism and starting over. “A Brand New Stage” has a great melody and infectious honesty that is missing in most songs today.</span></p><p style="text-align:justify;" dir="ltr"><span style="color:hsl(0, 0%, 90%);">In keeping with his theme of resilience through observation and acceptance, “<strong>Lift the Weight</strong>” does not disappoint. The fourth song of the collection is the type of ballad that just makes you pause. The mandoline just grabs at your heart strings. Jambrains’ signature sound of passionate purpose is all over this track. The storyline is about dropping off your weight, or burdens, and making space for peace to forgive yourself and allow oneself the opportunity to be okay.</span></p><p style="text-align:justify;" dir="ltr"><span style="color:hsl(0, 0%, 90%);"><strong>“The Sweetness of Surrender</strong>” is quite another type of ballad. Just take a moment to reflect on these emotionally robust lyrics:</span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>Once I was like you</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>Now not so much</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>Can’t recall your kisses</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>Or the warmth of your touch</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>I’ve blocked them from my memory</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>So I won't feel the pain</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>So I can say the fire is gone</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>And not a spark remains</i></span></p><p> </p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>The sweetness of surrender</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>Relief as I let go</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>My genie in a bottle</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>tells me all I need to know</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>The sweetness and the freedom</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>to just not give a damn</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>'bout anything or anyone</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>but the next Diazepam</i></span></p><p style="text-align:justify;" dir="ltr"><span style="color:hsl(0, 0%, 90%);">In this tale of unrequited love [love not returned or rewarded], Jambrains chose to highlight the keys - the piano! The piano starts the track whispering the core melody of this track and in comes Jambrains delicately vocalizing the emotions of each lyric. This is going to be the tear-jerker at the live performances. Get out the Kleenex guys. Only a skilled songwriter can weave beautiful<strong> observations </strong>into music.</span></p><p style="text-align:justify;" dir="ltr"><span style="color:hsl(0, 0%, 90%);">The final track is the anchor of the collection. “<strong>Omaha Beach</strong>.” With this one song, Jambrains fully summarizes the theme of resilience through observation and acceptance. The explanation of the theme is due to the backdrop that inspired the track. Jambrains shared his experience of his visit to France. He visited Normandy and the D-Day beaches. In addition, Jambrains stopped at the American Cemetery at Colleville-sur-Mer by Omaha Beach. While there, he stood there looking at the endless rows of white marble crosses. He thought to himself, “what if all these men rose up from their graves and looked at the world of today. Would they find peace knowing that their sacrifice helped to shape a better world or would they look at the world in dismay, turn and walk away?” The hook sings:</span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>A white marble cross</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>"Here Rests In Honored Glory</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>A Comrade In Arms</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>Known But To God"</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>That was all that it said</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>That was all that they got</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>A Comrade In Arms</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>Known But To God</i></span></p><p style="text-align:center;" dir="ltr"><span class="text-small" style="color:hsl(0, 0%, 90%);"><i>Known But To God</i></span></p><p style="text-align:justify;" dir="ltr"><span style="color:hsl(0, 0%, 90%);">The first part of the chorus, “Here Rests In Honored Glory, A Comrade In Arms Known But To God" is a direct quote from the crosses that marks the graves of unknown soldiers. The audio FX of the gulls in flight and the waves ebbing and flowing just sets the stage for a mental opera - kind of a tragedy but more of a soliloquy. Truly, life gives way to art!</span></p><p style="text-align:justify;" dir="ltr"><span style="color:hsl(0, 0%, 90%);">It is great to hear an artist stay true to their signature sound. With Jambrains, you are going to hear some amazing guitar riffs and strong melodies. But it is awesome to hear an artist keep things fresh - not changing their style, but adding different instruments, different productions of FX, and even putting a spin on melodies (instrument and vocal) to add variety to their sound. Jambrains delivered this technique on <i><strong>Land of the Weary</strong></i>. This album’s instrumental layers give texture, while the vocal supports the lyrics, which in turn, sparks the imagination. This technique gives birth to a descriptive, interpretive, album. </span></p><p style="text-align:justify;" dir="ltr"><span style="color:hsl(0, 0%, 90%);">The music is upbeat and breathes new air in old memories, but unlike many albums today, Jambrains’ <i><strong>Land of the Weary</strong></i> places emphasis on storytelling, reality, and unapologetic honesty - nothing is sugar-coated or muted. The <i><strong>Land of the Weary </strong>ly</i>rically and instrumentally places a pause on the panic of life and gives each listener the time to just exist. This is the music for the listeners! <i><strong>Land of the Weary </strong></i>will paint a picture, build a story, and place practicality back into a world full of no imagination, no reality, and no soul.</span></p><p style="text-align:justify;" dir="ltr"><span style="color:hsl(0, 0%, 90%);">Each song showcased in this review shows how when a person accepts what cannot be changed, and observes the turns, bumps, stop signs, cliffs, and hills on their journey through different stages of their lives and history, then and only then can they be resilient. </span></p><p style="text-align:center;" dir="ltr"><span style="color:hsl(0, 0%, 90%);"> </span><a class="no-pjax" href="http://www.jambrains.com/"><span style="color:hsl(0, 0%, 90%);"><u>http://www.jambrains.com/</u></span></a><span style="color:hsl(0, 0%, 90%);"> </span></p>Klef Notestag:klefnotes.com,2005:Post/71853022023-04-06T07:03:06-12:002023-04-06T07:04:36-12:00Yana - Song Review "The Traveller"<p><span style="color:black;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/393930/39dad7ebe0ac26b1aa06b9da19ac4f81ba5724cf/original/yana-the-traveller.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_m justify_left border_" /></span><span style="color:hsl(0,0%,90%);">It all starts with a piano ….</span></p><p><span style="color:hsl(0,0%,90%);">The “The Traveller” is a song by Czech Republic singer/songwriter Yana. Featuring Maurice Culligan (from the Irish band Interference), “The Traveller” (‘s) storyline is an homage to Fergus O'Farrell, the late front man of Interference. The lyrics are about how one continues to live on through the music, the stories, the love, the friendships, and the experiences of one’s life. Rarely does a song feature only a piano, or a sole instrument, to accompany lyrics. But when it is done right, it gives a stunning, almost regal, effect. Yana (vocals) and Culligan (vocals and piano) created such a sound with “The Traveller.” The way the piano is featured on this track is as if there is a third vocalist.</span></p><p><span style="color:hsl(0,0%,90%);">The emotions poured into the latest track by Yana are almost surreal. Just the right production was developed on this track, just enough, to leave the heart and soul in the forefront. </span></p><p><span style="color:hsl(0,0%,90%);">It is amazing how good music and lyrics, like wine, just get better with time. If you have just discovered Yana, you will soon agree (if you do not already do so) that her music is timeless. I feel that we can all agree that this track is an emotional masterpiece. What makes this track a masterpiece? It is so unique that it can stand alone, but it is so all-consuming to the ears and souls of each listener that it draws a crowd. Much like the Dutch Masters’ paintings, real art, a true masterpiece, has a spotlight above it even when it is not on display.</span></p><p><span style="color:hsl(0,0%,90%);">It all starts with a piano. It ends with a great memory.</span></p><p><span style="color:hsl(0,0%,90%);">Click </span><a class="no-pjax" href="https://www.yanamusic.eu/the-traveller/"><span style="color:hsl(0,0%,90%);">HERE </span></a><span style="color:hsl(0,0%,90%);">to purchase “The Traveller.”</span></p>Klef Notestag:klefnotes.com,2005:Post/71647482023-03-03T10:27:50-12:002023-03-03T10:28:59-12:00The Wag - Blue Bottles and Copper Coins (Album Review)<p><span style="color:black;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/393930/b8d8e628655913ac1f1b2b3ccb61bf2710f0cd4f/original/the-wag.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span><span style="color:#999999;">It is award season for music. When I attend a music award show in person, or from my couch, what I love seeing the most are the bands that have longevity - those bands that have been bent by history’s roller coaster called living but who are not easily broken. Honestly, these bands are few and far between. In 2019, I introduced my readers to a Pop Rock band from New Jersey USA who follows the mantra of music being about the BAND and the talent. The Wag is their name - the players are: Brian Ostering – Bass and vocals / Alicia Van Sant – Keyboards, vocals, percussion, some flute, occasional guitar / Don Lee – Guitar and vocals / Joshua Van Ness – Drums, percussion, guitar and vocals.</span></p><p><span style="color:#999999;">I am honored to review their latest album entitled <i><strong>Blue Bottles and Copper Coins</strong></i>.</span></p><p><span style="color:#999999;"><i><strong>Blue Bottles and Copper Coins </strong></i>is being released during the band’s 25th anniversary which calls attention to the album’s theme of resilience and transparency. There are 11 songs that supports the core theme:</span></p><ol>
<li start="1" type="1"><span style="color:#999999;"><span>Got to Let You Know</span></span></li>
<li start="1" type="1"><span style="color:#999999;"><span>Tomorrow Is Waiting</span></span></li>
<li start="1" type="1"><span style="color:#999999;"><span>With the Sun on Our Face</span></span></li>
<li start="1" type="1"><span style="color:#999999;"><span>Better off That Way</span></span></li>
<li start="1" type="1"><span style="color:#999999;"><span>Don’t Count Me Out</span></span></li>
<li start="1" type="1"><span style="color:#999999;"><span>Fill It With Love</span></span></li>
<li start="1" type="1"><span style="color:#999999;"><span>Me and the Ghost</span></span></li>
<li start="1" type="1"><span style="color:#999999;"><span>Feeling Fine</span></span></li>
<li start="1" type="1"><span style="color:#999999;"><span>Breath by Breath</span></span></li>
<li start="1" type="1"><span style="color:#999999;"><span>Sweet Summer Nights</span></span></li>
<li start="1" type="1"><span style="color:#999999;"><span>These Boots Are Made for Walkin’</span></span></li>
</ol><p><span style="color:#999999;">This is my review of the album’s highlights.</span></p><p><span style="color:#999999;">The album opens with <strong>“Got to Let You Know</strong>” with Alicia Van Sant at the mic. Such energetic instrumentation that gets you on your feet. Lyrically, the song is about the narrator so in love that they are not afraid to let the world know, and they welcome the option to discover where this love goes in the future. The lyrics sing: </span></p><p><span style="color:#999999;"><i>And I’ve always wondered... yes, I’ve always wondered how love ignites the air / Now I’ve fallen under this spell of thunder / Let’s both discover that our love is one to shareIt’shard to keep my feet on the ground / And since my head’s been high in the clouds, yeah! / We’ve gotta stop this playin’ around / Got to let you know! / It’s what we’ve all been dreaming about / With just a word we’ll turn it around, yeah! / I’ll be the first to say it aloud / Got to let you know!</i></span></p><p><span style="color:#999999;">The pullback of the music at the pre-chorus enables the audience to hear the passion in the song. The music is not too in your face but is intentionally outspoken with its arrangement. In addition, the warm harmonies give the song a heart-flutter type of vibe. The opening track fully supports the theme of being transparent as the song’s character is not afraid to let the world know of their affection for another. </span></p><p><span style="color:#999999;">“<strong>Tomorrow Is Waiting</strong>” features a sexy lead and just brings the funk! The casual approach to the lyrics makes the song very memorable. The guitar is also a very present team player on this cut. The sharing of different ranges in the vocals really opens the track and contributes layers - a great illustration of the band's united texture. Wonderfully, at the 58 second’s mark, the guitar literally talks, and it plays as if it is whispering sweet nothings into the listener’s ears at the 3-minute mark. Definitely a rebellious but light track. Pop Rock but kind of funky. Awesome hook. </span></p><p><span style="color:#999999;">“<strong>With the Sun on Our Face</strong>” is the PLUS 1 track of the album - you know, when people say, “this is my plus 1?” This song Illustrates that love is not dead and that being adventurous has not become outdated. The lyrics sing:</span></p><p><span style="color:#999999;"><i>I couldn’t ask for anymore more / There’s nothing quite like this I’m sure / Ohh, so take my hand, and kick up some sand / Just you and me, we’ll go dip our toes / We’ll find all the spots that nobody knows, just incase / With the sun on our face</i></span></p><p><span style="color:#999999;">The acoustic guitars on this track are very inviting. Adding the practical percussion gives the track that easy-living appeal. When this track plays, no one will be wondering what is trending on social media - honestly, the listener will remember what it means to be HUMAN. No avatar needed. </span></p><p><span style="color:#999999;">When it comes to the eighth track of the album, there is a bit of a surprise. A good surprise! </span></p><p><span style="color:#999999;">Being a Pop Rock band, “<strong>Feeling Fine</strong>” is wonderfully commercial Rock. “Feeling Fine” has a storyline about a person who was hurt within a relationship but is transparent enough in their feelings to say that they are feeling fine and resilient enough to move on. This guitar-driven track features an infectious hook. The lead’s slightly aggressive, unapologetic, prowess truly gives this track LIFE. This is a driving track that is sure to get attention - very catchy.</span></p><p><span style="color:#999999;">When The Wag’s listeners finished listening to “Feeling Fine,” they will be met with soft, suspicious, percussions that lead into what I think is one of the best tracks on the album - “<strong>Breath by Breath</strong>.” The lyrics of this track spells out that type of ride or die affection that many aspire to grab in life - they sing: </span></p><p><span style="color:#999999;"><i>You stood atop your anger ’Til it gave way underneath / Your throat was raw from screaming / And you found it hard to breathe / There were tidal waves in your heart / And your world came crashing down / It was early in the morning / When you silently cried out loud / But I heard you . . Breath by breath we’ll stay here together / Breath by breath until it gets better / Breath by breath you’ll begin to feel the light / Breath by breath you’ll find your power / Breath by breath in the darkest hour / Breath by breath you’ll begin to feel the light.</i></span></p><p><span style="color:#999999;">This beautiful love ballad reminds me of the great love songs of the 1980s, but still features modern instrumentation which makes it timeless. Van Sant’s vibrato on this track is FIRE! The way that Van Sant executed her vocal, with a calming range and carefully selected pausing, patience, and poise is just what the song needed to make it classic. The entire production of this track, from the lyrics to the vocals, to the music all illustrate both resilience and transparency. It is as if a person slipped a love letter into a blue bottle and set it off to sea. AWESOME!</span></p><p><span style="color:#999999;">Finally, the cover of Nancy Sinatra’s “These Boots Are Made for Walkin’' features Van Sant contributing a sassier vocal and more energized instrumentation. This type of vocalizing breathes new air into a classic hit with lyrics that sing:</span></p><p><span style="color:#999999;"><i>You keep sayin’ you’ve got somethin’ for me / Somethin’ you call love, but confess / You’ve been messin’ where you shouldn’t’a been messin’ / And someone else is gettin’ all your best / These boots are made for walkin’ / And that’s just what they’ll do / One of these days these boots are gonna walk all over you.</i></span></p><p><span style="color:#999999;">On the original track, it is as if the music and the vocal are two separate forms. The Wag’s rendition showcases a wonderful pairing of song and artist.</span></p><p><span style="color:#999999;">It is no secret that The Wag is a band. What sets them apart from bands of today is that they can write, sing, and play some rockin instruments - it is not just players in this act, there are vocalists and musicians. The skill it takes to compose music this way is rarely seen in today’s music. This brings me to a summation of the level of value this album gives to its fans. </span></p><p><span style="color:#999999;">Each track showcased in this review are the giants of the collection, and each places a spotlight on the threading theme of the album: resilience and transparency - greatly illustrated with the use of glass and metal. Throughout history, many things alluded the public to take notice of levels of expertise. We see this in clothing, jewelry, and cars. This is also seen when things are contained in glass. Containing elements in glass shows the fragility and the worth of whatever is within the glass. Food for thought? Blue glass signifies purity and copper is known to have healing properties. </span></p><p><span style="color:#999999;">Of course, this is not a history or medical thesis - but, when a band as pure, talented, and full of wonderful stories create a collection of music that is labeled “Blue Bottles and Copper Coins,” one must understand that there is a meaning behind it. When it comes to the title of The Wag’s latest album, for me, this collection of songs highlights the band’s evolution throughout the years - the fragile times and those times where the validity of their worth was questioned. The unity of this band helped cement their worth and they came out stronger as a band. The lyrics and music they produce just adds to the backstory as it heals by being cathartic. In addition, the stability of the band resonates in the songs penned through the decades. This is a great homage to the journey - where it has been and where it is going. This is their 25th anniversary, so it is fitting to create a collection of songs titled <i><strong>Blue Bottles and Copper Coins</strong></i>. </span></p><p><span style="color:#999999;">The Eurythmics were just inducted into the Rock N Roll Hall of Fame - I think it is time to induct Indie Music bands into the Rock N Roll Hall of Fame. It is bands like The Wag who are not only needed in such company, but also deserved.</span></p><p style="text-align:center;"><span style="color:#999999;">Website: </span><a class="no-pjax" href="http://www.thewagband.com/"><span style="color:#999999;">www.thewagband.com</span></a></p><p style="text-align:center;"><span style="color:#999999;">Facebook: </span><a class="no-pjax" href="http://www.facebook.com/thewagband"><span style="color:#999999;">www.facebook.com/thewagband</span></a></p><p style="text-align:center;"><span style="color:#999999;">Twitter: </span><a class="no-pjax" href="http://www.twitter.com/thewag"><span style="color:#999999;">www.twitter.com/thewag</span></a></p><p style="text-align:center;"><span style="color:#999999;">Soundcloud: </span><a class="no-pjax" href="http://www.soundcloud.com/the-wag"><span style="color:#999999;">www.soundcloud.com/the-wag</span></a></p><p style="text-align:center;"><span style="color:#999999;">Youtube: </span><a class="no-pjax" href="https://www.youtube.com/user/TheWagBand"><span style="color:#999999;">www.youtube.com/user/TheWagBand</span></a></p><p><span style="color:#999999;">————————–</span></p><p><span style="color:#999999;">Supporting Musicians:</span></p><p><span style="color:#999999;">Arielle Strauss – Bongos</span></p><p><span style="color:#999999;">Michael Brett – Guitar and vocals</span></p><p><span style="color:#999999;">Ken Masson – Drums and percussion</span></p><p><span style="color:#999999;">Ralph Capasso – Saxophone, drums and percussion</span></p>Klef Notestag:klefnotes.com,2005:Post/71240312022-12-16T06:35:55-12:002022-12-16T06:37:58-12:00Jessica Lynn's “You Save Me” (song review)<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/4a8866d575f61c52f4e7329d8dc9b05fcd92ec59/original/jessica-lynn-you-save-me.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W1sic2l6ZSIsImxhcmdlIl1d.jpg" class="size_l justify_left border_none" alt="" />“<a contents="You Save Me" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/5AZ1sJairBUTxKnqeYmORZ?si=b19a2519e90e432c" target="_blank">You Save Me</a>” is a beautiful ballad written by Jessica Lynn and sang by Lynn and Liam Wakefield. In this song, “music” is the hero. Coming out of the heart of Lynn, she used descriptive words to support the song’s storyline of how music has a positive impact on mental health, thus healing whatever is wounded, sorrowed, negated, or misunderstood. The lyrics sing: </p>
<p style="text-align: center;"><em><strong>When I’m breaking </strong></em></p>
<p style="text-align: center;"><em><strong>Your lyrics and melody save me </strong></em></p>
<p style="text-align: center;"><em><strong>All I can do is just sing along </strong></em></p>
<p style="text-align: center;"><em><strong>And you lift me </strong></em></p>
<p style="text-align: center;"><em><strong>Out of the depths </strong></em></p>
<p style="text-align: center;"><em><strong>When I’m sinking </strong></em></p>
<p style="text-align: center;"><em><strong>And just like a beacon of light </strong></em></p>
<p style="text-align: center;"><em><strong>You shine </strong></em></p>
<p style="text-align: center;"><em><strong>Darling you save me </strong></em></p>
<p>Lynn and Wakefield’s vocals emotively drive a much-needed message into the ears and hearts of each listener. And although Lynn and Wakefield separately bring their individual talents to this track, collectively, their voices blend to create a vibe that carries a cathartic song that illustrates how music is that undying force that combats adversity and allows courage and strength to grow. </p>
<p>There is a saying that states that one drop of water can break a stone. Often with issues such as mental health, society can be stone-like in their approach to tackle the issue of mental health and their efforts to alert the masses of such an issue. “You Save Me” is that drop of water that will break this stone wide open. </p>
<p>All <a contents="proceeds" data-link-label="" data-link-type="url" href="http://www.JessicaLynnMusic.org/music-saves-merch" target="_blank">proceeds</a> from the "You Save Me" go to helping out with this cause. </p>
<p style="text-align: center;"><a contents="twitter" data-link-label="" data-link-type="url" href="https://mobile.twitter.com/jessica__lynn_" target="_blank">Twitter </a> | <a contents="FB" data-link-label="" data-link-type="url" href="https://www.facebook.com/JessicaLynnMusicPage/" target="_blank">FB</a> | <a contents="IG" data-link-label="" data-link-type="url" href="https://www.instagram.com/jessicalynnmusic/" target="_blank">IG</a> </p>
<p style="text-align: center;"><a contents="Central Press" data-link-label="" data-link-type="url" href="https://centralpresspr.com/" target="_blank">Central Press</a> </p>Klef Notestag:klefnotes.com,2005:Post/71207532022-12-09T10:02:06-12:002022-12-09T10:02:06-12:00SJ Mortimer's "Hear Me Lover" (song review)<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/89c9db1ff822c4987d510aa6774c12ebd49b9a2a/original/sj-hear-me-lover-high-rez.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W1sic2l6ZSIsImxhcmdlIl1d.jpg" class="size_l justify_left border_none" alt="" />It’s been a long time since I have heard an artist really use their vocals to define a moment and clearly get the emotional aspect of the song’s message across to their listeners – finally, I heard it with SJ Mortimer. </p>
<p>SJ Mortimer is a singer songwriter from the UK. SJ usually fronts the Country-Rock band entitled Morganway, but how delighted we are to be hearing a single from this exceptional vocalist. Her single is called “<a contents="Hear Me Lover" data-link-label="" data-link-type="url" href="https://youtu.be/4El6DIQWBQk" target="_blank">Hear Me Lover</a>” a song that illustrates that snippet in time when chance meets reality and sparks fly! </p>
<p>SJ’s voice is strong and compelling in that it makes itself heard but is never brash. And with a voice as solid as SJ’s, it's amazing how she can make her vocals euphonious at any given time as she does at the one minute and 32 seconds mark where she sings: </p>
<p style="text-align: center;"> </p>
<p style="text-align: center;"><em>I try, but I can’t seem to sleep / Old times, make me wanna weep. </em></p>
<p>I get the feeling that once the audience hears the very first trill roll off of SJ Mortimer’s tongue, listeners will hold their breath in fear that they are being tricked - "this cannot be real in today's music," they may say, but just breathe ladies and gentlemen. "Hear Me Lover" is an entire song full of awesome lyrics, a storyline, and reflective music. Someone is actually SINGING! And the best thing? There is more to come from SJ. </p>
<p>SJ Mortimer is the real thing! </p>
<p style="text-align: center;"><a contents="Artist Page" data-link-label="" data-link-type="url" href="http://www.sjmortimer.net" target="_blank">Artist Page</a></p>
<p style="text-align: center;"><a contents="IG" data-link-label="" data-link-type="url" href="http://www.instagram.com/sjmortimer" target="_blank">IG</a> | <a contents="FB" data-link-label="" data-link-type="url" href="https://www.facebook.com/sjmortimermusic" target="_blank">FB</a></p>
<p style="text-align: center;"><a contents="Headline Records" data-link-label="" data-link-type="url" href="http://www.headlinerecords.co.uk" target="_blank">Headline Records</a></p>Klef Notestag:klefnotes.com,2005:Post/71057522022-11-18T08:28:25-12:002022-11-18T08:28:25-12:00REPOST - Trinity Bliss' "California Bliss"<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/ee906983422048537ef0875672978a6fd376bc09/original/trinity-bliss.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_left border_none" alt="" />"California Sun" is a song by American singer-songwriter, musician, actress Trinity Bliss that features an amazing guitar melody that musically threads the entire piece as well as a refreshing vocal - a vocal that is addicting. </p>
<p>The lyrics are a reminder to harness childhood humility, innocence, and confidence and use it way into adulthood when things become serious. </p>
<p>As music journalists, we come across many young artists who share their talents between music, acting, modeling, and even sports, but very few take their craft serious enough to write good music. This is not the case with Trinity Bliss. Unlike other young artists who ONLY write songs about trends, heartbreak, and social euphoria, Trinity Bliss is lacing her songs with topics that are meaningful, emotionally complex, and interesting. This songwriting technique, along with her musicianship, and vocal prowess, is what is going to make Trinity Bliss, not only one to watch, but an artist that will outlast her peers in the music scene. At only 13 years of age, Bliss is quickly cementing her footprints in an arena full of her peers and adults, and I want to see, and hear, more. </p>
<p style="text-align: center;">Check out the Official video of "California Sun" below! </p>
<p style="text-align: center;"><iframe class="justify_inline" data-video-type="youtube" data-video-id="II6rsbs6kFQ" data-video-thumb-url="https://img.youtube.com/vi/II6rsbs6kFQ/mqdefault.jpg" type="text/html" src="https://www.youtube.com/embed/II6rsbs6kFQ?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="180" width="320" allowfullscreen="true"></iframe></p>
<p><span class="font_small"><a contents="Reposted from Artistic Echoes" data-link-label="" data-link-type="url" href="https://www.artisticechoes.co.uk/2022/11/10/review-trinity-bliss-california-sun/" target="_blank"><strong>Reposted from Artistic Echoes</strong></a></span></p>Klef Notestag:klefnotes.com,2005:Post/71005552022-11-11T09:57:36-12:002022-11-11T09:58:30-12:00Lola Huckel's "Out of Touch" (song review)<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/e45fa9571d344fb3040fd08f866e3379f8b4a1d7/original/lola-huckel.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W1sic2l6ZSIsImxhcmdlIl1d.png" class="size_l justify_left border_none" alt="" />A great song can say what needs to be said without apology. A skilled songwriter can break a heart, heal a sorrowed soul, or even celebrate a victory all with a great lyric. In the current industry, there are few songwriters penning songs that are memorable and moving. That is why I was delighted to place my ear on Lola Huckel - a singer-songwriter from the UK, whose lyrical compositions are filled with infectious Pop instrumentation and clear storylines. </p>
<p>Her latest release, "<a contents="Out of Touch" data-link-label="" data-link-type="url" href="https://soundcloud.com/headlinerecordsuk/out-of-touch/s-IgoHnlLdMCM?si=be41bbd29cb448a8a72d27fcf373bdc0&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing" target="_blank">Out of Touch</a>" does not disappoint. </p>
<p>"Out of Touch" lyrically illustrates and defines how love can be tempestuous with layers of emotions often leaving one partner feeling emotionally dead. Huckel's lyrics sing: <span class="font_regular"><em>You used to want to show me the world / </em></span><span class="font_regular"><em>Held my hand as the curtain fell / </em></span><span class="font_regular"><em>You used to hold me oh so right </em></span></p>
<p><span class="font_regular"><em>You made me believe you were mine / </em></span><span class="font_regular"><em>I don’t feel a thing / </em></span><span class="font_regular"><em>When you hold my hand it’s nothing / </em></span><span class="font_regular"><em>I’m so out of touch / </em></span><span class="font_regular"><em>So out of love / </em></span><span class="font_regular"><em>I don’t know what I’m doing / </em></span><span class="font_regular"><em>I’m so out of touch / </em></span><span class="font_regular"><em>So out of us / </em></span><span class="font_regular"><em>I don’t know what needs fixing / </em></span><span class="font_regular"><em>I fall into your arms / </em></span><span class="font_regular"><em>I fall into your arms </em></span></p>
<p>The way that Huckel composed this song shows off her talents. Her effortless lyrical execution that is laced with a uniquely strong, yet passionate, soprano whisper, tied to Pop synths, and a hook that easily becomes tattooed to the brain, gives "Out of Touch the components to soar to <em>Billboard's</em> Top 100 - knocking down her competitors a few rungs. </p>
<p>I MUST hear more! </p>
<p style="text-align: center;"><a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/LolaHuckelOfficial" target="_blank">Facebook</a> | <a contents="Instagram" data-link-label="" data-link-type="url" href="https://www.instagram.com/lolahuckel" target="_blank">Instagram</a></p>Klef Notestag:klefnotes.com,2005:Post/70910652022-10-28T11:10:17-12:002022-10-28T11:10:17-12:00Krissy Matthews - Song Review "Carry You"<p class="MsoNoSpacing"><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><span style="font-size:14.0pt"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/0b48db68b9a3c0ca5506903e20719d0953c2fe80/original/krissy-matthews.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W1sic2l6ZSIsImxhcmdlIl1d.jpg" class="size_l justify_left border_none" alt="" />“Carry You” is a Rock song by singer, songwriter, musician, Krissy Matthews, and it is 4 minutes of amazing music – in short, this is not your typical everyday lament. A single off of his album <b><i>Pizza Man Blues</i></b>, the song begins mellow and then builds into a roar. The storyline speaks about being that “other” for someone you care about when they are in need – the lyrics sing:</span></span></span></p>
<p class="MsoNoSpacing"><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><i>There's a sickness that hides and it lurks deep inside, behind shadows that secretly stir. But outside, you are still smiling, sitting on waters that tremble beneath. And then you, follow me, follow me into the dark. Oh I'm not sure, what you're asking for, but if you can't walk, then ill carry you. And I'm not sure, what you're asking for, but if you can't walk then ill carry you.</i></span></span></p>
<p class="MsoNoSpacing"><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><span style="font-size:14.0pt">At the 2:39 mark, there is a guitar solo that elevates the track to a whole other level, it’s like BB King and Queen did a song and this solo is the result – smokin! Then instrumentation and vocals are scaled-back at the 3:05 mark which alludes to what one can expect at an arena concert. </span></span></span></p>
<p class="MsoNoSpacing"><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><span style="font-size:14.0pt">Yes, laced with blazing guitars, hot percussions, and a vocal that is LIT, this song is righteous. Yes, from the lyrics, one might think this is just a lament, but do not get it twisted, brilliantly, this song touches on a topic that can be very personal but uses a medium of spectacular music and voices to share it, and it works! I cannot wait to get my hands on the full album.</span></span></span></p>
<p class="MsoNoSpacing"><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><span style="font-size:14.0pt">Check out Krissy Matthews <a contents="here " data-link-label="" data-link-type="url" href="https://www.krissymatthews.com/" target="_blank">here </a>and watch the video <a contents="here" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=iLaiRvVQuuI" target="_blank">here</a>!</span></span></span></p>
<p class="MsoNoSpacing"><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><b>Krissy Matthews (Guitar) </b></span></span></p>
<p class="MsoNoSpacing"><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><b>Felix Dehmel (Drums) </b></span></span></p>
<p class="MsoNoSpacing"><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><b>Josh Rigal (Bass) </b></span></span></p>Klef Notestag:klefnotes.com,2005:Post/70815612022-10-14T07:20:24-12:002022-10-14T07:20:25-12:00Yana - Song Review "Funeral of Life"<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/938c7e7a872f9983c9bef88f8cf23f363e303527/original/yana-funeral-of-life-artwork.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_left border_none" alt="" />Are you ever deep in thought after something happens in your life where you think “but, this was perfectly planned, what just happened?” Or “now what?” Many find themselves in that frame of thought, and it’s hard to bend and not brake when life throws the unexpected your way. Yes, in life, things happen – there is a cause and an effect - there is change. </p>
<p>Czech Republic singer/songwriter, Yana, clearly puts the above words into deeper perspective with a song called “Funeral of Life” the lyrics sing: </p>
<p style="text-align: center;"><em>We gather here today / To mourn the life we had / Carefully constructed / Perfectly planned / Gone in a blink of an eye . . . You have to feel it / Live it through / Times will change / You gotta change along / We mourn the life / we thought we had </em></p>
<p>Quite simply, “Funeral of Life” is a metaphor that pertains to how life is ever changing and unpredictable but finding the way to adapt to that change and say “goodbye” to whatever was thrown at you unexpectedly, helps you heal, grow stronger, and become unbreakable. </p>
<p>I like to say that there are millions of emotions that humans feel throughout their lives, some recycled, but one song from Yana can put it all into words. </p>
<p>“Funeral of Life” is the third single off of the greatly anticipated album <em><strong>Journey of the Soul</strong></em>, and if the singles from off of the album is spurring such emotion and contemplation, the album is surely to motivate, perplex, and inspire. </p>
<p> </p>
<p style="text-align: center;"><a contents="Artist Site&nbsp;" data-link-label="" data-link-type="url" href="https://www.yanamusic.eu/" target="_blank">Artist Site </a></p>
<p style="text-align: center;"><a contents="FB" data-link-label="" data-link-type="url" href="https://www.facebook.com/yanaceol/" target="_blank">FB</a></p>
<p style="text-align: center;"><a contents="Twitter" data-link-label="" data-link-type="url" href="https://twitter.com/yanaceol" target="_blank">Twitter</a></p>
<p><strong><span class="font_small">*Artwork by Victoria Shalonis</span></strong></p>Klef Notestag:klefnotes.com,2005:Post/70468292022-08-26T07:25:36-12:002022-08-26T07:25:36-12:00Jamie Kudo - Single Review - "Supernova"<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/b940a8d4589e5c31de9e60097e193f34bd3eccda/original/jamie-kudo.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_left border_none" alt="" />Mumbai, India-born, London, UK-based singer/songwriter Jamie Kudo’s latest release explores the topic of love being like a supernova. Filled with layers upon layers of awesome synths and very descriptive lyrics, this Pop song is very transportive and emotive. </p>
<p>With a literal supernova being the “explosion of a star” (NASA) which is brilliantly bright and strong, Jamie Kudo creatively chose to show how love is much like a supernova in his song "<a contents="Supernova" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/16vHDB0GViws4gdQNPtVpw?si=24baca2596e14b06" target="_blank">Supernova</a>." To illustrate this concept, "Supernova" starts out mellow but powerful and then builds up to a chorus that is epic. In addition, the song's theme remains constant with lyrics illustrating how love, like a supernova, can have an explosive spell-bounding power, be short-lived, and even when it's over, it's cyclic in that it remains with you forever. </p>
<p>If you are looking for an ear reboot, something to place mute on the music that has been making your head hurt all summer long, look no further than Jamie Kudo's latest track "Supernova." Get ready for a song that is worthy of more than 5 stars. </p>
<p style="text-align: center;"><strong><a contents="IG " data-link-label="" data-link-type="url" href="https://www.instagram.com/jamie.kudo/" target="_blank">IG </a>| <a contents="Amazon Music" data-link-label="" data-link-type="url" href="https://music.amazon.co.uk/albums/B0B5YCYYCC?marketplaceId=A1F83G8C2ARO7P&musicTerritory=GB&ref=dm_sh_ibTbf8e2lg74ZUpyqhRSXlYum&trackAsin=B0B5YJVW5C" target="_blank">Amazon Music</a> | <a contents="Deezer " data-link-label="" data-link-type="url" href="https://www.deezer.com/us/track/1815281427?utm_campaign=clipboard-generic&utm_source=user_sharing&utm_medium=desktop&utm_content=track-1815281427&deferredFl=1" target="_blank">Deezer </a>| <a contents="Apple Music" data-link-label="" data-link-type="url" href="https://music.apple.com/gb/album/supernova/1633238164?i=1633238171" target="_blank">Apple Music</a> | <a contents="YouTube" data-link-label="" data-link-type="url" href="https://youtu.be/lRZlM6836oE" target="_blank">YouTube</a></strong></p>
<p> </p>
<p><strong><span class="font_small">*<a contents="www.nasa.gov" data-link-label="" data-link-type="url" href="https://www.nasa.gov/audience/forstudents/5-8/features/nasa-knows/what-is-a-supernova.html" target="_blank">www.nasa.gov</a></span></strong></p>Klef Notestag:klefnotes.com,2005:Post/70309052022-08-04T08:19:40-12:002022-08-05T10:20:42-12:00Picky Hippers - Album Review - "Full Flavour Behaviour"<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/232875e964637f827d7aba756f0589cc403c2acb/original/picky-hippers.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.png" class="size_l justify_center border_" />Life is an expected journey full of unexpected circumstances. There is sadness and pleasure; confusion and enlightenment; ambivalence and clarity; aggressiveness and happiness. Being able to navigate through life’s tides of change is made a little easier with good friends, love, good times, and acceptance – acceptance of each other and ourselves. Having music along the way often lightens the load and gives more understanding to whatever is present, and it is great to have a collection of music that is timeless and filled with some great tunes. I was introduced to a band who creates music that tattoos itself to a listener’s core - their name is Picky Hippers. </p>
<p>Picky Hippers is a band from New Zealand who are Rockers through and through. Their album Full Flavour Behaviour carries an underlying theme of knowing how to deal with the angst of regular life. According to the band’s introspective lyrics, regardless of the reason, either navigating through life’s challenges or successes, the best way to get through it all is to ride the wave and enjoy the full flavour of the moment. </p>
<p>The album consists of ten tracks that define this theme: </p>
<ol> <li>Catch A Wave </li> <li>Kick It </li> <li>Sun in My Eyes </li> <li>Justine </li> <li>Gypsy Groove </li> <li>Soulless Stunner </li> <li>Feel the Love </li> <li>Memory </li> <li>Funk Unknown </li> <li>Jungle Instrumental </li>
</ol>
<p>This is my review of the album’s five standout tracks. </p>
<p>Out of the gate, we are welcomed with some heavy rhythm, hard rocking guitar riffs, and bone-breaking percussions with “<a contents="Catch A Wave" data-link-label="" data-link-type="url" href="https://pickyhippers.bandcamp.com/track/catch-a-wave" target="_blank">Catch A Wave</a>.” The storyline of this track vividly describes an aggressive affection between two lovers. For example, the line “<em>All I want is to ride her wave, feel the water in my wind today</em>,” clearly alludes to the fact that he just wants to bask in the luxury of her presence no matter how rough the wave. The music breakdowns in between the verses are amazing. </p>
<p>The writing, execution, and production of the second track, “<a contents="Kick It" data-link-label="" data-link-type="url" href="https://pickyhippers.bandcamp.com/track/kick-it" target="_blank">Kick It</a>,” is nothing less than captivating. The Funky Jazz groove that threads through the track just brings life. The percussions lead the way on this track. The opening lyrics sing: <em>Every morning's got me feeling so stressed out / Blinds are closed and words are falling out my mouth / Stumbling through these halls is this how it ought to be? / The good times are good you say but the bad times will set you free</em>. Lyrically, the song is extremely direct and realistic in nature. Unlike many songs today, it has no filter in telling how things are just not great. No smoke screen here, just kick it. Call this track a lamentation on acid, or a message in a brown bottle, just do not call it a love song. </p>
<p>It all starts with a stuttered guitar … </p>
<p>That’s how the next song keeps the audience on their toes. </p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/f349b08975e4b8f32e407752fe389141d14c9799/original/picky-hippers-2.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W1sic2l6ZSIsImxhcmdlIl1d.jpg" class="size_l justify_left border_none" alt="" />“<a contents="Gypsy Groove" data-link-label="" data-link-type="url" href="https://pickyhippers.bandcamp.com/track/gypsy-groove" target="_blank">Gypsy Groove</a>” is a great illustration of why creating meaningful lyrics and melodies are so important because it draws-in the listener's ears AND heart. The saxophone solo really elevates the track to a whole other level. The lead vocalist on the track is very natural; he has great rhythm in his prowess – almost Bluesy. It works very well on this track. Sung from the point of view of an admirer, “Gypsy Groove” is a toss between love and fantasy. </p>
<p>With “<a contents="Souless Stunner" data-link-label="" data-link-type="url" href="https://pickyhippers.bandcamp.com/track/soulless-stunner" target="_blank">Soulless Stunner</a>,” we have the enigmatic track of the album with its mystifying vibe. This vibe is accomplished by using what I call a “musical waxing and waning” approach which keeps the audience drawn into the track – it's hypnotic when it is done correctly. It’s like this, in the same manner a waxing moon is the stage where it receives more light from the sun and is at its brightest, and a waning phase is a shadow, the lyrical production of this track is similar in that it follows a traditional verse-chorus-verse structure and contains a lyrical flow that is very rhythmic. The band gives us the “shadow” notes with the leads and the instrumental downbeat, and the “bright notes” with the choruses and the upbeat – it's an up and down rhythm. In addition, the inclusion of the leads being sung like a rap spit was a great technique as it adds to the conversational appeal of the track where the protagonist is relating the story of a souless woman. Moreover, the alliteration in the lyrics adds to the rhythm of the track. This is an impressive lyrical structure. The music is scaled back some but still has intensity. A lot of people want the biggest sound throughout the entire Rock album, with walls of guitars and huge drums in every single song, but I think it is good to back up some and allow the audience to digest the full flavour of the body of work – case in point? This track! Smooth and smoking! </p>
<p>“<a contents="Feel the Love" data-link-label="" data-link-type="url" href="https://pickyhippers.bandcamp.com/track/feel-the-love" target="_blank">Feel the Love</a>” starts with a nice instrumental introduction – very mellow – chill squared! I’m telling you, when it comes to the skills in the hands and minds of these players – Picky Hippers – they are matchless. That guitar swooning in the intro is everything! And when it comes to the lyrics of this track, there are only six! “Feel the love, it’s all around.” That’s it! But less is more. The harmony is superb! With just those six lyrics, we have a lyrical meaning behind "Feel the Love,” and it is centered on the philosophy of selflessness and living life altruistically. Each instrument reflects that mantra and makes its point heard. To break it down, at the 3:08 mark, there is a drawback which alludes to standing in peace. Then, at the three minutes and 21 seconds mark, the tempo picks up with blazing guitars that are basically crying out lyrically to feel the love. It eases back down at 4:22 and rides out the wave in quiet ebbs of Rock. The mix on this track is chef’s kiss. This is a dynamic single that may start a new musical trend with its brilliant brand of Jazz infused Rock. Finito! </p>
<p>“<a contents="Memory" data-link-label="" data-link-type="url" href="https://pickyhippers.bandcamp.com/track/memory" target="_blank">Memory</a>” plays like a musical commentary that you shake your hips to in repeat. This track is both powerful and passionate. It features a nice islet vibe and carries a musical ebb and flow. The lyrics on this track basically tell the story of someone moving on from what once was and making it a memory – this type of message in most songs can be a bit boring, but not with Picky Hippers’ track. It is the opposite – this song can be played in a club or in rotation on Top 40 radio. This can be loved by Latin music aficionados, world music lovers, and everyone in between. The presence of the saxophone makes the song flow like water. I love how the melody of the verse accentuates to meet the hook by singing:<em> I’m just fine I’m doing swell and pretty soon you’ll be a memory</em>. The saxophone solo in the outro is fire! </p>
<p>Music, in all its complex facets, should simply transport the listener and keep one coming back for more, and better yet, keep the listener humming the tune later after listening to the music. And rarely does a music journalist come across a band that is so unique that once you walk away from the music, if you were to hear it again, you’re like “boom, that’s "so-and-so.” Well Picky Hippers is that type of band. If you’ve heard them once, I guarantee that once you hear them again, it will not be difficult to recognize their music. </p>
<p>Producer/musician/songwriter, Dallas Cosmas, did an excellent job mixing the album making sure to highlight the wonderful chemistry the band exudes while imprinting his brand of awesomeness without overpowering the band’s formula. In total, Picky Hippers has gifted us with an album full of introspect. It’s been since the early 2000s that New Zealand has had some great Rock bands on the scene. I feel as if Picky Hippers fit the bill to dominate the scene and elevate the genre by adding soulful influences of Punk, Funk, and Jazz. </p>
<p><strong><span class="font_small">Released on: 2022-05-10 </span></strong></p>
<p><strong><span class="font_small">Guitar/Vocals: Marc Parkinson </span></strong></p>
<p><strong><span class="font_small">Guitar/Vocals: Finn Simpson </span></strong></p>
<p><strong><span class="font_small">Sax/Percussion: Brett Cowan </span></strong></p>
<p><strong><span class="font_small">Drums: Nick Plant </span></strong></p>
<p><strong><span class="font_small">Bass: Wally Rankin </span></strong></p>
<p><strong><span class="font_small">Mixed by Dallas Cosmas at <a contents="Prototype Musique" data-link-label="" data-link-type="url" href="https://prototypemusique.com/" target="_blank">Prototype Musique</a> in Melbourne, Australia </span></strong></p>
<p style="text-align: center;"><a contents="FB " data-link-label="" data-link-type="url" href="http://www.facebook.com/pickyhippers" target="_blank">FB </a>| <a contents="IG" data-link-label="" data-link-type="url" href="https://www.instagram.com/picky_hippers/" target="_blank">IG</a></p>Klef Notestag:klefnotes.com,2005:Post/70147112022-07-14T04:22:13-12:002022-07-14T04:22:13-12:00Yana - Song Review "Calm Before the Storm"<p style="text-align: justify;"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/0b08a0c0499b39e6729b7edd883ef85c26159c6a/original/yana-calm-before-the-storm.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W1sic2l6ZSIsImxhcmdlIl1d.jpg" class="size_l justify_left border_none" alt="" />Yana is an artist who atmospheric melodies and realistic songwriting are known to mentally transport its listeners and call them back to listen again, and again, and again. Her recent release is “Calm Before the Storm” – the second single off her forthcoming debut album <em><strong>Journey of the Soul</strong></em>. </p>
<p style="text-align: justify;">“Calm Before the Storm” is a track that will mellow out the hectic affairs of life with its Irish Folk music appeal. Featuring guitars, a bodhrán (Shane Ó Fearghail) a violin (Claudia Heidegger) and Yana’s serene vocal prowess and undisturbed execution that rhythmically flows like an instrument, this song lyrically is telling us to take every second of life and live it at its best because life is so unpredictable. </p>
<p style="text-align: justify;">We have many symbolic storms in our lives that toss us here and there mentally, physically, and emotionally. It’s calm music, like the music of Yana, that readies us to stand in peace before such storms and after the storms – such a gift. </p>
<p style="text-align: center;"><strong><a contents="Yana" data-link-label="" data-link-type="url" href="https://www.yanamusic.eu/calm-before-the-storm/" target="_blank"><span style="color:#f1c40f;">Yana</span></a></strong></p>Klef Notestag:klefnotes.com,2005:Post/69751112022-05-19T07:10:55-12:002022-05-19T07:10:55-12:00Noble1BOF - Song Review "No Games" (feat. Carla)<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/fb3136ab137acac400f28768eb7085b62865bac4/original/noble1bof-carla.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.jpg" class="size_l justify_center border_" />Just in time for your Summer 22 music list, comes a blended Hip Hop track that gives Hip Hop connoisseurs that hard core flex that they live for but also delivers wonderful songwriting that is descriptive and reflective, it’s called “<a contents="No Games" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/2KdmxV1z9RFTbb4l2tKH8b?si=3e1fd398e5bc4c47" target="_blank">No Games</a>” by Nobel1BOF featuring <a contents="Carla" data-link-label="" data-link-type="url" href="https://www.instagram.com/comidacarla/?fbclid=IwAR1G44DBmFsIcSrsrSoRjEggdPPrngUr-h44ityFwfW3YUNg0YaelWtG9VQ" target="_blank">Carla</a>. </p>
<p>The first single off of his EP entitled <em>Benefits of Freedom</em> is addictive with its wonderful production technique of fusing different genres to form a surgically solid track that moves you. Fused with some Drill, Grime, and old school appeal, “No Games” is evidence that not only is the music coming out of the mind of Nobel1BOF contemplative and cathartic, but his life’s mission is one of evolution. Noble1 BOF has a dominating spit appeal that brings the heat and the muscle delivering the message of the lyrics spot on. In addition, Carla's vocals add a nice Soulful allure that encircles Noble1BOF's vocals like gold dripping through a mountain - rich, pure, and brilliant.</p>
<p>From the path that he now walks, to the music that he executes, Nobel1BOF is illustrating that your life is what you make of it. Kudos to Nobel1BOF; I want to hear more. </p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/a99e0891b0817a5fa61f3b2b4ac53aad8cc427b4/original/noble1bof-2.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_center border_none" alt="" /></p>
<p style="text-align: center;"><strong><a contents="FB " data-link-label="" data-link-type="url" href="https://www.facebook.com/noble1bof/" target="_blank">FB </a>| <a contents="Twitter " data-link-label="" data-link-type="url" href="https://twitter.com/Noble1bof" target="_blank">Twitter </a>| <a contents="IG " data-link-label="" data-link-type="url" href="https://www.instagram.com/noble1bof/?hl=en" target="_blank">IG </a>| <a contents="Artist Site" data-link-label="" data-link-type="url" href="https://www.noble1bof.com/" target="_blank">Artist Site</a></strong></p>
<p> </p>
<p> </p>Klef Notestag:klefnotes.com,2005:Post/69732302022-05-17T05:48:02-12:002022-05-17T05:48:02-12:00Interview - Red Shakes w/ KiKi of Klef Notes<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/5e4eb0a934def5e9be75d83ed1a08ed15b250e2d/original/red-shakes-2.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.png" class="size_l justify_center border_" />Ahead of what may be one of the hottest summers for Indie Music, Klef Notes got the opportunity to speak to an artist who is heating up the musical atmosphere with guitar-driven music, unapologetic lyrics, and magnetic performances – his name is Red Shakes. Let’s learn more about the man behind the music, what inspired him to create his brand of music, and what to expect on the Indie Music radar, when it comes to new music from Red Shakes going forward. </p>
<p>(KiKi) First, introduce yourself – who is Red Shakes? </p>
<p>(Red Shakes) Sam Da Silva is Red Shakes and Red Shakes is Sam Da Silva! I’m just a regular 21 year old guy, making tunes in my bedroom and have the help of an amazing live band when doing shows! I was born in Paris and now live in Bradford in the UK. </p>
<p>(K) What drives you to create music? </p>
<p>(RS) Real life events and experiences are probably my main inspiration, I think music is my way of expressing myself because I’m not so good with my words all the time! </p>
<p>(K) That’s alright. So, when, and how, did you decide to get into the music industry - was it through a label? </p>
<p>(RS) When I was around 16 I picked up guitar, and after I went to my first festival I knew I wanted to be in a band. I saw the wombats play a set where they were missing a lot of gear so they had to make it up as they went along, the crowd was wild and I thought “yeah I want to do that too”. </p>
<p>(K) What other artists have either influenced, or inspired, you to write and play within the Indie Rock genre of music? </p>
<p>(RS) Wow so many! I’d say a lot 2000’s bands. Libertines, razor light, the vaccines, the kooks to name a few. </p>
<p>(K) What is your songwriting process like? Is it more regimented and structured, or looser and more sporadic? </p>
<p>(RS) I’d say it depends but generally speaking I do have a bit of a formula! I’m trying to move away from that though cause it can really limit you and you find yourself in a bit of a box. </p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/8a3b4ddc49466abd462c92828b3ec883b35c88dc/original/red-shakes.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_left border_none" alt="" />(K) Which brings us to “<a contents="Sad Teenager Song (Okay)" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=qjygWMVGPv4" target="_blank">Sad Teenager Song (Okay)</a>.” This single has a juxtaposition with the dark theme blended with an upbeat, energetic, core melody/instrumentation. Can you give some background on the song’s maturation, progression, and production? </p>
<p>(RS) I’ll be really honest, the song was written as a joke because of something my friend said in my attic in around 30 minutes. So a lot of the song is actually not that thought out and very raw, from the moment it was written to how it turned out it has stayed very similar, we just went for heavier tones. </p>
<p>(K) People state that you are an “electric live performer,” expound on that, please? </p>
<p>(RS) I guess I just try to make the evening memorable for people, I always appreciate that people come see us live when they could do something else with their time. So I just jump off stage or run around madly and then at</p>
<p>least people will think, yeah that guy was energetic at least! Maybe people think I’m crazy hard to say. </p>
<p>(K) ha-ha. I would love to see you live. </p>
<p>(K) You released an EP in 2021 entitled Nothing in the Morning. Are you working on any new EPs or albums currently? </p>
<p>(RS) Not currently, I am working on a series of singles however some of which will come out this year! </p>
<p>(K) Okay. So, what do you like most, and least, about the current music industry in terms of sales, promotion, and performances, when compared to a decade ago? </p>
<p>(RS) Ten years ago I was 11 so I can’t really compare my own experiences! But I’m not a big fan of how important social media is in the industry today, part of being a musician in the industry now is being a social media manager, salesperson, marketing manager, it can be a lot sometimes. </p>
<p>(K) I totally agree with you Red Shakes. Have you ever toured the USA? If not, do you hope to do so? </p>
<p>(RS) I have never but would love to do so! I visited Florida a few years ago and loved my time there, the food was amazing and everybody was really nice, think going on the road in the US would be great fun. </p>
<p>(K) I totally agree with you, Red Shakes. I lived in Florida for seven years; I am going back there soon. </p>
<p>(K) Do you have any online shows coming up? </p>
<p>(RS) No online shows only real life ones! I am currently on tour in the north of England, still have Manchester, Liverpool, Blackpool and Huddersfield to go. </p>
<p>(K) Last question, when did you last give yourself permission to let go? </p>
<p>(RS) It’s hard to get a break between music and working full time to be honest, I just try and find pockets of time when I can relax so I don’t burn out! I did get some time off earlier this year and went to Venice so I guess that’s my answer! </p>
<p>(K) Cool. Thank you for speaking with Klef Notes, Red Shakes. Bravo! </p>
<p style="text-align: center;"><strong><a contents="FB " data-link-label="" data-link-type="url" href="https://www.facebook.com/redshakesofficial" target="_blank">FB </a>| <a contents="Twitter " data-link-label="" data-link-type="url" href="https://twitter.com/redshakesmusic" target="_blank">Twitter </a>| <a contents="IG " data-link-label="" data-link-type="url" href="https://www.instagram.com/redshakesofficial" target="_blank">IG </a>| <a contents="Spotify" data-link-label="" data-link-type="url" href="https://open.spotify.com/artist/6ctd5OziviVxPKsWxzsLRr?si=T8B-ufDMT9yvY3k8bbbEtA" target="_blank">Spotify</a></strong></p>Klef Notestag:klefnotes.com,2005:Post/69466842022-04-12T05:36:00-12:002022-04-12T05:41:06-12:00Pattern Pusher - Song Review "Holding On"<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/9b589e7e79fa5b7bf23a41921e2a0fc154b52293/original/pattern-pusher.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_orig justify_center border_none" alt="" /></p>
<p>Fresh off the presses!! A song that will bring the optimism – it’s called “Holding On.” Audience, I have been grooving to this for a minute, and I cannot let this alone; I had to share this with you. “<a contents="Holding On" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/3IFTIeC5Gs2vtccfA5HIeE?si=0eba30c7ccfd4a8f" target="_blank">Holding On</a>” is a song by Retro-Pop trio Pattern Pusher released March of this year and they are not letting down their fans – this is what they do! </p>
<p>The lyrics sing: <em>This may not be L.A., no diamonds and champagne, I’m hustling for money hoping to get happy . . . just when we thought we could fly . . . I cannot be forgiven for wanting the perfect life . . . all my life, I’ve been waiting, I’ve been holding on for something, holding on</em>. </p>
<p>In short, there is no need to wait for perfection, yes hold on for the better, but still love the life you’re living right now. </p>
<p>The way this song was written, arranged, executed, and produced it is nothing short of amazing. With an infectious melody, this is what the world needs to hear right now – something similar to what MJ would have released – a song that gets one off their seat and helps them to forget the sorrow and prepare for the positive. In contrast to many songs about hope that causes the listener to bring out the Kleenex, this song brings the finesse with rich vocals, a mad bass, powerful drums, and strong synths. It’s catchy, groovy, and full of spunk. Alex’ vocal range is stunning! Musically, it’s got elements of Funk and Synth-Soul tied into a Disco tempo. </p>
<p>I’d like to say that “Holding On” evokes the sunshine after the rain and the diamond after the pressure. Thanks Alex, Benny G, and Benny C – Pattern Pusher; I cannot wait to hear more!</p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/e76472593bdd10ad554da0df9f77cb918f87491e/original/pattern-pusher-2.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_orig justify_center border_none" alt="" /></p>
<p style="text-align: center;"><strong><a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/patternpusher" target="_blank">Facebook</a> | <a contents="Instagram" data-link-label="" data-link-type="url" href="https://www.instagram.com/patternpusher/" target="_blank">Instagram</a></strong></p>
<p style="text-align: center;"><strong>Spring Dates: </strong></p>
<p style="text-align: center;">13/4 - Retro, Manchester </p>
<p style="text-align: center;">14/4 - Hagglers Corner, Sheffield </p>
<p style="text-align: center;">15/4 - Hug and Pint, Glasgow </p>
<p style="text-align: center;">16/4 - Stockton Calling, Stockton </p>
<p style="text-align: center;">16/4 - The Globe, Newcastle </p>
<p style="text-align: center;">19/4 - Louisiana, Bristol </p>
<p style="text-align: center;">22/4 - O2 Islington 2, London </p>
<p><span class="font_small"><strong>This review is dedicated to Phil Johnstone – an incredible artist, musician, and songwriter.</strong></span></p>Klef Notestag:klefnotes.com,2005:Post/69466792022-04-12T05:27:41-12:002022-04-12T05:27:41-12:00Interview - Elles Bailey w/ KiKi of Klef Notes<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/cd4b63668bca8a71f661abeb7874aa248dce55c1/original/elles-bailey-1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.jpg" class="size_l justify_center border_" />Many journalists, after hearing the music of different artist, like to say, “they are the next BLANK.” The artist that I am about to interview is not the next anything; she’s the FIRST one, the ONLY – she’s what others will mold their artists after to try to become what she naturally is – a force to be reckoned with. She’s the Bristol-based singer, songwriter and bandleader, who has surgically sharp determination, laser focused talent, and unapologetic charisma and grit. Like a phoenix, she’s fought some real battles and came out of the ashes holding onto the positives that breathed strength in what we’ve come to love. She’s Elles Bailey. There is no one like her! Thus far, her resume includes residences in the Bristol music scene, winning numerous awards, record-breaking tours, and well-received Eps like: “Who I Am To Me,” “Wildfire,” and “Road I Call Home.” Her latest album is “Shining in the Half Light” – she’s known as the leading UK artist in her field. Ladies and gentle, welcome, Elles Bailey. </p>
<p>(KiKi) Hello Elles – can I call you simply Elles? </p>
<p>(Elles)<em> You sure can </em></p>
<p>Awesome!! </p>
<p>So honored to interview you for Klef Notes my indie music blog!! </p>
<p><em>Thanks for having me </em></p>
<p>You are from Bristol UK, right? </p>
<p><em>Yep born and bred ! Very proud of my Brissle Roots</em></p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/a3dbfa045bd46485494f0082c6298d862af3cdf5/original/elles-bailey-5.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_left border_none" alt="" />What’s the story behind the artist? what made you want to break out into the music industry, I mean, were you rooted in music? </p>
<p><em>I don’t ever remember not having music in my life. I was surrounded by music from such a young age, my dad is a bass player, my mum a singer and my brother a guitarist! I’m just the one that made my career in music. </em></p>
<p>Music in the genes. So, when would you say that you came into your own in music? </p>
<p><em>I think it took me a long time to find my own voice and identity even though I have been doing music my whole life. I think I was 28 when I truly started writing what I wanted to write. </em></p>
<p>Elles, it is no secret – your voice is FIRE! I’ve read that that magnetic voice that you have is the result of a childhood Pneumonia. </p>
<p><em>Yep that is right, being on a ventilator for 17 days scarred my vocal chords and changed the sound of my voice.</em></p>
<p>And, were you always so multifaceted and cool in your vocal execution? </p>
<p><em>I’ve always had a voice but it definitely changed a lot over the years! I think I have it under control now though ;) </em></p>
<p>What is your approach to making music and creating music? How do you come up with your storylines? </p>
<p><em>I try and write as honest as possible and I am mostly now autobiographical but I do like a good storyline now and then that has nothing to do with my life. I could be inspired by a story I read in the papers or by something going on in the world. There is inspiration all around us - but sometimes you have to look. </em></p>
<p>That is so true; every artist should try a wider lens when it comes to looking for inspiration around them. </p>
<p>Elles, you are too powerful to roost in one genre, what’s your favorite genre and what genre would you like to try? </p>
<p><em>I don’t really have a favorite but I do listen to alot of Americana….what would I like to try …. gosh I dunno really… maybe one day I turn my hand to rapping….. but I think people may just tell me to not quit the day job!! LOL </em></p>
<p>I think you would be smokin in rap; I cannot wait to see you do so. </p>
<p>Switching gears, a bit. Today, it is obvious the music industry is not the way it used to be a decade ago – singles are released instead of full albums, streaming is the method to release music compared to physical CDs, and with the Pandemic, basically everything is virtual. So, how do you remain adaptable in an ever-changing industry? </p>
<p><em>I am lucky to be in genres where there is still alot of value in the CD, vinyl and the album as a whole but I also love the music business and I get stuck in to learning the best ways to release music in this day and age. Being an indie artist means that I am flexible too, I can make and break the rules, make the mistakes and learn from them! I’ve made many mistakes that's for sure! </em></p>
<p>Mistakes – haven’t we all made them? But, yes, it’s a good thing to learn from them and be flexible in your craft. </p>
<p>Elles, have you come across any biases or stereotypes in the music industry? </p>
<p><em>Not directly or personally however they are there and it's really important to talk about them and to champion diversity and inclusivity with the music. The more colorful the threads - the more beautiful the tapestry. </em></p>
<p>Wow – I love that line.</p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/614558fb3a433129a2906b6be9e86064655ae945/original/elles-bailey-3.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_right border_none" alt="" />In 2015 you released “Who I AM To Me,” what’s the backstory on that EP? </p>
<p><em>That was my first band EP… I had been working with Producer Brian Banks for a few years, making demos and trying to find my voice and in late 2013 I finally put a band together to start playing shows out live. This was the first offering really, the start of the story. It's been an adventure for sure. </em></p>
<p>And, “Road I Call Home” showcased your musical maturity, perspective and soulfulness, what about “Wildfire?” </p>
<p><em>Wildfire is my debut album. You can have as long as you like to make a debut album and mine took about 5 years to make. I got to go to Nashville to record it which was very surreal experience but It was making Wildfire that changed alot of things for me and put me on the path that I am on now. </em></p>
<p>I know you enjoyed Nashville. Restating what you said earlier, and I quote: The more colorful the threads - the more beautiful the tapestry. That’s Nashville when it comes to the music scene. </p>
<p>Now, with “Shining in the Half Light”- that’s kind of a cathartic album that shines a light on society’s uncertainty and its ability to adapt. What I love about the threading theme of this album, is that most songs illustrate how it’s okay to just BE – imperfections and all. </p>
<p><em>Thank You- that's exactly what I wanted to portray in this record. </em></p>
<p>So, what pushed you to put pen to paper and craft such wonderful, memorable, relatable songs? </p>
<p><em>I've always just wanted to write good honest music. If I’m honest with myself - which is often the hardest part, then I think that usually when you write the most relatable songs. I am just glad you are enjoying them :) </em></p>
<p>For sure! </p>
<p>Now, let’s go through the list of amazing singles – if you do not mind, can you give me some backstory on the song’s theme and how you came up with the scene for the video? </p>
<p><strong>'<a contents="Cheats and Liars" data-link-label="" data-link-type="url" href="https://youtu.be/PK4qIAJUr7g" target="_blank">Cheats and Liars</a>' </strong></p>
<p><em>It’s written about those in power who didn't see the value in the arts during lockdowns when it was the arts that were reaching into the isolation and helping people feel connected. </em></p>
<p>Great concept, Elles. </p>
<p><strong>'<a contents="Sunshine City" data-link-label="" data-link-type="url" href="https://youtu.be/hQ9sAFi0lP4" target="_blank">Sunshine City</a>’</strong> (blues, roots, americana) foot-tapping - that hook stayed with me so long after I first heard it “Whoo hoo…” </p>
<p><em>This is my let your hair down, put on your high heels, have one to many with great friends and go dancing! Something I sure missed in lockdowns and miss a little now I have a little one… however the idea of a hangover with the pitter patter of tiny feet in the morning fills me with dread! So instead we just dance to sunshine city in his playroom - its defo his fave EB tune! </em></p>
<p><em>When coming up with the idea for this video i just wanted to have fun with my friends which is exactly what we did! Tearing up Bristol in the late summer and filming it- it was rad! </em></p>
<p>Well, what you wanted to showcase, definitely resonated on the camera. It is good to see this nowadays. </p>
<p><strong>‘<a contents="The Game" data-link-label="" data-link-type="url" href="https://youtu.be/skvt6HPybe0" target="_blank">The Game</a>’ </strong></p>
<p><em>Thats about my relationship with the music industry, its allota fun to play live . The video to make was epic too - we filmed it all in a day in Manchester with Northern Cowboys film (they also starred in it) and its tongue in cheek … i love it! Showing off my hustling skills haha! </em></p>
<p>Hey, it’s all about the hustle. Northern Cowboys are awesome. </p>
<p><strong>‘Riding out the Storm’</strong> (slide guitar) – filled with visual lyrics (that stone in your shoe illustrating that pain that is finally gone) </p>
<p><em>I filmed this with Kris Barras and we wanted to make the video pop, standout, bright colours, cool scenes, moody vibes at times and this letting loose for the ending. He even built a rain machine and yes - it was freezing in January at night when we filmed it and I got soaked! </em></p>
<p>So sorry you had to be in the cold rain, but Elles, that video does POP! You and Barras nailed it. </p>
<p style="text-align: center;"><iframe class="justify_inline" data-video-type="youtube" data-video-id="TWBxb1CADz0" data-video-thumb-url="https://img.youtube.com/vi/TWBxb1CADz0/mqdefault.jpg" type="text/html" src="https://www.youtube.com/embed/TWBxb1CADz0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="180" width="320" allowfullscreen="true"></iframe></p>
<p>I read that you gave birth to your first child this year. Congrats! I also read that tracking was completed just weeks before you gave birth. I read that you sat in the hospital waiting room listening to mixes on the big day! </p>
<p><em>That sure is correct - I just knew I had to get as much done before Jasper was born! </em></p>
<p>Wow! That’s just a perfect illustration of the drive you have as an artist. </p>
<p>So, what artists do you listen to today? </p>
<p><em>Well today I have listened to John Lennon & Yoko Ono, Larkin Poe, Katey Brooks, Phoebe Bridgers and Paul Cauthen. </em></p>
<p>Lennon and Ono – good pick. </p>
<p>What sets you apart from your competitors? </p>
<p><em>I don’t see music as competition or other artists as competitors… we are all just doing our thing, doing our best to spread love in this strange sad world and I find that hugely inspiring. In fact thats what inspired the album title - all of those artists who reached out to the lonely and isolated in lockdowns, poor internet, no fancy lighting, warts and all, and connected! Cheers to those who Shined in the half light! </em></p>
<p>Understood. I agree. </p>
<p>Have you ever seen “Training Day” starring Denzel Washington and Ethan Hawke? Well, it’s a scene where Washington says, “King Kong has nothing on me.” It’s very effective, because it illustrates the character’s strength, pride, and unapologetic reason to stand by his decisions and actions. Well, honestly, you have stood by your decisions and actions within this industry we call music and have created some of the best, if not the best, music our ears are hearing to date. So, I will say, Adele, Tricia Yearwood, have nothing on you, girl – you’ve got the grit, attitude, and that natural prowess that is not created in a studio – it is innate and real. You can vibe with Blues, Soul, country, and I would go on to say, Hip Hop. </p>
<p><em>Oh - i would love to try me some hip pop!! </em></p>
<p>As I stated earlier in the interview with your trying out Rap, Elles, you would be amazing at Hip Hop – I’m keeping my eyes, and ears, on what you do next (wink). </p>
<p>Now, I know you love to perform live, so how did you work through, or basically adapt your music routine, the pandemic? </p>
<p><em>I streamed from home alot, then I started streaming from and incredible streaming studio just down the road in Weston Super Mare - the streams from there, so well recorded, then turned into a live covers record called Ain’t Nothing But… that basically took me up to Dec 2020 and then I focused all my efforts on making the album before having a baby - Jasper was born in March 2021! I kept busy for sure but I also learned how to stop too… that felt good! </em></p>
<p>Aww – Jasper. Love the name. Yes, balancing it all is a skill that we all must learn. </p>
<p>So, how was it working with Dan Weller? </p>
<p><em>A dream - he was so easy to work with and totally got my vision for this record! It seemed like a wild card choice as he’s known for his work in the hard rock and metal world but we just clicked and thats the most important thing when it comes to working with someone to produce an album. You have to get on with them, trust them, let them challenge you! That’s what Dan did - I hope we get to do it again, </em></p>
<p>I agree 100% </p>
<p>What was, or would be, your first stop in the USA? </p>
<p><em>It's got to be Nashville - that's my stateside home! </em></p>
<p>Cool. </p>
<p>And, what’s next on the table? Songs, shows? </p>
<p><em>Festival season - we haven't had a full festival season for a few years now so 2022 is gonna be MEGA! </em></p>
<p>I know it will be amazing – if I get to the other side of the pond soon, I will definitely check it out. </p>
<p>Last question, when did you last give yourself permission to let go? </p>
<p><em>The Americana Awards 2022…I had one or two too many and I couldn't hide the hangover!! It was so lovely to be with people again though… I just got excited! </em></p>
<p>And you deserve it. </p>
<p>Thanks, Elles 😊 </p>
<p>Okay, audience, make sure to put your radar on Elles Bailey - such a transparent, authentic, artist that is tattooing her style of making and delivering music onto our hearts, and we LOVE it! </p>
<p style="text-align: center;"><strong><a contents="Website&nbsp;&nbsp;" data-link-label="" data-link-type="url" href="https://www.ellesbailey.com/" target="_blank">Website </a></strong></p>
<p style="text-align: center;"><strong><a contents="Facebook&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/ellesbailey/" target="_blank">Facebook </a></strong></p>
<p style="text-align: center;"><strong><a contents="Twitter" data-link-label="" data-link-type="url" href="https://twitter.com/EllesBailey" target="_blank">Twitter </a></strong></p>
<p style="text-align: center;"><strong><a contents="Instagram" data-link-label="" data-link-type="url" href="https://www.instagram.com/EllesBailey/" target="_blank">Instagram</a></strong></p>
<p style="text-align: center;"><strong><a contents="YouTube" data-link-label="" data-link-type="url" href="https://www.youtube.com/user/ellesbailey" target="_blank">YouTube</a></strong></p>
<p style="text-align: center;"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/54bc01d39169a4dc93057584a8dbc21c41365675/original/elles-bailey-2.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.jpg" class="size_l justify_center border_" /></p>Klef Notestag:klefnotes.com,2005:Post/69427402022-04-07T04:04:17-12:002022-04-07T04:12:09-12:00Laughing with the Raindrops - Album Review - Voice on Shellac <p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/952ecf937ebad29cf12e87533b5bb21120f74c70/original/lwtrd.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.png" class="size_l justify_center border_" /></p>
<p>I was introduced to Laughing with the Raindrops years ago, and their music never ceases to amaze me. What I noticed about their latest work is that it is very cerebral, yet vulnerable and relatable. Releasing 13th April 2022, <em><strong>Voice on Shellac</strong></em> is a descriptive collection of music that imprints on your brain the purpose of memories with no fluff just practicality in the same manner that early sensibility gets a message or moral across better than an educated lecture. </p>
<p>There are nine tracks that make up this LP: </p>
<ol> <li>Voice on Shellac </li> <li>Perro Caliente </li> <li>Who is Eduardito? </li> <li>The Letter </li> <li>Two Runaways </li> <li>1974 Part I – Life Is Beautiful </li> <li>1974 Part II – Life Is Full of Surprises </li> <li>1974 Part III – Life Is a Bitch </li> <li>Voice on Shellac (reprise) </li>
</ol>
<p>Each song lays bare its own story while keeping with the theme of family and the journey one takes within that microcosm. </p>
<p>We start with the title track which is a lovely ballad that strikes a perfect chord on the heart strings. In all honesty it is a love song, but not like your typical love song from a lover to another, but of a grandmother to a grandchild where those memories heal new experiences in the granddaughter’s mature psyche. The layered strings and brass accentuate the nostalgic vibe of the track, but it is Virginie’s poetic vocal prowess, and Paul Higgs on muted trumpet that places this song over the top. </p>
<p>Bringing some Funk flare and extra personality with Samba, the second track “Perro Caliente” is infused with pure passion which wonderfully describes the male character of the song – a man who personifies the term “Avant Garde” in that he embodies what it means to be a renaissance man – not understood at times, but adored, hated, and loved. The French language sang by Virginie just adds to the mystery of the lyric. Theo Travis brings the spirit to the track with his tenor sax solo; Alexander Keen on Bass brings the heart, and of course Neil McBennett’s guitar just adds spine! </p>
<p>“Who is Eduardito?” is a beautifully descriptive track that relates how family, and what makes up each element of that union, can be very confusing and mysterious – in this case, the little boy in the photo who longs to be with his sister who is across the ocean, Virginie sings: </p>
<p style="text-align: center;"><em>Who is Eduardito? </em></p>
<p style="text-align: center;"><em>The little boy on the photo </em></p>
<p style="text-align: center;"><em>Holding a big balloon so tight </em></p>
<p style="text-align: center;"><em>In the summer bright light </em></p>
<p style="text-align: center;"><em>Smiling for the camera </em></p>
<p style="text-align: center;"><em>In the squinting sun of Venezuela </em></p>
<p>The dual harmony on the track illustrates the two sides to the story. Paul Higgins’ flugelhorn solo was smoken! </p>
<p>The fourth track starts with the sound of fast fingers typing on a TYPE WRITER!!! That alone brings the past into the future. “The Letter” tells the story of divorce, an often sad part of family life. Even though divorce sometimes is the best decision, it leaves things broken where “fiction” lives in its place; “lies” continue to circle; and “the facts” appear, leaving another to put it all together to make the true story. </p>
<p>The fifth song, “Two Runaways” mentally will take you away on a voyage. Featuring a Reggae Dub and another great solo by Theo Travis on tenor sax, this is the hoorah of the collection. A song about two taking a journey across the globe really relates how life can be such an amazing journey in itself, especially, when it is shared with family. The sense of freedom this track alludes will reawaken in the listener an urge to just BE and stand in existence. The way this song was lyrically presented, as well as the precision of the musicians on their instruments, “Two Runaways” really sets up shop in the listener’s core and reminds us that every event will become a memory thus becoming a part of one’s entire being. </p>
<p>I will review tracks 6-8 together as they are three parts of a whole experience in 1974 that form triads ingrained in different facets of the writer’s life: </p>
<p>1974 Part I – Life Is Beautiful </p>
<p>1974 Part II – Life Is Full of Surprises </p>
<p>1974 Part III – Life Is a Bitch </p>
<p>Musically and vocally, this trilogy starts out very mellow with the threading instrument being Gabriel Keen’s piano and Virginie complementing all instrumentation with focused vocals. Then, the track picks up the pace with snares and Virginie chooses to do a free-flow approach to her vocal execution which is a great productive technique as it resembles thoughts separately coming together to form an image. Finally, in comes the Funk – and it is time to just groove with David Ingamells on drums. In addition, I love the varied vocal effects and backing vocals brought into the song that makes it so surreal in its approach (I hear you <a contents="Lutfia" data-link-label="" data-link-type="url" href="https://www.instagram.com/__lutfia__/" target="_blank">Lutfia</a>, wink). </p>
<p>Lyrically, Part I illustrates where life is seen as beautiful (youth). Then, Part II where the surprises of life begin to unfold – I would call this time the teenage years. And finally, Part III, the part of life that we all sometimes want to evaluate, control, and evolve into something we think is absolute – that’s adulthood. This is when we see life’s moody sides. This is the part of life when we become our saddest, most misunderstood to ourselves, and angriest, because we see things we COULD NOT control and things we CANNOT control. Still, this is the part of life when we become our STRONGEST. </p>
<p>The LP closes with “Voice on Shellac (reprise)”, and it is the Cognac of the collection. This is the time when you light up a cigarette and take a sip of life. Smooth instrumentation and smooth vocals. Everything is said, nothing left to say, but BEAUTIFUL! </p>
<p>The metaphorical songwriting on this LP is very expressive. A universal short definition of the term “Shellac” is a resin that is processed into either dry flakes or liquid and functions as a tough natural primer. This is a great metaphor for family, how the memories are all separate but can come together to form a bonded spirit within an individual that makes a person stronger. </p>
<p>The Rock band America once stated that “in music, no matter how much technology becomes involved, or computers, music will always go from the head to the heart to hands and then the ears.” <strong><em>Voice on Shellac</em></strong> brings those words into truth! </p>
<p>To listen to this LP or to purchase a copy, go to the<a contents=" band’s page" data-link-label="" data-link-type="url" href="https://laughingwiththeraindrops.com/" target="_blank"> band’s page</a>, also follow them on <a contents="Twitter " data-link-label="" data-link-type="url" href="https://twitter.com/LaughRaindrops" target="_blank">Twitter </a>and <a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/laughingwiththeraindrops" target="_blank">Facebook</a>. If you are in London (UK) area, make sure to catch Laughing with the Raindrops at one, or all, of these upcoming live dates: </p>
<p style="text-align: center;"><strong><span class="font_small">Sunday 10th April 2022 </span></strong></p>
<p style="text-align: center;"><span class="font_small">1.30 pm </span></p>
<p style="text-align: center;"><span class="font_small">Etcetera Theatre, </span></p>
<p style="text-align: center;"><span class="font_small">Camden, London NW1 7BU </span></p>
<p style="text-align: center;"><strong><span class="font_small">Sunday 22nd April 2022 </span></strong></p>
<p style="text-align: center;"><span class="font_small">7.30 pm </span></p>
<p style="text-align: center;"><span class="font_small">The Rosemary Branch Theatre, </span></p>
<p style="text-align: center;"><span class="font_small">Islington, London N1 3DT </span></p>
<p style="text-align: center;"><strong><span class="font_small">Friday 10th June 2022 </span></strong></p>
<p style="text-align: center;"><span class="font_small">7.30 pm </span></p>
<p style="text-align: center;"><span class="font_small">Impact Community Arts Centre </span></p>
<p style="text-align: center;"><span class="font_small">Perivale UB6 8GP</span></p>Klef Notestag:klefnotes.com,2005:Post/69188512022-03-10T04:46:02-12:002022-03-10T04:47:20-12:00Jayna Jennings - Song Review "Garden of Eden"<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/815d45731236866fc202adde5c8ee5ac657d0d18/original/jayna-jennings.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>A genuine sign of an artist is their ability to evolve with their emotions and execute those emotions from paper to vinyl with good results. The latest record by Country Pop singer/songwriter/musician, Jayna Jennings, is a classic example of a true artist. Featuring traditional country instruments, that are intertwined with electric guitars, “<a contents="Garden of Eden" data-link-label="" data-link-type="url" href="https://youtu.be/WIk_IEXZPs0" target="_blank">Garden of Eden</a>” places the Country Pop envelope up to a whole other tier. </p>
<p>Garden of Eden” starts off so seductively slow-paced that it plays like the listener is about to hear something forbidden, yet it quickly picks up its pace into an edgy, sizzling, track that clearly defines pure love. The white-hot electric guitars added to Jennings’ strong vocals makes the song a chart topper. </p>
<p>On this track, Jennings opted to showcase her vocal range, and she does an awesome job! She ebbs between vocal highs and low trills with extended registers. This vocal approach gives the track a bit more grit and girth. Literally, it’s like her vocals are floating. In addition, “Garden of Eden” is sealed with a kiss with artfully placed soprano vocals, splendid backing vocals, and a vocal pull-back at the outro. </p>
<p>Jennings clearly aims for a more edgy track here with “Garden of Eden,” and she hits the mark. A true artist, Jennings continues to use a minimalistic approach to music, where there are no tricks or tweaks to deceive the ears, just really, really, honest lyrics. The takeaway? Love is too sacred to let anything tarnish its glow – it’s worth fighting for and so worth keeping.</p>
<p>To hear more music, and to stay up to date with Jayna, check out her <a contents="artist page" data-link-label="" data-link-type="url" href="https://www.jaynajennings.net/" target="_blank">artist page</a> and follow her on her socials!!</p>
<p style="text-align: center;"><a contents="FB " data-link-label="" data-link-type="url" href="https://www.facebook.com/jaynajennings13/" target="_blank">FB </a>| <a contents="Twitter " data-link-label="" data-link-type="url" href="https://twitter.com/Jayna__Jennings" target="_blank">Twitter </a>| <a contents="Instagram" data-link-label="" data-link-type="url" href="https://www.instagram.com/jayna__jennings/" target="_blank">Instagram</a></p>Klef Notestag:klefnotes.com,2005:Post/69138502022-03-04T06:38:45-12:002022-03-04T06:38:45-12:00Yana - Song Review "Reach Out"<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/7705a9d6ee8ac4f896e8c7cec6d743cc0c0697c4/original/yana-reach-out.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Czech Republic Indie Classic Folk singer/songwriter, Yana, has just released a new single entitled “Reach Out.” This song is the first single off of her soon-to-be released album <em><strong>Journey of the Soul</strong></em>. “Reach Out” is nothing short of MOVING – gently moving. </p>
<p>This hypnotizing soulful Folk ballad features a soft tempo along with emotional instrumentation that complements the lyrical storyline wonderfully. The track’s storyline covers the topic of mental health, and how in a world where so many people are connecting, through cell phones, emails, and social media, some still find themselves alone. </p>
<p>“Reach Out” is that soft letter to a stranger that lets them know that there is someone for everyone when one finds themselves in a dark mental space. Yana’s rich and distinctive vocals balance the music and the tempo thus adding more quiet-strength to the song’s message. </p>
<p>In the world of music, where many artists yell to get their point across, Yana is proof that whispering is stronger than a scream. </p>
<p>Audience? Here is your tap on the shoulder. </p>
<p>Go <a contents="HERE" data-link-label="" data-link-type="url" href="https://yanaceol.bandcamp.com/track/reach-out" target="_blank">HERE </a>to listen and purchase “Reach Out.” Yana’s album <em><strong>Journey of the Soul</strong></em> is set to release the autumn of 2022. </p>Klef Notestag:klefnotes.com,2005:Post/68761102022-01-21T06:45:44-12:002022-01-21T06:45:44-12:00Jambrains' Album Review<h2 style="text-align: center;"><strong>The Road Less Taken</strong></h2>
<p><strong><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/2bfa51462f43c2a613c53a55d32aee7d342ed60c/original/jambrains.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.png" class="size_l justify_center border_" /></strong></p>
<p>It is no secret that the music industry has been hit with a big boom of reality. Musicians, singers, managers, label, journalists, and all within this huge industry had to adapt with the changing of times. With this change, music had to stop, evolve, and re-emerge. Artists who topped the Top 40 charts are suddenly neck to neck with Indie artists, and touring is the main source of BIG GIGS for all. Honestly, it is as if there has been a balance in realms. And while this is somewhat odd for some, this is a good view for the future of music, because the playing fields are being leveled. That being said, the flow of music on the desks of journalists like myself had slowed down a little in 2020, but thankfully, the music began to be released again in 2021 and has remained constant. </p>
<p>I wasn’t going to mention the global pandemic that we have been dealing with for over a year in this review of new music, but it seems that much music coming off the electronic reel-to-reels this past year, and starting this year, have this theme hidden within the lyrics of the music, so it is of no use not to mention. Still, while this them has gotten quite redundant, Indie artists know how to keep it fresh considering. </p>
<p>This time, an Indie artist named Jambrains gifted me with an album in my inbox and it is literally DIFFERENT. Instead of mentioning the obvious, how things have been turned upside down within society, affecting every bit of the human experience, this album shifts the dialog a bit and shows how even though this was a road less taken, the evolution of society in a whole – its love, loss, life, and future has changed to reflect strength, determination, acceptance, and reality of just being. </p>
<p>Jambrains’ <em>The Road Less Taken</em> shares this discussion in lyrical form with an audience waiting for new Soft Rock music. The tracks contained on the album are: </p>
<ol> <li>A Black Dodge Charger </li> <li>Big Dreams </li> <li>I Remember </li> <li>Pick Up the Pieces </li> <li>The Road Less Taken </li> <li>The Vanishing Horizon </li> <li>Weather The Storm </li>
</ol>
<p>This is my review of <em>The Road Less Taken</em>. I’ve also asked my brand-partner <a contents="Tonya " data-link-label="" data-link-type="url" href="https://twitter.com/TONYASKINNER2" target="_blank"><strong>Tonya</strong> </a>to listen to this album for additional feedback – a second set of ears. This review will focus on the stand-out tracks of the collection. </p>
<p>We start with “Big Dreams,” a song that holds an emotional core like a film score of a Scorsese film. Lyrically, this track is very social in that it shines a light on the human condition of every part of the planet – the small-town events that affect so many on a larger scale. Even though it is very civil lyrically, it is very commercial in its overall appeal. The opinionated percussions mixed with the organ makes for a very conversational piece. </p>
<p>And, speaking about a conversational track, the next song, "I Remember," begins with these lyrics: <em>What started out as a blessing you turned into a curse</em>. This third track on the album starts with piano chords that make the listener pay attention. It begins subtle and then builds to a quick paced track – much like a relationship. The way Jambrains wrote the song, as well as how he chose to execute his vocal and complete its entire production, makes “I Remember” very reflective. The minimalistic approach makes the song quite impactful giving it a mood that makes the listener feel as if they are revisiting a memory. A song about lost love will forever be penned to the listener’s heart. </p>
<p>The title track is very piano-driven and will easily become a favorite for many! A song celebrating risk-takers has that motivating passion that people listen for in songs about purpose. The electronic synths married to quick guitar riffs, hot cymbals, and Jambrains’ expressive vocals give off that passion-to-pulse effect that one has when they are eager to leave their four-walls and escape to real life. Jambrains fill this track with vivid word-pictures that illustrate what it means to “live the dream.” “The Road Less Taken” is a different style of track for the artist, as previous tracks are slow in its temp and a bit poignant in its approach. But this track is full of life and is happy – very inspirational. “The Road Less Taken” will resonate with the Global public, and it will remain a favorite song to come going forward. </p>
<p>Last, but certainly not least, is “The Vanishing Horizon.” The song is divided into three moments of time – the past, present, and future. The discussion of the past is spelled out in the chorus that sings: </p>
<p style="text-align: center;"><strong><span class="font_small">We ran as fast as we could run </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">Escape our only goal </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">From small town suffocation </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">And our designated roles </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">BBQs on Saturdays </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">Cold Millers with the guys </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">The vanishing horizon </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">Matched the dulling in our eyes</span></strong> </p>
<p>Then, the track shifts perspectives outlining the present and future in the final verses, Jambrains sings: </p>
<p style="text-align: center;"><span class="font_small"><strong>Not quite a decision </strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong>That either of us made </strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong>But a moment of clarity </strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong>And what it meant to stay </strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong>It never matters </strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong>Which road we take… </strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong>The excitement and the newness </strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong>As we move from town to town </strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong>As we worked to settle down </strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong>Turned piece by little piece </strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong>into what we'd sworn not to become </strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong>we lived the lives we ran from </strong></span></p>
<p>Choruses are often repeated throughout a song – that is not a unique feature. Yet, to use it in connection with the theme of the song, such as in this case, shows a creative songwriting skill. This productive twist shows how the memory of the past is constant in life, while the verses illustrate the present and future, thus serving as reminder to the listener of how the present and future are often quick moments spent but they always beacon the past. </p>
<p>Another wonderful production note to take from this track is that Jambrains selected to have the word “change” act as a noun instead of a verb in that the person is also becoming something different, rather than something taking the place of something else. Clearly, this track allows for the audience to pause and reflect on what’s important in our lives – the little things that mean so much – the actual chapters of life instead of the entire book. </p>
<p>Jambrains is an artist of music that really personifies the definition of an ARTIST. He’s somewhat in the background and allows his music to paint the soundtrack of living with vivid lyrics and instrumentation. His works are truly creations from the soul that touches on aspects of global issues, the human condition, and a great story. </p>
<p>Very different from Top 40 singers of today, who release songs based on trends, a moment, or an event, Jambrains’ music encompasses many facets of life – from 2017’s <em>Life, Love & Lies</em>, to <em>Faded Dreams</em>, where each track creatively houses the theme of change and inspires its listeners to grasp and accept those defining moments in life along with the transformation. Next, there is <em>Lost Horizons</em> – a collection of songs that touch on life’s most concrete emotions such as misery, optimism, and loss. Then, we have <em>Into the</em> <em>Uncharted </em>– an album that preceded <em>The Road Less Taken</em>. <em> Into the Uncharted </em>placed emphasis on harnessing the unexpected. His music mirrors artists of old where the story means more than a trend. </p>
<p>You see, it is not the vibe of “let me make a song to dance to, or a song that fulfills my contract.” No, it is more of “let me create good music – music that will resonate with PEOPLE, music that will live on.” This is the type of music that music journalists live to write for – these artists combine to create a SMALL collective but create music that can fill up a room. </p>
<p>Make sure to place Jambrains on your list of artists to listen to this year. Check out <em>The Road Less Taken</em> as well as his other works of music. And I promise you, you will continue to listen to his music going forward. </p>
<p style="text-align: center;"><a contents="Artist Page" data-link-label="" data-link-type="url" href="http://www.jambrains.com/" target="_blank"><strong>Artist Page</strong></a></p>Klef Notestag:klefnotes.com,2005:Post/68071152021-11-12T06:21:37-12:002021-11-12T06:21:37-12:00Pamela Sue Mann - Song Review "Ouch"<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/c78ca4181784f12fe64549525955654ab1198b8d/original/pamela-sue-mann-ouch.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>I was introduced to New York singer/songwriter Pamela Sue Mann by a friend. And I can honestly say that she is a force to be reckoned with in the Modern Pop-Avant Garde environment. Her latest release “<a contents="Ouch" data-link-label="" data-link-type="url" href="https://pamelasuemann.bandcamp.com/track/ouch-radio-single" target="_blank">Ouch</a>” is evidence of this statement. </p>
<p>It took a few listens for me to grasp the storyline, but once I delved deep into the lyrics, and closed my eyes and sonically inhaled, the picture unfolded. “Ouch” plays from the protagonist’s point of view, where the vocalist is relating the story of a person who is living in a tattered relationship, one who sees the damages coming, and instead of walking away, they choose to sharply give tough love in the form of reminders to allude the antagonist that the relationship is headed for destruction. Very cleverly done – I might add. The lyrics sing: </p>
<p style="text-align: center;"><span class="font_small"><em>Your daddy's ways have splayed you <br>swimming like a salmon <br>Ouch <br>You take a bite <br>You better <br>Have your head examined <br>Ouch <br>Say I'm too old to play <br>The way you say I ought to <br>Ouch <br>Well I'm not giving a damn </em></span></p>
<p style="text-align: center;"><span class="font_small"><em>… </em></span></p>
<p style="text-align: center;"><span class="font_small"><em>Ouch <br>You drove the Cadillac into the Mazarati <br>Ouch <br>You bought the booze <br>And then you went and left the party <br>Tug <br>To grab your bit of rope <br>And pull you want me jolly <br>Pull <br>No I just don't have the heart <br>It's gonna pull us apart <br>I'm —- walking on shards</em></span></p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/d3eead8c84c386f99a62255aa75b5b85dd69f5d8/original/pamela-sue-mann.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_left border_none" alt="" /></p>
<p>The quiet power of Pamela Sue Mann’s vocals are addictive. I’d like to say that if chocolate laced with sriracha was able to be illustrated through a vocal prowess, it would the voice of Mann. In addition, the music of this track is so odd and delicious: that demanding piano, those powerful strings, the peculiar sound FX, and those solid guitar riffs. The entire production assists in making “Ouch” come to life and appear ubiquitous. </p>
<p>“Ouch” illustrates how Mann is elevating the genre of Avante Garde / Pop into something more decadent and state of the art. </p>
<p style="text-align: center;"><a contents="www.pamelasuemannmusic.com&nbsp;" data-link-label="" data-link-type="url" href="http://www.pamelasuemannmusic.com" target="_blank">www.pamelasuemannmusic.com </a></p>
<p style="text-align: center;"><a contents="www.instagram.com/pamela.sue.mann&nbsp;" data-link-label="" data-link-type="url" href="http://www.instagram.com/pamela.sue.mann" target="_blank">www.instagram.com/pamela.sue.mann </a></p>Klef Notestag:klefnotes.com,2005:Post/67907572021-10-29T05:23:50-12:002021-10-29T05:23:50-12:00Dust In The Sunlight Song Review - BLUEPRINTS<h2 style="text-align: center;"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/9236283269ccd2ebcf9ada2c989dc4274d6dbb96/original/dust-in-the-sunlight-blue-prints.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.png" class="size_l justify_center border_" /></h2>
<p>Listen to this track’s introduction, and then continue reading on!! </p>
<p>What did you hear? What did those lyrics and those surreal lyrical executions bring to your mind? </p>
<p>No matter the answer – I know you were transported or trapped to standing still – you paused! </p>
<p>This is “<a contents="Blueprints" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/6JI8kOJj6OQgbhDUbpNlAw?si=04e4de4b946c4eeb" target="_blank">Blueprints</a>” by Dust in the Sunlight – an Indie Pop duo from the UK. “Blueprints” is the first single off their second EP <em>Same World, Different Eyes</em>. The lyrics imply how things could be in another time and place, or better yet, how things could’ve been. The chorus sing: </p>
<p style="text-align: center;"><em>That life, we’ll never know </em></p>
<p style="text-align: center;"><em>Names in the sand </em></p>
<p style="text-align: center;"><em>Holding back an ocean </em></p>
<p style="text-align: center;"><em>All we said unspoken </em></p>
<p style="text-align: center;"><em>That life, we’ll never know </em></p>
<p style="text-align: center;"><em>Blueprinted plans </em></p>
<p style="text-align: center;"><em>Holding back an ocean </em></p>
<p style="text-align: center;"><em>Leaving it unbroken </em></p>
<p>The core melody created by acoustic guitars and calm synths creates a dreamlike vibe that makes one think of a place where unspoken words are spoken, and love is endless but so hard to grasp or attain. This is a great track that illustrates the fleeting reality of the unknown in life. But that is what makes life worth living – trying to find what’s hidden, isn’t it?! </p>
<p>The alternative appeal will make this track a favorite of all music fans.</p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/24f0948f6f4cd82443bd3cc7b537505577a760c8/original/dust-in-the-sunlight.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_left border_none" alt="" />When I was introduced to Dust in the Sunlight, they immediately got my attention. With rich harmonies, pure melodies, and modern instrumentation, it is no surprise that this duo is making waves, big waves, across the UK and now into North America. And yes, I hear this often in the world of Indie music. But what caught my ears and attention is the way that Dust in the Sunlight features familiar natural storylines within their musical arsenal, but all laced with a twist. This is how bands of the 1980s kept the Top 40 audiences intrigued – that balance between reality and fantasy. This ensures the duo a cemented place in the music industry, and it tattoos each song’s journey onto the minds of their fans and audience. </p>
<p>“Blueprints” releases today – make sure to purchase, download, or stream your copy!! </p>
<p style="text-align: center;"><strong>Instagram: @dustinthesunlight </strong></p>
<p style="text-align: center;"><strong>Twitter: @dust_sunlight </strong></p>
<p style="text-align: center;"><strong>Facebook: www.facebook.com/dustinthesunlight </strong></p>
<p style="text-align: center;"><strong>https://www.dustinthesunlight.com/</strong></p>
<h2 style="text-align: center;"> </h2>Klef Notestag:klefnotes.com,2005:Post/67111442021-08-09T03:33:59-12:002021-08-09T03:42:15-12:00Jack Francis Song Review<h2 style="text-align: center;"><strong>"Wild Eyes"</strong></h2>
<p><strong><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/4666b8d5b4c6139eed4f13d18577ceaaea4dfd32/original/jack-francis.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.jpg" class="size_l justify_center border_" /></strong></p>
<p>Something happens to the heart and soul when you put on a clip and the arrangement just makes sense. Honestly, not since the music of Bob Seger has that realistic, soulful, approach been given to music. Yet, I had the honor to play a song like this over and over again when Soul/Folk singer/songwriter, Jack Francis, was introduced to me. His latest track “<a contents="Wild Eyes" data-link-label="" data-link-type="url" href="http://www.youtube.com/watch?v=deqM0ETyHPE" target="_blank">Wild Eyes</a>” just gives off that spark that is so missed in the world of music today – that spark that just ignites memories, dreams, and plans. No bells, overused effects, or whistles, just a great voice, wonderful music, and a real storyline. The lyrics of “Wild Eyes” captures that undying love between two lovers where waiting just seems minuscule when it comes to the bigger picture of what’s meant to be. Francis’ smooth smoky vocal execution illustrates a longing that is both bold and passionate. In addition, the brass, acoustic guitars, and tempo just makes “Wild Eyes” the right song at the right time - <strong>NOW!</strong> </p>
<p>With the world opening back up, but still being cautious, this song is going to lead road trip this summer on into the fall. Cannot wait to hear more!</p>
<p>Watch the official video to Francis' previous single, "Silver Lining," <a contents="HERE" data-link-label="" data-link-type="url" href="https://youtu.be/vzE-yfKNNDA" target="_blank">HERE</a>! </p>
<p style="text-align: center;"><strong><a contents="FB " data-link-label="" data-link-type="url" href="http://www.facebook.com/jfrancissongs" target="_blank">FB </a>| <a contents="Twitter " data-link-label="" data-link-type="url" href="http://www.twitter.com/jfrancissongs" target="_blank">Twitter </a>| <a contents="Instagram" data-link-label="" data-link-type="url" href="http://www.instagram.com/jfrancissongs" target="_blank">Instagram</a></strong></p>Klef Notestag:klefnotes.com,2005:Post/67111432021-08-09T03:27:30-12:002021-08-16T06:46:20-12:00Fuzzy Jones Song Review<h2 style="text-align: center;"><strong>"She Is Matador"</strong></h2>
<p><strong><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/7d3a79db5124b1441cee0909c23f0ae33f4b3067/original/fuzzy-jones-matador-cover-withwords.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.jpg" class="size_l justify_center border_" /></strong></p>
<p>I want to introduce my readers to a songwriter with something to say – she’s Fuzzy Jones – hear her roar, or shall I say, see her slam things into being. This awesome Indie singer, songwriter, musician, producer is leveling out the playing field by standing in her truth and giving society a wakeup call. With her latest Alternative Pop track, “<a contents="She Is Matador" data-link-label="" data-link-type="url" href="https://fuzzyjonesmusic.bandcamp.com/track/she-is-matador" target="_blank">She Is Matador</a>,” a creative call to action is easily becoming a summer anthem. With strong, unapologetic, lyrics and a willful vocal execution, Jones puts it simply and forceful when she sings: </p>
<p style="text-align: center;"><em><span class="font_small">Alone she stands </span></em></p>
<p style="text-align: center;"><em><span class="font_small">Strong as any man </span></em></p>
<p style="text-align: center;"><em><span class="font_small">The world at her feet </span></em></p>
<p style="text-align: center;"><em><span class="font_small">But they watch her every beat </span></em></p>
<p style="text-align: center;"><em><span class="font_small">She is Mata-Mata-Matador </span></em></p>
<p style="text-align: center;"><em><span class="font_small">Mata-Mata-Matador </span></em></p>
<p style="text-align: center;"><em><span class="font_small">Soul so strong, you will applaud </span></em></p>
<p style="text-align: center;"><em><span class="font_small">Mata-Mata-Matador! </span></em></p>
<p>“She Is Matador” metaphorically speaks to the masses reminding them about the strength of a woman and the power she holds that enables her to control any arena and wield any bull to its knees in recognition of fact! With possible references to social and political realities, the bull symbolizes society that is stuck in fear of change and fear of difference. Much like Marvin Gaye’s writing, Jones’ writing is cathartic and conceptual imploring all to take a stand and grab the bull by the horns. </p>
<p>Being in the Alt. Pop genre, there are so much competition. So, standing out of the crowd is a great drawing card. And to be that ace in the deck, while also having strong vocals and lyrics, makes for a great modern artist. That's what Jones brings to the stage. Standing in the same vocal arena as strong vocalists Ann Wilson (Heart) and Kim Wilde, what sets Jones apart from her competitors is that she also has the brutal honesty and spit-fire confidence of Steven Tyler (Aerosmith). She can stand with her girls and still be better than the guys - awesomeness!</p>
<p>This guitar-driven, sizzling percussion, track will continue to play onward. </p>
<p>She IS matador; keep an eye out for her victory! </p>
<p style="text-align: center;"><strong><a contents="Artist " data-link-label="" data-link-type="url" href="https://fuzzyjonesmusic.com/" target="_blank"><span style="color:#e67e22;">Artist </span></a><span style="color:#e67e22;">| </span><a contents="Instagram " data-link-label="" data-link-type="url" href="https://www.instagram.com/fuzzy_jones/" target="_blank"><span style="color:#e67e22;">Instagram </span></a><span style="color:#e67e22;">| </span><a contents="FB" data-link-label="" data-link-type="url" href="https://www.facebook.com/fuzzyjonesmusic" target="_blank"><span style="color:#e67e22;">FB</span></a><span style="color:#e67e22;"> | </span><a contents="Twitter" data-link-label="" data-link-type="url" href="https://twitter.com/fuzzyjonesmusic" target="_blank"><span style="color:#e67e22;">Twitter</span></a></strong></p>Klef Notestag:klefnotes.com,2005:Post/66952272021-07-22T03:36:21-12:002021-07-22T03:36:21-12:00Norphlet Album Review<h2 style="text-align: center;"><em><strong>The Garden</strong></em></h2>
<p><em><strong><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/fc236b3962a5039f276f97615989211528867623/original/norphlet-the-garden.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.jpg" class="size_l justify_center border_" /></strong></em></p>
<p>After being stuck in the house from COVID-19 all last year, void of live music arenas, being one on one with music and artists, one longs to get back out to explore new music. But there are only some types of music that makes you pull out the credit card and swipe to breathe air back into your lungs. Norphlet’s <em><strong>The Garden</strong></em> is that type of music. </p>
<p><em><strong>The Garden</strong></em> features eleven tracks: </p>
<ol> <li>The Garden Gate </li> <li>The Ox Months </li> <li>Stillbloom </li> <li>Fingers Crossed </li> <li>Meadow of My Mind </li> <li>Overgrown </li> <li>Saudade </li> <li>A Wing Upon the Window </li> <li>The Black Dog </li> <li>Cardinals (When You're Gone) </li> <li>Nonpareil </li>
</ol>
<p>Full of music that speaks to the premise of reopening closed spaces, minds, and hearts, <em><strong>The Garden</strong></em> sounds like the beginning of something bigger for the band. I will focus on the six highlights. </p>
<p>The album opens with the perfect track, “<a contents="The Garden Gate" data-link-label="" data-link-type="url" href="https://soundcloud.com/norphletband/norphlet-the-garden-gate" target="_blank">The Garden Gate</a>.” This song introduces the theme of the album and serves as a prelude to the storyline of each track that follows it. The lyrics describe shedding layers of old and welcoming, or becoming, new: </p>
<p style="text-align: center;"><em><span class="font_small">Imagine for a moment </span></em></p>
<p style="text-align: center;"><em><span class="font_small">That everything that you thought was everything </span></em></p>
<p style="text-align: center;"><em><span class="font_small">Was just the beginning </span></em></p>
<p>Very rare does a song wax poetic, yet this two minutes / 39 seconds moody track does! Just as a literal garden gate opens the option to explore, this track literally opens the album. </p>
<p>“<a contents="The Ox Months" data-link-label="" data-link-type="url" href="https://soundcloud.com/norphletband/norphlet-the-ox-months" target="_blank">The Ox Months</a>” follows with powerful passion. The song opens with punchy bright guitars and then scales back to a velvet vocal approach with percussions adding that kiss of appetite that is wonderfully welcoming. That open-ended music break, right before the bridge, adds a drop, but ironically elevates the track. Metaphorically, the title of this track seems to present the idea of 30 days of stubbornness, the lyrics sing: </p>
<p style="text-align: center;"><span class="font_small"><strong><em>Lord knows I've always </em></strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong><em>Promised you this </em></strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong><em>Promised I wouldn't </em></strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong><em>Stand where I couldn't </em></strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong><em>… </em></strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong><em>Did I lose it getting so caught up </em></strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong><em>In the things that won't even matter </em></strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong><em>Did I waste it being so stuck </em></strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong><em>On the people that don't even give a shit </em></strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong><em>… </em></strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong><em>Failed expedition </em></strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong><em>… </em></strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong><em>I walk away, I always do </em></strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong><em>I walk away </em></strong></span></p>
<p>Yet, when one really listens to what the music is presenting and what the lyrics are saying, the song gifts another emotion – perhaps, defiance? Great approach! </p>
<p>“<a contents="Meadow of My Mind" data-link-label="" data-link-type="url" href="https://soundcloud.com/norphletband/norphlet-meadow-of-my-mind" target="_blank">Meadow of My Mind</a>” is the fifth track and both its introduction and ending are fire! Let’s start with the stuttered riff introduction with twangy soundscapes that gives mental pictures of open meadows with museum pieces planted all over it – I know, that’s an abstract illustration, but a title like that just brings out the existentialist in me =) Still, Cody’s conversation-like vocal approach to this track brings this lyrical meaning to light even more, and the arena-style backing vocals highlight that open-minded style. The lyrics cover the story of apprehension, anxiety, or fear of the unknown. With Taylor’s hot percussions hitting off life neurons, this song could easily be branded as classic Norphlet. The ending is just spectacular, man! </p>
<p>“<a contents="Overgrown" data-link-label="" data-link-type="url" href="https://soundcloud.com/norphletband/norphlet-overgrown" target="_blank">Overgrown</a>” is one of those contemplative tracks that you listen to when it rains. The song is about finding the optimism and hope in overgrown thoughts and memories: </p>
<p style="text-align: center;"><span class="font_small"><strong><em>We don't run out of time </em></strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong><em>We weren't down here alone </em></strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong><em>Overgrown </em></strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong><em>The sweetest nectar hides </em></strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong><em>Not within the things </em></strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong><em>We're scared to leave behind </em></strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong><em>For those not yet defined </em></strong></span></p>
<p style="text-align: center;"><span class="font_small"><strong><em>But the ones we've yet to find </em></strong></span></p>
<p>The vocal approach on this track is a rich layer of emotions – the high endnotes are so optimistic. The soft percussions, lyrical keys, and sweet guitar riffs literally bring you up into the mind and then down into the soul. </p>
<p>And, when a song opens with distorted FX and a seductive guitar serenading the audience, you know you are in for an explosive track. “<a contents="Saudade" data-link-label="" data-link-type="url" href="https://soundcloud.com/norphletband/norphlet-saudade" target="_blank">Saudade</a>” is the shortest song in the list, but it packs the biggest blow – but not in the bombastic way you would think. No, it is sublimely soft and hard! Each drumbeat adds to this elusive feeling and brings to life the storyline of longing. The distorted FX in the background adds nostalgia, while Cody’s heartfelt, melancholy, vocal execution adds to the deep emotional approach of the track. And what ties it all together is those rimshots just bringing the element of thinking to the foreground. Truly, one of the most beautiful melodies of the entire album! </p>
<p>“<a contents="Cardinals (When You're Gone)" data-link-label="" data-link-type="url" href="https://soundcloud.com/norphletband/norphlet-cardinals-when-youre" target="_blank">Cardinals (When You're Gone)</a>” Norphlet introduced this track to me last year and it remains a relevant track. I will reprint what I stated then, now: If I were to describe the latest track from Alternative Rock duo Norphlet in a few words, I would describe it as musically resembling that point in time when someone blows someone a kiss, and even though that kiss is invisible, it somehow echoes and affects the receiving person. This is “Cardinals (When You’re Gone).” Out of the gate, the music just drives its way into your soul man – this song just moves – it bends and never breaks! It’s alive with honesty and personality. And once more, Norphlet always manages to blend genres surgically and have it just makes sense. Case in point, “Cardinals (When You’re Gone)” has a solid core melody that is Pop Punk with infectious guitars and heavy drums, but its highlighting instrumentation, like synths and FX, are wildly Emo – and this ladies and gents, gives the entire track a wonderful edge. The theme of the track is about missed opportunities within a relationship and how living with regrets of not being present within that relationship (be it mentally or physically) leaves one still longing to be remembered. The way the lead executes the lyrics is candid and personable and gives off a fleeting effect similar to what I was talking about earlier – that blown kiss. The sustained guitar beginning at the 3 minutes / 34 seconds mark leading into that ah-mazing outro at the 3 minutes / 38 seconds mark is simply sublime. </p>
<p>I have been in contact with this band since 2018, and their creations never cease to surprise me as a music journalist. Unlike many of their competitors, they not only stick to their formula of great, melodic, tracks and full-on instrumenting of complex feelings, but they also push the envelope, evolving with the times when it comes to music elements, trends, and music directions – yet, when you put on a Norphlet record, you know it is THEM! The guitars mend your heart and pull at your spine, while those percussions give you another heartbeat. This is the drive all day and listen to your emotions album, the make love and then ponder album, the pure personification of imprisoned and released words album. Only Norphlet! Only Norphlet can reawaken and remind us that great music still exists. </p>
<p><a contents="Stream it NOW" data-link-label="" data-link-type="url" href="http://smarturl.it/norphletgarden" target="_blank"><strong>Stream it NOW</strong></a>!!! </p>
<p style="text-align: center;"><a contents="Instagram" data-link-label="" data-link-type="url" href="https://www.instagram.com/norphletband/" target="_blank">Instagram</a></p>
<p><span class="font_small"><strong>Norphlet is Cody Brown (guitars, keys, bass, vocals) and Taylor Devorsky (percussions)</strong></span></p>Klef Notestag:klefnotes.com,2005:Post/66564482021-06-11T01:48:03-12:002021-07-15T08:26:04-12:00Lena Anderssen Song Review<h2 style="text-align: center;">"The Airport"</h2>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/d7ef1c231100d0532dd19dabfb1ad79696ee305b/original/lena-anderssen-the-airport.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Life, in general, is full of surprises – highs, lows, delays, and early arrivals – much like an airport. A song that illustrates this statement spot-on is the latest release from singer/songwriter/musician Lena Anderssen called “<a contents="Airport" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/5NLQXY1oEvWODZR1tU6MUn?si=bce3032fd8e54852" target="_blank">Airport</a>.” </p>
<p>“Airport” lyrically tells the story of departing but not saying “bye” which alludes to reigniting short-love to create full-love. The lyrics sing: </p>
<p style="text-align: center;"><span class="font_small">Gone is that summer </span></p>
<p style="text-align: center;"><span class="font_small">That one July </span></p>
<p style="text-align: center;"><span class="font_small">There wasn’t a cloud in the sky </span></p>
<p style="text-align: center;"><span class="font_small">And you walked beside me </span></p>
<p style="text-align: center;"><span class="font_small">The moon and the day were ours </span></p>
<p style="text-align: center;"><span class="font_small">Till autumn came along </span></p>
<p style="text-align: center;"><span class="font_small">And then just like that it’s gone </span></p>
<p style="text-align: center;"><span class="font_small">And I can’t get it back </span></p>
<p style="text-align: center;"><span class="font_small">Still I can’t get it out of my head </span></p>
<p style="text-align: center;"><span class="font_small">What you said when you left </span></p>
<p style="text-align: center;"><span class="font_small">Well, it’s something I’ll never forget </span></p>
<p style="text-align: center;"><span class="font_small">That we don’t say goodbye </span></p>
<p style="text-align: center;"><span class="font_small">We just say that I’ll see you again </span></p>
<p>A nice modern-day soft-rock track, “Airport” plays like ballad, as it pulls on the heart strings, but it also contains awesome beat commands that makes it a bit Pop-Dance. Anderssen’s lead is expressive. Her transparent, breath-taking, vocals, exemplifies the storyline like a love letter. Moreover, the parenthetical backing vocals add an element of memory. In addition, the three-part harmony is reminiscent of 1970’s Pop, while the additional instruments makes it so millennial and smokin in all of the right places. Crisp, commanding, piano chords, a fab horn-section, and a blazing guitar makes a song about momentary love turn into an infectious hot summer track. </p>
<p>Anderssen is known for her descriptive, melodic, songs – songs that places one in the moment and solidifies them into harmony. Fleeting as it may be, life is so worth living, and Andersson makes this often-ignored fact anthemic with “Airport.” </p>
<p>When compared to most songs on Top 40 radio today, which often becomes stagnant, this track is a breath of fresh air. It allows the listener to finally inhale good music. Not since Olivia Newton-John has practical, melodic, music been made. Apart from Elton John, today, music just does not resonate, transcend, and evolve the listener anymore, unless you’ve stumbled across Lena Anderssen. </p>
<p>Watch the official video <a contents="here" data-link-label="" data-link-type="url" href="https://youtu.be/sSMh6S5UMwg" target="_blank">here</a>. </p>
<p style="text-align: center;"><a contents="Artist " data-link-label="" data-link-type="url" href="https://lenamusic.com" target="_blank">Artist </a>| <a contents="FB " data-link-label="" data-link-type="url" href="http://www.facebook.com/lenaanderssenmusic" target="_blank">FB </a>| <a contents="Instagram " data-link-label="" data-link-type="url" href="http://www.instagram.com/lenaanderssen" target="_blank">Instagram </a>| <a contents="Twitter" data-link-label="" data-link-type="url" href="https://twitter.com/lenaanderssen" target="_blank">Twitter</a></p>Klef Notestag:klefnotes.com,2005:Post/66495412021-06-04T02:57:59-12:002021-06-04T02:57:59-12:00Cassie Pearl Song Review<h2 style="text-align: center;">Party</h2>
<p style="text-align: center;"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/1cb3a270a1d533d8b9d0f71d046e6ca855b406fe/original/cassie-pearl-press-shot-2-web.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Forget a message in a bottle, try a message written on a note and taped to a mirror. “<a contents="Party" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/7BAQHuPwJY8fak1kx6yDB6?si=0722cf6d3d4d4649" target="_blank">Party</a>” is a song that delivers in just that way. Written by Boston USA native Cassie Pearl, this track is very reflective. Pearl was inspired to write this track to embrace the reality of social anxiety – a disorder that many within society must contend with daily. The honest lyrics are heightened by Pearl’s vocal attitude and conviction which she delivers with flair through an unapologetic lens. The fusion of Jazz and Electro Pop gives the track a kind of New Wave appeal and speaks to so many. In just two minutes, the artist spoon-feeds her audience a powerful dose of reality with a cherry on top! This productive effect makes the song heavily dance-worthy. The command to the beat of this track is very modern and infectious. Very synth-driven, the track closes with a pull-back on the FX leaving the song open-ended which makes the listener push REPLAY! </p>
<p style="text-align: center;"><a contents="FB " data-link-label="" data-link-type="url" href="http://www.facebook.com/Cassiepearlmusic" target="_blank">FB </a>| <a contents="Instagram " data-link-label="" data-link-type="url" href="http://www.instagram.com/cassiepearlmusic" target="_blank">Instagram </a>| <a contents="YT" data-link-label="" data-link-type="url" href="http://www.youtube.com/channel/UCYGRlVScTxRD0OC-esOoUAg" target="_blank">YT</a></p>Klef Notestag:klefnotes.com,2005:Post/66416952021-05-27T07:07:06-12:002021-05-27T07:07:06-12:00EP Review<h2 style="text-align: center;">Wally Hite Rankin & Snake River Canyon</h2>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/fe9ed635b488dec609d9755f43553d90eedbed10/original/wally-hite-rankin-snake-river-canyon.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p><em><strong>Wally Hite Rankin & Snake River Canyon</strong></em> is the latest release from Wally Hite Rankin, an Indie singer/songwriter based in New Zealand. Produced and released March of this year by Prototype Musique, Wally Hite Rankin & Snake River Canyon contains nine Indie Rock songs that grounds its listeners onto the bank of reality: </p>
<ol> <li>Snake River Canyon </li> <li>Ordinary Life </li> <li>Hazy Days </li> <li>Oh Virginia </li> <li>Picking Up the Change </li> <li>New Regret </li> <li>Chasing Satellites </li> <li>Waterlines </li> <li>Muzzle Run </li>
</ol>
<p>This EP wastes no time in igniting the fuel! In this review, I will focus on the four highlights. </p>
<p>The instrumental opening track “<a contents="Snake River Canyon" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/3eZCySD2Z5e1aazZlqdRMT?si=b48f50cb1215482f" target="_blank">Snake River Canyon</a>” places the images of fast cars ripping up Route 66 into the mind. This perfect Rock track plays like a film score with its slashing guitars famously telling the story of a winding river full of its rapids, roars, and trickles which mirrors life. The modulations, scale backs, and sustained riffs brings the wild to the mind. </p>
<p>The strong follow-up to “Snake River Canyon” is “Ordinary Life.” </p>
<p>“<a contents="Ordinary Life" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/5W8sfUSKneX6DVHpIXwbBk?si=664d52cd523147e6" target="_blank">Ordinary Life</a>” introduces Wally Hite Rankin’s lead to the collection and illustrates the setting of an ordinary life. Nothing boring! Just a great escape from the unrealistic lyrics of Top 40 songs. The lyrics of the track show how looking back on ordinary things help an unhinging mind stay intact. Proof that not everything in life ins INSTA-worthy – sometimes the simple things in life creates the strongest impacts. The guitar solo is very welcoming and gives the track a Heartland Rock appeal. Check out the video <a contents="here" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=yoBeBysYTFY&t=4s" target="_blank">here</a>. </p>
<p> “<a contents="Hazy Days" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/2HU4FNLQUE9cFtWrQ3rLuX?si=589b0f36ae404780" target="_blank">Hazy Days</a>” keeps up the momentum of the EP with sonorous guitars and features the lead vocal of Wally with Dallas Cosmas contributing backing vocals. This track refers to the hazy days of life, man – where questions go unanswered and looks go unrecognized, but life goes on. “Hazy Days” has a more eccentric flair with the use of a bright, warbly, organ. </p>
<p>And the song with the most commercial appeal is “<a contents="Water Lines" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/0zUgSNL3PLLGeoLG18S0X9?si=eb922c4d68cd4e3c" target="_blank">Water Lines</a>.” It’s edgy, dark, instrumentation lights up the EP’s conclusion in a very contradicting manner as its tone and vocal effects gives off a more gloomy approach, but in contrast, the melody modulations and high riffs of the guitars, makes the overall feel of the song bright. It is like the sun coming up after a dark, bitter, night. This guitar-driven track perfectly illustrates what happens after the twilight – that secret time and place where a selected few have the memories to tell the story. Harnessed FX, blazing guitars, and powerful drums lead this song with just a kiss of vocals. This is hard metal personified. </p>
<p>The entire EP features Wally Hite Rankin’s fingerprint of real music. So, please remember to take a listen to the other tracks. There is nothing overly manufactured or extra mechanical on this EP. No airbrushed vocals or trigger-happy technical FX to underscore the music. </p>
<p>With a global pandemic disrupting the LIVE music scene, many people who look to music for its healing properties and transformative ability, resorted to listening to music indoors to achieve what they would get at a live venue. So, it is good to find music that truly displays those facets – being both healing and transformative. A single song release can whet the appetite of listeners in search of storylines, but an EP or album really gives us that life soundtrack to live by – where each song threads together to create a listening experience. </p>
<p>Fortunately, the Indie Music scene did not leave us empty handed. Wally Hite Rankin created a collection of music that gives listeners’ a free pass to live in the moment and aspire to move forward. </p>
<p><strong><span class="font_small">EP Notes: </span></strong></p>
<p><strong><span class="font_small">Wally Hite Rankin - guitar, voice, drums </span></strong></p>
<p><strong><span class="font_small">Manth Rankin - bass </span></strong></p>
<p><strong><span class="font_small">Lee French - keys </span></strong></p>
<p><strong><span class="font_small">Dallas Cosmas - guitar, voice, sonic palette</span></strong> </p>
<p style="text-align: center;"><a contents="Wally Hite Rankin" data-link-label="" data-link-type="url" href="http://prototypemusique.com/Releases/846/" target="_blank">Wally Hite Rankin</a></p>Klef Notestag:klefnotes.com,2005:Post/66365502021-05-21T04:00:30-12:002021-05-21T04:00:30-12:00Andrea Clute Song Review<h2 style="text-align: center;">"Red Light"</h2>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/d9ff2ef34a18a6b48e421d406a69bc1bbdef77ec/original/andrea-clute.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Andrea Clute’s “<a contents="Red Light" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/28PvSUzKzYCczRLMsNwC8R?si=7990f1d468644ff7" target="_blank">Red Light</a>” is proof to NEVER underestimate a slow jam. Her latest release offers a sort of Dark Wave meets R&B bottom which creates a great musical spine. Clute’s vocals bring the audience a mix of high tones spliced with what I call floetry (a dramatic rap featuring wonderful melodies). Being appealing, approachable, and full of modern tones, “Red Light” musically resembles a love letter kissed by lips laced with sugar and salt. The way that Clute wrote and executed this song makes it deliciously intense. </p>
<p>Clute is a Pop singer/songwriter out of Vancouver BC who prides herself in thinking outside of the box – pushing the envelope of genres to create that PERFECT song.</p>
<p style="text-align: center;"><a contents="Instagram" data-link-label="" data-link-type="url" href="https://www.instagram.com/andreaclute" target="_blank">Instagram</a> | <a contents="YouTube" data-link-label="" data-link-type="url" href="https://www.youtube.com/channel/UCCp1G4kL2tqbn1PJn4IhIpg" target="_blank">YouTube</a> </p>Klef Notestag:klefnotes.com,2005:Post/66302772021-05-14T02:53:33-12:002021-05-14T02:53:33-12:00Sophia Bella Cucci Song Review<h2 style="text-align: center;">“Lemons”</h2>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/164d5fb332460f539ef29b7bff5100b2726ccf38/original/sophia-bella-cucci-lemons.png/!!/b:W10=.png" class="size_l justify_center border_" /></p>
<p>Indie Music’s Folk/Pop princess is back with a new release called “<strong><a contents="Lemons" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/75EbDdPuMNhK1O9Ienq9jr?si=90712ab7abb04327" target="_blank"><span style="color:#f1c40f;">Lemons</span></a></strong>” and it contains every element needed to be a lasting favorite – belting vocals, transient soundscapes, real-world storylines, and instrumentation that personifies finesse. </p>
<p>“Lemons” describes those dual components of any relationship, where it can be bitter and sweet. The lyrics sing: </p>
<p style="text-align: center;"><strong><span class="font_small">Eating alone </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">At least that's how it feels through the phone </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">Wasting time </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">Sifting through the fairytale in mind </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">Silence bound </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">Wondering what [is] left to say now </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">Fading photos </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">Of places we could have known </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">Stuck in maybe </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">Moments before you leave </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">The song you sing is sweet but I am bitter </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">The views of countryside at our dinner </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">And right now isn't where we're gonna be </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">Right now we have lemons </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">Not so sweet </span></strong></p>
<p>The lemon metaphor highlights this observation showing the romantic fantasy and practical reality of both mates’ mindset and the internal/external circumstances, where love can be bitter, oily, bright, soft, tart, and sometimes, rotten. The juxtaposition between reassuring vocal melodies and blue honest lyrics, paired with the melancholy instrumentation and confident vocal mood, plays well together. Thus, it provides that split between the emotional disconnectedness that is often displayed in relationships and the high points within a union that makes loneliness and sadness that much harder to bare. In addition, Bella-Cucci’s vocals drive this theme home with a vocal delivery that runs like silk slipping off the arm – smooth. </p>
<p>“Lemons” purely explains that when life gives one lemons, making lemonade is not the only solution – sometimes, one must except the bitter and the sweet and have the optimistic foresight to expect a better path ahead. </p>
<p style="text-align: center;"><a contents="YouTube" data-link-label="" data-link-type="url" href="https://www.youtube.com/channel/UC47cCrZrKQzigQdz2tFtynA" target="_blank">YouTube </a> | <a contents="Instagram" data-link-label="" data-link-type="url" href="https://www.instagram.com/callmesophiabella/" target="_blank">Instagram </a></p>
<p><strong>**Also, take a listen to “<a contents="From the Garden" data-link-label="" data-link-type="url" href="https://open.spotify.com/album/4lGCN79Wgye7CVPojctG3J?highlight=spotify:track:0nTi4LQQ5XUvjAVkIKQAH9" target="_blank">From the Garden</a>” by Sophia Bella Cucci</strong></p>Klef Notestag:klefnotes.com,2005:Post/66234252021-05-06T07:18:10-12:002021-05-06T07:18:53-12:00EP Review - Peter Kleinhans'<h2 style="text-align: center;">I Was Alive Enough</h2>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/0cf18b6d26cfcba0b93fef6fd8ed8d89fda18b93/original/peter-kleinhans.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>The times we live in are so obscure that having a focal point to direct thoughts and dreams are in demand – music continues to be that visual aid of hope for the masses. Of course, there is so much digital music in the market today that one may get lost in the shuffle trying to find collections with meaning, but there are some that come down the pipeline to music journalist that just sits RIGHT. Which brings me to the album featured in this review – <a contents="I Was Alive Enough" data-link-label="" data-link-type="url" href="https://open.spotify.com/album/0ikuOKKmSUu09MFaf26cir" target="_blank"><em><strong>I Was Alive Enough</strong></em></a>. </p>
<p><em>I Was Alive Enough</em> is an album by American Alternative singer/songwriter Peter Kleinhans. Kleinhans is notable for creating music that bridges the gap between the genres of Blues, Rock, and Country adding a storyline to emotionally driven music which feeds the soundtracks of everyday people being both conceptually practical and memorable. </p>
<p>Written, recorded, and released during COVID-19 lockdown period, <em>I Was Alive Enough</em> has 12 songs that dials-in to the major concerns of the time as well as giving optimism to look ahead in comfort: </p>
<ol> <li>FOMO </li> <li>Race to The Bottom </li> <li>Fake News </li> <li>91st St. </li> <li>Our Journeys </li> <li>Homeless </li> <li>Malagasy Uprising </li> <li>Beneath Two Moon </li> <li>New Mexico </li> <li>W1775 </li> <li>Table for One </li> <li>Palpitations </li>
</ol>
<p>The standout tracks are: “FOMO,” “Race to the Bottom,” “91st St.,” “W1775,” “Table for One,” and one of my favorites, Fake News.” The instrumentation featured on this collection of music is heavy on guitars – very much classic Rock, but with elements of County woven throughout. Lyrically, each song illustrates the passion and reasoning behind the thoughts of being in the moment just enough to make an impact. Like how every day features a new script in a person’s life, the songs on this album tells those stories. To illustrate, take a read of these lyrics: </p>
<p style="text-align: center;"><strong><span class="font_small">Well you know six years is a lot of days, </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">And on some you probably wanted to run away </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">But you stuck around, you stuck around </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">And you’d think I would have wanted to stay in place, next to your laughter and your smiling face </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">But I let you down, I let you down </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">And I guess I’m gonna live with that </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">How I took a globe and made it flat </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">How I went and bent your smiles into frowns </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">‘Cause I just couldn’t stick around </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">Now this song isn’t one of mistake or regret </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">I chose what I chose and I’ll take what I’ll get </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">But when push comes to shove </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">It still hurts to hurt someone you love </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">And you were willing to spend your whole journey on me </span></strong></p>
<p style="text-align: center;"><strong><span class="font_small">(“<a contents="Our Journeys" data-link-label="" data-link-type="url" href="http://peterkleinhans.com/music.html" target="_blank">Our Journeys</a>”) </span></strong></p>
<p>This type of songwriting is what separates the artists from novices – the ability to make everyday living come to life through words. </p>
<p><em>I Was Alive Enough</em> places a finger on the significance of society’s soul, and this artist’s realistic approach to music is still intact. BRAVO! </p>
<p style="text-align: center;"><a contents="Artist Page" data-link-label="" data-link-type="url" href="http://peterkleinhans.com/index.html" target="_blank"><span style="color:#e74c3c;"><strong>Artist Page</strong></span></a></p>Klef Notestag:klefnotes.com,2005:Post/66119632021-04-23T03:20:08-12:002021-07-15T08:26:49-12:00Artist Interview - Jack Rose<h2 style="text-align: center;">"Rockstar"</h2>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/2704886d86a093163c4d86e78cfe3a7cc187da89/original/jack-rose.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p><span style="color:#999999;">The music industry is full fascinating artists, not to mention artists within subgenres of music. So, what makes an artist relevant and worth listening to today must be in their journey into the music, as well as their individuality in their artistry. I’ve come across such an artist who has surgically cut his way out of the crowd and has made himself a standout artist. His name is Jack Rose!! Klef Notes had the opportunity to talk with Jack Rose. Just released February of this year, his latest cut “</span><a contents="Rockstar" data-link-label="" data-link-type="url" href="https://open.spotify.com/artist/3MbP5ely6nBXTr8ZYyCjgy" target="_blank"><span style="color:#ffffff;">Rockstar</span></a><span style="color:#999999;">” is dominating charts and making noise. In this interview, you will learn more about Jack Rose’s start to fame, his roots in music, how he feels about the virtual music scene, Ghost Hunting, and what’s a typical day in the life of a ROCKSTAR! </span></p>
<p><span style="color:#999999;"><strong>Let me first say that I am a fan, bro. I have heard mad good vibes circulating around your latest track. So, what’s the story behind the artist? what made you want to break out into the music industry, I mean, were you rooted in music? </strong></span></p>
<p><span style="color:#999999;"><em>I’ve wanted to do music from a young age. Growing up I loved High School Musical and went to performing arts clubs on the weekends and that sort of made me wanna start doing it more and more! </em></span></p>
<p><span style="color:#999999;"><strong>As a producer, singer, and songwriter, how do you juggle wearing so many hats on a project? </strong></span></p>
<p><span style="color:#999999;"><em>Haha, It’s easy, my hair because of lockdown has been atrocious so I’ve been living in hats and beanies for the last 6 months to be honest. </em></span></p>
<p><span style="color:#999999;"><strong>Funny, but totally understood 😊 </strong></span></p>
<p><span style="color:#999999;"><strong>How do you come up with your storylines? </strong></span></p>
<p><span style="color:#999999;"><em>Rockstar is very different; Rockstar was just a vibe I felt when I heard the beat. However I normally write about stuff I’ve experienced because I feel like it can be relatable to other people. </em></span></p>
<p><span style="color:#999999;"><strong>Spoken like a true creative. And that is so true, when songs are written from actual experiences, they are more relatable. </strong></span></p>
<p><span style="color:#999999;"><strong>So, after listening to “Rockstar,” is it no secret that your full artist persona is full of swag, and you have the ability to cross multiple genres? Were you always so multifaceted and cool in your vocal execution? </strong></span></p>
<p><span style="color:#999999;"><em>It’s definitely become more prominent recently but that’s just because my voice has fully dropped, and I’ve gotten a lot older than when I first started. When I was younger, I could keep a tune, but my voice would go out of tune sometimes. </em></span></p>
<p><span style="color:#999999;"><strong>And, coming off of the esteem of “Better on My Own,” what is the backstory behind your latest song “Rockstar” – it is more than just a title, isn’t it? </strong></span></p>
<p><span style="color:#999999;"><em>Yeah man I can’t even deny that haha. It was just a vibe that I felt, and the original beat just gave me a huge vibe and I just wrote down the first things that came into my head. </em></span></p>
<p><span style="color:#999999;"><strong>What other genres have you not worked in yet that you want to give a try? </strong></span></p>
<p><span style="color:#999999;"><em>I’m going to be real, every genre I would try, I already have tried. I’ve tried Pop Rock, Hip Hop, Pop, Garage, RnB, Tech House everything. But I do think that more will pop up in the future. </em></span></p>
<p><span style="color:#999999;"><strong>I love your transparency and your ease of real talk. </strong></span></p>
<p><span style="color:#999999;"><strong>So, you’ve worked with some smoking producers, but in listening to your track, I could tell that you are the mastermind of your work – from the content to the lyrics to the flow of your vocals, so what distinguishes you from your competitors?</strong> </span></p>
<p><span style="color:#999999;"><em>I don’t like to think of the music industry as a competition because we are all going for the same goal at the end of the day but its sometimes a case of luck sometimes it’s a case of work rate. </em></span></p>
<p><span style="color:#999999;"><strong>Okay, but it is obvious the music industry is not the way it used to be a decade ago – singles are released instead of full albums, streaming is the method to release music compared to physical CDs, and with the Pandemic, basically everything is virtual. So, how do you feel about the future of music? </strong></span></p>
<p><span style="color:#999999;"><em>I’m happy about it because it’s the feeling of knowing people can listen to my music or any music anywhere and everywhere because of Spotify, Apple Music and Deezer. No one my age really buys CDs anymore because what you would pay for a CD you’d pay monthly for Spotify and listen to everything. </em></span></p>
<p><span style="color:#999999;"><strong>Do you like promoting on social media, or do you prefer old school methods of promotion? </strong></span></p>
<p><span style="color:#999999;"><em>I know my way around social media and I’ll be honest without it I’d be nothing haha. </em></span></p>
<p><span style="color:#999999;"><strong>Ha-ha! </strong></span></p>
<p><span style="color:#999999;"><strong>Have you come across any biases or stereotypes in the music industry? </strong></span></p>
<p><span style="color:#999999;"><em>I used to not be given chances when I was younger. So when I got booked on gigs I used to get given the slots at gigs in which I was first or second on stage just because I was young and they didn’t want the crowd to ‘[intimidate] me’ if that makes sense when at the age of 13 I would happily perform before the headline act in fronton 5-10k people. I grew up doing musical theatre and performing all the time, so it doesn’t bother me. </em></span></p>
<p><span style="color:#999999;"><strong>Yes, it makes sense. Thanks. </strong></span></p>
<p><span style="color:#999999;"><strong>To name just one person, because you have been in some great company, how was it to tour with Faith Evans?</strong> </span></p>
<p><span style="color:#999999;"><em>It was an experience, Getting to perform at the o2 Indigo was a dream because it’s the nearest venue to where I’m from that I want to perform in, next would be the o2 arena, but it was fun and an amazing experience especially after my gcses. </em></span></p>
<p><span style="color:#999999;"><strong>And, is there anyone else you would like to collaborate with, or tour with? </strong></span></p>
<p><span style="color:#999999;"><em>I’ve always said Drake, because it’s a guaranteed number 1 haha. But in all seriousness. I could name hundreds. Would they be right for me to collab with? It really depends. </em></span></p>
<p><span style="color:#999999;"><strong>As a UK artist, do you want to sign with an American record label, or do you prefer to work in the UK? And, which market do you prefer to perform in? </strong></span></p>
<p><span style="color:#999999;"><em>American and UK Labels work the same for me. I would always go with whoever wants me ;) but in all seriousness I believe that whether they’re from the UK, us, Brazil, they’re all going to perform the same. </em></span></p>
<p><span style="color:#999999;"><strong>Can you talk about your anti-bullying tour? </strong></span></p>
<p><span style="color:#999999;"><em>I did it when I was 14-16 and it’s how I got my following and helped me raise my confidence as a performer because I did over 150+ shows in 2017 performing in Essex, Chichester, Scotland and Wales. It was great. </em></span></p>
<p><span style="color:#999999;"><strong>WOW! That’s great that you were able to bring a social focus to bullying and gain more confidence in yourself as a performer at the same time. </strong></span></p>
<p><span style="color:#999999;"><strong>You are the host of Amazon TV series Ghost Hunting where you explore haunted sites across the UK with celebrity guests, do you want to get into other film-related work, or behind the camera? </strong></span></p>
<p><span style="color:#999999;"><em>Music has always been my passion, but I would be opening to doing some more tv and film sort of work. I have been doing acting since the age of 8, not going to lie I’m not the greatest at it but I’m not terrible. I would happily do a tv show! </em></span></p>
<p><span style="color:#999999;"><strong>Cool!! </strong></span></p>
<p><span style="color:#999999;"><strong>So, what’s a typical day of a ROCKSTAR – that is you? </strong></span></p>
<p><span style="color:#999999;"><em>Wake Up around 11am, Have a shower and brush my teeth, get dressed and go for a 1-2 hour bike ride, get some lunch, come home and get my football boots and go for a kick about for a few hours, come home and have dinner, sit in my room and see if I can write any new music, play Xbox till 12-1am, Try and carry on writing for a little bit then try sleep around 2-2:30. </em></span></p>
<p><span style="color:#999999;"><em>I like to stay up late, so I only sleep when I need to. </em></span></p>
<p><span style="color:#999999;"><strong>Awesome; that would make for a great reality TV show – THE ROCKSTAR DIARIES. Just a thought (wink). </strong></span></p>
<p><span style="color:#999999;"><strong>So, any other projects in the pipes? </strong></span></p>
<p><span style="color:#999999;"><em>I’m working on about 2 different projects right now that I’m really looking forward to materialize but with the pandemic it has been hard trying to find studio time. </em></span></p>
<p><span style="color:#999999;"><strong>Please keep me posted when you do release a new cut. </strong></span></p>
<p><span style="color:#999999;"><strong>Do you have any online shows coming up?</strong> </span></p>
<p><span style="color:#999999;"><em>No unfortunately. I think I’m going to wait until venues are booking again because I would rather meet people in real life than over a screen. </em></span></p>
<p><span style="color:#999999;"><strong>Last question, when did you last give yourself permission to let go? </strong></span></p>
<p><span style="color:#999999;"><em>I went out about a week ago to celebrate some stuff in my life that I haven’t been able to. Just went up to Spoons with the idea of having one drink and had many but it was the first time seeing my friends and celebrating lockdown birthdays and the release of Rockstar. I don’t let my hair down often because I’m quite a boring person. </em></span></p>
<p><span style="color:#999999;"><strong>Thanks, Jack. </strong></span></p>
<p><span style="color:#999999;">Jack Rose is an artist who cannot only grab bragging rights as to being multi-talented, but he can also tout an artistry that illustrates multifacetedness – one who can croon in R&B, fuse rhymes with a storyline, create a nice Hip-Hop / Pop fusion track, and one whose style and story has lifted him above the rest. Make sure to follow Rose and keep your ears posted to the streets to hear more things coming down the pipelines, because, he is more than a ROCKSTAR, he is becoming LEGENDARY! </span></p>
<p style="text-align: center;"><a contents="FB " data-link-label="" data-link-type="url" href="http://www.facebook.com/jackjohnrose" target="_blank"><span style="color:#999999;">FB </span></a><span style="color:#999999;">| </span><a contents="Twitter " data-link-label="" data-link-type="url" href="http://www.twitter.com/jackjohnrose" target="_blank"><span style="color:#999999;">Twitter </span></a><span style="color:#999999;">| </span><a contents="Instagram " data-link-label="" data-link-type="url" href="http://www.instagram.com/jackrosereal" target="_blank"><span style="color:#999999;">Instagram </span></a><span style="color:#999999;">| </span><a contents="Artist Page" data-link-label="" data-link-type="url" href="http://www.jackroseonline.co.uk" target="_blank"><span style="color:#999999;">Artist Page</span></a></p>Klef Notestag:klefnotes.com,2005:Post/66119362021-04-23T03:19:50-12:002021-04-26T04:46:53-12:00Jambrains' EP Review<h2 style="text-align: center;">Into the Uncharted</h2>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/4b300e49342c28f88b042b9e6c92c1c8ff8f3008/original/jambrains-yohan-alms-into-the-uncharted.png/!!/b:W10=.png" class="size_l justify_center border_" /></p>
<p>Every reader of this review will undeniably agree that the year 2020 (which was hyped to be the year of 20/20 vision – mental clarity) has turned out to be nothing but 365 days of mystery. Everyone on the planet was surely living each day as it arrived, hoping for brighter times ahead – much like taking route into the unknown. An artist who has placed that feeling into a collection of music but showcased how solidity can be achieved is Jambrains. </p>
<p>Jambrains is a Swedish multi-instrumentalist and songwriter who has been featured on Klef Notes multiple times – <em>Life, Love, & Lies</em>, to the conceptual <em>Faded Dreams</em>, and on to the emotion-driven <em>Lost Horizons</em>. <em><strong>Into the Uncharted</strong></em> is his latest album, and it places an emphasis on harnessing the unexpected. </p>
<p><em>Into the Uncharted</em> contains eight songs: </p>
<ol> <li>Solid Ground </li> <li>Into the Uncharted </li> <li>Burning! Burning! </li> <li>A Rolex And A Lighter </li> <li>Lean into Me </li> <li>Enough </li> <li>Behind Closed Doors </li> <li>Shine on Me </li>
</ol>
<p>Still satisfying Folk Music fans by staying true the genre, Jambrains’ keep the key instruments in the foreground but adds some Rock to embellish the unhinged spirit of the album’s theme. And as always with a Jambrains’ album, powerful guitars and strong melodies hold the collection together. </p>
<p>In this review, I will focus on the standout tracks: “Solid Ground,” “Burning! Burning!” “Enough,” and “Behind Closed Doors.” </p>
<p>The opening track of the album is “<a contents="Solid Ground" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/44lD0ZEq6TFWpp8MSnW1bd?si=e3e65538663f4f55" target="_blank">Solid Ground</a>” – a song with a mid-to-slow tempo that lyrically discusses how when things are falling apart around you, you can still stand on solid ground if you have someone to stand with you. Jambrains vocally opts for a unison approach to his choruses giving off a dual ear effect which wonderfully personifies standing as two. The Rock instrumentation on this track just heightens hope – the cymbals and electric guitars. </p>
<p>“<a contents="Burning! Burning!" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/3gtIDxN0o4tvwjfG6uKic1?si=98c35d4bd7bb4c1d" target="_blank">Burning! Burning!</a>” is that anthemic track that makes the listener use their fists just as much as their hearts in that the fist will rise to the air and just stay there. This solid upbeat track is about “burning for change” and taking the steps to make it happen. This song has a nice Heartland Rock/Folk vibe with a guitar/percussion-driven core. This is the HOT ROD song of the collection! </p>
<p>In keeping with that ferocious spirit in the form of ON FIRE tracks, “<a contents="Enough" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/0K2RmXyX0Rnz1TPIhPOd8Y?si=69d3705186404617" target="_blank">Enough</a>” keeps the pace going. “Enough” features a complex vocal arrangement as well as vocal FX and plays like a ballad. The storyline is about being giving more than enough to make a difference. </p>
<p>“<a contents="Behind Closed Doors" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/7gBoTAngu640tiQmIixEDL?si=2848a5d7f6ce463e" target="_blank">Behind Closed Doors</a>” is that Country Folk track that just tattoos itself onto you. Lyrically, the song is about what happens behind closed doors and how that can shape the mind, in particular the mind of a child. Jambrains sings: </p>
<p style="text-align: center;"><span class="font_small">I tried to walk on water </span></p>
<p style="text-align: center;"><span class="font_small">And, I tried to raise the dead </span></p>
<p style="text-align: center;"><span class="font_small">You knew you needed miracles </span></p>
<p style="text-align: center;"><span class="font_small">But you looked to me instead </span></p>
<p style="text-align: center;"><span class="font_small">You tried to make me choose </span></p>
<p style="text-align: center;"><span class="font_small">I was a child; I was afraid </span></p>
<p style="text-align: center;"><span class="font_small">I couldn’t walk on water </span></p>
<p style="text-align: center;"><span class="font_small">I couldn’t raise the dead </span></p>
<p style="text-align: center;"><span class="font_small">I knew the story heard behind closed doors </span></p>
<p style="text-align: center;"><span class="font_small">The screams and then the silence </span></p>
<p style="text-align: center;"><span class="font_small">Like so many nights before . . . . they pretended that it was normal </span></p>
<p style="text-align: center;"><span class="font_small">The calm and then storm, the tears and retribution, the promise of no more </span></p>
<p style="text-align: center;"><span class="font_small">The desperate “I love yous,” the pleading not to leave . . . . if I ignore it, it’s not real. </span></p>
<p>While each track solidly illustrates the album’s threading theme of finding balance and normalcy in the most unclear times in life, also make sure to pay attention to the title track “Into the Uncharted,” “A Rolex and a Lighter,” “Lean into Me,” and the inspirational “Shine On Me” which closes the album sublimely. </p>
<p>In the same way that many great authors write period pieces that gather and explain the times where society lived and changed,<em> Into the Uncharted</em> does the same thing musically. In typical Jambrains’ style, <em>Into the Uncharted</em> is an accomplished collection of music that just infuses passion with reality giving hope. Very sophisticated in its execution, <em>Into the Uncharted</em> wears its musical heart on its sleeve (of the album jacket) and solidly presents stability. </p>
<p style="text-align: center;"><a contents="Artist Page" data-link-label="" data-link-type="url" href="http://jambrains.com/" target="_blank">Artist Page</a> | <a contents="Twitter " data-link-label="" data-link-type="url" href="https://twitter.com/Jambrains" target="_blank">Twitter </a></p>Klef Notestag:klefnotes.com,2005:Post/66058502021-04-16T03:08:54-12:002021-04-16T03:08:54-12:00Emzae Song Review<h2 style="text-align: center;">Strip Lights</h2>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/bfe969864ec4318760534f2e1ac981b3f4d9a783/original/emzae-strip-lights-official-artwork.png/!!/b:W10=.png" class="size_l justify_center border_" /></p>
<p>Just released today, “<a contents="Strip Lights" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/5mEwv8Ihqi4fHZ1Lj9t8ha?si=43a4dfffc16440c5" target="_blank">Strip Lights</a>” is a moderate tempo, Pop track, that incorporates stylings of Synth-Pop. It is written and recorded by Pop artist/producer Emzae, and let me just say, it is a game changer. How, you might ask? Read on! </p>
<p>Listeners and fans can hear this directional twist in the production of the track with the contrast between expectant FX and soundscapes and the melancholic way Emzae executes her vocals. The game changing facet of this is that it WORKS. This unorthodox productive element makes for an irresistible track. </p>
<p>Lyrically, “Strip Lights” is about the mindset of a person that has hit that place when things are not fun anymore, Emzae sings: </p>
<p style="text-align: center;">Sit in the bar and listen </p>
<p style="text-align: center;">I just blur my vision </p>
<p style="text-align: center;">Til the sparkles are just coloured dots </p>
<p style="text-align: center;">And I don’t wanna be </p>
<p style="text-align: center;">In this reality </p>
<p style="text-align: center;">Of dying ends as we pretend </p>
<p style="text-align: center;">Everything is better than it ever has been </p>
<p style="text-align: center;">… </p>
<p style="text-align: center;">(Tired of the strip lights and late night messages </p>
<p style="text-align: center;">Take me somewhere I can rest my head) </p>
<p>This is an all too familiar reality for young adults. When life’s a party, until the music stops, right? That moment when the separated lights suddenly all piece together to form one line of color from one looking at the same thing, whenever, for a long time. And while the track is a bit melancholy, the instrumentation, arrangement of melody, and that amazing synth-core, gives a spark of escapism. </p>
<p>Emzae lights it up every time! </p>
<p style="text-align: center;"><strong><a contents="twitter" data-link-label="" data-link-type="url" href="https://twitter.com/emzaemusic" target="_blank"><span style="color:#7f8c8d;">Twitter </span></a><br><a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/emzaemusic/" target="_blank"><span style="color:#7f8c8d;">Facebook</span></a><br><a contents="Instagram" data-link-label="" data-link-type="url" href="https://www.instagram.com/emzaemusic/" target="_blank"><span style="color:#7f8c8d;">Instagram</span></a></strong></p>Klef Notestag:klefnotes.com,2005:Post/65994212021-04-09T05:39:58-12:002021-07-15T08:26:28-12:00Lutfia Song Review<h2 style="text-align: center;">"Prism"</h2>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/21c4cdd66c346d5b96e568e7acba39eded30da62/original/lutfia.png/!!/b:W10=.png" class="size_l justify_center border_" /></p>
<p>“<a contents="Prism" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/4kmDxleA1JCYNajysDCAFI?si=52bf033c1e0d4e78" target="_blank"><strong>Prism</strong></a>” is a song by London singer/songwriter Lutfia. This light, upbeat, Pop groove is sure to make it to your summer playlist with its solid bass core and infectious bounce. </p>
<p>Featuring an undercurrent of classic 80’s Pop Rock, “Prism” has a synth core melody that keeps the listener engaged to the track while Lutfia’s lyrics reinforce the storyline of being transparent in love -- meaning, seeing things CLEAR enough to know when to call a mistake, a mistake. The lyrics sing: </p>
<p style="text-align: center;">I guess I don’t care so much about it now </p>
<p style="text-align: center;">But back then I thought I found love </p>
<p style="text-align: center;">In the prism of his eyes </p>
<p>The hook is not overused, and Lutfia’s lead vocals are cyclical creating a listening effect that mimics the manner one goes through when they are contemplating. The personality of the storyteller on this track is lucid, yet the vulnerability to fall in love and then to acknowledge the mistake is very relative. </p>
<p>Lutfia continues to provide arena-worthy tracks to her audience. And while she has proven that her music can resonate with multicultural audiences, with “Prism,” Lutfia has leveled up to illustrate how she can pull from one decade of music and make it relevant, and just as infectious, today. Case in point, “Prism” is the transparent gateway to endless possibilities for Lutfia. </p>
<p style="text-align: center;"><strong><a contents="Instagram " data-link-label="" data-link-type="url" href="https://www.instagram.com/__lutfia__/" target="_blank"><span style="color:#e67e22;">Instagram </span></a><span style="color:#e67e22;">| </span><a contents="Twitter" data-link-label="" data-link-type="url" href="https://twitter.com/_Lutfia_" target="_blank"><span style="color:#e67e22;">Twitter</span></a></strong></p>Klef Notestag:klefnotes.com,2005:Post/65994202021-04-09T05:36:05-12:002021-04-09T05:36:05-12:00AVA Song Review<h2 style="text-align: center;">"Wild Flowers"</h2>
<p> </p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/b17e438ee599f9504208842e3a34c630b74813ee/original/ava-singlecover-wildflowers.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>“<strong><a contents="Wild Flowers" data-link-label="" data-link-type="url" href="http://www.youtube.com/watch?v=bOQIyyWmr9o" target="_blank">Wild Flowers</a></strong>” is a song written and recorded by Irish Contemporary singer/songwriter AVA. Released today, “Wild Flowers” is a musical narrative about time. </p>
<p>The song opens with subtle Gaelic instrumentation blended with modern synth, harps, piano, and percussion. Still, the track is so textured with enchanting melodies and polished production that it needs no extra FX. A nice controlled tempo keeps the song infectious. The vocal bridge is so connective!! </p>
<p>AVA possesses a voice that can only be defined as illustrious and bright. Her Contralto is warm, and the rich tones of her voice are emotive. She effortlessly switches between different parts of her range to fully drive home the emotion of the song’s theme. The backing vocals adds a majestic layer. “Wild Flowers” is executed with passionate power which illustrates the grandeur of being untamed. </p>
<p>Lyrically, the song illustrates how time is fleeting but can still be contained by delicately respecting change, but since songwriting is like art in that it is to be interpreted by the listener, “Wild Flowers” may also suggest remaining resilient through time. The lyrics convey this point of view. </p>
<p>Unlike planted flowers that are seeded by humans in baskets and gardens, wild flowers are unintentionally planted and do not need the human touch – to be like a wild flower could mean to allow time and nature to plant you where you are best suited, and to keep the innocence of soul and unbiasedness of a child which blossoms resilience. </p>
<p>As a songwriter and a singer, AVA can infer songs in an illustrative manner more so than the typical singer – and that is her connection to the music and her fans. The entire production visually creates a storyboard in which the listener can connect the dots and see realism through the lens of creativity. </p>
<p>In three minutes and 15 seconds, AVA brings the listener back to peace during a time of chaos. “Wild Flowers” is that magical footnote added to the narrative of living. </p>
<p style="text-align: center;"><strong><a contents="Instagram" data-link-label="" data-link-type="url" href="https://www.instagram.com/eabhamcmahon/" target="_blank"><span style="color:#1abc9c;">Instagram</span></a></strong></p>
<p style="text-align: center;"><strong><a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/AVAMUSICIAN/" target="_blank"><span style="color:#1abc9c;">Facebook</span></a></strong></p>
<p style="text-align: center;"><strong><a contents="Twitter" data-link-label="" data-link-type="url" href="https://twitter.com/avaworldmusic" target="_blank"><span style="color:#1abc9c;">Twitter</span></a></strong></p>
<p style="text-align: center;"><strong><a contents="Website" data-link-label="" data-link-type="url" href="http://www.avaworldmusic.com" target="_blank"><span style="color:#1abc9c;">Website</span></a></strong></p>Klef Notestag:klefnotes.com,2005:Post/65921812021-04-02T04:51:03-12:002021-04-02T04:51:03-12:00Rivita Song Review<h2 style="text-align: center;">“Lonely with Someone”</h2>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/6537eabe3d9bc5954e090241014705e157c0e560/original/rivita-2021-lws-artwork-photo-by-john-benson.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>“<a contents="Lonely with Someone" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/6NtFpucqo4AmytPeoVFiPg?si=b111d92002fe48cc" target="_blank"><strong>Lonely with Someone</strong></a>” is an Electronic-Pop, Rock infused, song by India-born, LA-based, singer, songwriter, producer, Rivita. It is her latest release, and one word describes it, “<span style="color:#f1c40f;"><strong>superb</strong></span>.” This sweeping ballad pulls on every endearing heart string emotionally telling the story of being alone while being in a relationship. </p>
<p>It’s a reflective song, and Rivita’s soprano vocals fully brings the emotion of the track up front and personal. Her trills and pauses allow for contemplation, while the backing vocals are parenthetical. </p>
<p>With much of the instrumentation being low chords, the dark place of the song’s protagonist is revealed. Yet, this track is not a song about being defeated, rather it is a song about realization and moving forward. The lyrics sing: </p>
<p style="text-align: center;">You said I’m everything because of you </p>
<p style="text-align: center;">The world broke you </p>
<p style="text-align: center;">So you broke me too </p>
<p style="text-align: center;">Oh, the glass is full, always on your end </p>
<p style="text-align: center;">Tell me what’s your drink? </p>
<p style="text-align: center;">Are you gonna pour me in? </p>
<p style="text-align: center;">I know the night is young </p>
<p style="text-align: center;">But you’re not the one </p>
<p style="text-align: center;">I’d rather be alone than be lonely with someone </p>
<p>Many people have heard of the adage of being lonely in a crowd – the reality of disconnect. And, it usually refers to one being unsettled with strangers, or even being uncomfortable around many individuals. But sometimes this sad form of reality is met within relationships that involves addiction or betrayal. And when an artist can take something such as this and make it a part of a musical context, it allows for dialogues to be created and healing to begin on many levels. One such artist who accomplished that feat is Rivita. </p>
<p>This piano-driven song places Rivita above her competitors because it showcases her vocal prowess and evoking songwriting skills. “Lonely with Someone” ends with a dialogue that becomes subdued as if a person is dialing-down a conversation that they no longer want, or need, to hear. A lit guitar closes the song. </p>
<p>“Lonely with Someone” is NOT sappy, forgetful, or depressing. Again, it’s SUPERB! </p>
<p style="text-align: center;"><strong><a contents="Artist Page" data-link-label="" data-link-type="url" href="http://www.rivitamusic.com" target="_blank"><span style="color:#f1c40f;">Artist Page</span></a><span style="color:#f1c40f;"> | </span><a contents="Instagram" data-link-label="" data-link-type="url" href="http://www.instagram.com/rivitamusic" target="_blank"><span style="color:#f1c40f;">Instagram</span></a><span style="color:#f1c40f;"> | </span><a contents="Facebook " data-link-label="" data-link-type="url" href="http://www.facebook.com/rivitamusic" target="_blank"><span style="color:#f1c40f;">Facebook </span></a><span style="color:#f1c40f;">| </span><a contents="YouTube " data-link-label="" data-link-type="url" href="http://www.youtube.com/rivitamusic" target="_blank"><span style="color:#f1c40f;">YouTube </span></a><span style="color:#f1c40f;">| </span><a contents="Twitter" data-link-label="" data-link-type="url" href="http://www.twitter.com/rivitamusic" target="_blank"><span style="color:#f1c40f;">Twitter</span></a></strong></p>Klef Notestag:klefnotes.com,2005:Post/65792452021-03-19T07:16:12-12:002021-03-19T07:16:12-12:00Sophia Bella Cucci Song Review<h2 style="text-align: center;">Mother</h2>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/7d3d1bdd88bafa2aa1c1b9c19ffcf1355384be21/original/sophia-bella-cucci.png/!!/b:W10=.png" class="size_l justify_center border_" /></p>
<p>Coming into March like a lioness, Sophia Bella Cucci is once again awakening the music scene with music that has meaning and melody. Her latest track, “<a contents="Mother" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/6TggW3ye6xWV6V6w6NoAfh?si=772335a7880341bd" target="_blank"><strong>Mother</strong></a>,” covers the topic of how our globe has given us everything and how humans rarely give back – often taking our planet’s kindness for weakness. And with one of Cucci’s facets of artistry being that she makes sure her music makes an impact, what better way to fully broaden the scope of your song’s message regarding Mother Earth than to release it during Women’s History Month – a time where the achievements and recognition of women are put into focus. And, “Mother” embodies all that is female – attitude, flexible competence, and solidarity. </p>
<p>The track opens with a distressed, funky guitar riff and atmospheric synth interplaying on a mid-to-fast tempo. But the listener will notice that as the song starts building and then closes, the tempo winds down as if to imitate a slowing heartbeat which drives home Cucci’s storyline. </p>
<p>Cucci brings the magic with her trademark sultry sugar and salt vocal prowess giving the song LIFE! The background vocals are like mirrors relating the consciences of the masses featuring a quiet choral approach. Cucci flutters between contralto and soprano chords but plays closer to low notes regarding her range which helps to convey the emotion of the song. The lyrics sing: </p>
<p style="text-align: center;">Her eyes have dried up </p>
<p style="text-align: center;">Not a tear left to cry for us </p>
<p style="text-align: center;">She gave us her all </p>
<p style="text-align: center;">But it wasn’t enough </p>
<p style="text-align: center;">Wasn’t enough </p>
<p style="text-align: center;">All, all you do is take </p>
<p style="text-align: center;">It’s time you cleaned up the </p>
<p style="text-align: center;">Mess you made </p>
<p style="text-align: center;">Don’t say to move higher </p>
<p style="text-align: center;">When the ground is on fire </p>
<p style="text-align: center;">The stakes are getting higher </p>
<p style="text-align: center;">A house full of liars </p>
<p>The Alt-Pop track features a blend of Electropop and Dream Pop fused with a powerful bass core. </p>
<p>Following the guitar solo at the 2 minutes / 19 seconds mark, there is a PAUSE, and the listener assumes that the song is going to loudly modulate, but in true Cucci fashion, there is an element of surprise. Cucci draws back on FX and keeps everything in the song subdued leaving only her vocal slightly modulated along with a bass. This production technique gives off the audible effect of how Mother Earth can take back all that she gives. The song closes with taking your breath away ~ </p>
<p>A strategy works best when it is put into motion, and that is what Cucci has accomplished with “Mother.” Strategic! Finito!</p>
<p style="text-align: center;"><strong><a contents="Artist Page" data-link-label="" data-link-type="url" href="https://www.sophiabellacucci.com/" target="_blank"><span style="color:#c0392b;">Artist Page</span></a><span style="color:#c0392b;"> | </span><a contents="FB " data-link-label="" data-link-type="url" href="https://www.facebook.com/sophiabellamusic" target="_blank"><span style="color:#c0392b;">FB </span></a><span style="color:#c0392b;">| </span><a contents="Instagram " data-link-label="" data-link-type="url" href="https://www.instagram.com/callmesophiabella/" target="_blank"><span style="color:#c0392b;">Instagram </span></a><span style="color:#c0392b;">| </span><a contents="Linktree" data-link-label="" data-link-type="url" href="https://linktr.ee/sophiabellacucci" target="_blank"><span style="color:#c0392b;">Linktree</span></a></strong></p>Klef Notestag:klefnotes.com,2005:Post/65778752021-03-18T04:29:02-12:002021-06-23T07:35:39-12:00Sunflower Thieves Song Review<h2 style="text-align: center;">Don’t Mind the Weather</h2>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/ff65e1c8de670eb77c90bd252e9e31c879b7e5f2/original/sunflower-thieves-single-artwork-dont-mind-the-weather.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>"<a contents="Don’t Mind the Weather" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/5wx9HL9mDvU9G1BNIFAapU?si=de47639a20274cf4" target="_blank"><strong>Don’t Mind the Weather</strong></a>" is the new single released from the Sunflower Thieves’ latest album, <em>Come Play with Me</em>. The single, released 26th of February 2021, plays like a heart-written prescription to feel safe through genuine, organic, love. </p>
<p>In typical Sunflower Thieves’ fashion, the song is built around earth imagery to illustrate a powerful theme. In the case of “Don’t Mind the Weather,” the theme of the song talks about feeling safe no matter the weather – with the weather being a metaphor for turning emotions, life pulling one in different directions, or just change itself. As the lyrics suggest, when you are with the person that guards your life, you are safe. The lyrics sing: </p>
<p style="text-align: center;">Tell me your fears </p>
<p style="text-align: center;">Pull me under </p>
<p style="text-align: center;">The further we dive </p>
<p style="text-align: center;">The more we uncover </p>
<p style="text-align: center;">When you decide </p>
<p style="text-align: center;">We’ll swim to the surface </p>
<p style="text-align: center;">Take it all in </p>
<p style="text-align: center;">We deserve this </p>
<p style="text-align: center;">You’ll see we’re never too far from the shore </p>
<p style="text-align: center;">Oh when the moon </p>
<p style="text-align: center;">Draws me to you, draws me to you </p>
<p style="text-align: center;">Something so silver </p>
<p style="text-align: center;">Feels so familiar </p>
<p style="text-align: center;">Maybe it’s true </p>
<p style="text-align: center;">The tide will carry us through </p>
<p>In the same manner that a lover’s arms encircle one to create a circle of safety, the acoustic music kinetically creates a euphoric melody of modern soundscapes and rich textures. In addition, the Sunflower Thieves chose to vocally create a cyclical effect with their harmonies with double tracks. Their smooth, tonal, vocals blend so well together and forms a pleasant-sounding sanctuary. The song is powered by a nice ebbing core rhythm – which makes the track very reflective. </p>
<p>Although “Don’t Mind the Weather” was recorded during Covid-19 with remote recording sessions, this song is mature and timeless in its production. </p>
<p>After surviving a year of Covid-19, it is welcoming to relax, unwind, and reflect while listening to a harmony-driven song that exemplifies feeling safe. </p>
<p style="text-align: center;"><strong><a contents="FB " data-link-label="" data-link-type="url" href="https://www.facebook.com/sunflowerthieves" target="_blank"><span style="color:#cc6666;">FB </span></a><span style="color:#cc6666;">| </span><a contents="Twitter " data-link-label="" data-link-type="url" href="https://www.twitter.com/sunthievesmusic" target="_blank"><span style="color:#cc6666;">Twitter </span></a><span style="color:#cc6666;">| </span><a contents="Instagram " data-link-label="" data-link-type="url" href="https://www.instagram.com/sunflowerthieves" target="_blank"><span style="color:#cc6666;">Instagram </span></a><span style="color:#cc6666;">| </span><a contents="YouTube " data-link-label="" data-link-type="url" href="https://www.youtube.com/channel/UC22uxwKH1zMy99L29pmUw4w" target="_blank"><span style="color:#cc6666;">YouTube </span></a><span style="color:#cc6666;">| </span><a contents="Linktree" data-link-label="" data-link-type="url" href="https://linktr.ee/sunflowerthieves" target="_blank"><span style="color:#cc6666;">Linktree</span></a></strong></p>
<h2 style="text-align: center;"> </h2>Klef Notestag:klefnotes.com,2005:Post/65660352021-03-05T07:16:05-12:002021-03-05T07:21:50-12:00Into The Ark Song Review<h2 style="text-align: center;">Olivia</h2>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/9e3a974f188fb450228f534b02b4e38b1bc51882/original/olivia.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>“Olivia” is the latest single from Welsh duo Into The Ark. “<strong><a contents="Olivia" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/68gCuuLQSRJ5ggncV4vgJg?si=ea0024b98cca438c" target="_blank">Olivia</a></strong>” is taken from the duo’s <em>In The Stormiest Weather </em>set to release June of this year. Stripped of all of the bells and whistles normally placed into the production of millennial ballads, “Olivia” breathes fresh air into the ballad genre by incorporating acoustic guitars </p>
<p>This harmony-heavy ballad also features a modulating choral melody that progressively combines the sound of Modern-Folk music with Pop. The strong acoustic guitar-driven core melody, and the duo’s trademark harmonies, create an infectious track. My brand-partner, Tonya, said “the lead singer of the song ‘Olivia,’ has a soothing voice,” so much so, she listened to their track five times. Yes, Taylor’s voice almost hypnotizes the listener, reigning in every emotion placed on every word sang poetically. </p>
<p>The guitar chord changes executed by Dane really ebb with the emotive lyrics – taking one up and down – giving an almost apprehensive vibe – a great effect. This technique highlights the imperative topic of love and lost and tempers it to make the unspoken understood. It’s like when the clouds move away after the storm and a glimpse of sun shines through. The outgoing chorus, with the multi-layered unison vocals, drives home this point. </p>
<p>And the one of the most prominent aspects of this single is that Into The Ark was able to create an emotionally-driven track that really speaks to the heart, and execute it surgically, in just two minutes and 49-seconds. </p>
<p>“Olivia” is the lit candle that creates the brightest images in a dark room. </p>
<p>This song is a tribute to Danny France. In addition to paying their respects with this single, Into The Ark also plan to help in promoting The Campaign Against Living Miserably (CALM) <a contents="www.thecalmzone.net" data-link-label="" data-link-type="url" href="http://www.thecalmzone.net" target="_blank">www.thecalmzone.net</a> leading a movement against suicide. </p>
<p style="text-align: center;"><strong><a contents="Artist Page" data-link-label="" data-link-type="url" href="https://intothearkofficial.com/" target="_blank">Artist Page</a></strong></p>
<p style="text-align: center;"><strong><a contents="FB" data-link-label="" data-link-type="url" href="http://www.facebook.com/intothearkmusic" target="_blank">FB </a></strong></p>
<p style="text-align: center;"><strong><a contents="Instagram" data-link-label="" data-link-type="url" href="http://www.instagram.com/Intothearkmusic" target="_blank">Instagram</a></strong></p>Klef Notestag:klefnotes.com,2005:Post/65660342021-03-05T07:13:29-12:002021-03-05T07:13:29-12:00Paulina Vo Song Review<h2 style="text-align: center;">Sweetie</h2>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/9d05ba14766af5df5a9077c0edceb342e216b909/original/paulina-vo-sweetie-album-cover.png/!!/b:W10=.png" class="size_l justify_center border_" /></p>
<p>There are many singer/songwriters out there today in 2021 who have mastered the art of visualization when it comes to songwriting. In fact, the Indie Music world is packed to the gills with creative visionaries. So what sets Paulina Vo apart from her competitors? Perhaps, it’s phrases like, “<a contents="Sweetie" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/2wgYy2CIydCdV3kB3cPgS7" target="_blank">Sweetie</a>, you’re holding down my love around the city,” which instantly places the listener inside of the concrete jungle exploring that inner-city hustle and romance. Or, maybe it’s that unapologetic way she tells the story of being in love and not being ashamed of it. Whatever point you place your finger on, there is no denying that Vo has an unmatched vocal and songwriting fingerprint that is unique and refreshing. </p>
<p>Her latest single, “Sweetie,” illustrates the above statements. Delivered with such class and casualness, Vo dips into Indie, R&B, Pop, and Soul in just two minutes. </p>
<p>Effortlessly, Vo has produced a song that gives that jewelry box opening effect in which the viewer, and in this case the listener, anticipates what’s inside the box – with “Sweetie” there are images of pinks, reds, purples, and blues that fill the minds of her audience coupled with emotions running wild accompanied by light as air backing vocals. </p>
<p>The brass mixed with Nineties R&B-synth-driven chorus adds that bit of nostalgia, while the light percussions complement Vo’s soprano impassioned vocals. </p>
<p>This is the after-Valentine’s Day, all year long, kicking-it song. </p>
<p style="text-align: center;"><strong><a contents="Instagram" data-link-label="" data-link-type="url" href="https://www.instagram.com/vobot/" target="_blank"><span style="color:#d35400;">Instagram</span></a></strong></p>
<p style="text-align: center;"><strong><a contents="FB" data-link-label="" data-link-type="url" href="https://facebook.com/paulinavomusic" target="_blank"><span style="color:#d35400;">FB</span></a></strong></p>
<p style="text-align: center;"><strong><a contents="Twitter" data-link-label="" data-link-type="url" href="https://twitter.com/misspvo" target="_blank"><span style="color:#d35400;">Twitter</span></a></strong></p>
<p style="text-align: center;"><strong><a contents="Artist Page" data-link-label="" data-link-type="url" href="https://paulinavo.com" target="_blank"><span style="color:#d35400;">Artist Page</span></a></strong></p>Klef Notestag:klefnotes.com,2005:Post/65342522021-01-29T07:36:19-12:002021-01-29T07:45:10-12:00Kat Saul Interview<h2 style="text-align: center;">The Wild Kat of Alt. Pop shows how Creativity is best Unchained</h2>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/1bdef8c93488849a9d7475f1fd33ef10e7e10f76/original/kat-saul.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>When asked about her sophomore EP <em><strong>Made in the 90s</strong></em> (released 11/10th) Kat Saul simply writes “it’s me reflecting on who I am and what I’ve been through as I transition into adult life so that I can process how the past has made me who I am...because that’s what art is right?” Classically, this Nashville-born, Los Angeles-based Pop singer/songwriter has art down to a science as she creates music that is aesthetically practical resonating with fans of Pop, Soul, Grunge, and Hip Hop. I had the opportunity to interview this wild Kat and ask the questions that the fans are dying to know. In this interview, you will find out what makes her creativity so uncaged and nonconforming, the reason behind the success of her debut EP <em><strong>From Unit 408</strong></em>, and what inspired Kat Saul to write <em><strong>Made in the 90s</strong></em>. </p>
<p>What first got you into music?</p>
<p><em>I’ve been musical ever since I was a little kid. I started taking piano lessons and singing in the church choir when I was in kindergarten, and by middle school I was stealing my brother’s guitar and learning how to play. I always knew I wanted to perform. I became interested in songwriting when I was in 7th grade and carpooling to school with a girl whose Dad was an A&R. During the car rides he’d play demos that publishers had pitched for his artists. I realized I wanted to be the one making up songs for his CDs and pretty quickly became obsessed with songwriting.</em></p>
<p>WOW - that is interesting. </p>
<p>I call you Wild Kat (I hope you do not mind, let me know if you do) because you are nonconforming. Your creativity ceases to be harnessed which is a positive thing in the current music industry. Tell us, what makes you remain UNCAGED when it comes to your image, lyrics, and genre of choice?</p>
<p><em>Thank you! What a compliment! The second I started listening to my own gut, that’s when I tapped into what worked for me. I hate how artists can be so one dimensional like “I AM the color pink and will never associate with another color.” Humans are freaking rainbows… we can be so many different colors, sounds, styles, whatever. I make music that sounds the way I feel. I say what I want to say, I dress how I feel like dressing. Period. People ask me about my branding a lot and, the thing is, it’s not branding. If I seem uncaged, it’s because I’m being real and real humans are complex. </em></p>
<p>Perfectly put - period! That is the element of your music that is so intriguing - that element of realness that so often gets lost in the mix with many artists. </p>
<p>It is said that your music makes listeners want to “dance, head-bang, and cry – and sometimes all at once.” Was your direction in music, when it comes to writing and executing the music, always paradoxical?</p>
<p><em>Inherently, yes! I was a pop/rock kid growing up in the country music capital. I wasn’t trying to be a paradox, I just grew up around a lot of different influences. It was the same socially… I was a cheerleader who was also in a rock band. I never really knew who I was until I decided it was okay not to know! Maybe who I am is just a quirky misfit! Whether I want it to or not, it comes out in the music. </em></p>
<p><em><strong>From Unit 408 </strong></em>was very embraceable to many lovers of multiple genres of music – for instance, “Nick Miller” had a smooth Hip Hop / Pop style and your lyrical style had a unique flow. Will Made in the 90s carry the same type of eclectic tracklist? </p>
<p><em>‘Made in the 90s’ can be expected to draw from some of those same eclectic genres, but instead of it varying from track to track, I’ve blended my influences into a big pop smoothie. I love my influences and wanted to dial in a little closer on how I can incorporate them all while still sounding cohesive. </em></p>
<p>Cool.</p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/db3763c0aff60383bdea89f2cf8db6d566126b93/original/kat-saul-2.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>So, what do you think was the driving component in <em><strong>From Unit 408</strong></em> being so successful? </p>
<p><em>With the tremulous political and social climate, I think people were ready for something fun and different. People don’t want to be sad anymore. </em></p>
<p>So, true - I am ready for this! </p>
<p>What inspired you to release <a contents="Made in the 90s" data-link-label="" data-link-type="url" href="https://fanlink.to/madeinthe90s" target="_blank"><strong><em>Made in the 90s</em></strong></a>? </p>
<p><em>I wanted to release something that felt like me. I wanted to start telling my story. Not someone else’s censored version of what “me” is. </em></p>
<p>I like that statement “someone else’s “censored-version,” because that is what the music industry creates - a censor-version of an artist. </p>
<p>I feel that <em><strong>Made in the 90s</strong></em> is a reflective collection of music. What is the running theme for <em><strong>Made in the 90s</strong></em>? Please, expound. </p>
<p><em>This EP is the sounds of my childhood — it’s cheerleading style dance drops and guitar power chords. It’s dreamy pop synths and Nashville storytelling. It’s me looking back on who I was and how it’s made me the person I am now. We are a sum of our experiences. </em></p>
<p>Okay, so let’s dig into some of this awesome music - what is the story behind: “Monsters,” “Cloud 9,” and “X2?”</p>
<p><em>“Monsters” is about my anxiety and depression. I had just moved to LA and we wrote the song 2 days before the quarantine order hit. </em></p>
<p>WOW! </p>
<p><em>I was scared, and more alone than ever. I had the idea for this song almost 2 years ago, but it never felt as real as it did this past Spring. </em></p>
<p><em>“Cloud 9” started as an iPhone recording of me sitting in the Green Hills YMCA parking lot and recording the weather. Somehow it sounded the way I felt. I wanted to make a song around it. It’s a love song to a boy with whom I have a complicated relationship as well as a love song to my mental health. It’s me saying “It’s gonna be okay”. Most of my romantic relationships are impacted by my mental health, so for me, the two are closely interlaced. </em></p>
<p><em>“X2’ is about being tired of being sad. In this song I realize I need to take care of my mental health, my body, cut back on substance use, and pick myself back up after a breakup. This is actually the second song I wrote for the EP after “I Love To Hate You,” which was the first. Both songs are about the same boy and show the different stages of grief I was in. I didn’t know at the time I’d be putting together a project.</em></p>
<p>With your music touching on so many personal elements, it is really cathartic in its delivery which will make it crossover into so many different hearts - cool! </p>
<p>I’ve read that production-wise, when it comes to instrumentation, FX, etc., you chose to blend electro-pop melodies with 90s alt-rock. This is a great combo as it keeps the music fresh, relevant, and independent as each track can stand alone. Are you always involved in the production process?</p>
<p><em>Now, yes. I used to be a bit insecure about voicing my production ideas since I have more experience as a songwriter than in the producer’s seat. This project was definitely an awakening for me and I felt more comfortable bringing in my own sounds and samples. I’ve always heard production ideas in my head. I’m at a place now where I realize the music isn’t going to sound like me unless I’m 100% vocal with those ideas. I can’t imagine not being a part of that process now. </em></p>
<p>You’ve collaborated with some industry heavyweights; anyone you have not worked with that you have on your list? </p>
<p><em>Oh gosh, there are so many! I’d specifically like to manifest collaborations with Jack Antonoff, Sir Sly, and Ali Tamposi. </em></p>
<p>Great choices! </p>
<p>If anything, what would you like to change in the music industry? </p>
<p><em>I’d like to see more equality. The industry is still heavily male dominated yet some of the most talented people I’ve ever worked with are women. </em></p>
<p>Last question, when did you last give yourself permission to let go? </p>
<p><em>In general, it’s really hard for me to let myself go. I have horrible anxiety. I’d say the Saturday, a week before Halloween, when I unplugged and spent time with family and the people I cared about. I dropped my expectations for myself and got reconnected with who I am at my core and what my values are. I let myself enjoy life. It was a challenge to not be glued to the phone or sending emails, but it was great. </em></p>
<p>Thank you Kat 😊</p>
<p>Rarely do music journalists get the opportunity today to conversate with an artist who is mindful, reflective, and transparent like Kat Saul. Saul literally is redefining what it means to be an “artist” by illustrating through her image and music how Creativity is best Unchained. Her music is already capturing hearts, breaking records, and cementing itself as a self-defining element in reshaping the music industry making HERstory part of the continual music dialogue. The minds, hearts, and ears of her fans are in for a real treat. Wild Kat is just sharpening her nails, and her next step is going to be an interesting jump that she will clear effortlessly! </p>
<p style="text-align: center;"><strong><a contents="Website " data-link-label="" data-link-type="url" href="http://www.katsaulmusic.com/" target="_blank">Website </a>| <a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/katsaulmusic/" target="_blank">Facebook </a>| <a contents="Instagram " data-link-label="" data-link-type="url" href="https://www.instagram.com/katsaulmusic/" target="_blank">Instagram </a>| <a contents="twitter" data-link-label="" data-link-type="url" href="https://twitter.com/katsaulmusic" target="_blank">Twitter </a></strong></p>
<p><strong>Photo credit: Matt Blum</strong></p>Klef Notestag:klefnotes.com,2005:Post/65277992021-01-22T06:09:13-12:002021-01-22T06:09:13-12:00Paul K EP Review <h2 style="text-align: center;"><strong>Anandamide</strong></h2>
<p><strong><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/88c167bc9839a9a2ee149f06b8b0ff0061a1a497/original/paul-k.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></strong></p>
<p>Instrumental albums were all the rave in the mid-1950’s and also during the age of Disco. Soon, being surpassed by tracks that include both music and vocal, Instrumental albums were shelved and rarely heard on radio. Occasionally today, one gets the chance to hear a dynamic collection of instrumental music, but when that happens, it should REALLY connect with the human touch, emotion, and mind on all levels. That is what Paul K’s <a contents="Anandamide " data-link-label="" data-link-type="url" href="https://open.spotify.com/artist/7HF8QoNffXbGMWsnF1UkMP" target="_blank"><em><strong>Anandamide </strong></em></a>does for its listeners. </p>
<p>Written and recorded during COVID-19 lockdown period, Paul K, who is a renowned, unscripted, musician/composer/songwriter/performer/producer has created instrumental music that is both perplex and passionate. And when I say “unscripted,” I mean that he is un-harnessed by the politics and restraints of the music industry. His creative works are free and timeless. And what further sets his music apart from what some listen to today, in terms of instrumental music on mainstream radio, is that his music shares the same core as the human touch in that it basically sews itself to its listeners and becomes a part of their life’s soundtrack versus being just background, or elevator, noise. </p>
<p>A great EP to add to your remote work or stay-at-home music collection, <em>Anandamide</em> has 13 tracks that will resonate with any circumstance, be it trivial or mundane. The track list includes: </p>
<ol> <li>Dharma </li> <li>Moment of Illusion </li> <li>Ghostwriter </li> <li>Anandamide </li> <li>Phanomen </li> <li>Kama </li> <li>Pranayama </li> <li>Duas </li> <li>Ephemera </li> <li>10 Lost </li> <li>Paralysis </li> <li>The God Plan </li> <li>Coexist </li>
</ol>
<p>Driven by an awesome piano, each song presents a fusion of eclectic, electronic, instrumentation that is serene and euphoric. The incorporation of synths, soundscapes, and productive FX all adds layers and texture to the EP while keeping it real and smooth. </p>
<p>Stand out tracks: Ghostwriter, the title track, Phanomen, Kama, 10 Lost, The God Plan, and Coexist. </p>
<p>The word “anandamide,” in general, is taken from the Sanskrit word ananda, which means "joy, bliss, delight." Paul K’s <em>Anandamide </em>elucidates this term bringing not only joy and bliss but also a cascade of emotionally driven instrumental music to the masses. It’s amazing to produce music where its listeners can hear a storyline where there are no lyrics. Brilliant! This EP contains music that will fuel passion, spark change, and allow its listeners and fans to just stand in peace. A perfect way to start 2021. </p>
<p style="text-align: center;"><strong><a contents="spotify" data-link-label="" data-link-type="url" href="https://open.spotify.com/artist/7HF8QoNffXbGMWsnF1UkMP" target="_blank">Spotify </a> | <a contents="Website" data-link-label="" data-link-type="url" href="http://paulk-music.com" target="_blank">Website</a> | <a contents="Instagram" data-link-label="" data-link-type="url" href="http://instagram.com/_pauljk_" target="_blank">Instagram</a></strong></p>Klef Notestag:klefnotes.com,2005:Post/65216402021-01-15T02:57:38-12:002021-04-21T05:12:02-12:00a Klef Notes' EXCLUSIVE - Sophia Bella Cucci's Song Review<h2 style="text-align: center;">"From the Garden"</h2>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/26461ece7070e9aa4aa081cde3820d8f7f19790e/original/sophia-bella-garden.png/!!/b:W10=.png" class="size_l justify_center border_" /></p>
<p>It has been said that George Harrison of The Beatles said that Led Zeppelin never write ballads. The band’s answer to George Harrison was the infectious 1973 hit “Rain Song – a twist from the band’s normal catalog favorites. In the same manner, “From the Garden” by Sophia Bella Cucci is a twist in the opposite direction from her recent crowd-jumping single “Riot.” </p>
<p>“From the Garden” was written during quarantine by Cucci, produced by Graham Gilmore, and mastered Kim Rosen (Knack Mastering), yet, the music is completely free flowing <strong><em>without </em></strong>constraints. The song is limitless when it comes to creative vibes! </p>
<p>Always one to be ahead of the pack, Cucci continues to create new music in the space of time allotted to her and never does she miss a beat or message. Although a ballad, fans will hear those Alt. Pop Soul vocal riffs that made them fall in love with Cucci’s music in the first place; the attitude, be it softer, is still awake. Cucci's vocal execution is both enchanting and organic. Moreover, the serene synths and soft percussions create that meditative effect on the ears. </p>
<p>And while “From the Garden” lyrically is about planting hope and sewing love, similar to Zeppelin’s iconic track, “From the Garden,” equally taps into the cognitive mind of each listener with its tranquil core melody and a melancholy lead vocal, that its meaning can be interpreted differently with each listen. </p>
<p>With society transitioning from an unpredictable and often dark 2020, this track hits home in reminding us that it is time to plant new normalcy, new ideas, new conversations, and love into 2021. Metaphorically rich, “From the Garden” also is a great reminder that life has no bounds – something new, better times, is right in front of you – you must wait and watch what grows from <em><strong>your </strong></em>garden!</p>
<p>"<a contents="From the Garden" data-link-label="" data-link-type="url" href="http://hyperurl.co/fcokze" target="_blank"><strong><span style="color:#e67e22;">From the Garden</span></strong></a>" drops today and is available on all streaming platforms.</p>Klef Notestag:klefnotes.com,2005:Post/65026232020-12-18T01:30:04-12:002021-07-01T05:04:03-12:00Jayna Jennings' Song Review<h2 style="text-align: center;">You, Me, + a Ghost</h2>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/7b6833f96cebc71bdd6f9c4d3f280cd6aa82da92/original/jayna-jennings-you-me-and-a-ghost-single.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>“<a contents="You, Me, + a Ghost" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/26oZ9RSKqRka1XkXbsj0I9" target="_blank">You, Me, + a Ghost</a>” is a song written by American singer-songwriter Jayna Jennings<strong>*</strong>. Written as an acceptance of past regrets and sins, the single begins with serene synths that sneak in similar to how past thoughts creep back into the mind. The song opens with Jennings singing: </p>
<p style="text-align: center;">Will it resurrect every time we fight? </p>
<p style="text-align: center;">Memories suppressed with all my might call out to me in the dead of night. </p>
<p style="text-align: center;">Will it haunt me till I die? </p>
<p style="text-align: center;">Nobody comes easy, we’ve all got a load to bear </p>
<p style="text-align: center;">but when you hold me I don’t care. </p>
<p style="text-align: center;">That it’s you, me, and a ghost </p>
<p>As always, Jennings do not rush her vocal tones or timbre, rather she softly moves through the piece by easily embracing the track’s core melody. Her vocals are convincing and moving. The instrumentation chosen for this single harkens Jennings’ usual Country Pop roots, but a wonderful bend is the overlaying synths that brings a bit of evanescence adding to the theme of the song. The song climbs steadily with guitars, piano, and breathy backing vocals that harmonizes with the lead adding perfect texture. </p>
<p>Here, Jennings reinterprets the way songs about regrets are stylized on mainstream radio by opting to place this theme in a ballad instead of an up-tempo “revenge” track. By utilizing this approach in arrangement and lyric, Jennings’ represent a theme of non-secrecy therefore embracing how our, or our partner’s, sins, mistakes, past emotions of the soul, and/or regrets, should be allowed to become a part of our lives as we live on in love. The song ends with soft patriotic drums and Jennings’ voice powerfully excelling illustrating reception and pride. </p>
<p>What a great track to end 2020!! </p>
<p style="text-align: center;"><a contents="Listen | Buy You, Me, + a Ghost&nbsp;" data-link-label="" data-link-type="url" href="http://smarturl.it/youmeghost" target="_blank"><strong>Listen | Buy You, Me, + a Ghost </strong></a></p>
<p style="text-align: center;"><strong><a contents="FB " data-link-label="" data-link-type="url" href="https://www.facebook.com/jaynajennings13/" target="_blank">FB </a>| <a contents="Instagram" data-link-label="" data-link-type="url" href="https://www.instagram.com/jayna__jennings/" target="_blank">Instagram </a></strong></p>
<p> </p>
<p><strong><span class="font_small">*Folk/Americana/Bluegrass Vocalist of 2019 – The Josie Music Awards</span></strong></p>Klef Notestag:klefnotes.com,2005:Post/64741702020-11-10T03:44:41-12:002020-11-10T03:44:41-12:00GJART Song Review (feat. Deggsy)<h2 style="text-align: center;">"Symphony"</h2>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/f7f76da756c6bfe72451f21cf40c34b9c3bbda98/original/gjart-symphony.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>I like to say that self-expression is the voice of the heart, and superbly, GJART has assembled a fine collective of instrumentation that suggests this as fact with his latest Synth-Pop track called “<a contents="Symphony" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/68B1bmaa5sOFHlfT6yYbfW" target="_blank">Symphony</a>.” Once again, GJART highlights the synth music from the 1980s while surgically evolving its rhythms and tempos to bring them into the millennium. “Symphony” features Deggsy, a Liverpool born, Kent resident, musician and producer whose collaborations takes the music to the next level. Putting two masterful music minds together, this single contains an infectious hook, a driving core melody filled with synths and soft percussion, and a lead vocal that has a mantra-technique piercing through that directly touches the seat of emotion. </p>
<p>The storyline of the piece is about how music can be the voice of the unsaid verbally, or the channel for the expressionless. This alludes to how when one has a lot to say and cannot find the right words to express their true feelings, or if someone is suffocating their self-expression, if it could be put into song, it would be executed as a symphony. </p>
<p>The accompanying <a contents="video" data-link-label="" data-link-type="url" href="https://youtu.be/nWpydnxpgJE" target="_blank">video</a> brings the symphony to life with colorful backdrops, actors with personality, visually appealing makeup, modern dance routines in the form of Interpretive Dance and Lyrical Dance, and Avant Garde costumes. The song closes theatrically with a mellow BANG! </p>
<p style="text-align: center;">GJART </p>
<p style="text-align: center;"><a contents="Web" data-link-label="" data-link-type="url" href="http://www.gjartmusic.com" target="_blank">Web</a> | <a contents="Twitter" data-link-label="" data-link-type="url" href="https://twitter.com/GJARTmusic" target="_blank">Twitter</a> | <a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/gjartmusic/" target="_blank">Facebook</a> |<a contents="Instagram" data-link-label="" data-link-type="url" href="https://www.instagram.com/gjartmusic/" target="_blank">Instagram</a></p>
<p style="text-align: center;">Deggsy </p>
<p style="text-align: center;"><a contents="Twitter" data-link-label="" data-link-type="url" href="https://twitter.com/nakedverse1" target="_blank">Twitter</a> | <a contents="Soundcloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/nakedverse" target="_blank">Soundcloud</a></p>Klef Notestag:klefnotes.com,2005:Post/64734762020-11-09T06:30:47-12:002020-11-09T06:36:24-12:00Janie May EP Review<h2 style="text-align: center;"><strong>Balance Me</strong></h2>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/a592f0fdef5c23d38ce51ac98b3e0d454e73a762/original/janie-may.png/!!/b:W10=.png" class="size_l justify_center border_" /></p>
<p><em>Balance Me</em> is the latest EP to drop from the mind and hands of Brooklyn-based Soul-infused Pop singer/songwriter Janie May. Though a capsule of an EP, this collection of music packs a hefty punch with songs that cover the universally-felt theme of change. </p>
<p>The <a contents="opening title track" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/1BhJ4QBvn9xmfZd2vqtjjK" target="_blank">opening title track</a> starts with new age synths and a mean bass threading throughout and has a niiiice command to its beat sitting right in the middle of funky and mellow. May’s vocals pleasantly harness an attitude that is not brash but is in your face enough that you hear her reason behind the lyric. The storyline of the track is about finding your balance be it in life, love, or internal, the lyrics sing: </p>
<p style="text-align: center;"><span style="color:#99ccff;">Find a way to match the lock with the key </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">And bring a balance back to me </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">The past is present </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">The future is now </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">We found the path </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">Now show us how </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">The past is present </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">The future is now </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">We found the path </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">Now show us how </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">Come on, won’t you balance me? </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">Calibrate my energy </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">Ch-check my stability </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">B-b-b-b-b-balance me </span></p>
<p>The production effect placed on May’s vocal endings gives that mental reflection vibe – that afterthought. And, the way that May balances the push and pull of her lyrical flow is awesome – she’s in and she’s out. </p>
<p>Following this cut is its counterpart – <a contents="the Beat Disciples’ remix of the title track" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/4Ln1zA6lTPWzj3auqtiUGT" target="_blank">the Beat Disciples’ remix of the title track</a>. This would be the “B” side to the 45 record. The one that the fans flip to in order to level up and turn up. Club-ready, this remix is on point and hits all of the right notes. There is no redundancy. And even though “Balance Me” in its original state has a nice bounce that makes it danceable, the Beat Disciples’ remix is a smokin ride of sound effects, emotive lyric tempo, and hard-hitting dance beats. </p>
<p>The third track is “<a contents="Some of These Days" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/6kaH0IdygAWauGF07uBThh" target="_blank">Some of These Days</a>” a guitar-heavy track that is a bit more edgy in its execution than the previous tracks. May slows things up a bit but still has that drive. The message in the music is about doing a reality check on life to give clarity of life in the present moment – the lyrics sing: </p>
<p style="text-align: center;"><span style="color:#99ccff;">In this world </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">It’s so hard to know </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">Who’s the real deal </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">And who’s gonna up and go </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">All that glitters no it ain’t gold </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">Some things aren’t what they seem </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">Maybe it paints a pretty picture </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">But it still doesn’t look right to me </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">Some of these days </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">I can’t take </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">Some of these days </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">It all seems so fake </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">Yet time </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">Time reveals </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">Who sticks around </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">And who stays </span></p>
<p style="text-align: center;"><span style="color:#99ccff;">Only if it’s easy </span></p>
<p>The lyrics paint a wonderful picture of how facing reality and knowing the difference between real and fake helps in adapting through life. The mellow Pop Soul song is meditative in its melody. May’s vocal register is lower but so infectious on this track. </p>
<p>Closing the EP is “<a contents="Some of These Days - the Beat Disciples Remix" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/75ZM8vtjQthG6XtCb3nrrQ" target="_blank">Some of These Days - the Beat Disciples Remix</a>.” Again, the danceability is present, yet on this remix, a fresh new arrangement is introduced, and I like it! Also, additional instrumentation is highlighted that awakens a new feel to the original track – it plays more subtle and otherworldly. The play on the vocals with FX adds texture but does not become monotonous – it memorable. </p>
<p>Zac Fuller does an excellent job in producing the <em><strong>Balance Me</strong></em> EP – his fingerprint is heard throughout the EP and makes the music magnetic in that it stays with you, and original, in that it pushes the boundaries – his vision complemented May’s lyrical story wonderfully. </p>
<p>When the pendulum shifts from childhood to adulthood, or from any standard way of living to another new normal (as is the case with COVID-19) it is good to stay calm, pause, and put on a reflective collection of music – and that is exactly what May has created for her listening audience. </p>
<p style="text-align: center;"><strong>CONNECT WITH JANIE MAY: </strong></p>
<p style="text-align: center;"><strong><a contents="Instagram " data-link-label="" data-link-type="url" href="http://instagram.com/janiemaymusic" target="_blank">Instagram </a>| <a contents="Facebook " data-link-label="" data-link-type="url" href="http://facebook.com/janiemaymusic" target="_blank">Facebook </a></strong></p>Klef Notestag:klefnotes.com,2005:Post/64571882020-10-16T02:29:31-12:002020-10-16T02:36:08-12:00Artist Interview - River Hooks<p style="text-align: center;"><span class="font_large">River Hooks 11:11 – The Message is in the MUSIC!</span></p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/a65d846e999fad8102f7504ecd6d0c30df21a493/original/river-hooks-ep-artwork.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p><span style="color:#999999;">A music executive contributes so much to the musical journey of an artist, so it is spectacular when they decide to release their own collection of music or continue their own music journey. Indie Pop singer, songwriter, multi-instrumentalist, engineer, and producer, River Hooks, is no stranger to the Independent music world, and with the release of her latest collection of music entitled <em><strong>11:11</strong></em>, she is already making <em><strong>WAVES</strong></em>. </span></p>
<p><span style="color:#999999;">In a few weeks since dropping the single “Mountains,” it has accumulated 9K streams on Spotify. In addition, the single “Real or Fake” has now passed 90K streams. That is a record that most artists attempt to set and break, and Hooks has already placed her flag on that musical mountain. In this EP exclusive interview, you will learn the backstory behind such a multifaceted artist, what brought her to <em><strong>11:11</strong></em>, and what she feels still needs to change in the music industry. </span></p>
<p><span style="color:#999999;"><strong>What first got you into music? </strong></span></p>
<p><span style="color:#999999;"><em>I’ve always been surrounded by music my entire life. My parents always kept MTV on (during the years when they actually played music) and I loved watching their music videos! In the car they’d play so many different artists for me and from every decade. We had instruments just lying around in the house and that’s how I became interested in playing guitar and piano. I wasn’t ever told to play. I was just always interested in learning how to make music when I was bored. </em></span></p>
<p><span style="color:#999999;"><em>I went to my first concert at six years old with my dad, we saw NSYNC haha. I can still remember that day and it totally led me to my concert addiction! I’ve always been interested in music and was that kid that was constantly singing. My love for music obviously never went away either! I am so thankful for my family and their constant support. Music was never something that I thought about doing because I’ve always gravitated towards it. I don’t know who I’d be without music and can’t imagine a day without it! </em></span></p>
<p><span style="color:#999999;"><strong>Explain your music journey? </strong></span></p>
<p><span style="color:#999999;"><em>Between the ages of nine to 12, my parents gifted me two instruments that I had been persistently asking for being a guitar and piano. I think they started to realize that music wasn’t just a hobby for me when they saw how much I was practicing. I would lock myself in my room for hours just learning how to play songs by ear. I’m also the only child, so music kept me entertained and I had a lot of time to create! Haha </em></span></p>
<p><span style="color:#999999;"><em>Music soon followed me into school. In middle school my music teacher had me stay back after class to ask if I would join the school’s choir. She knew that I loved music and singing, but I was on the fence about joining, so she threw in that we’d be taking a trip to Disney World (a theme park I had always wanted to visit) so I agreed and was in choir for four years! I don’t think I realized how impactful that time in my life was until looking back at those years now. I didn’t join choir when I went into high school, but I did become the teenager who chilled in the music rooms at lunch with my friends and we’d create together and nerd out on bands. I started to get more comfortable singing in front of people without a group surrounding me too. I was figuring out who I was as a musician in those four years of high school. I was also constantly going to concerts every week and learning how to play music by watching people play on stage. I grew up living 30 minutes away from my favorite venues in D.C. such as the 9:30 Club, U Street Music Hall, Black Cat, Merriweather and walking distance from The Fillmore. I basically lived at those venues in high school. </em></span></p>
<p><span style="color:#999999;"><em>Once I discovered Soundcloud, I started uploading acoustic covers. It wasn’t until I got into college that I started to really produce. I would replicate my favorite songs in my own way and upload them to Soundcloud. I taught myself how to produce on my laptop with Garageband then I leveled up to Logic, which has led me to my music journey now.</em></span></p>
<p><span style="color:#999999;"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/e6465524af13614b19af18e10a4c4b33f24c0f97/original/river-hooks.jpg/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_left border_" /></span></p>
<p><span style="color:#999999;"><strong>Small world; I am originally from Maryland and grew up loving the DC music scene, as well as, Merriweather too! </strong></span></p>
<p><span style="color:#999999;"><strong>So, how would you describe the music that you typically create / what is your creative process like? </strong></span></p>
<p><span style="color:#999999;"><em>I pretty much create whatever I want. I really need to like the music that I make. If I can bop to my own music then others will see that my heart is fully inside of it. My music is typically based on my mood or whatever I’m writing about. I never want to be placed in a box being a genre. I never know what a song is going to sound like or sometimes be about until I start making the song. I do have melodies in my head and lyrics, but even in the process of making the track those can change too. </em></span></p>
<p><span style="color:#999999;"><em>I like to start my ideas on my acoustic guitar, but if I’m working on a song without my guitar then I’ll use my midi and create my productions. I enjoy searching for sounds that fit whatever vibe I’m going for and then the rest usually falls into place. I love producing because it can be very unpredictable and through each project I feel like I’m learning something new about myself and how I create. Music is limitless, so there are endless possibilities when it comes to making a song, but that’s also when overthinking kicks in and you just gotta be like “not today, Satan.” Haha </em></span></p>
<p><span style="color:#999999;"><strong>I totally get you, River! </strong></span></p>
<p><span style="color:#999999;"><em>The process of creating a song changes for me a lot. It depends on where I am when I’m creating the song, what time of day it is and what I’m feeling at the moment. I typically prefer to create late at night. I’m definitely a night owl and have insomnia, so most of my songs were created after midnight. I usually write all of my lyrics at night or when I’m taking a shower. I don’t know why, but I always have the best ideas in the shower! It’s really anytime when I’m alone and become lost in my own thoughts is when I can get into the creative process. I also hoard a lot of my ideas in my notes and audio messages. It’s just an easy way for me to save an idea really fast and come back to it whenever I need it. I also really enjoy adding my own samples into my songs, so I’ll record something on my phone and then process the audio in different ways. I truly feel like a scientist who’s gone mad when I’m producing, there is no method to my madness, but I usually get the results that I want. haha </em></span></p>
<p><span style="color:#999999;"><strong>Ha-ha! </strong></span></p>
<p><span style="color:#999999;"><strong>Have you released any other music before your latest collection? </strong> </span></p>
<p><span style="color:#999999;"><em>Yes, I released my first self produced single “Worth It” back in 2018. That’s the year when I told myself I wasn’t going to hold back anymore. I had just recently graduated from college and I wanted to put myself out there for people to find me and my music. Since then I started networking with people online and on social media. That’s how almost all of my collaborations formed. I met VILLAIN I through instagram and we made several tracks such as “Latch Off Of Me”, “Isn’t Silence What You Wanted?” and “7.” I met my friend Kate Brunotts over Bumble Network and we collabed on “Hugsrdrugs.” </em></span></p>
<p><span style="color:#999999;"><strong>Cool. </strong></span></p>
<p><span style="color:#999999;"><em>Even before I released my first track I was producing cover songs on Soundcloud. I’ve covered songs by Billie Eilish, Jessie Reyez, Chelsea Cutler, Sasha Sloan, Maggie Lindemann ect. I was learning how to produce by producing cover songs. Through those days of releasing covers, which I still try to do, I’ve learned so much as a creator and always want the next cover song to be better than the last. I think having my old productions up will show my growth as a producer too. </em></span></p>
<p><span style="color:#999999;"><strong>It will show your growth as a producer, and it will reflect your journey and how it is an authentic one – one that was not formed by someone else, but formed by you, the artist, herself. Great! </strong></span></p>
<p><span style="color:#999999;"><strong>And, what inspired you to release <em>11:1</em>1? </strong></span></p>
<p><span style="color:#999999;"><em>I’ve had “produce a seven tracked EP” on my bucket list for some years. I just never had the time to really sit down and do it. After I got back from a trip to Colorado last summer, I felt more alive and hopeful for the future. I felt inspired and ready to conquer everything I had been telling myself I needed to do to start making things happen for me as a musician. I was also still working on the EP when the pandemic hit us, which in a way helped give me more time to myself and to focus on my work. Nobody was asking me to go hang out and I didn’t have to travel to go to work events, so it was kinda nice to have all that time on my hands. It definitely helped me finish the project faster and gave me time to focus without any distractions. Plus there wasn’t anything I wanted to do but make this EP at the time, so I was super thankful to have music by my side when I needed it most and I think a lot of people are using music to cope through this year as well. I’m so excited to finally have a body of work that I’m super proud of and can’t wait to release more music too! </em></span></p>
<p><span style="color:#999999;"><strong>Well, I have enjoyed living with this collection, so I know others will really vibe to it. </strong></span></p>
<p><span style="color:#999999;"><strong>You said that “this EP is a look inside my mind, an open diary,” what made you want to take that transparent direction for this EP? </strong></span></p>
<p><span style="color:#999999;"><em>That’s just who I am as a musician. Outside of music, I’m not an open diary. I’m a pretty reserved person and am introverted. I do like going out and being social, but I also really love my bed and chillin’ alone! haha. Music helps me connect with people in a different way. I find things easier to be said in a song than if I said it in a conversation. I also feel like in order to make good music then I have to be honest with myself and be comfortable with being vulnerable. </em></span></p>
<p><span style="color:#999999;"><strong>Great point River. </strong></span></p>
<p><span style="color:#999999;"><em>I listen to a lot of artists who stay true to their music with honest lyrics. Everyone listens to music for different reasons, but I think the more relatable you are the more people will gravitate to the music. I want people to get to know me through my music. I want others to understand that they aren’t alone and we all share the same feelings and thoughts. I’d like to think that my music is for everyone and I hope that me being myself is what makes my music stand out. I wouldn’t know how to make music if not for being me. </em></span></p>
<p><span style="color:#999999;"><strong>What is the running theme of your EP? </strong></span></p>
<p><span style="color:#999999;"><em>I’ve been asking myself that question a lot! I think the theme is actually a timeline of my life from August 2019 to when I finished this EP in July 2020. I didn’t have a theme when I started working on “MOUNTAINS” and that was the first song I worked on for this EP. There’s also several other songs that I wrote and produced that didn’t make it onto 11:11, but will be on my next EP. 11:11 shows my progression as a producer, but I wouldn’t say in order of the tracklist. I can personally notice changes in my production skills in certain songs. I guess you can call it a time capsule. </em></span></p>
<p><span style="color:#999999;"><em>It really is just an open diary. I chose topics that I wanted to write about and subconsciously I think those topics worked together as a full project. I’m deeply discovering myself through each song. It wasn’t until I sat down to do my final mixes and masters for the EP, that I realized I had seven songs and no theme! I eventually knew how I was going to order the tracks to make sense as a full project and how they would sonically flow together. This EP is very personal to me, but it may have more meaning to someone else. I’m always more interested in what others take from my music and how they interpret it, as my music is for whatever the listener wants it to be! </em></span></p>
<p><span style="color:#999999;"><strong>Since this EP is like a “time capsule” that took eleven months to complete, that is a great title. </strong></span></p>
<p><span style="color:#999999;"><strong>What is the backstory of “Mountains” and “Real or Fake” your latest singles? </strong></span></p>
<p><span style="color:#999999;"><em>Before I wrote “MOUNTAINS” I felt a bit lost as a musician. I had released my first single in 2018 and had been doing a lot of collaborations in the meantime. Yet, I knew that I needed to release my own music to get my name out in the world. I just didn’t know when to start and was also feeling a lack of motivation. I was depressed by the fact that I had lost the feeling of wanting to create. </em></span></p>
<p><span style="color:#999999;"><em>One day, I called up one of my close friends to see if she wanted to take a trip to Colorado and she was so down to take a trip! We both really needed a break from adulting and the stressors we both were feeling from being twenty somethings. We also really love to be in nature and escaping the concrete life when we can. So me, my boyfriend, my friend and one of her friends took a trip to Colorado where we stayed in this amazing cabin on top of a mountain. The cabin had these enormous windows that faced several mountains, it was unreal. In the morning I would just sit and gaze into these mountains. I felt small in the world and finally with my break from life, I started to feel inspired and hopeful for my future again. I dedicate “MOUNTAINS” to Silverthorne, Colorado. The lyrics say everything that I was feeling. I sat down the day that I got back from my trip and wrote “MOUNTAINS” and I finally felt happy and the urge to complete a full EP. I’m so thankful for that trip and the people that I went with. I don’t know when this project would have existed, if it weren’t for that needed escape. I hope to go back to Colorado someday soon, as it felt like I was living on a cloud on top of those mountains. </em></span></p>
<p><span style="color:#999999;"><em>“Real or Fake” is based on observations of people that I knew and would hang out with. I would go out to a lot of parties, I’m not even a partier, and would just chill all night somewhere that didn’t feel like an obnoxiously stereotypical party scene out of a movie. I saw so many fake people out with their fake friends. I soon learned that some of the friends that I was hanging out with were just as fake. Again, my lyrics say it all and most people can relate if they’ve been to a party. </em></span></p>
<p><span style="color:#999999;"><em>The questions that I ask to the listeners are “Are you real? Or are you fake?.” People will do anything to blend in or to make themselves seem “cooler.” People use others to get what they want and if it’s not about “me me me” then anybody’s else's problems are minuscule. I wanted to write a song that you could jam to, but while also having yourself question the situation that you may find yourself in at a party. I’ve had a lot of friends who’ve listened to the song being like “wow, I felt your words...that’s me at every party!” or “this song slaps!!,” so I think it was hit! haha </em></span></p>
<p><span style="color:#999999;"><strong>What is the best advice you’ve been given? </strong></span></p>
<p><span style="color:#999999;"><em>I was told once, “you’ve only got one life to live, so do what YOU want with it, make it meaningful and in the end it doesn’t even matter because we all are going to eventually die.” haha I know it sounds morbid, but it’s the truth! As long as I’m focusing on myself and being a better version of me everyday, then I’ll stay happy knowing that I lived life with my heart in it and with good intentions. “Doing me!” is my life motto. </em></span></p>
<p><span style="color:#999999;"><strong>Great motto. </strong></span></p>
<p><span style="color:#999999;"><strong>If you could change anything about the industry, what would it be? </strong> </span></p>
<p><span style="color:#999999;"><em>SOCIAL MEDIA. It’s the worst. It’s a pain. I wish I didn’t need it! As a music publicist, I’ve learned having a good social media presence is sometimes better than having a million streams. It’s so sad to think about! I find it so annoying when people in the music industry ask for your social handles and how many followers you have. I’m like...so what about my music?! I rather focus all my time making music then trying to please people on the internet. It’s not something that I like to waste my time on. I also think that the industry needs to stop having social media be this tool to compare artists’ worth. I will state that social media is not completely bad. It’s a great way to connect with people, but it can be overwhelming for anyone in the music industry. We are all constantly thinking about how we can gain followers, more likes or how we can become the next viral star. Social media causes depression and trying to figure out algorithms won’t help and neither do paid bots. I’m very much over social media, but I try to keep my accounts relaxed and a space for me to post things that I care about. I love my Instagram account and those that follow, but I wish I wasn’t based on a number in the music industry. I’ve touched on social media in a few of my songs, so I’m sure the world will hear my point of view in my music soon. Haha </em></span></p>
<p><span style="color:#999999;"><strong>I totally agree with you River. I wish the industry would go back to the way they would gage an artist’s worth years ago – like in the 1980s – when Prince and Michael Jackson (to name a few) were changing the industry with such creativity. In those days, the industry was not image-driven or lazy in terms of putting in time to research an artist to see REALLY what makes them an ARTIST. There were actual scouts who would actually GO to an event and see the artist for themselves – through a non-biased lens (so to speak) instead of allowing LIKES or VIEWS to assess the talent. The human experience is being lost in the industry. It is sometimes hard to imagine the Thriller album sold over 25 million records without social media . . . GO FIGURE! Sure, social media connects what is usually hard to connect globally, but talent is internal and should not be assessed on a public, FREE, platform. </strong></span></p>
<p><span style="color:#999999;"><strong>So, what would you be doing right now, if it wasn’t for your music career?</strong> </span></p>
<p><span style="color:#999999;"><em>I have so many interests, so it’s hard to pick just one. I do think if music flopped then I would stick to my other passion, which is photography. I studied photography in college and came out with a minor, so I’m starting to incorporate my photography into my music career. I think those worlds go hand in hand, so I’m excited to see where that may lead me in the future! I really love going to concerts, so it would be awesome to be a professional concert photographer too. </em></span></p>
<p><span style="color:#999999;"><strong>Last question, when did you last give yourself permission to let go? </strong></span></p>
<p><span style="color:#999999;"><em>I love this question so much! I gave myself permission to let go the day that I handed over my EP to send off for streaming distribution. I had been working on 11:11 for almost a year. It felt like such a long journey and I had been “perfecting” the material for forever it felt like, so it was hard to one day say that “I’m finally done!” It felt really good to let go of this project. It’s a piece of me that’s now shedded off into the world and I’m really excited to finish my upcoming EP, which I’m currently working on now! I hope that this is just the beginning for me, as I have so much more of me to offer. I’m very excited about my future and I hope that you enjoy my first project!! </em></span></p>
<p><span style="color:#999999;"><strong>Thank You River!!</strong> <strong> Remember me when you cut that other EP sis. </strong></span></p>
<p><span style="color:#999999;">I like to say that we are only as free as our dreams allow us to be, and in the case of River Hooks she is fully free because she is living her dream to explore, create, and showcase her talents to the world through a lens that she has crafted called <em><strong>11:11</strong></em>. This artist has “no limits,” and I cannot wait to see where else she takes us. <strong> #cageless </strong> </span></p>
<p><span style="color:#999999;">The full EP drops today, make sure to stream or download your copy</span> <a contents="HERE" data-link-label="" data-link-type="url" href="https://riverhooks.bandcamp.com/album/11-11" target="_blank">HERE</a>! </p>
<p style="text-align: center;"><strong><span style="color:#999999;">CONNECT WITH River Hooks</span> <a contents="here" data-link-label="" data-link-type="url" href="https://riverhooks.fanlink.to/linkupwithme" target="_blank">here</a>! </strong></p>Klef Notestag:klefnotes.com,2005:Post/64571652020-10-16T02:08:10-12:002021-07-13T10:40:01-12:00Ivory Tower Project Song Review<h2 style="text-align: center;">My Name</h2>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/1d639ba7a0e1f580716d7ccb2879aef5099254f0/original/ivory-tower-proj-redhot.png/!!/undefined/b:W1sic2l6ZSIsImxhcmdlIl1d.png" class="size_l justify_center border_" /></p>
<p>We have missed great songwriting and instrumentation for soundtracks in movies or games in the Millennium – this was not the case years ago. Fortunately, a Rock duo hailing from New York USA had done just so in 2020 with the release of their debut album/CD Red Hot – they are Ivory Tower Project (ITP). Their song “My Name” from off of <em>Red Hot</em> has wowed many heads with its Rock infused SynthPop music, so much so, that it has secured a sync-license deal with DreamWorks Animation and NBC Universal and has been placed on episode 106 of the Netflix television series: 'Wizards - Tales of Arcadia.' </p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/e7d2a222cfdf7ea5164f720c4f2f5d744fad4b6c/original/ivory-tower-proj-wizardshorizontal.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Watch the lyric video <a contents="video" data-link-label="" data-link-type="url" href="https://youtu.be/qdj24LrVPMY" target="_blank">here</a>:</p>
<p>And even though this song has found a place inside of a great series, let’s not forget the true craftmanship of the song itself – the message behind the music. “My Name” holds a tight synth-infused opening and soon spills over into a strong percussive core highlighted with guitars and a smoking lead vocal. The track tells the story of the underdog and how he keeps his enthusiastic optimism in check by reminding himself that he will be great – they will know his name. The lyrics sing: </p>
<p style="text-align: center;">Lost in a world where nobody knows you </p>
<p style="text-align: center;">And leading a life where nobody showed you how to survive </p>
<p style="text-align: center;">Out on your own with no assistance </p>
<p style="text-align: center;">Facing the truth without resistance </p>
<p style="text-align: center;">Still I'm alive </p>
<p style="text-align: center;">They're gonna know My Name </p>
<p style="text-align: center;">It's always been the same </p>
<p style="text-align: center;">It's nothing fancy, it's nothing plain </p>
<p style="text-align: center;">They're gonna know My Name </p>
<p style="text-align: center;">They're gonna feel my pain </p>
<p style="text-align: center;">I'm sick and tired of playing their game </p>
<p>After listening to this track, you will be glad that you can literally tune in to hear this track on 'Wizards - Tales of Arcadia' which is available 24/7 on the Netflix streaming platform, but it is that driving hook and emotional melody that drives you back for more – something that ITP is notable for with their music. Each song they pen is a story set to instrumentation with each phrase being filled with excitement, which makes every sense awaken with every pluck of the chord. </p>
<p>This song highlights the key points of “Wizards – Tales of Arcadia” in the same way that the band America did for “The Last Unicorn” – quite simply it’s illustrative lyrics and musicians that can PLAY! </p>
<p style="text-align: center;"><strong>♪♫ <a contents="Purchase the album/CD Red Hot" data-link-label="" data-link-type="url" href="http://www.ivorytowerproject.com/store" target="_blank">Purchase the album/CD <em>Red Hot</em></a></strong></p>
<p style="text-align: center;"><strong>♪♫ Purchase this song at: <a contents="AmazonMusic" data-link-label="" data-link-type="url" href="https://www.amazon.com/Red-Hot-Ivory-Tower-Project/dp/B0019BA9UU/ref=sr_1_1?dchild=1&keywords=Ivory+tower+project+red+hot&qid=1589581904&s=music&sr=1-1-catcorr" target="_blank">AmazonMusic</a>, <a contents="AppleMusic iTunes" data-link-label="" data-link-type="url" href="https://music.apple.com/us/album/my-name/278030961?i=278030980" target="_blank">AppleMusic iTunes</a>, <a contents="deezer" data-link-label="" data-link-type="url" href="https://www.deezer.com/en/album/6860209" target="_blank">deezer</a>, <a contents="GooglePlay" data-link-label="" data-link-type="url" href="https://play.google.com/store/music/album/Ivory_Tower_Project_Red_Hot?id=Beu74gsbkhxi6czdtedmdvvvvum&hl=en" target="_blank">GooglePlay</a>, and/or <a contents="Napster" data-link-label="" data-link-type="url" href="https://ca.napster.com/artist/the-ivory-tower-project/album/red-hot-ep-22273661" target="_blank">Napster</a>.</strong></p>
<p style="text-align: center;"><strong><a contents="FB " data-link-label="" data-link-type="url" href="http://facebook.com/IvoryTowerProject" target="_blank">FB </a>| <a contents="Twitter" data-link-label="" data-link-type="url" href="https://twitter.com/ITPMark" target="_blank">Twitter</a> | <a contents="Instagram " data-link-label="" data-link-type="url" href="https://www.instagram.com/ivorytowerproject/" target="_blank">Instagram </a>| <a contents="Bandpage" data-link-label="" data-link-type="url" href="http://www.IvoryTowerProject.com" target="_blank">Bandpage</a></strong></p>Klef Notestag:klefnotes.com,2005:Post/64445822020-09-28T06:42:22-12:002021-03-04T02:23:23-12:00Ghostly Beard Song Review<h2 style="text-align: center;">Back on Tracks</h2>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/e47c176c21b38a0b027a314266761210169e9345/original/ghostly-beard-backontracks.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>If you are in search of a new groove for the Fall, look no further, just lay your ears on this Funky, rhythmic new track by Ghostly Beard called “<strong>Back on Tracks</strong>.” Fans of the Beard already know that when Ghostly Beard delivers a new track, they are in for a great ride – one filled with thrills, emotion, and reflection. This time around, Ghostly Beard twists the script some and unveils a groovy, somewhat Funk Soul track with elements of Jazz. </p>
<p>As per usual, Ghostly Beard’s smooth vocals ride the track with ease. The inclusion of layering backing adlibs gives the tune texture and directs the listener’s ears to different points within the song leveling up the experience. In addition, the Rock guitar solo that plays as a nice bridge is FIRE! Ghostly Beard’s guitar technique of modulation builds anticipation to what’s coming next, and then, wait for it, the guitar just sustains and virtually drops the amp. </p>
<p>Lyrically, the song tells the story of an artist who leaves the scene but is never gone which is something Ghostly Beard is familiar with in terms of creating great music – he leaves to create and then surprises his fans with new music that has addictive melodies. Today in music, it is no secret that singers and artists release music back to back within a year’s or a few months’ time, due to staff writers writing the music and the artists not having a hand in the production. But back in the day, an artist would take the time to leave the scene, reflect, live, grow, and then put pen to paper, voice to tracks, and melodies to record – it would be a minute before you would get a new tune from the likes of Bruce Springsteen or U2. So this song, in its own, is sort of an homage to the real rockers, musicians, etc. The lyrics sing: </p>
<p style="text-align: center;">So you thought that in the end </p>
<p style="text-align: center;">I've lost all power and drive </p>
<p style="text-align: center;">But I've got news for you my friend </p>
<p style="text-align: center;">My mojo's still alive </p>
<p style="text-align: center;">I've spent some time to work around </p>
<p style="text-align: center;">A different kind of sound </p>
<p style="text-align: center;">It's gonna be bigger </p>
<p style="text-align: center;">It's gonna be meaner </p>
<p style="text-align: center;">It's gonna make you cry </p>
<p style="text-align: center;">Because I'm back, back on tracks </p>
<p style="text-align: center;">You'd better beware </p>
<p style="text-align: center;">Hang on to your hat </p>
<p style="text-align: center;">Because I'm back, back on tracks </p>
<p style="text-align: center;">As good as it gets </p>
<p style="text-align: center;">As simple as that </p>
<p>From the eclectic percussion intro that smoothly slides into the melodic riff of a mean bass, on to every other instrumental and emotional element, “Back on Tracks” has that sense of definition and dexterity that makes it a Ghostly Beard record. This latest single reminds me of what a Bowie and Quincy Jones collab would sound like in 2021 - in comparison to these two legends, Ghostly Beard’s music is so complex in nature, but EASY to the ears and smooth.</p>
<p>Download and listen to "Back on Tracks" <strong><a contents="Back on Tracks" data-link-label="" data-link-type="url" href="https://ghostlybeard.com/album/1705908/back-on-tracks" target="_blank">here</a></strong>!</p>
<p style="text-align: center;"><strong><a contents="Artist Page" data-link-label="" data-link-type="url" href="https://ghostlybeard.com/" target="_blank"><span style="color:#f1c40f;">Artist Page</span></a><span style="color:#f1c40f;"> | </span><a contents="Twitter " data-link-label="" data-link-type="url" href="https://twitter.com/ghostlybeard" target="_blank"><span style="color:#f1c40f;">Twitter </span></a><span style="color:#f1c40f;">| </span><a contents="FB" data-link-label="" data-link-type="url" href="https://www.facebook.com/aghostlybeard" target="_blank"><span style="color:#f1c40f;">FB</span></a></strong></p>
<p> </p>Klef Notestag:klefnotes.com,2005:Post/64373232020-09-18T04:15:50-12:002020-09-21T05:53:14-12:00Lutfia Song Review<h2 style="text-align: center;">Last Night</h2>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/fb45d8f99bba4f05e5c45544eb9564e219c6ac2c/original/lutfia.png/!!/b:W10=.png" class="size_l justify_center border_" /></p>
<p>It’s always a great experience when I hear music that can resonate with multicultural audiences by being practical, honest, and REAL! Music like that are arena-favorites. So when I laid my ears on Lutfia’s first single “<a contents="Last Night" data-link-label="" data-link-type="url" href="https://lutfia.hearnow.com" target="_blank"><strong>Last Night</strong></a>,” I could not wait to give it many re-listens and share it. </p>
<p>Lutfia is a UK-born French singer songwriter who is steeped in the performing arts and is now ready to get brewing, and “Last Night” illustrates this point. </p>
<p>“Last Night” is an Alternative Bluesy track that will echo with any audience with its trippy elements of Punk-Soul. Out the gate, the emotion of the track comes across with fluid synths, bluesy guitars, and passionate percussions. </p>
<p>The storyline illustrates that never-ending conscious moment in time when a person realizes that this is it – it is not the typical lyrics of a one-night stand, but a subtly edgy song that plays like a personal conversation about that last night. The lyrics sing: <em>Gonna miss the boy with the beautiful smile / Gonna remember him till the day that I die / He makes me laugh he gives me butterflies / Don’t know if I can let him go but I guess I’ll have to try . . . Maybe one day we’ll meet again / And I can tell him everything I couldn’t then / Maybe one day he’ll realise how much that I loved the light in his eyes . . . And all these beautiful moments with him will stay in my mind eternally / Can’t believe it’s my last night in this place / And the last night I’ll ever see his face</em>. The vocal styling on this track is that of spoken verse with a floetic prowess that resembles rapping with its consistent flow transitioning between high and low vocal layers. This approach drives home the theme of the track with the layers of vocals representing all of the could a, would a, should haves that spiral in the mind – really a subconscious way to keep that moment lasting forever, even though it is the last night. </p>
<p>Lutfia’s silky smooth mezzo-soprano vocal range, as well as the effervescent adlibs and backing vocals, and the melodic guitar riff that creates the main backbone of the track’s musical tapestry, balances the entire song’s theme. </p>
<p>With this one single, Lutfia is finely highlighting the road she is carving as an artist without laying all of her cards down. “Last Night” will be included on Lutfia’s upcoming self-titled EP to be released in mid-2021. </p>
<p style="text-align: center;"><a contents="IG" data-link-label="" data-link-type="url" href="https://www.instagram.com/__lutfia__/" target="_blank">Instagram </a>| <a contents="Twitter" data-link-label="" data-link-type="url" href="https://twitter.com/_Lutfia_" target="_blank">Twitter</a></p>Klef Notestag:klefnotes.com,2005:Post/64085412020-08-13T01:57:28-12:002020-08-13T02:00:23-12:00Becky Bowe EP Review<h2 style="text-align: center;">Cosmic Heart</h2>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/5a31c66b26f33463b679076a9660397307ecd226/original/bb-ep.jpeg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>There are some singers who begin to sing, and their audience sees nothing but black and white boredom as if they have just been transported to a clip out of Lord of the Rings’ Middle Earth – GRAY! But then there are singers who make their audience see every color of the rainbow with-just-one-note! That is what Becky Bowe does for her audience … </p>
<p>Cosmic Heart is Bowe’s latest EP and it contains five alluring tracks that are spellbinding: </p>
<ol> <li>Don’t Darken My Door </li> <li>Getting Older </li> <li>I Know It’s Real </li> <li>Cosmic Heart </li> <li>Grown Up </li>
</ol>
<p>The EP opens with “<a contents="Don’t Darken My Door" data-link-label="" data-link-type="url" href="https://soundcloud.com/becky-bowe/dont-darken-my-door" target="_blank"><strong>Don’t Darken My Door</strong></a>,” a song that harkens the soft R&B tracks sang by Mary J Blige back in the day with its soft instrumentation and crisp finger snaps. Lyrically, “Don’t Darken My Door” is full of no excuses just affirmations and promises revealing a woman who is set to stand in her truth. The acoustic guitar that introduces the track adds a simplistic flare that is so carefree and promising. Bowe delicately starts her song singing in that pleasant silky soprano with the words: “I’ve made up my mind, ran around a thousand times, strong enough to see when something is wrong, now I wanna be free, free from everything, sorry it ended this way . . . don’t darken my door.” </p>
<p>This Pop R&B ballad containing a narrative about self-love, reflection, endurance, and moving on awaits the ears of everyone who is longing for REAL MUSIC, and it never sound so PERFECT! The backing vocals adds texture and weight to a song that is rightly strong but passionately inspiring as it shows a woman who demands light instead of darkness. </p>
<p>Following “Don’t Darken My Door” is the mid-tempo R&B/Pop tearjerker “Getting Older” which lyrically questions and answers the reason behind the changes in life, and within relationships, that come about naturally without awareness. </p>
<p>One of the best pieces to “<a contents="Getting Older" data-link-label="" data-link-type="url" href="https://soundcloud.com/becky-bowe/getting-older" target="_blank"><strong>Getting Older</strong></a>” is the element of Soul that Bowe laces on the track which is showcased by a rich backbeat and a bass-heavy bottom. In addition, using acoustic guitars, simple synths, keys, soft percussions, and heavy bass drums brings the swagger, while Bowe’s gentle vocal prowess, illustrates vulnerability that is passionately strong. The backing vocals feature unison notes that switch into slight harmonies that play between Bowe’s powerful lead and then ignite into fantastic highlights within the hook – much like the way a disco ball accentuates a dark room – splendid! This track is a perfect example of how when you do songwriting and music correctly, the less is more adage ROCKS! </p>
<p>“<strong><a contents="I Know It’s Real" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/6KrOJMxUUAEYDqxfjpOA73?si=qpwtgfH8SX-i-tKET0InbA" target="_blank">I Know It’s Real</a></strong>” plays like a romantic theme song. The way the track bleeds-in gives off the feel of a soft caress. The large emotive backing vocals containing both male and female singers make the song so rich. And even though this track has a wonderful Pop R&B groove to it, the tempo and inclusion of a strong backline of percussions, and that fantastic rhythm guitar, brings in the Soul. The attitude in Bowe’s vocals demands attention, and the way she twists and bends her trills at the end of the track shows off her vocal skills while additionally highlighting the passion of the song’s storyline – that love, although undefinable at times, is REAL! </p>
<p>Next, is the song that plays the most like a Jazz ballad is “<strong><a contents="Cosmic Heart" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/6gSuq1zNxFN6qIto2zSIdR?si=F7qWxFMdS8mFxYqrUWc0zA" target="_blank">Cosmic Heart</a></strong>.” That solo piano in the beginning and the brass throughout, combined with the yearning vocal execution of Bowe illustrated with elongated expressions, makes “Cosmic Heart” an exceptional piece of Modern Jazz that tells the story of two people being in love. But this is not just the typical type of love that we often see played out on TV today, or on social media, this is the type of love illustrated by pure, honest, emotions – so much so, that this feeling of love is so strong, and goes so deep, that it is stellar. The instrumental and vocal pauses placed within the song gives the listener a moment to reflect and live with the song, while the modulation of the track towards the closing adds texture that is refreshing. Moreover, the addition of the handclaps and foot stomps add a small layer of Gospel. I just loved the duality of Bowe’s writing on this track. And by choosing to close the track with her voice and a male vocalist sort of vocally dancing with their vocals interweaving, puts the cherry on top. </p>
<p style="text-align: center;"><iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/ygVRg4rm610" width="560"></iframe> </p>
<p>The EP closes on a faster note with “<strong><a contents="Grown Up" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/6GSDk7Ks1Spbw3OyXjRTPY?si=wVspIhdiSbShWORNgEggJw" target="_blank">Grown Up</a></strong>” – a Soulful cut that has bounce and swag. This song reveals a different side to Bowe, one that is more in your face. This is the song that will begin the next chapter to Bowe’s music – a prelude if you will, showing her flexing her muscles. The clicky beats and commanding piano chords makes the melody line an infectious hook and creates a great dancehall track. </p>
<p>Bowe is no amateur when it comes to illustrating versatility in voice!! I’ve said it before, and will continue to say it, Bowe is skilled in letting her vocals crawl, stand, and then soar, and it is so technically beautiful. This is not a computer-enhanced version of a voice, or a vocalist assisted by tons of reverb or autotune. Bowe’s voice complements the lyrics that she pens by her emotions carrying the message while her skill paints the picture. </p>
<p style="text-align: center;"><a contents="becky bowe" data-link-label="" data-link-type="url" href="https://www.beckybowe.com/" target="_blank"><strong>https://www.beckybowe.com/ </strong></a></p>
<p style="text-align: center;"><a contents="instagram" data-link-label="" data-link-type="url" href="https://www.instagram.com/becky.bowe/" target="_blank"><strong>https://www.instagram.com/becky.bowe/ </strong></a></p>
<p style="text-align: center;"><a contents="fb" data-link-label="" data-link-type="url" href="https://www.facebook.com/beckybowemusic/" target="_blank"><strong>https://www.facebook.com/beckybowemusic/ </strong></a></p>
<p style="text-align: center;"><a contents="twitter" data-link-label="" data-link-type="url" href="https://twitter.com/becksbowe" target="_blank"><strong>https://twitter.com/becksbowe </strong></a></p>
<p style="text-align: center;"><a contents="YT" data-link-label="" data-link-type="url" href="https://www.youtube.com/user/BeckyBowe" target="_blank"><strong>https://www.youtube.com/user/BeckyBowe</strong></a></p>Klef Notestag:klefnotes.com,2005:Post/64064052020-08-10T05:11:36-12:002020-08-10T05:11:37-12:00Song Review - EMZAE (Pop)<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/53a218d45bf1377a3dbddae902109d8af41886a3/original/emzae-thrive.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" />If there was a music dictionary, and you could look up the word <strong>UNAPOLOGETIC</strong>, this song would be the link next to the definition. </p>
<p>Fresh off the cuff and mind of rising Pop artist, producer, Emzae, we have this fresh cut entitled “<a contents="THRIVE" data-link-label="" data-link-type="url" href="https://soundcloud.com/emzae/thrive-out-31st-july/s-XaLvMrPWun6" target="_blank">THRIVE</a>.” In just two minutes, this anthemic song with a bounce will tattoo itself to your core. Emzae sings: I<em>t makes no sense to me / hating on yourself / just because you're different to somebody else / you have all you need, so don't cry, take the lead / cause this is what it feels like to be free</em>. Her vocal attitude and vocal stance are passionately commanding and very rhythmic with a flow similar to rapping – niiiiice! </p>
<p>“THRIVE” is hook-driven and will appeal to Hip-Hop lovers, EMO loyalists, and Pop listeners. The modern commanding beat, synth sound FX, and an 80s electronic string section gives this song an awesome swag and gives the listener permission to love themselves and go ahead and take that seat at the cool kids table. </p>
<p>This is proof that #COVID-19 cannot stop #Music! </p>
<p style="text-align: center;"><a contents="twitter" data-link-label="" data-link-type="url" href="https://twitter.com/emzaemusic" target="_blank">Twitter </a><br><a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/emzaemusic/" target="_blank">Facebook</a><br><a contents="Instagram" data-link-label="" data-link-type="url" href="https://www.instagram.com/emzaemusic" target="_blank">Instagram </a><br><a contents="Spotify" data-link-label="" data-link-type="url" href="https://open.spotify.com/artist/07o9bmQoF82RqJz4ey7oJr" target="_blank">Spotify</a></p>Klef Notestag:klefnotes.com,2005:Post/63860612020-07-16T05:35:45-12:002020-10-16T02:36:00-12:00Artist Interview - Charley Young<p style="text-align: center;"><span class="font_large">CHARLEY YOUNG GIVES PROPS TO THE POWER OF WOMXN IN MUSIC</span></p>
<p> </p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/a73419a3199bbe5323df1088dc8f38c251e6927c/original/charlie-young-your-fire.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p><span style="color:#999999;">Music videos that tell the story of how POWER is positive and how it should be infectious tops the list of the best inspirational pieces. So, I was honored to get the opportunity to chat with an artist who is creating content like this. Charley Young has released an official video to complement her single “Your Fire” and it is starting a dialog as it is made entirely by women while it shines the spotlight on women. And what makes this artist so appealing is that SHE is not only a singer, songwriter, and producer, she is also an athlete, an actress, a Mental health advocate, and a survivor of anorexia nervosa and depression, so when she puts pen to paper and writes a song about women having POWER, she is not preaching to the choir, she IS the choir. In this interview, you will get to explore the themes behind the song and video and learn about the artist herself – this week on #WCM #FeatureFriday! </span></p>
<p><span style="color:#999999;">Being an actress and a singer in the entertainment industry, a woman must display her power in varied ways, often choosing to quiet the “FIRE” so speak so as to not offend anyone. Have you ever had to do this and when did you feel “I’ve had enough?” </span></p>
<p><span style="color:#ccffff;">I spent a lot of my young adult years “quieting” my fire. I had anorexia from the age of 11; it was really a way to “erase” myself. About the same time I turned the corner in my battle with anorexia, I decided that I was tired of trying to quiet and harm myself. I decided it was time to honor myself, flaws and all. I still struggle in honoring myself from time to time, but I know that I am a work in progress and have come a long way in the past few years. </span></p>
<p><span style="color:#999999;">Awesome! I like how you state that you made the decision to “honor” yourself; so many females need to access this option on their mainframe board so to speak – that it’s okay to honor yourself. </span></p>
<p><span style="color:#999999;">You have what I like to call a nostalgic powerhouse in a perfume bottle appeal when it comes to your style and music - much like the female artists back in the day: Joni Mitchell / Madonna, were you always this way artistically? </span></p>
<p><span style="color:#ccffff;">Oh! I love both of those words, especially together, KiKi! I guess I have always been this way- I feel it is so hard to assess yourself accurately. But, I have always listened to and drawn inspiration from artists from the ‘80s and ‘90s (I have also listened to artists from the ‘60s and ‘70s too) and have always been inspired by strong women who have something to say.</span></p>
<p style="text-align: center;"><iframe class="justify_inline" data-video-type="youtube" data-video-id="pCio9vos2Qc" data-video-thumb-url="https://img.youtube.com/vi/pCio9vos2Qc/mqdefault.jpg" type="text/html" src="https://www.youtube.com/embed/pCio9vos2Qc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="180" width="320" allowfullscreen="true"></iframe></p>
<p><span style="color:#999999;">I’ve listened to your music, a great collection by the way. Many of your songs have a natural theme, and while female inclination is natural, not every female can find her own strength, so what made you take the women empowerment route this direction this time around for “Your Fire?” </span></p>
<p><span style="color:#ccffff;">Thank you so much for listening! Nature is definitely a big inspiration of mine and I feel very connected to it. The decision to center the video around female empowerment came out of my conversations with my friend and director/cinematographer of the video, Emilia Mendieta Cordova. We started discussing the concept for the video around the time of this year’s Academy Awards. Natalie Portman’s decision to wear a cape honoring female directors who were not nominated really inspired both of us. We thought, “We love this idea. How can we bring even more exposure to these women in behind-the-scenes roles that are traditionally filled by men?” Emilia asked the ladies to join our project. I even got Emilia herself on film (she hates being on camera, but she deserves to be recognized!). </span></p>
<p><span style="color:#999999;">A great observation Charley as women are overlooked on-screen and behind the camera, so this concept works on so many levels. The video for the track is spot-on fab! It has commercial appeal, but it is obvious that “commercial appeal” was not the only motivating factor behind the video as it does not contain animated characters; there are real women expressing real emotions showcased in the video. How did you come up with the concept? </span></p>
<p><span style="color:#ccffff;">After having the discussion with Emilia about empowering females, I left her to come up with the pitch deck. We always discuss general aesthetic ideas, but we have been working together so long she really knows me and what I am going for. We are usually on the same page. I completely trust her creative instinct and direction. Ella Thompson who is featured in the video came up with the storyboard which was exciting to see too! </span></p>
<p><span style="color:#999999;">Yessss! So, society (especially the music industry) will see why the tag under your official video reads “By Women. Highlighting Women. For Women” which is so great. This is an all-female led music video – we have not seen this in music for a minute. Can you expound on the process – how did you get all these bosses to come on board this project? </span></p>
<p><span style="color:#ccffff;">I am truly blessed to have a wonderful friend and longtime collaborator in Emilia. She is the one who deserves the credit for getting these awesome women on board. She has worked with all of these women and I trusted her to invite women who would be inspired and supportive of this project and its message. I met so many of these wonderful women for the first time that day! </span></p>
<p><span style="color:#999999;">I think that it is great that this is also showcasing how us women have to have trust amongst each other as well, as you have illustrated between you and Emilia. And regarding the end-product, this song and video are cathartic and can be a catharsis for the masses who are muted today. What emotion were you trying to evoke with the video? </span></p>
<p><span style="color:#ccffff;">Pure, unadulterated CONFIDENCE. I am tired of having to apologize for being a strong female. I am tired of feeling like I can’t do something because of being a female or whatever other limitation is forced upon me by society. I wanted people to watch me and this wonderful cast of women and to feel EMPOWERED. I wanted the audience to see all these different females doing different things and to think to themselves, “Wow. I can let loose, be myself, and perhaps do something that I have never considered before.” </span></p>
<p><span style="color:#999999;">Were your target audience young women, all women, or society as a whole? I ask this because, from the first note, “Your Fire” fueled my fire, but I know it will resonate with many genders. </span></p>
<p><span style="color:#ccffff;">My target audience was all women, but especially adult women. I think it is important to inspire young women and I strive to, but there are so many adult women who feel lost and uninspired. I feel like they are quiet because there is this unspoken rule that by a certain age women should be married, have families, and follow a certain path. I feel that many women follow a path blindly then one day wake up and have no idea who they are because they have done what society has told them a woman should do. I want these women to know that I see them and support them. Although the video is dedicated to all women, my music as a whole, including this song, is dedicated to all those who feel lost and unheard. I want them to know that I have felt that way and still do sometimes. I want them to know that it is okay to feel that way and to let them know they have support. Your life can look different than what society expects. </span></p>
<p><span style="color:#999999;">Agreed – 100% And, since your video is being picked up by female influencers, have you received any feedback from those women, and would you like to drop any names? </span></p>
<p><span style="color:#ccffff;">All of the feedback I have gotten from men and women alike has been overwhelmingly positive. I am surprised at how many different people have enjoyed the video. For me, the best part of being an artist is receiving personal messages from fans telling me how much a song and/or music video has helped them, inspired them, or spoken to them in some way. </span></p>
<p><span style="color:#999999;">Is your video a part of a campaign? If yes, please share the details as #WCM loves helping to share the story of female artists. </span></p>
<p><span style="color:#ccffff;">It is not at the moment, but I would love for it to be picked up by an organization to help empower women of all ages! </span></p>
<p><span style="color:#999999;">It’ll happen. What nonprofits are you currently working with? Give them a shoutout so that #WCM’s readers can look them up and support them. </span></p>
<p><span style="color:#ccffff;">Like most artists lately, I have been doing livestreams. Recently I did a livestream concert with my band which raised money for a wonderful nonprofit called Joyful Heart Foundation. It’s a great organization that supports survivors of sexual assault, domestic violence, and child abuse. You can support them <a contents="Joyful Heart Found." data-link-label="" data-link-type="url" href="https://give.joyfulheartfoundation.org/give/174453/#!/donation/checkout" target="_blank">here</a>! </span></p>
<p><span style="color:#999999;">Charley, thank you for being so unapologetic while standing in your truth and honoring yourself, which in turn honors ALL women! </span></p>
<p><span style="color:#999999;">I cannot wait to hear and see what else Charley Young has up her sleeve, because in terms of style and effect, when you hear her sound and the fervent control she evokes, it sticks. </span></p>
<p><span style="color:#999999;">If a picture is worth 1000 words, then a video would be worth millions, right? This video is worth it! “Your Fire” is speaking volumes and unleashing power that competes with the sun! pure, unapologetic props to women who are strong, giving strength, and supporting one another. </span></p>
<p style="text-align: center;"><span style="color:#999999;"><strong>CONNECT WITH CHARLEY</strong></span></p>
<p style="text-align: center;"><a contents="artist page" data-link-label="" data-link-type="url" href="https://www.mscharleyyoung.com/" target="_blank">https://www.mscharleyyoung.com/ </a></p>
<p style="text-align: center;"><a contents="FB" data-link-label="" data-link-type="url" href="https://www.facebook.com/mscharleyyoung" target="_blank">https://www.facebook.com/mscharleyyoung </a></p>
<p style="text-align: center;"><a contents="twitter" data-link-label="" data-link-type="url" href="https://twitter.com/mscharleyyoung" target="_blank">https://twitter.com/mscharleyyoung </a></p>
<p style="text-align: center;"><a contents="insta" data-link-label="" data-link-type="url" href="https://www.instagram.com/mscharleyyoung/" target="_blank">https://www.instagram.com/mscharleyyoung/</a></p>
<p><span style="color:#999999;">REPOSTED FROM </span><a contents="Women Crush Music" data-link-label="" data-link-type="url" href="https://www.womencrushmusic.com/1/post/2020/06/artist-interviewcharley-young-gives-props-to-the-power-of-womxn-in-music.html" target="_blank">Women Crush Music</a> </p>Klef Notestag:klefnotes.com,2005:Post/63808522020-07-10T00:38:31-12:002021-05-27T05:07:04-12:00Artist Interview - Lauren Monroe<p style="text-align: center;"><span class="font_large">Lauren Monroe on the Necessity of BIG LOVE and Global Healing </span></p>
<p style="text-align: center;"><span class="font_large">– An in-depth INTERVIEW with an Altruistic ROCK Star</span></p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/5d2b369a918c354204de4aed5fb2fdf218ed76bb/original/lauren-monroe.jpg/!!/undefined/b:W1sic2l6ZSIsImxhcmdlIl1d.jpg" class="size_l justify_center border_" /></p>
<p style="text-align: justify;"><span style="color:#999999;">We’re in 2020 right now, and from a bird’s eye view, it is evident that things are not the way nature intended them to be. The answers to all of our questions and solutions are right in front of us, underneath our feet, and above us – all we need to do is slow up, focus, and connect humanely to start the healing process. Music is one tool that gets the ball rolling in the direction to heal because it is universal in transcending genders, languages, and cultures. One artist that is creating music that encompasses this type of healing is Lauren Monroe. I had the honor to interview this altruistic Rock star. In this in-depth interview, fans will see how this singer, songwriter, musician, activist, and humanitarian, is placing down footprints for society to follow with her music. Her latest album, <a contents="Big Love" data-link-label="" data-link-type="url" href="http://smarturl.it/laurenmonroebiglove" target="_blank"><em><strong>Big Love</strong></em></a>, which releases today, musically illustrates how one BIG love has the ultimate power to heal. </span></p>
<h2 style="text-align: justify;">The Journey </h2>
<p style="text-align: justify;"><span style="color:#999999;">(KiKi) What inspired you to get into music, and how did this musical journey begin? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;">(Lauren)<em> I come from a musical family so music has been a part of my life since I can remember. </em></span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>My Dad was a crooner.. The music of Frank Sinatra was always around the house. He also loved Italian opera and Italian singer Mario Lanza, and was constantly belting out in song no matter where we were. The memories are wonderful. My grandfather played acoustic guitar and fiddle and loved bluegrass music...He gave me my first guitar. </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">So, do you like the old school craftsmanship when it comes to creating music when compared to the way music is created today, more FX, more detached and void of emotion or storylines? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>I like both really, but for the kind of music I’m releasing now, working with a neve console in a more traditional studio really was the right fit. I like recording with the entire band to create a tangible energy with the music. There’s something special about recording in a room full of musicians sharing inspiration that brings more organic life to recorded music. I think that’s why so many recordings from the 70’s are still so meaningful to so many of us. They had that kind of magic. </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">I agree. </span></p>
<p style="text-align: justify;"><span style="color:#999999;">You have some strong roots in the music industry, what is your staying power?<strong> </strong></span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>Honestly, my roots are more in my spiritual healing work and my music than in the music industry. I live in a family where the industry has been a part of our lives, but I really think that my staying power has only been possible because of my spiritual nature. </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">Thanks for the clarifications Lauren – it is good to see that two different aspects of your life can go hand in hand to forge such a well-structured musical path. The new album Big Love is very optimistic; I cannot wait to hear the full EP. </span></p>
<p style="text-align: justify;"><span style="color:#999999;">The single “Big Love” is a gem that needs to be held by the world, how did you come up with the title of the EP? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>Thank you, I’m really looking forward to sharing it. I wrote the song in the summer of 2016. It was a presidential campaigning summer. So intense. Remember? </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">Yes, I remember . . . </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>It was the start of our current culture really showing a visible division and our anger, there was a great deal of sorrow flying around, fires in Australia and the opioid crisis beginning to reach our awareness through the media. Images of human beings and animals and our earth suffering inspired me to write Big Love. </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">WOW! It’s amazing how your song had the right recipe, lyrically and conceptually to carry over into 2020 – great writing. </span></p>
<h2 style="text-align: justify;">The Intent to Heal </h2>
<p style="text-align: justify;"><span style="color:#999999;">Were you always passionate about our mother Earth? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>Yes, my grandfather taught me many ways to feel and be with nature. Since I was a small child I was connected to the elements, the trees, the lakes and the wildlife. I have memories as far back as 3 years old. I also was introduced to indigenous people at a young age. That first meeting awoke a strong connection to indigenous cultures I would then explore and study for the rest of my life. I learned much more about our natural world and how to be connected through their sacred teachings. </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">So, you are a humanitarian and activist, and I have read about you and your husband Rick Allen’s </span><a contents="Raven Drum Foundation" data-link-label="" data-link-type="url" href="https://project-resiliency.org/" target="_blank"><span style="color:#999999;"><em>Raven Drum Foundation</em></span></a><span style="color:#999999;">, can you elaborate on this some for my audience? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>Rick and I created the foundation through our own experiences of how music, mindfulness and energy healing helped heal and brought people together. We became a 501C3 org in 2001 and began presenting workshops and programs for many populations of people dealing with trauma or crisis including incarcerated teens, mothers and children recovering from domestic violence, cancer care patients, wounded veterans and special needs children. Our programs today also include equine therapy, yoga for Veterans as well as community drum circles. </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">That is great how you and Rick selflessly created a foundation that has many branches to heal on so many levels. </span></p>
<p style="text-align: justify;"><span style="color:#999999;">Speaking of healing, how was your [study] with the Tribal Healers of Brazil? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>It was deep and intense and gave me experiences of understanding how the spiritual world can be accessed in the body through sound and rhythm. I’ve been a dancer for most of my life and this connection was a very important piece for me. </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">What ideals did you take away from that experience to import into America’s society or daily life? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>The body is a doorway to healing that can be opened through sound and music. We can heal greatly when we are mindfully present with our body and with all of the intergenerational memories and emotions it may hold. </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">Your music is therapeutic – have you always written songs with the intent to heal? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>Yes, my training as a healer began when I was a little girl. I wrote my first song when I was 6, It was called “I Believe In God”. </em></span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>Sometimes I feel like all of my songs in some way have the soul my very first song. And I’m still singing it out into the world sharing its love to people.</em></span><span style="color:#999999;"><em> </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">What is your perspective on the social injustices in the USA right now – I wanted to get the point of view from a non-African American female – if you do not mind? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>This topic touches me very deeply on so many levels. I don’t mind at all. </em></span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>I believe we are witnessing the soul of human consciousness beginning to see itself right now. This can be a very long and painful process..to embrace our darkness, our underlying negative belief systems and accept who we are as human beings. It requires unity and strength and deep devotion and compassion for oneself and others. My views on the world and our suffering comes from the lens of an empath and seer not so much as an activist but as an activator of change. </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">That’s a good way to look at it – that it takes both “deep devotion and compassion for oneself AND other” – I 100% agree. </span></p>
<h2 style="text-align: justify;">Big Love </h2>
<p style="text-align: justify;"><span style="color:#999999;">Do you see “big love,” meaning the embracing of all cultures, as a necessity for global healing? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>Yes! And more. I see Big Love as a message of embracing all cultures, animals and all living things in our natural world to bring us healing. </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">So, I would say that this EP, <em>Big Love</em>, has a lyrical elixir to heal many of the globe’s issues, musically and politically, as well as organically, was the title track the first song penned? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>Actually, the song Joshua on the E.P. was written in 1999. </em></span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>The song Big Love was written in 2016 and its message is certainly threaded throughout all of my writing since I can remember. </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">Which brings us to the video. </span></p>
<p style="text-align: justify;"><span style="color:#999999;">The video that accompanies the single “Big Love” is FIRE! It really puts into perspective the wide kaleidoscopic view of all of the social issues and global issues – it is like layers. And with layers, it is best to sort through them bit by bit to get to the core. What do you think is at the core of the globe’s problems, politically, socially, and environmentally? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>I believe the core of the world problems come from the mind. The human mind believes that it is an “I” instead of a “We”. </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">That is DEEP, and so compelling – the “I” vs the “we.” </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>Once we are able to oversee the mind and move into our higher intelligence and into the power of our heart then we can rise above the egos belief systems of separateness. In my opinion, this is the greatest quest of being human. Oneness. </em></span></p>
<p style="text-align: center;"><strong><iframe class="justify_inline" data-video-type="youtube" data-video-id="sUiJZoVVVy4" data-video-thumb-url="https://img.youtube.com/vi/sUiJZoVVVy4/mqdefault.jpg" type="text/html" src="https://www.youtube.com/embed/sUiJZoVVVy4?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="180" width="320" allowfullscreen="true"></iframe> </strong></p>
<p style="text-align: justify;"><span style="color:#999999;">How did you come up with the premise of “Big Love’s” video? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>I saw the images simultaneously as I received the lyrics. That's' how most of my songs come in... with images. I was very fortunate to have such a talented and collaborative director, Shaun Monson. He was able to take the images of humanity that I described and create something very special. We began working on it in April. It was 99% completed when the BLM protests began here in LA. It was completely serendipitous and emotional pulling it together. The video became a live stream experience of what was happening in our world. </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">Was the video shot on location somewhere? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>We drew footage from other sources and then shot images of me in LA at the studio. My presence in the video was very last minute since I originally just wanted the video to be a message video without me in it. When I presented it to the label and my team, they said I needed to be in it. </em></span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>They wanted me to bring my energy into it, so I danced around and sang and played guitar in the wind for an hour…. It was fun! </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">Yes, placing YOU inside of the video brings the message more into view. </span></p>
<p style="text-align: justify;"><span style="color:#999999;">In the song “Big Love,” you have the line “everybody’s fine living in anger.” It made me think of the protests, riots, and human dysfunction and how we, as a society, have numbed our natural instinct to love because, as a lazy society, it is easier to be angry than it is to cultivate love – love takes effort and work! do you agree? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>Yes I do. A compassionate love of others takes practice and commitment and it begins with loving and accepting yourself. Sometimes the most difficult practice of all. </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">Yes!! </span></p>
<p style="text-align: justify;"><span style="color:#999999;">Your EP contains five tracks: Big Love, Lie, Get Happy, When the Rain Comes, and Joshua. What song resonates deeply with you? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>All of the songs resonate deeply with me, but I would say Big Love and Joshua and When the Rain Comes carry the deepest message of this E.P. </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">Regarding your EP that is releasing today, what is your favorite song? Which one was the toughest track to finish? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>Really hard to pick a favorite but I can tell you that Big Love was the most involved for sure. Many tracks of world percussion, bagpipes, backing vocals… so much fun. </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">How was the process of recording during COVID-19? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>Thankfully The music I’m releasing this year was all recorded in 2019 prior to COVID but I have been in the studio lately and we are masked, sanitized and socially distant… … I guess my answer would be... hot, sweaty and weird.:) </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">Ha, ha! </span></p>
<p style="text-align: justify;"><span style="color:#999999;">What is your favorite song to perform? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>Big Love. I get to play Djembe </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">I wish I could play an instrument. When my band </span><a contents="TK Skinner" data-link-label="" data-link-type="url" href="http://www.tkskinner.com" target="_blank"><span style="color:#999999;">TK Skinner</span></a><span style="color:#999999;"> were actually performing, I was just a songwriter and vocalist. </span></p>
<p style="text-align: justify;"><span style="color:#999999;">Def Leppard is one of my favorite bands, actually I would mirror my band TK Skinner back in the day on rock stars like Def Leppard. Hysteria and Pyromania are my fav albums. So I have to ask, how is Rick doing? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>Rick is great, enjoying the unexpected time at home...it’s been fun working with him on various home projects and playing my music with him. </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">Which famous musicians do you admire? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>So many songwriters and musicians I admire.. To name a few.. </em></span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>Rufus Wainwright, Amy Winehouse, Linda Ronstadt, Brandi Carlyle, Mellissa Etheridge, Jim Morrison, Susan Tedeschi. I could go on. . .</em> </span></p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/51fe8acaf72ded2d5eb9d8ddc393d73076b9b578/original/lauren-and-rick-allen.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p style="text-align: justify;"><span style="color:#999999;">Your husband, Rockstar Rick Allen of Def Leppard, is a musical warrior as he battled his way through a circumstance that would have left some musicians frozen. My hat goes off to him. Does his endearing and multifaceted strength come through in some of your lyrics? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>Yes, he is and I see how he needs to push through every day. Thank you. I believe that my music indeed reveals a deep strength we all have the capacity to reach and that the songs can hold the listeners hand and guide them there. </em></span></p>
<h4 style="text-align: justify;"><em><span style="color:null;">Watch this short clip of Rick Allen speaking on Big Love </span><a contents="here" data-link-label="laurenmonroe-big-love-rick-final-1080.mp4" data-link-type="file" href="/files/1065873/laurenmonroe-big-love-rick-final-1080.mp4" target="_blank"><span style="color:null;">here</span></a><span style="color:null;">!</span></em></h4>
<p style="text-align: justify;"><span style="color:#999999;">You’ve collaborated with Roger Walter, Peter Gabriel, and Stewart Copeland to name a few artists, what is the best advice you’ve been given? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>My song was on a compilation CD that was a collaboration of work. I wish I was able to meet those legendary artists but that wasn't the kind of project it was. </em></span></p>
<h2 style="text-align: justify;">Peaceful Power! </h2>
<p style="text-align: justify;"><span style="color:#999999;">A psychologist friend of mine said that we can do more with our positive words than physically trying to change things with riots, protests, violence, etc. Do you agree? If so, expound on that – </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>I do agree positivity is more powerful. I think the art of making progress is to be able to voice the truth and stand together and present the rage and sorrow so that it can be understood by everyone, not just those who have empathy. I believe that non violent acts are the only way to move forward. Focusing on what we want instead of what we don’t want can yield a greater outcome. </em></span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>I need to be clear that I am not casting my opinion on how people should grieve but I am saying that in order to become unified and achieve our goals of equality we need to move through these stages of anger and as a society learn to communicate from a higher level. That is just my humble opinion. We need to lead with love. </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">I completely understand what you are saying here Lauren. </span></p>
<p style="text-align: justify;"><span style="color:#999999;">What is the most important lesson life has taught you? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>That Vulnerability is Power </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">Good one! </span></p>
<p style="text-align: justify;"><span style="color:#999999;">As the adage states, “from darkness comes light,” so do you think we will have a more unified society once everything involving the pandemic and the riots subside? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>That’s a really good question...I believe we are just beginning. The door has been opened and we have the potential to do the necessary work to change and heal the deep intergenerational wounding and intolerant governing that permeates our society. I hope we get to experience unity and equality in our lifetime, but I do believe that the next generations can achieve it. It is up to us to lay the foundations and do the hard work now, for them. </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">Since the pandemic, with recording artists doing pretty much everything virtually, how do you think this will affect the industry as a whole when it comes to going forward with live performances, open air arenas, etc? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>I’m not getting any clear read on that right now although I believe it will return at some point. Hopefully better, safer and I’m sure very appreciated by performers and audiences alike! </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">Do you have any virtual shows lined up? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>July 11 Scenes Media Takeover </em></span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>5pm PT/ 8pm ET </em></span></p>
<p style="text-align: justify;"><em><a contents="virtual show for lauren monroe" data-link-label="" data-link-type="url" href="https://www.facebook.com/scenesmedia" target="_blank"><span style="color:#dddddd;">https://www.facebook.com/scenesmedia </span></a></em></p>
<p style="text-align: justify;"> </p>
<p style="text-align: justify;"><span style="color: rgb(153, 153, 153);">Last question: when did you last give yourself permission to let go? </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;"><em>Right Now... as I’ve been answering your beautifully deep questions my friend. </em></span></p>
<p style="text-align: justify;"><span style="color:#999999;">Thank you Lauren! </span></p>
<p style="text-align: justify;"><span style="color:#dddddd;">Your very Welcome!</span><span style="color:#999999;"> </span><span style="color:#c0392b;">❤️ </span></p>
<p style="text-align: justify;"><span style="color:#999999;">Bob Dylan said “You don't need a weatherman to know which way the wind blows” meaning that all a person must do is open their eyes to see what needs to be done and then do it. Well, Lauren Monroe aesthetically follows that road in her craft – from her activism, to her music, to her passions, her heart is not only worn on her sleeve, it is tattooed on her lyrics. </span></p>
<p style="text-align: justify;"><span style="color:#999999;">Make sure to check out Lauren’s July 11th </span><a contents="Scenes Media Takeover" data-link-label="" data-link-type="url" href="https://www.facebook.com/scenesmedia" target="_blank"><span style="color:#999999;">Scenes Media Takeover</span></a><span style="color:#999999;"> at 5:00 pm (PT) and 8:00 pm (ET). And be sure to get your copy of<strong> <em>Big Love</em> </strong>TODAY<strong>!! </strong></span></p>
<p style="text-align: justify;"> </p>
<p style="text-align: center;"><a contents="lauren monroe" data-link-label="" data-link-type="url" href="https://laurenmonroe.com/" target="_blank"><span style="color:#999999;"><strong>https://laurenmonroe.com/ </strong></span></a></p>
<p style="text-align: center;"><a contents="instagram" data-link-label="" data-link-type="url" href="https://www.instagram.com/laurenmonroelive/" target="_blank"><span style="color:#999999;"><strong>https://www.instagram.com/laurenmonroelive/ </strong></span></a></p>
<p style="text-align: center;"><a contents="fb" data-link-label="" data-link-type="url" href="https://www.facebook.com/LaurenMonroeMusic" target="_blank"><span style="color:#999999;"><strong>https://www.facebook.com/LaurenMonroeMusic</strong></span></a></p>Klef Notestag:klefnotes.com,2005:Post/63775072020-07-06T06:14:39-12:002020-07-16T05:17:41-12:00Yana "Distant Shore" EP Review<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/d8412952eba77c1b3a51f921abff856ecad5b5fc/original/yana-distant-shore.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Yana’s Back! Yes, one of my favorite Indie Classic Folk singer/songwriters from the Czech Republic has released a new EP for the summer entitled <em><strong>Distant Shore</strong></em>. Containing four tracks, as usual, each song has meaning! </p>
<p>The <strong>title track</strong> feature quiet instrumentation and passionate vocals that hauntingly invites the listener to think about social disturbances while supplying serene imagery. The song’s lyrics sing about escaping to a place of tranquility to assess the world we live in while pondering on our next steps to create peace. Joined by Liam Ó Maonlaí on piano and backing vocals, “Distant Shore” plays like an old silent movie that allows the viewer to conceive a rich theme on the screen by using their only their eyes and heart to grasp the deeper meaning of the message. In this case, the song’s scaled back instrumentation and obscure meaning allows the listener to use their deeper emotions to bring to life the song’s message. WONDERFUL! </p>
<p>Also featuring Liam Ó Maonlaí, “<strong>Will You Be There</strong>” opens with sharp instrumentation. The vocals on this track are quite dark but not depressing – it is very emotionally solemn and engaging and plays well with the storyline of the track which tells the story of accepting change. Yana’s signature sound reigns on this track. </p>
<p>Yana is not shy to emotionally push her voice to embrace every emotion the music requests, and this is apparent on “<strong>Trapped in A Cage</strong>.” The musical arrangement on this track is very violin driven. With Elaine McCarthy on cello and Yana on guitar, the lyrical dialog of the track springs to life and explains how human existence can be likened to being trapped in a cage – it’s very existential in its composition. Yana’s vocals ebb in and out from quiet to impetuous becoming like waves of the sea and it is beautiful. The lyrics sing “trapped in a cage called life” and harkens the content songs of the 1960s – this is metaphysical music at its best, the very foundation that creates pure Folk music. </p>
<p>The final track “<strong>The Book of Your Life</strong>” was cowritten by Liam Oragh and opens with an uplifting drumline and guitars. This is the lightest of all the tracks. The lyrics sing: <em>Footprints that you left / Holding close to the chest / Knowing you're around / Even you're not seen / The book of your life / Is closed now / But your light shines on / with a smile</em>, and is about remembering every aspect of a person who is no longer sharing life with you by exploring the book of their life, or the experiences, thoughts, and parts of their life through memory. The layering of vocal harmonies, pure percussions, and heart-driven violins (played by Colm Mac Con Iomaire (from The Frames) all present “The Book of Your Life” as a lyrical origami with its folding melodies. You can watch the lyric video <strong><a contents="lyric video" data-link-label="" data-link-type="url" href="https://youtu.be/ObJaXgDL9to" target="_blank">here</a></strong>.</p>
<p>The EP is dedicated to the memory of Karel Zich and Fergus O’Farrell. Karel Zich was Yana’s first musical “hero” who aided Yana in appreciating the guitar, in particular, the 12-string guitar. Zich later became a great friend to Yana and it is because of him that Yana’s musical journey began. In addition, Fergus O’Farrell of the Irish band Interference was a dear friend of Yana and the biggest songwriting influence on the artist. Distant Shore was released on June 30th of this year, which happens to be the birthday of the late Fergus O’Farrell. So it is no mystery that <em><strong>Distant Shore </strong></em>contains four tracks that recycle the need for inner peace, how to accept change, how the life one leads becomes their personal finger print left on society, and how keeping those wonderful memories of life close to your chest helps one to live life to the fullest. </p>
<p>And with so much distance placed between us due to COVID-19, it was a welcoming sound to hear music that shortens the emotional strains by presenting soothing instrumentation and clear-cut storylines that makes one think and leaves the listener with an afterthought. I like to say that Yana’s music presents itself like those Touch Mystery Boxes used in psychology and art to ignite the senses where a person sees a box, reaches in and feels the box’ contents not knowing what they are about to experience, and when the involvement is complete, they leave feeling and thinking differently than when they first approached the box. Similarly, Yana’s music, lyrics, and vocal execution, gives meaning to the meaningless. </p>
<p>To purchase Distant Shore, click <strong><a contents="album link" data-link-label="" data-link-type="url" href="https://yanaceol.bandcamp.com/album/distant-shore-ep" target="_blank">HERE</a></strong>. </p>
<p style="text-align: center;"><strong><a contents="Artist Page" data-link-label="" data-link-type="url" href="https://www.yanamusic.eu/" target="_blank"><span style="color:#f1c40f;">Artist Page</span></a></strong> | <strong><a contents="FB" data-link-label="" data-link-type="url" href="http://www.facebook.com/yanaceol" target="_blank"><span style="color:#f1c40f;">FB</span></a><span style="color:#f1c40f;"> | </span><a contents="Bandcamp" data-link-label="" data-link-type="url" href="http://yanaceol.bandcamp.com" target="_blank"><span style="color:#f1c40f;">Bandcamp </span></a><span style="color:#f1c40f;">| </span><a contents="Twitter" data-link-label="" data-link-type="url" href="http://www.twitter.com/yanaceol" target="_blank"><span style="color:#f1c40f;">Twitter</span></a></strong></p>Klef Notestag:klefnotes.com,2005:Post/63700532020-06-29T04:53:28-12:002020-06-29T04:55:51-12:00Liam Sullivan "When This is Over" (Single Review)<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/2e37c29e2bb5f9c0d4248e4c29aeba34d6c9861a/original/liam-sullivan.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>“<a contents="When This is Over" data-link-label="" data-link-type="url" href="https://soundcloud.com/liam-sullivan/when-this-is-over" target="_blank"><strong>When This is Over</strong></a>” is a song written by singer/songwriter/musician Liam Sullivan from Leeds, England written while in lock down during COVID-19. The track is a melodic prelude to times after the pandemic where society can all regroup, recharge, and live life boundless and free of four corners. The lyrics sing: <em> maybe someday when this is over / we can sit out in the sun / maybe someday when this is over / we will embrace everyone / maybe someday when this is all over / we will share a beer / maybe someday when this is all over / we will see what happened here</em>. The guitar driven Alternative Rock song has a melody that is so infectious that it will stay with you once you stop listening while Sullivan’s voice is so mellow and rich that it creates a quality that the song ceases to have an expiration date. And with Folk-Rock elements intwined throughout the track, a hook emerges that is surprisingly nostalgic and modern. Sullivan is harkening the formation of Folk-Rock music of the past and marrying it with an Alternative-Rock core beat. When This is Over’s melody evolves but stays genuine. In just three minutes, a listener is awakened and hit with a dose of optimism and hope. This would be a great centerpiece to a wonderful collection of music – we shall wait and see! </p>
<p>Check out more of his music <a contents="Liam Sullivan" data-link-label="" data-link-type="url" href="https://www.liamsullivanmusic.co.uk/releases" target="_blank">here</a> and follow Liam Sullivan on social media. </p>
<p style="text-align: center;"><strong><a contents="FB " data-link-label="" data-link-type="url" href="https://www.facebook.com/liamsullivanmusic" target="_blank"><span style="color:#ffffff;">FB </span></a><span style="color:#ffffff;">| </span><a contents="Twitter" data-link-label="" data-link-type="url" href="https://twitter.com/SullivanMusic" target="_blank"><span style="color:#ffffff;">Twitter</span></a></strong></p>Klef Notestag:klefnotes.com,2005:Post/63463212020-06-08T05:18:41-12:002020-06-08T05:18:41-12:00James Bakian "Kiss Tonight" (single)<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/a63aa55c111e43b1fe36e855c238490c5105d193/original/james-bakian-kiss-tonight.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>“<a contents="Kiss Tonight" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/23clA3u8bsXZmNLQsrdAGt?si=eYfONBi4Qy2voa9Uson8sA" target="_blank"><strong>Kiss Tonight</strong></a>” is a song that easily sits nicely on the bridge between Soul and Pop/R&B. Written, performed, and composed by British Pop Soul artist James Bakian, his latest single features a bass-driven core melody blended with a New Jack Swing kick, and contemporary Vox FX. The lyrical dialog is about moments in time waiting that are met with anticipation for love – Bakian sings: I’ve been waiting for this / endless searching for it / everything I wanted / I need someone who I’ll miss tonight / I need someone I might kiss tonight / Oh yeah / Just give me your all / give me everything / I won’t hesitate / I need someone I might miss tonight / I need someone I might kiss tonight. This track is clean with its lyrics but a soulful sexy highlight to a time in history where society has been void of close affection. The hook is vocally rhythmic on its own with its own tempo being swifter than the core instrumental melody, but these two do not conflict with each other, rather they complement each other and makes for a smooth track. From the intro to the outro, it is no secret that this is a romantic old school track KISSED with modern day swag and passion. Check out the <a contents="official video" data-link-label="" data-link-type="url" href="https://youtu.be/E5bZyo6LlCc" target="_blank">official video</a> and follow James on his social media platforms below.</p>
<p> </p>
<p style="text-align: center;"><strong><a contents="Twitter" data-link-label="" data-link-type="url" href="https://twitter.com/jamesbakian" target="_blank"><span style="color:#c0392b;">Twitter</span></a><span style="color:#c0392b;"> | </span><a contents="Instagram " data-link-label="" data-link-type="url" href="https://www.instagram.com/jamesbakian/" target="_blank"><span style="color:#c0392b;">Instagram </span></a><span style="color:#c0392b;">| </span><a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/Jamesbakian/" target="_blank"><span style="color:#c0392b;">Facebook </span></a></strong></p>
<p style="text-align: center;"> </p>
<p> </p>
<p> </p>Klef Notestag:klefnotes.com,2005:Post/63407632020-06-03T06:13:04-12:002020-06-03T06:13:04-12:00Norphlet "Cardinals (When You’re Gone)”<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/317f0782e242909fae23efef4204c7f1e864c985/original/norphlet-cardinals.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>If I were to describe the latest track from Alternative Rock duo Norphlet in a few words, I would describe it as musically resembling that point in time when someone blows someone a kiss, and even though that kiss is invisible, it somehow echoes and affects the receiving person. This is “<a contents="Cardinals (When You’re Gone)" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/5MtoWRaOrpEZdkMjWxKwNg?si=L0sNsa2KTRCJhB6YBsGKpw" target="_blank">Cardinals (When You’re Gone)</a>.” Out of the gate, the music just drives its way into your soul man – this song just moves – it bends and never breaks! It’s alive with honesty and personality. And once more, Norphlet always manages to blend genres surgically and have it just makes sense. Case in point, “Cardinals (When You’re Gone)” has a solid core melody that is Pop Punk with infectious guitars and heavy drums, but its highlighting instrumentation, like synths and FX, are wildly Emo – and this ladies and gents, gives the entire track a wonderful edge. The theme of the track is about missed opportunities within a relationship and how living with regrets of not being present within that relationship (be it mentally or physically) leaves one still longing to be remembered. The way the lead executes his lyrics is candid and personable and gives off a fleeting effect similar to what I was talking about earlier – that blown kiss. The sustained guitar beginning at the 3 minutes / 34 seconds mark leading into that ah-mazing outro at the 3 minutes / 38 seconds mark is simply sublime. This Texas/California duo knows how to tell a story and make it become a part of your journey – WOW! </p>
<p style="text-align: center;"><strong><a contents="Instagram" data-link-label="" data-link-type="url" href="http://www.instagram.com/norphletband" target="_blank"><span style="color:#7f8c8d;">Instagram</span></a><span style="color:#7f8c8d;"> </span><br><a contents="Facebook&nbsp;" data-link-label="" data-link-type="url" href="http://www.facebook.com/norphletband" target="_blank"><span style="color:#7f8c8d;">Facebook </span></a><br><a contents="Twitter" data-link-label="" data-link-type="url" href="https://twitter.com/norphletband" target="_blank"><span style="color:#7f8c8d;">Twitter </span></a></strong></p>Klef Notestag:klefnotes.com,2005:Post/63407622020-06-03T06:09:45-12:002020-06-03T06:09:45-12:00Sunflower Thieves "Hide and Seek"<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/f1c394e5f35e54d94e536081ef360305d968cea2/original/sunflower-thieves-hide-and-seek.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>If vocals could sketch lighted images, it would be Sunflower Thieves – spot-on harmonies, unisons, and range! And the latest single from Leeds-based Pop Folk band, entitled “<a contents="Hide and Seek" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/6TQLfu4aI6Ehy99ABDY2QN?si=DDQdRwQqTc-w99gQh_DICw" target="_blank">Hide and Seek</a>,” is the best representation of that statement. Released on June 3rd (3 June) “Hide and Seek” has a storyline that covers the theme of reciprocation between two individuals where the two know each other’s wants, needs, and restrictions. The overlapping leads and hooks at the two minutes mark mirrors that nursery rhyme infectious melody that we grew up loving and remembering, while the title of the track is a wonderful play on words as it brings to mind the childhood game of hide and seek but drives home the threading theme of reciprocation within adulthood. Moreover, the ethereal instrumentation and FX (vox/music) keeps your senses intrigued on to the outro. Then, the song finishes quietly as it starts, but this time you are left with that “wait a minute” feeling – and you must listen again, again, and again. Sunflower Thieves live every moment through their songs and the listener hears and feels that personality and honesty come through with each note.</p>
<p> </p>
<p style="text-align: center;"><strong><a contents="Facebook" data-link-label="" data-link-type="url" href="http://www.facebook.com/sunflowerthieves" target="_blank"><span style="color:#f1c40f;">Facebook</span></a></strong></p>
<p style="text-align: center;"><strong><a contents="Instagram" data-link-label="" data-link-type="url" href="https://www.instagram.com/sunflowerthieves/?hl=en" target="_blank"><span style="color:#f1c40f;">Instagram</span></a><span style="color:#f1c40f;"> </span></strong></p>
<p style="text-align: center;"><strong><a contents="Twitter" data-link-label="" data-link-type="url" href="https://twitter.com/sunthievesmusic" target="_blank"><span style="color:#f1c40f;">Twitter</span></a></strong></p>Klef Notestag:klefnotes.com,2005:Post/63234992020-05-20T01:24:57-12:002020-05-20T01:26:26-12:00An Anthem for the caged! Sophia Bella’s “RIOT”<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/6ae40df068ab1c6f739350ec1eed73a783c07f3d/original/sophia-bella-coverart-riot.jpeg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>When you are stopped in your tracks physically or mentally and forced to just settle, it may cause an internal war as so many emotions and thoughts become caged with no outlet. This is what many within society have had to wrestle with in the past months due to the global pandemic of Covid-19. With music being the far-reaching medicine for the masses, New York-based singer, songwriter, dancer Sophia Bella has teamed up with Graham Gilmore to create an expressive song that shows you are not alone! </p>
<p>“Riot” is an Alternative Pop track that opens like a black velvet-sealed letter and then explodes with magnetic synths and a bassline that rides low. The lyrical premise is about how feeling caged, or trapped, can become nerve-wrecking and can either drive one to madness, or push one into action. The violins circle Bella’s ethereal vocals and adds an element of surprise. </p>
<p>Bella’s powerful lead range marries well with subtle, phased-back somewhat eerie chorus instrumentation giving the track a boundless effect with a virtual pop-and-lock rhythm. </p>
<p>Cerebral in its interpretation, the official video fully illustrates the song and gives a deeper view into this disturbance. In the video, a bedroom personifies the mental state of the protagonist with Bella singing “my mind grows emptier while my room is full.” A dark setting with a light-colored wardrobe, colorful curtains, a messy bed, with Bella in night clothes wearing minimal makeup and bedhead, further explores this quiet chaos that is “Riot.” </p>
<p style="text-align: center;"><iframe class="justify_inline" data-video-type="youtube" data-video-id="-zk6Lc6-nC0" data-video-thumb-url="https://img.youtube.com/vi/-zk6Lc6-nC0/mqdefault.jpg" type="text/html" src="https://www.youtube.com/embed/-zk6Lc6-nC0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="180" width="320" allowfullscreen="true"></iframe> </p>
<p>Rarely does a message of being captive give such empowerment, but Bella shows the phoenix in her production by elongating her leads and including vocal pauses giving a sense of urgency with hope. Clearly, by the end of the track, one is left knowing she is going to get over this bump. </p>
<p>Writing a song with a sort of reckless yet cautious vibe gives such substance and clearly marks Sophia Bella as an artist to watch. </p>
<p>Sophia Bella is currently writing new material, so make sure to keep up with her so you do not miss anything coming from this rising star. </p>
<p style="text-align: center;"><a contents="Instagram" data-link-label="" data-link-type="url" href="https://www.instagram.com/scuccii/" target="_blank">https://www.instagram.com/scuccii/ </a></p>
<p style="text-align: center;"><a contents="Twitter" data-link-label="" data-link-type="url" href="https://twitter.com/iamsophiabella" target="_blank">https://twitter.com/iamsophiabella </a></p>
<p style="text-align: center;"><a contents="youtube" data-link-label="" data-link-type="url" href="https://www.youtube.com/sophiabella" target="_blank">https://www.youtube.com/sophiabella</a></p>
<p style="text-align: center;"> </p>
<p><strong>REPOSTED FROM <a contents="WOMEN CRUSH MUSIC" data-link-label="" data-link-type="url" href="https://www.womencrushmusic.com/thecrush/featurefriday-an-anthem-for-the-caged-sophia-bellas-riot" target="_blank">WOMEN CRUSH MUSIC</a></strong></p>Klef Notestag:klefnotes.com,2005:Post/63089972020-05-08T02:34:54-12:002021-07-06T05:49:47-12:00Demons of Ruby Mae “This is Your Time”<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/f986c0a657c519c4217203b57dc8d51bb24a3616/original/demons-of-ruby-mae-this-is-your-time.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>With today’s music being brought to the listening audience by way of virtual means, it takes talent and pure creativity to get a reaction from the audience. One such song that is capable of doing just that is “<a contents="This is Your Time" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/6pOAynCop1KfDZAMvNHJt5" target="_blank">This is Your Time</a>” by Manchester duo Demons of Ruby Mae. </p>
<p>“This is Your Time” is an outstanding track that changes thoughts into actions! The lead sings: <em>take off all your armor and let your love be true cause this is your time, cause this is your time, to be who you were meant to be</em>. </p>
<p>This is the live piano version of the duo’s single which presents a stripped-down lyric and instrumentation – just a sole vocal and piano. So, it is not animated, overloaded with the FX, or generically produced. While the dark chords of the piano illustrate the reality of the globe’s current existence, the lead vocal tears right through highlighting hope – a great productive juxtaposition. </p>
<p>In contrast to many songs that gives support of the NHS and all of the heroes during this global pandemic, “This is Your Time” touches on what is NOW and stretches beyond the curve by giving not only a silver lining, but allowing the listener the chance to THINK and step out of a stagnant stream of consciousness into action-mode. Lyrically, this track pushes society to explore their surroundings, gear up in order to rise, and muster up the courage to change circumstances or social norms. </p>
<p>Demons of Ruby Mae’s “This is Your Time” is the closest thing thus far that I have heard to an authentic anthem for the front-line workers and everyone fighting to just exist as who they are meant to be! “This is Your Time” is pure and brings on the waterworks naturally.</p>
<p><strong><span style="color:#e74c3c;">Reposted from </span><a contents="Artistic Echoes" data-link-label="" data-link-type="url" href="https://www.artisticechoes.co.uk/index.php/2020/04/23/review-demons-of-ruby-mae-this-is-your-time/" target="_blank"><span style="color:#e74c3c;">Artistic Echoes</span></a></strong></p>Klef Notestag:klefnotes.com,2005:Post/63078512020-05-07T03:52:30-12:002020-05-07T03:56:10-12:00Becky Bowe “Getting Older”<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/5474f4231ff23595fb727c6463c2672e117ffff2/original/becky-bowe-getting-older.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" />The new release I am introducing to you today is brought to you from an artist who is not one to backdown from mixing together solid melodies, convincing vocals, and intrinsic instrumentation like a physicist in a lab. The byproduct of such a complex mix is “<a contents="Getting Older" data-link-label="" data-link-type="url" href="https://open.spotify.com/album/2utaayKE0i8jJMT6Rso38w?si=3CRqi8pZTTuLEWL0QBcAqQ&fbclid=IwAR0TDWjATZdFnagZHBIHkmNz6PE8QL68fKlcOm-4axgm7xdq48TZL-2VjzA" target="_blank"><strong>Getting Older</strong></a>” – a mid-tempo R&B/Pop song with elements of Soul showcased in a rich backbeat and bass-heavy bottom. Becky Bowe is the artist behind the creation of “Getting Older.” This ballad lyrically questions and answers the reason behind the changes in life and within relationships that come about naturally without awareness. </p>
<p>This track is a perfect example of how when you do songwriting and music correctly, the less is more adage ROCKS! With a minimalist approach, Bowe displays a delicate vocal prowess, but it is not vulnerable as her register is passionately strong as if it can cut through glass, while her trills are like honey. The backing vocals feature unison notes that switch into slight harmonies that play between Bowe’s powerful lead and then ignite into fantastic highlights within the hook – much like the way a disco ball accentuates a dark room – splendid! </p>
<p>The instruments featured on this track: acoustic guitars, simple synths, keys, soft percussions, and heavy bass drums are emphasized very well without the overuse of FX. Considering there are some FX with slight reverb, etc., “Getting Older” has a strong core melody with a nice R&B two-step swag that is so infectious. </p>
<p>This song is the song that will get you out of that COVID-19 funk and will be a great musical complement from spring on into the summer with its quiet romance meets summer block party vibe – even if it is played on repeat while sheltering-in-place, in the car, or over loud speakers, it is sure to be THAT song that everyone talks about and loves. </p>
<p style="text-align: center;"><strong><a contents="Artist Page" data-link-label="" data-link-type="url" href="http://www.beckybowe.com" target="_blank">Artist Page</a></strong></p>
<p style="text-align: center;"><strong><a contents="Instagram" data-link-label="" data-link-type="url" href="http://www.instagram.com/becky.bowe" target="_blank">Instagram</a></strong></p>
<p style="text-align: center;"><strong><a contents="FB" data-link-label="" data-link-type="url" href="http://www.facebook.com/beckybowemusic" target="_blank">FB</a></strong></p>
<p style="text-align: center;"><strong><a contents="Twitter" data-link-label="" data-link-type="url" href="http://www.twitter.com/becksbowe" target="_blank">Twitter</a></strong></p>Klef Notestag:klefnotes.com,2005:Post/62841692020-04-16T02:10:37-12:002021-07-13T10:40:24-12:00Ghostly Beard’s “Peace of Mind” (single)<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/4791d1258ca179159887bc1c423cb0870e79ec1d/original/ghostly-beard-peace-of-mind.jpg/!!/undefined/b:W1sic2l6ZSIsImxhcmdlIl1d.jpg" class="size_l justify_center border_" /></p>
<p>“<a contents="Peace of Mind" data-link-label="" data-link-type="url" href="https://ghostlybeard.com/album/1536468/peace-of-mind" target="_blank">Peace of Mind</a>” is a ballad by singer, songwriter, musician Ghostly Beard. And as always, he is right on the mark.</p>
<p>With the global pandemic affecting everyone and forcing people to shelter-in-place, many are not only suffering from "cabin-fever," but many are staying inside of their heads pondering constantly and becoming depressed. The song’s concept covers the issue of depression, and how a piece of peace of mind is so welcoming, yet, it is not at all gloomy. Ghostly Beard keeps his lead vocal, and subsequent backing vocals, an octave above the music which is a superb vocal technique to set the mood for contentment. Every instrument play soothingly and subtly, keeping this mid-tempo ballad abreast of monotony and setting the right mood for contemplation. The threading rhythm of “Peace of Mind” allows for the listener to truly have an experience and a takeaway. </p>
<p>To some, this track may not be ideal for the local coffee shop, but for those who believe in music being a healing tool, this song fits all avenues within our society. “Peace of Mind” is the musical form of "reach one, teach one."</p>
<p>What a treatment of a topic that needs a conversation – in just four minutes / 33 seconds, this song conceptually places the listener in an “unplugged” state of mind for positive thoughts to become dominant and negative thoughts to be kept at bay.</p>
<p style="text-align: center;"><strong><a contents="Artist Page" data-link-label="" data-link-type="url" href="https://ghostlybeard.com/" target="_blank">Artist Page</a> | <a contents="Twitter" data-link-label="" data-link-type="url" href="https://twitter.com/ghostlybeard" target="_blank">Twitter</a></strong></p>Klef Notestag:klefnotes.com,2005:Post/62732162020-04-06T02:16:33-12:002020-04-06T02:16:33-12:00Gozer Goodspeed - Running with the Outliers (EP)<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/63976122c2b93d187bcb8002d3d41d24e6e800fd/original/gozer-goodspeed-full-ep-running-with-outliers.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p><em>Running with the Outliers</em> is the first album by Gozer Goodspeed following the release of two successful Eps: The Barrell Headlong into the Night and Impossible to Pick Up. Goodspeed is an Indie Folk singer from Plymouth who has become a musical mainstay in the West Country live scene. </p>
<p><em>Running with the Outliers</em> blends Modern Folk with elements of Blues and Rock. This album features seven songs that fully personifies the rationale involved with human behavior and emotion: </p>
<ol> <li>Running with the Outliers </li> <li>Gambler’s Last Day </li> <li>Pumas & Neon Signs </li> <li>If Not Yourself, Who Do You Think Will Save You? </li> <li>King Point Marina </li> <li>February Almost Broke Me </li> <li>This Is the Pathway </li>
</ol>
<p>This is my interpretation of the album’s five highlights. </p>
<p><em>Running with the Outliers </em>opens with a <a contents="title track" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/1d7b1JUSbtcT06qWhpHS4K" target="_blank">title track</a> that encompasses psychedelic rhythms, snarly guitars, and lyrics that just POP! The storyline speaks about how one can be incognizant to their life and surroundings, as well as life’s unabridged philosophies, questions, and realities. In addition, the hook defines how those unmindful people desperately follow the leader to form an existence, it sings, “Oh hey oh how / You’re running with the outliers now.” </p>
<p>This track is truly an unorthodox righteous hit! Goodspeed’s vocals and slamming guitar are mind-blowing. Moreover, Matthew Avery, Chris Love, and Mike Roberts all rip into instrumentation with skills above elemental which takes this cut over the top. </p>
<p>The second song, “<a contents="Gambler’s Last Day" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/4ULqeYOoeoxeTViMbzbRp1" target="_blank">Gambler’s Last Day</a>” is a ballad containing intense imagery. Featuring a solo vocal with layers of harmony hugging the choruses. This Bluesy Rock – guitar driven song harkens the vibe of the deep South USA. The running theme of realistic affirmations pulls from the future and draws from the past to strengthen the present circumstances or regrets. The lyrics sing: Fortune, smile at me / I could be good if I could run free / Favoured winds, blow my way / Cigarette ends in an old ashtray / And make it please, this gambler’s last day. Goodspeed’s voice carries a resonance hat meshes well with the song’s overall Memphis, American Rock groove. </p>
<p>On the third song “<a contents="Pumas and Neon Signs" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/6WLGy1FrtiA9ROS1R6QOnn" target="_blank">Pumas & Neon Signs</a>,” the dual guitars scale back some to allow this percussion-heavy track to ride out. The lyrics describe the duality of life’s problems and warning signs and how humans wrestle with heeding warnings before they grow into monsters. Goodspeed lyrically illustrate this theme when he sings: Been dreaming of a puma sitting on my chest / Staring into my eyes, choking off my breath / And I just don’t know the way it’s going to go / Will it let me live? / Will it run away? / Will it savage my body? / I just can’t say . . . Been dreaming of a neon sign lighting up the sky / Falling onto my head, burning in my eyes / But I can’t discern any of the words / Can the words be read? / Is there a message written? / Is something being said? / Will it always stay hidden? To further describe this dual battle, Goodspeed titles the track cleverly with the word “Puma” clearly illustrates the ferocious demeanor of problems and how they linger and lay heavy on the mind and heart, and man’s lack of understanding of his fate. Then, the words “Neon Signs” represent warning signs in life. </p>
<p>“<a contents="King Point Marina" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/1BoDOPjTVVQcAUHWHSQLOQ" target="_blank">King Point Marina</a>” is one of the best pieces on this album. The violins and intricate lyrics soul-search and delve deep into the listener’s heart and evoke such clear emotion. The storyline is about finding redemption in the strangest places and how fleeting and bewildering that moment can be in life. Vocally, Goodspeed stays low and solemn, but this vocal effect plays well on the ears and allows for the audience to reflect on consequences. This is wonderful Bluesy Folk music. It is as if Bob Dylan and Eric Clapton had a midnight music session and out spilled “King Point Marina.” </p>
<p>The album closes with the most edgy track in the collection. “<a contents="This Is the Pathway" data-link-label="07-this-is-the-pathway-gozer-goodspeed.mp3" data-link-type="file" href="/files/1043564/07-this-is-the-pathway-gozer-goodspeed.mp3" target="_blank">This Is the Pathway</a>” – declarations of self-identity – the most edgy out of the collection. Goodspeed’s vocals are a bit rawer in its resonance and drags more to illustrate a more contemplative, yet conversational, tone. The lyrics spell out the meaning of living life and finding nirvana: You’re speaking a new language / Now you swim with the tide / Your head’s full to bursting / Got a tinderbox for a mind / But you’re still asking is there an elsewhere to find? / Rain in your coffee cup / Rust on your car / Greys on your body / You’ve come so very far but you’re still asking / Is this all we are? / Love, this is the pathway / There’s not a right way / To cross the divide / Love, this is the pathway / There’s not a right way / You got nothing to hide. </p>
<p>So, according to the lyrics, it is not remaking the wheel (so to speak); in terms of life, Goodspeed is stating that there is no right or wrong way, there’s no new way, or structured expensive way – one must just LIVE and LOVE – that’s it – that’s the pathway to nirvana. That backing vocals add a nice soulful texture and reflects the soul-searching theme of the track. Instrumentally, the song consists of an acoustic guitar, amplified acoustic guitar, cymbals, and heavy bass drum that present an enlightening ambiance – this technique tattoos itself right into the listeners ears – so much so, it stays with you. GREAT! </p>
<p>The entire album illuminates man’s realization of self and how it is developed, re-created, altered, influenced by others, and ultimately revealed and defined. <em>Running with the Outliers</em> play like an engaging prose set to music where each song helps express Goodspeed’s definition of an “OUTLIER.” To Goodspeed, an OUTLIER is an individual who differs from other people in a particular group, which rings true to the accurate definition of the word, yet composition-wise and instrumentally, Goodspeed takes this a step further by explaining the RUNNING aspect, or the need for humans to follow a lead that they feel is greater (i.e. a person, idea, object, or emotion). This running with the outliers ultimately alters man’s fate by creating circumstances that present a basis to either conform or lead in establishing self. To compose music and write lyrics that show such an existential view of the human condition is superb and relays the talent and dexterity in the musicianship of Gozer Goodspeed. </p>
<p style="text-align: center;"><strong><a contents="Twitter " data-link-label="" data-link-type="url" href="https://twitter.com/gozer_goodspeed" target="_blank">Twitter </a>| <a contents="Artist Page" data-link-label="" data-link-type="url" href="https://www.gozergoodspeed.co.uk/" target="_blank">Artist Page</a></strong></p>Klef Notestag:klefnotes.com,2005:Post/62732142020-04-06T02:08:16-12:002020-04-06T02:17:17-12:00The Million Reasons - If Not For The Fire (EP)<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/0439dc285a85d571dfa95ae0a4a090c30b720961/original/the-million-reasons-if-not-for-the-fire.png/!!/undefined/b:W1sic2l6ZSIsImxhcmdlIl1d.png" class="size_l justify_center border_" /></p>
<p>If you have ever wondered the meaning behind the old proverb that states “What you lose in the fire, you will find amongst the ashes,” you will find some answers in listening to The Million Reasons’ new EP entitled <em><strong>If Not For the Fire</strong></em>. </p>
<p>The Million Reasons (TMR) is a Chicago, Illinois American Modern Rock N’ Roll band who is committed to risking it all to give their fans that open-road vibe that true Rock delivers. </p>
<p>The four tracks that complete this EP gives musical evidence to the fact that loss is not always a defining aspect of failure or demise, and that fire is not always destructive – often getting burned makes you recognize that you are truly ALIVE! </p>
<p>The<a contents=" title track" data-link-label="" data-link-type="url" href="http://themillionreasons.bandcamp.com/track/if-not-for-the-fire" target="_blank"> title track</a> quickly highlights this notion with FIRE! Strong-willed guitar riffs and an awesome second tenor vocal awakens the dead when “If Not for the Fire” opens. This song truly illustrates how love that feels forbidden is the spark that often opens a whole new world. The lyrics sing: I came for the curse of / I came for the kiss of / A love divine that paralyzes / What did you come for / If not for the fire / To light you up this way / What are you here for? . . . If not for the fire / To light you up this way. “It Not for the Fire” is an honest track that is literally stating that the protagonist is in search of the danger to awaken his senses. It’s that unfortunate fortune that drives people miles and miles away from the norm just to feel normal. The harmony on this track is rich man! And, a great productive feature on this track is the pulsated musical breaks that are layered within the song where some of the music pulls back – this punctuates the song and is so cleverly done that it does not kill the song. </p>
<p>The way the second track starts is so unpredictably beautiful. You first hear a solo guitar softly plucking away, and then in comes the army of guitars that just smacks you in the face. This mix-match of tempo and rhythms in instruments and vocal timbres (quiet and rough) keeps up within “<a contents="Pretty Ones" data-link-label="" data-link-type="url" href="http://themillionreasons.bandcamp.com/track/pretty-ones" target="_blank">Pretty Ones</a>” and aids in evoking that uncertainly vibe. With the second track, it is all in the mind, so to speak, where the lyricist is concerned with his existence – I can’t hear all the reasons not to go / My restless mind’s a mess when I am static / It’s a drug and I am rolling stoned / The unpaved road, the fix to quell the addict / Ever after chasing down the pretty ones / Right back to the place where I am running from / In motion, stuck in motion / I fear it’s just my nature / Checking off the reasons I should stay . . . Be here now / Would rather be where I'm going / And here doesn't exist if you never get there. The continuous contemplation as to why his nature is always to remain in capture of his own faults weighs heavily on him, so much so that he keeps pondering how he wants to leave but winds up staying but would rather be gone but can never leave. </p>
<p>“Pretty Ones” plays like an existential piece of poetry set to blaring guitars and bottomless percussions. At the two minutes / 30 seconds mark, there is a guitar break that is revolutionary. I am not saying this because I am a true TMR fan – no, this is what Rock is supposed to sound like! By the end of the cut, the listener is left pondering: is it really his mind or is it a mind controlled by a substance? Splendid song craftmanship. </p>
<p>The Rock ballad of the EP is “<a contents="No North Star" data-link-label="" data-link-type="url" href="http://themillionreasons.bandcamp.com/track/no-north-star" target="_blank">No North Star</a>.” This is the song that should be on all local and international radio stations as I type this review. The power behind the passionate, illustrative, way the front man sings this track is so beautiful. The song is about self-doubt due to not meeting exceptions of self, but the highlight on this track is the melody line that is created by such traditional Rock instrumentation and the inclusion of a sweet violin. It is wonderful to hear singing in a Rock song. With Rock, it is great to hear the artist inside of the song which makes it not just another record. </p>
<p>The EP closes elevated with “<a contents="All You Can’t Afford" data-link-label="" data-link-type="url" href="http://themillionreasons.bandcamp.com/track/all-you-cant-afford" target="_blank">All You Can’t Afford</a>.” The final track shows how the guitarists of TMR are not only technically skilled but creatively genius – just listen to the guitars in this track! Married to violins, synth, and hot percussions, “All You Can’t Afford” fades to gray with FX that sews up the conclusion. What a way to close the EP with a song about leaving behind the ashes of a broken relationship. </p>
<p>The Million Reasons have stayed true to that signature EMO sound that they established years ago, but this time, the music is a bit more Progressive in its Rock approach with melody at the helm. </p>
<p>Unlike many Rock bands today, The Million Reasons, keeps a melody line and intentionally fills in all the musical gaps with true music and not robotic fillers. </p>
<p>Moreover, they are great illustrative songwriters. </p>
<p>When you think of the EP’s title, <em>If Not For the Fire</em>, “fire” could symbolize not just physical fire but it could be an argument, a broken heart, misplaced emotions, or a new, burning, love – but regardless, if not for the FIRE, things could have remained the same but could have been horrible. Or, would things have ever changed for the better? Maybe life would have never restarted for someone who was emotionally dying. Who knows, but the way that The Million Reasons executed the emotional drive within each instrumentation and held onto that fiery passion within every story, makes one know that this band knows how to cover all ground with sound. And to truly live, often one must nearly die. </p>
<p style="text-align: center;"><strong><a contents="FB&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/themillionreasons/" target="_blank">FB </a>| <a contents="Twitter " data-link-label="" data-link-type="url" href="https://twitter.com/TheMilReasons" target="_blank">Twitter </a>| <a contents="Instagram&nbsp;" data-link-label="" data-link-type="url" href="https://www.instagram.com/themillionreasons/" target="_blank">Instagram </a></strong></p>Klef Notestag:klefnotes.com,2005:Post/62614252020-03-25T04:02:08-12:002020-03-25T04:02:08-12:00James Bakian "Find Me" (single)<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/074acb22bf2a0fef2bf5ed932f09a7326b616b6b/original/jb-find-me.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Bakian’s latest cut “<a contents="Find Me" data-link-label="" data-link-type="url" href="https://soundcloud.com/jamesbakian/find-me/s-V3fiA" target="_blank"><strong>Find Me</strong></a>” is a R&B ballad with a great command to its beat with plenty of girth when it comes to voice. Bakian straddles between second tenor and baritone and stays in key and timbre. The hook and verses relate the story of waiting for love to find you while also indicating the exhaustive passion and confidence it takes to find TRUE love. Bakian sings: <em>I’m doing my own thing / Didn’t suspect that you would notice me / Tryna figure out if I still fit in my skin / And I ain’t tryna change / Take me back / Back to the time when I didn’t have a care in the world and I knew I had a purpose / I don’t wanna live in a world where I can’t share my life with somebody who is worth it / I think I’ve found a girl but she gotta find me / Cause I know that one day ima call her baby and I’ll tell her what I want whispering it slowly / When I look at that smile I keep going crazy / I keep dreaming / Always dreaming / It’s a feeling / And I’m meaning / To let you know one day as long you find me . . . Ain’t nobody, ain’t nobody, ain’t nobody / Ain’t nobody make me feel like you do</em>. </p>
<p>The commanding piano and synths lay a musical foundation that illustrates desire, tenderness, and machismo. </p>
<p>Bakian once again places his lead above industry standards by excelling in resonance and depth. Scaling above Shawn Mendes and Charlie Puth, Bakian engages with his audience by placing the passion before the trends. But since Bakian is such a skilled writer and producer, he still becomes trend-worthy and relevant to his song’s genre. </p>
<p style="text-align: center;"><a contents="Artist Page" data-link-label="" data-link-type="url" href="https://jamesbakian.com/" target="_blank"><strong>Artist Page</strong></a></p>Klef Notestag:klefnotes.com,2005:Post/62399212020-03-06T08:51:29-12:002020-03-06T08:51:29-12:00Becky Bowe "Don't Darken My Door" (single)<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/de6f917191a53f56e78f5ff1586f0aedd7f28d12/original/becky-bowe-dont-darken-my-door.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>OMG, when Becky Bowe softly starts her song singing in that pleasant silky soprano with the words: “I’ve made up my mind, ran around a thousand times, strong enough to see when something is wrong, now I wanna be free, free from everything, sorry it ended this way . . . don’t darken my door.” I just stood up and said “YES GIRL!” "<a contents="Don't Darken My Door" data-link-label="" data-link-type="url" href="https://soundcloud.com/becky-bowe/dont-darken-my-door" target="_blank"><strong>Don't Darken My Door</strong></a>" is the Pop R&B ballad of the spring. A song about self-love, reflection, endurance, and moving on awaits the ears of <em><strong>everyone </strong></em>who is longing for REAL MUSIC, and it never sound so PERFECT! The backing vocals add texture and weight to a song that is rightly strong but passionately inspiring as it shows a woman who demands light instead of darkness. </p>
<p>This song harkens the soft R&B tracks sang by Mary J Blige back in the day with its soft instrumentation and crisp finger snaps. Lyrically, “Don’t Darken My Door” is full of no excuses just affirmations and promises revealing a woman who is set to stand in her truth. The acoustic guitar that introduces the track adds a simplistic flare that is so carefree and promising. Then in comes Becky Bowe – an artist known for her versatility in voice and in writing. She balances letting her vocals crawl, stand, and then soar, and it is so technically beautiful. The scaling between low and high harmonies showcases Bowe’s full range, while her gritty and soulful delivery demonstrates the candid and unapologetic vibe this song conveys. </p>
<p>Bowe is easily becoming my favorite female artist because she is compassionate yet bold enough to make her demands in song and stand in her truth. </p>
<p style="text-align: center;"><a contents="Becky Bowe&nbsp;" data-link-label="" data-link-type="url" href="https://www.beckybowe.com/" target="_blank"><span style="color:#3498db;"><strong>Becky Bowe </strong></span></a></p>Klef Notestag:klefnotes.com,2005:Post/62335072020-03-01T07:02:19-12:002020-03-06T08:26:05-12:00Ivory Tower Project III<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/b6b600aca3bbdcb914627e682c5347583dad1038/original/ivory-tower-proj-cover-art-iii.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Has anyone reading this review ever wondered why so many commercials on television have been using songs from decades before the 1990’s to represent their product? The answer is simple – people miss GOOD music! That’s it! </p>
<p>When I am driving in my car, I rarely turn on the Top 40 music stations as I opt to place in a CD from a band I have reviewed or a classic artist. Sure, I do listen to music that is trending to keep my ear on new musicianship in terms of technology, studio FX, etc., but when it is time to unwind, travel, or set the mood of a party, then it is the classics. </p>
<p>It is that very reason why I adore Ivory Tower Project – this band commemorates the classic Rock music and blends it with modern affair. The last album How Much More was so fab, I stated it “is not the typical t-shirt and jeans type of Rock, it is a top-hat with tux and tales matched with Converses type of Rock. No gimmicks, over-excited FX, too much digital, or lazy vocals.” And this time around, Ivory Tower Project has pushed the envelope once again. </p>
<p>The album is simply called <em>ITP III</em> and it is a great musical illustrator that good things do come in threes. </p>
<p>I will be referring to Ivory Tower Project as ITP. </p>
<p>This is my interpretation of <em>ITP III</em>. Let’s jump right in, shall we? </p>
<p>“<a contents="The Thrill Is Gone" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/44egX7g7CFS6xZh8H7ZLMX" target="_blank">The Thrill Is Gone</a>” opens the album and ITP offers us a more Rock influenced adaptation of the Rhythm and Blues classic. With ITP increasing the tempo of the song a bit, it adds a raw and sexier vibe. Moreover, the addition of a distorted guitar opening the track gives the track more fire instead of straight depth as was the case with B.B. King’s rendition. And what awakens this Blues meets Rock track even more so is the lead’s vocal being more elongated and raspier like 80s soft Rock. Nice kick. </p>
<p>Next on the list is “<a contents="Brother Louie" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/2LGx2Ot4Xz3baZruRQAFdq" target="_blank">Brother Louie</a>.” And what was once a Soulful track recorded by Hot Chocolate in 1973, has now become a modernized Funky Rock track. ITP has transformed what was once a Soulful track into a guitar/percussion-driven song. In addition, they replaced the leads that were once sung in unison to a solo lead. I love the wah-wah guitar laced throughout as well as the contemporary tech FX. The harmonious chorus, and the guitar solos placed throughout, ignites this track at makes it more ROCK and NOW! ITP rendition is cleverly spiked! </p>
<p>“<a contents="Tush" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/7oGneTIE7KpcEla4alFrM7" target="_blank">Tush</a>” is the third and final cover track and features a great play on the ears as ITP did a spectacular production on this track. Adding sustained, distorted, guitars to this ZZ Top favorite instantly give the cut more edge. And as with the other cover adaptions, ITP also made sure to place their signature Rock fingerprint on this version. </p>
<p>And, what a wonderful way to close an album of cover tunes than to include an original instrumental song. </p>
<p>“<a contents="Jim’s Song" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/5sGAHLIPX6C6GlFd5SscOy" target="_blank">Jim’s Song</a>” showcases what noteworthy about ITP – that brooding Rock stamp! So, if you love those classic 1970’s guitar-driven Funk tracks, then “Jim’s Song” is your SONG. Featuring a blazing sax, varied guitars, and galloping bass – this track speaks to the inner outdoor arena fan in all of us. </p>
<p>Before I close this review, let me reintroduce you to the members of Ivory Tower Project: Mark Regula (vocals, keyboards, acoustic guitar, bass, percussion) and Tony Novarro (guitars, bass, percussion and engineer). Yes, some big sound vibrates from off this album. Additional musicians who assisted with <em>ITP III</em> are: Bruno Pezzulich on Bass, Zoe Grella on Drums/Percussion, and Gary Flood on guitar ("The Thrill Is Gone"). That is called skill ladies and gents. </p>
<p>When I said earlier in my review that ITP has pushed the envelope once again this time around, I meant it. Did you hear it? </p>
<p><em>ITP III</em> is an upgrade, not a redo, of hits that we love. This was a wonderful adaptation of classic great hits. And what I love about ITP, they kept the overall core melodic foundation of the songs but built in their stylings by way of tempo and arrangement not sacrificing the integrity of the tracks. It reminds us of how music is supposed to sound to the listener, and it is a great bridge to connect yesterday to today. This album keeps us looking forward to more from Ivory Tower Project. </p>
<p><em>ITP III</em> is available for purchase on <a contents="Amazon" data-link-label="" data-link-type="url" href="https://www.amazon.com/ITP-III-Ivory-Tower-Project/dp/B07YFJ1ZZG/ref=sr_1_1?keywords=ITP-III&qid=1573409273&s=music&sr=1-1-catcorr" target="_blank">Amazon</a>, <a contents="Amazon UK" data-link-label="" data-link-type="url" href="https://www.amazon.co.uk/ITP-III-Ivory-Tower-Project/dp/B07YKXB7CF/ref=sr_1_1?keywords=ITP-III&qid=1573409624&s=dmusic&sr=1-1" target="_blank">Amazon UK</a>, and <a contents="Apple Music" data-link-label="" data-link-type="url" href="https://music.apple.com/us/album/itp-iii-ep/1481503141" target="_blank">Apple Music</a>. </p>
<p style="text-align: center;"><strong><a contents="Band Page" data-link-label="" data-link-type="url" href="http://www.ivorytowerproject.com/" target="_blank">Band Page</a> </strong></p>
<p style="text-align: center;"><strong><a contents="FB&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/IvoryTowerProject" target="_blank">FB </a></strong></p>
<p style="text-align: center;"><strong><a contents="Twitter" data-link-label="" data-link-type="url" href="https://twitter.com/ITPMark" target="_blank">Twitter</a></strong></p>
<p><strong>(c) Lakisha D. Skinner</strong></p>Klef Notestag:klefnotes.com,2005:Post/62335082020-03-01T07:00:48-12:002020-03-01T07:07:38-12:00Felony Case "Strangers Give More"<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/824a215f71c6dba80ab0b86818b1f270268638dc/original/felony-case.png/!!/b:W10=.png" class="size_l justify_center border_" /></p>
<p>1980s Rock is alive and kicking in 2020 – all due to Felony Case, a five-member Rock band hailing from Ioannina, Greece. </p>
<p>Felony Case’s first EP to drop is entitled <em>Strangers Give More</em>, and what the band has so brilliantly accomplished with this EP is that they have harnessed music from distant decades and have fused them together to fashion a sound that people call “New School Old School Rock.” So, sit back, pour your favorite drink, and get ready to be surprised. </p>
<p>This is my review of Strangers Give More. </p>
<p>“<a contents="Still Not Me" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/6BIJy9e9qwNcBfcyr7nJhi" target="_blank">Still Not Me</a>” opens the EP powerfully passionate and quickly reminds you of what we love so much about 1980s Rock bands – that quiet power and hard melody lines all embraced by a crazy tough hook. And how can guitars be soft and sonorous at the same time? Only master musicians can accomplish this feat. The track is about surviving a complicated relationship, the lyrics sing: I stand, I fall, the wind is so cold / I'm giving up / I've just had enough / You come, you go, the end feels odd / I'm giving up / Please stop being rough. The track closes with a fantastic rock out. Take a listen and let me know. </p>
<p>The <a contents="title track" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/0kZfZrwjDN2vUGE6E79snN" target="_blank">title track</a> comes in breaking bricks and chewing nails as it is a percussive guitar feast on blast. The frontwoman holds her own in this leather and metal dance – singing with such attitude and sexy layers that she OWNS IT! “Strangers Give More” has a storyline is a bit of a conundrum as it presents itself as a song about letting go of love that does not reciprocate, and then on the other hand, one may think the track is about finding love elsewhere as STRANGERS give love without commitments and one can love as they choose. The lyrics sing: Always giving everything and asking nothing in return / They say [vulnerability] can be your enemy or your friend / But sometimes they all seem the same / Don't know if it's me the one to blame . . . Strangers give more, strangers give less / Tried so hard / Maybe I should have guessed / [lighting] up a spark / [lights] off again / You and me, babe / Are just like strangers / Holding you in, kicking you out / Babe I'm tired of this fooling around / This time I'm done, this time I'm out / Maybe now you'll understand that I am not your clown. Regardless, this track illustrates what the EP’s theme is resonating, and that is, love can either be a battlefield or a playground, it all depends on who is doing the loving. And to bring more excitement to the track, showing how love is so unpredictable, at the two minutes / six seconds mark, the song modulates and is so refreshing. </p>
<p>That is what I miss in songs today, they have lost that element of surprise that songs from the 1980s featured – splendid melody lines, modulations, FX, and introductions and outros that just leave you thinking and spellbound. This is what Felony Case is giving us with their music – the element of surprise and music with a purpose! </p>
<p>“<a contents="Whiskey Night" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/2LO7wrEi75TikdaCTrSY2f" target="_blank">Whiskey Night</a>” features an opening that would make Slash grin – yes! a song about holding on to the night to forget the madness of the day never sound so good. What makes this third track so inviting and unforgettable is the music that is basically singing along with the front woman. Every instrument is heard – front and center. So refreshingly, at the 3 minutes / 27 second's mark, the song drops and scales back to present a more based approach, and then the song roars on. This is a great technical approach in the band’s production as opposed to keeping the song ablaze throughout the entire track – this adds texture. </p>
<p>The EP closes with “<a contents="Let Me Go Love" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/54kydE5WjED0BHEOX71PZT" target="_blank">Let Me Go Love</a>” a Rock power ballad that opens with serene strings and keys that dance around each other in layers. With the character of the track begging to go back to better times “when nothing was scattered,” this song is a great song to re-introduce what ballads are supposed to do – evoke, illustrate, and make the listener contemplate. The way that Faidra passionately sings this song is just beautiful and meaningful. The minimalist approach in this song’s technique was magnificent! </p>
<p>So the EP ends, and you are left wanting MORE, and MORE, and MORE. Right? Well, do not worry; there is more to come as the band is working on their debut album as I write this review. And even though this EP has everything that is needed to be titled a BREAKOUT EP, this is not the band’s break-out moment. Felony Case has been around for a minute. They had their beginnings in 2015, and their music, and music camaraderie illustrates how this band has had some time to polish and come up with a musical formula that will blow your minds – case in point, <em>Strangers Give More</em>. </p>
<p>For one thing, Faidra, has a signature vocal trill that is dynamic. So reminiscent of Bonnie Tyler, and so eclectically modern that she boarders Lady Gaga, Faidra’s outstanding vocal range of soprano to contralto to alto gives the audience edgy enthusiasm, spunk, and character. </p>
<p>And, they do not call George RIFF MASTER for nothing. Go back and listen to the EP and hear how his guitar basically ignites each track with personality and intensity. </p>
<p>Now, take to ear how Antonis pushes the Hard Rock influence, and how Vangelis brings the heart and soul to the music with percussions forming the bottom of every cut on the EP sounding as if they could either be wearing combat boots or soft soled sneakers – regardless, he lays that foundation that is presently appreciated. And with all this magic forming on this EP, Alexander (who can play pretty much everything) brings the keys – opening wonderful melodies that outlines the storylines. </p>
<p>See, the message is in the music. Felony Case is making music that is pure driven energy highlighted by nostalgia and mastery of skill. And, <em>Strangers Give More</em> is just the beginning. </p>
<p style="text-align: center;"><strong><a contents="Twitter" data-link-label="" data-link-type="url" href="https://twitter.com/FelonyCaseBand" target="_blank">Twitter</a></strong></p>
<p style="text-align: center;"><strong><a contents="FB&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/FelonyCaseBand" target="_blank">FB </a></strong></p>
<p style="text-align: center;"><strong><a contents="Instagram" data-link-label="" data-link-type="url" href="https://www.instagram.com/felonycase_band/" target="_blank">Instagram</a></strong></p>
<p><b>(c) Lakisha D. Skinner</b></p>Klef Notestag:klefnotes.com,2005:Post/62019352020-02-03T07:25:29-12:002020-09-08T06:25:16-12:00Juan Sanchez’ “Rebirth” Neo Classical/Ambient <p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/9bf07204e942a232f3a23220ed761d773f5cc3e5/original/juan-sanchez.jpg" class="size_orig justify_center border_" /></p>
<p>I have selected a Neo-Classical/Ambient track to smoothly usher us into this year called 2020. The track is called “<a contents="Rebirth" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/3YU2cPBgx9tW7NuPODADO5" target="_blank">Rebirth</a>” taken from the album of the same name. Juan Sanchez is the composer who so surgically melted this heart-soothing hit - just enough to REFRESH stagnancy. </p>
<p>In just four minutes, the ascending piano notes of “Rebirth” climb to meet an emotional hidden story about refining one’s pace, rediscovering one’s path in life, or redirecting self-doubts, and then leaves with slow footprints. </p>
<p>Instrumentally, Sanchez connects all of the dots of emotion touching on every sense, thus leaving the listener with a tear in their eyes and an extra beat in their heart. This music gives one pause featuring a classically commanding presence and a modern tempo. The entire structure of the track is splendid. And even though a Luciano Pavarotti could lyrically add a storyline to resonate the message vocally, or an orchestra could increase its mass, nothing could compare to “Rebirth’s” original instrumental composition – so poised and polished, so unadulterated and fragrant, so simplistically sublime. This piano composition will supply its listeners with 20/20 perceptual focus. </p>
<p>To hear more from Sanchez, please go to: </p>
<p><a contents="Spotify Juan Sanchez" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/3YU2cPBgx9tW7NuPODADO5" target="_blank">https://open.spotify.com/track/3YU2cPBgx9tW7NuPODADO5</a></p>
<p> </p>
<p><strong>(c) Lakisha Skinner</strong></p>Klef Notestag:klefnotes.com,2005:Post/62018862020-02-03T07:18:38-12:002020-02-03T07:29:58-12:00Forest Robots' Times When I Know You’ll Watch the Sky<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/bcf1bdd0856cb0f0bd5d8adf8f0a5b735e09f8ea/original/forest-robots-times-when-i-know-youll-watch-the-sky.jpg/!!/undefined/b:W1sic2l6ZSIsImxhcmdlIl1d.jpg" class="size_l justify_center border_" /></p>
<p>The road less traveled is filled with the most interesting things – the more daring feats that forces change to take place in life, and the most tranquil of places that gives pause when life is too hectic. Regardless, the road less traveled brings about change from the norm – it’s exciting. This brings me to Fran Dominguez (Forest Robots). </p>
<p>I have reviewed Forest Robots twice since being introduced to his instrumental music simply because he always gives his audience a different perspective when it comes to visualizing things at a different angle. His third full album <em>Times When I Know You’ll Watch the Sky</em> is no different. </p>
<p>Forest Robots calls his third album an ode to Autumn, so to me, it is an ode to change – specifically changing the mindset of individuals thus allowing them to gravitate towards nature instead of away from nature. Released November of 2019, <em>Times When I Know You’ll Watch the Sky</em> features eleven tracks: </p>
<ol> <li>Just Before Nightfall in The Forest </li> <li>Everything Under the Light of The Full </li> <li>It Lies Sunk Deep Beneath the Old Lake </li> <li>In the Late Autumn Rainstorm </li> <li>Deep in The Milky Way Spectrum </li> <li>The Last of The Melting Snow </li> <li>Times When I Know You Watch the Sky II </li> <li>The Clouds That First Gather at The Mountain </li> <li>Faint Sunlight in The Far Horizon </li> <li>Of Rivers and Rivers of Light </li> <li>Follow the Fog and The Rain </li>
</ol>
<p>I will be interpreting the album’s highlights. </p>
<p>The first song “<a contents="Just Before Nightfall in The Forest" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/1a3QLGqVlUBM89nMyDNLNk" target="_blank">Just Before Nightfall in The Forest</a>,” opens the album gracefully, the second song, “Everything Under the Light of The Full Moon,” has a nice subtle Hip Hop drum pattern that flows throughout the track. This percussive foundation plays well with the music box melody. Both of these dominant techniques makes “Everything Under the Light of The Full Moon” an odd track with swagger, and lends itself to musically describe the song’s theme of tranquility being found in the least expected places, for example, how many things unexpectedly come to life under the light of the moon that was not apparent during the sunlight. The hand claps, light synths, a nostalgic hip-hop drum pattern helps illustrate this theme. </p>
<p>And, one of the most memorable bass riffs on the album is featured in “It Lies Sunk Deep Beneath the Old Lake.” </p>
<p>The solo synth is gently perplex, and that steady tip-toe synth and bassline stays constant and helps give the song a rich footing. “<a contents="It Lies Sunk Deep Beneath the Old Lake" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/3t608Nl57GhWPCvgNb7pBt" target="_blank">It Lies Sunk Deep Beneath the Old Lake</a>” is one of the shortest songs on Times When I know You’ll Watch the Sky and leaves listeners questioning what TRULY lies deep within their souls? What secrets need to be unearthed? </p>
<p>“<a contents="In the Late Autumn Rainstorm" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/1o7pa2sCvkJGMeyQorELr8" target="_blank">In the Late Autumn Rainstorm</a>” illustrates how life can often be a bit gloomy. Its musical structure alludes to this theme, as Forest Robots incorporates a darker vibe in the form of a low riding synth bottom and light synths becoming adlib-like. At the one minute / four seconds mark, the track modulates and gets fuller. From that point, the song builds, drops, become sustained, and rebuilds at the two minutes mark. This production technique gives the effect of air suspension. In addition, I enjoyed the snappy percussions. This song as a Pop feel to it and has the most energy out of the entire album. </p>
<p>But when it comes to a song personifying humanity, the <a contents="title track" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/3DP62OVs9hQKKCEbXrOdfg" target="_blank">title track</a> has this emotion sewn up. </p>
<p>“Times When I Know You Watch the Sky II” truly sets the bar high when it comes to music without a lyrical counterpart being so illustrative. Forest Robots has done a wonderful job in giving this song such personality – like, its opinionated melody that stubbornly chooses when to be mellow or full bodied with cascading synths or falling keys. Also, the percussions are pulsating, as percussions normally would be in an expressive song, yet these percussions are ebbing, which makes them appear charmingly clever. This track highlights the album’s theme of being connected to nature throughout all aspects of life – keeping your eyes above and below. </p>
<p>The tenth track, “<a contents="Of Rivers and Rivers of Light" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/4RwDkFlWxDQySFLaGOZGLI" target="_blank">Of Rivers and Rivers of Light</a>,” is about the difference between aesthetic and isolated elements in nature. As the title affirms, we have “rivers,” and then we have “rivers of light.” To illustrate, we have RIVERS that we can see and touch, and then we have RIVERS OF LIGHT or beams of light, and bands within the cosmos that are seen but are untouchable. Still, both the aesthetic and isolated elements are easily felt, explorable, and adds to the fullness of one’s life. The 10th song also has one of the best grooves of the album due to that sustained synth in the introduction that forms the spine of the track. Musically, it does the same thing to the ears of the listener that water does once a pebble is dropped into the water – a ripple effect starts. Hand claps adds the element of surprise, and the song ends with a ditty of synths. </p>
<p>The album closes with “<a contents="Follow the Fog and The Rain" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/6sZqEZ3pWZuvPpemhY6vz9" target="_blank">Follow the Fog and The Rain</a>” – a contemplative track that leaves a message of being FEARLESS! Every instrument within this track clearly points to the building up courage to enable one to go where life takes them – through the not so clear moments in life. It’s like mood music. Every eight seconds, the music on this track rises and falls as if they were tides. After listening to “Follow the Fog and Rain,” surely a person will have to recollect how humans appreciate the sunny moments in life because they forged their way through the fog and rain. </p>
<p>So, when I listen to an instrumental track or album, of course there are no lyrics to give descriptions or tell stories. Yet, the messages are all contained in the music for me. The drops and modulations of the melodies; the tempo of the instruments; the pauses, accelerations, and stops! In other words, every note that the music presents, really builds a story and truly describes a tale. And it is only with quality instrumental music that I can pull a clear understanding. </p>
<p>After listening to 40 minutes of instrumental music within the frame of <em>Times When I Know You’ll Watch the Sky</em>, I can say that this is music on a whole other level. The vibrant illustration of living life and enjoying its natural tapestry is all housed in 11 songs. </p>
<p>This is Forest Robots’ strongest album to date as he widens his musical lens and makes the album universally appealing not focusing so much on one concept but bringing about many musical models to form a more conceptual diverse theme. Still he stays true to his skills of being able to merge IDM sounds to synth-wave, acoustic, and orchestral elements without anything sounding cheesy or redundant. This is all brought to life by being skilled in playing celesta, synthesizers, glockenspiel, and harp while knowing how to balance the instrument’s resonance. And, the way that Forest Robots plays it spot-on talent with confidence! Not being genre-specific, the styling of each song is in the details of the music. </p>
<p>Each song title gives a sneak peek as to what the song is about to say, and the music just builds the picture alluding to times when you will watch the sky or be present in life. </p>
<p>Forest Robots’ music is always nature-themed, but this time around it is not so much about the appreciation of nature but more about swaying towards nature instead of against nature; and, it’s more about recognizing nature and understanding how it is very much connected to humans – our moods, loves, hates, epiphanies, and differences, as well as, how life mimics nature. For example, the rain being like sorrow. So after gaining this sense of understanding and recognition from the music, I can say that Forest Robots’ music makes his listeners want to explore nature – the sky, the fog, rain, rivers, light, darkness, sky, seasons, and luminaries to draw a connection. </p>
<p>With the world so heighted with angst, fear, and anger, it is good to put on an album that helps you unwind, reflect, connect, and love again. You do not have to overthink anything. Times When I Know You’ll Watch the Sky takes the confusion out of the wonderment and restores hope and appreciation of life. </p>
<p style="text-align: center;"><strong><a contents="Website" data-link-label="" data-link-type="url" href="https://www.forestrobots.com/" target="_blank">Website</a></strong></p>
<p style="text-align: center;"><strong><a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/forestrobots/" target="_blank">Facebook</a></strong></p>
<p style="text-align: center;"><strong><a contents="Instagram" data-link-label="" data-link-type="url" href="https://www.instagram.com/forestrobots/" target="_blank">Instagram</a></strong></p>
<p style="text-align: center;"><strong><a contents="Twitter" data-link-label="" data-link-type="url" href="https://twitter.com/forestrobots" target="_blank">Twitter</a></strong></p>
<p style="text-align: center;"> </p>
<p><strong>(c) Lakisha Skinner</strong></p>Klef Notestag:klefnotes.com,2005:Post/60536652019-12-17T12:00:00-12:002019-12-17T21:58:43-12:00Dallas Cosmas' Alpha Beta Gamma
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/97607a8338028e8ce51f0b986e1c32973c3b5d52/original/dallas-cosmas-abg-ep.jpg/!!/b%3AWyJyZXNpemU6NDk1eDQ5NSJd.jpg" class="size_orig justify_inline border_" alt="" height="495" style="display: block; margin-left: auto; margin-right: auto;" width="495" /></p>
<p><span style="color:#c0c0c0">You know the feeling of slipping into your favorite leather jacket? The one that is worn a bit with some loose fringes and cracks, but it is still supple that it just fits the best? And even though it may be an odd color, that jacket just goes with everything? Well, good music should be just like that jacket, and the artist creating such music is like that designer who fashioned that leather jacket in the first place – so skilled to sew in all of the detail, so willful to push the bar, and so passionate enough to put their heart and soul into each collection whilst redefining art. Dallas Cosmas is such an artist. </span></p>
<p><span style="color:#c0c0c0">Cosmas is an Australian-based singer, songwriter, musician, and producer who constantly pushes the envelope in Indie Music while composing songs that are contemplative and inexplicably rare; thus, he broadens the minds of his listeners as well as the scope of his musical range. <em>Alpha Beta Gamma</em> is the recent studio album by Cosmas. </span></p>
<p><span style="color:#c0c0c0">Released on October 11, 2019, <em>Alpha Beta Gamma</em> illustrates the human condition with its complex integers.<strong> </strong></span></p>
<p><span style="color:#c0c0c0">There are 12 songs that purely supports the album’s theme of life’s altering continuum: </span></p>
<ol>
<li><span style="color:#c0c0c0">If You Don’t Know Where You Came From</span></li>
<li><span style="color:#c0c0c0">I’ve Been Losing Sleep (Feat. Evan Englezos)</span></li>
<li><span style="color:#c0c0c0">Uno Owé Kombèh</span></li>
<li><span style="color:#c0c0c0">The Middle of The Ocean (Feat. Matthew Shadwick)</span></li>
<li><span style="color:#c0c0c0">Step Outside (Feat. Paul Richards)</span></li>
<li><span style="color:#c0c0c0">We Left A Light on For You (Feat. Wally Hite Rankin)</span></li>
<li><span style="color:#c0c0c0">Alpha Beta Gamma</span></li>
<li><span style="color:#c0c0c0">Where I May Roam (Feat. Jeremiah Englezos)</span></li>
<li><span style="color:#c0c0c0">Hand in Hand (Feat. Alpha Beta Singers)</span></li>
<li><span style="color:#c0c0c0">The Love We Lost (Feat. Yarra Gospel Quartet)</span></li>
<li><span style="color:#c0c0c0">How I Tried</span></li>
<li><span style="color:#c0c0c0">C’est La Vie</span></li>
</ol>
<p><span style="color:#c0c0c0">This is my interpretation of the eight highlights.<strong> </strong></span></p>
<p><span style="color:#c0c0c0">A mellow track entitled “<a href="https://open.spotify.com/track/6B6J6iaYt37C68IgkoRQfs" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>If You Don’t Know Where You Came From</strong></span></a>” opens the album. The narrative of the song alludes to self-identity and exploration. The lyrics sing: <em>make your own name / rise your head above the wall / there’s truth to what they say / to make yourself and you stand tall</em>. This sought-after knowledge of self enables one to explore life with freedom because there are no chains of insecurity pinning the soul down. This helps a person to achieve open-mindedness and the strength and integrity to stand in their own TRUTH while conquering the “tides” of life and “face the battles on winds that rage.” The soulful backing vocals and 2-part harmony notes combined with the organ brings a fascinating vibe to the track – almost like a first and second thought process. In addition, “If You Don’t’ Know Where You Came From” features a wah-wah guitar, funky bassline, and a modulating bridge. Cosmas practically states the defining lyrics at the end of the track when he sings this line, “if you don’t know where you came from; you don’t know where you’re going to” (<a href="https://youtu.be/DO3jEgX4RB4" target="_blank" data-imported="1"><strong>see official video</strong></a>).</span></p>
<p><span style="color:#c0c0c0">The second track “<a href="https://open.spotify.com/track/07tLuk4Ynfx5MBnvNLyIRV" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Uno Owé Kombèh</strong></span></a>” starts with a nice bass that sets the rhythm of the entire track. Again, we have the full choral which sounds like a culture of voices. At first listen to this track, I immediately thought that the song was about how humans are always in search for the mundane answers of life just by the lyrics alone – they sing: <em>Leaving a message at early morn / Looking for sleep in the northeast of town / Chasing around for the answer / Can you say what’s true / All over the titles reporting in reach for the far side of the slipstream / Chasing around for the answer / Can you say what’s true . . . The feeling / The healing / Stretched ‘cross the celestial ceiling / The feeling / The healing / Uno Owé Kombèh</em>. And yes, that <em>is</em> an aspect of the song’s overall theme. But what begins to stitch the track’s narrative is the title of the track. When I placed the title into my hand-translator, it translated to: you got one destiny. And then I asked the writer himself, Cosmas, and he said that it suggests “whatever is beyond this life. To me, it's saying At One with the Eternal.” So when I contemplated the lyrics, the title (with my interpretation) and finally Cosmas’ notes, I realized that this song has such a universal healing aspect to it as it pretty much encompasses many interpretations that all lead to one thing – life is mysterious – the beginning of life, the end of life, and what’s next. Moreover, what makes life so worth pondering, and what keeps humans in expectation of the next step, is the circle of life that keeps us all tied to each other, and this makes life worth living, worth questioning, and worth sharing.<em> </em>Cosmas’ vocals, per usual, just melds wonderfully to the instrumental tapestry and clearly keeps a placid tone which evokes a meditative listening experience. And, choosing keyboards and cymbals as the highpoint instruments complements the surreal feel of the musical atmosphere of this percussion-heavy track.</span></p>
<p><span style="color:#c0c0c0">And with the opening lyrics of “she comes in dreams / was this meant to be / tomorrow these reflections / rearrange my direction / meet me in the middle of the ocean,” “<a href="https://open.spotify.com/track/7tde3sXFZ2K80tS2kZmCT9" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>The Middle of The Ocean</strong></span></a>” already sets the listener up for a track that explores the interchangeable nature between two souls – two souls that are so different yet becoming one with emotional similarities. Cosmas' vocal tone is reminiscent of 1980’s Soft Rock leads with its slight treble and appealing quintessential pace. Moreover, the instrumentation of “The Middle of the Ocean,” for example: cymbals, bass, piano, and Matthew Shadwick’s skilled guitar melody lines, all makes for a memorable ballad. In addition, like the middle of the ocean, the choice to apply a downward modulation to the song’s core melody illustrates that deepest point factor that the middle of the ocean truly has. Songwriting wise, this is a skilled tool as it highlights the theme of the song, because adoration and desire starts shallow and goes so deep – it is wild in nature and tranquil at the same time. This song is one of the most beautiful melodically and just stays with you all day.</span></p>
<p><span style="color:#c0c0c0">The most personal narratively of the album is “<a href="https://open.spotify.com/track/6bLgQl9EAIanYDPJu2vQlW" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>We Left A Light on For You</strong></span></a>.” The storyline of the sixth track is about following a departing one’s life after they are gone, and how this is done by intricately following their fingerprints and footprints left in the form of books read, notes written, and places traveled and documented, thus seeing life through their eyes and gaining an understanding of the why’s and how’s that made them who they were. The honest lyrics sing: <em>Johnny / I picked up the books that you read, the passages lead me to see the world that you see / Johnny / I found these notes that you wrote about the future / And a fairer world yet to know / Johnny / No need to worry no more / What kept you up until dawn Pacing about this troubled world / Now it’s getting late / And now you must go / But we left a light on for you</em>. Featuring Wally Hite Rankin on guitar, that electric guitar solo that creeps in at the 56 seconds mark is rectifying. The building chord modulation layered into the song, along with that soulful Southern harmony, easily makes this song become the P.S. at the end of an endearing letter left for one to find. </span></p>
<p><span style="color:#c0c0c0">With “<a href="https://open.spotify.com/track/5ntljynd8zpiD4MSPi9FAa" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Alpha Beta Gamma</strong></span></a>,” we get to hear what the title and lyrics suggests: the chemistry between two lovers. We get to hear this message by using our receptive ears and acceptive souls. The song starts with only vocal scales and in comes jazz instrumentation. The lyrics sing: <em>Who unravels / Atlantique beauty / She sings to me / Who untangles / Telescopic history / Oh the mystery / Every letter alpha and beta . . . Indian Pacific dreaming / Sings to me / Who unscrambles / Oscilating frequencies / These little mysteries / Every letter alpha and beta / Read on from gamma to omega / Sings to me / Every letter alpha and beta / Read on from gamma to omega / Indian Pacific dreaming / She sings to me / Sandpipers and peregrines / Sing to me</em>. This modern love song features an electric guitar and has a steady beat much provided by drummer/percussionist Paul Richards. The lyrics are descriptive and rhythmic with its timing: for example, the lines “Oscillating frequencies / these little mysteries” symbolize revolving chemistries of love; the line “every letter alpha and beta read on from gamma to omega / sings to me,” illustrates the celestial connection with human love; then the line “sandpipers and peregrines sing to me,” shows love on swift wings. The title track is intended to broaden our minds to perceive the dense transitions in life – this is what makes Cosmas such a beacon in indie music. </span></p>
<p><span style="color:#c0c0c0">By the time the album gets to the middle, the tone and subject matter gets a bit darker with elements of sadness and loss looming in the lyrics – it is not a horrific change to the subject matter, and it does not harm the overall tone of the collection, but it does show the realism and authenticity of Cosmas’ writing style – the honesty here is amazing. We hear this transition in “Hand in Hand” and “How I Tried.” </span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/5a6JP5anDuoI9oOtYpiyEZ" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Hand in Hand</strong></span></a>” features mainly guitars and percussions and it is breathtaking! It starts out beautifully with a subtle guitar and builds from there with the choir (featuring the Alpha Beta Singers) and Cosmas interchanging vocally making for a nice meditative appeal. The song is about parting ways with a loved one in death, or loss in another form. The metaphorical lyrics of “cross the invisible line,” “we lost and found time,” and “the promise that I made as I left the room,” perfectly defines the theme. It is here that the song changes gears and elevates some with the lead. And the perfect analogy for a cold time in life is spelled out in the line “before we parted a mid-winter’s afternoon” – splendid. The bass vocal saying “doo-doo” in the background adds girth. Love the harmony.</span></p>
<p><span style="color:#c0c0c0">With the addition of a Fender Rhodes, “<a href="https://open.spotify.com/track/68RJxhud1DrEfKvlQUxFO4" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>How I Tried</strong></span></a>” plays like a Neo-Soul fairytale. This ballad’s storyline is about that time standing still moment in life when a person must deal with a dramatic change and grapples with dealing with loss while reexamining their intentions and the reality of the moment. The harmony in chorus, blended with Cosmas’ second tenor vocal climbing with the female harmonic notes, creates a sense of urgency and redemption</span></p>
<p><span style="color:#c0c0c0">The closing track “<a href="https://open.spotify.com/track/1xlZyiYv7GHh4DCVupbbXI" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>C’est La Vie</strong></span></a>” starts with a bass, acoustic, and soundscapes which captivates at first listen. Meaning “such is life,” this song holds the narrative about how a soul can become consumed by fleeting love. The poignant lyrics sing: <em>I tracked your diamond dusted footsteps / I’m only now three steps behind / A diamond path follows the edge of darkness / Across the corner left to right . . . I found your stardust of wondering / Spilling over from page to page / Shadows hang long out on the edge of a lost dream / C’est la vie / Be what may / C’est la vie as the days pass over / C’est la vie as the river runs</em>. The song, one of the most tranquil in the cannon, feature simple instrumentation that keeps the song crawling and not running which keeps you pinned to the speakers. The effect on Cosmas’ lead is quietly charming and longing. The album closes with a dynamic listen.</span></p>
<p><span style="color:#c0c0c0">Cosmas is not only becoming a household name in the Indie Music community but also a legend within his genre. This is all due to his intricate writing of strong compositions that relate to many universally. <em>Alpha Beta Gamma</em> is a toned-down album that is void of the fluff and extra cosmetics that mainstream Neo-Soul often feature, and that is a breath of fresh air to a music journalist.<strong> </strong></span></p>
<p><span style="color:#c0c0c0">Cosmas accentuates his voice so well with conviction on this collection of music which in turn makes the threading theme come to life with emotion. </span></p>
<p><span style="color:#c0c0c0">Rock guitar riffs blended with Soulful melodies makes for an amazing listen. </span></p>
<p><span style="color:#c0c0c0">Directing your attention to the title of the album, <em>Alpha Beta Gamma</em>, this seals the deal of this collection of music being mysteriously amazing. When I was living with the music, I spoke to Cosmas and he told me how the concept of the album is how life is perpetual. So when the title is broken down, systematically, we see that alpha, beta, and gamma are forms of radiation with alpha and beta being in the form of particles and gamma in the form of rays. All are harmful to human health but with different considerations applying to each case. Still, when we think of these three forms of radiation, we see why Cosmas chose them for the title of his latest album even more so. Creatively, with the elements of each lyric binding to another to form a threading theme of the human condition with its complex integers of frailty, strength, depletion, and addition, this title fits perfectly because like the human spirit, each form of radiation is strong enough to penetrate some things but weak enough to be stopped in its tracks. For instance, alpha, very much like the emotion of love, is strong at the surface, even able to change form, but can instantly become depleted as a sheet of paper can stop alpha particles. So, in short, what Cosmas is illustrating with <em>Alpha Beta Gamma</em> is that with life, no matter the consequence, how we react to the peaks and valleys determines how we exist. Life is perpetual! Furthermore, how we shape our endgame depends on how we adapt, transition, or even stand firm to the interchangeable, transitioning, and adaptability, of life – very similar to alpha beta and gamma. </span></p>
<p><span style="color:#c0c0c0">Gospel vocal and harmonic styling evokes that rapture and saving grace feeling and makes the listener know that “such is life,” and that all is perfect when a person understands that their honest best is the best thing in life. </span></p>
<p><span style="color:#c0c0c0">Additional players in making this album such a great listening experience are the singers, musicians, engineers, mastering technician, photographer, and designer: Brigid Deneefe, Elan Leng, Martin Pullan, Jeff Titus, Luci Floyd, Evan Englezos, Brother To The Birds, Wayne Rintoul, Paul Richards, Matthew Shadwick, Wally Hite Rankin, Nathalie Cosmas, Jeremiah Englezos, and Sophia Cosmas.<em> </em></span></p>
<p><span style="color:#c0c0c0">With <em>Alpha Beta Gamma</em>, it’s like you’re listening to elements of life – the broken pieces, the solid pieces, and those that become oddly joined by the connection of human touch, memories, and experiences. It’s the past, present, and future in one take – it’s the <strong><em>alpha</em></strong><em> (</em><em>α</em><em>), <strong>beta</strong> (</em><em>β</em><em>), and <strong>gamma </strong>(</em><em>γ</em><em>).</em> </span></p>
<p align="center"><span style="color:#c0c0c0"><a href="http://prototypemusique.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">Artist Page</span></a> | <a href="https://twitter.com/PrototypeMusiq" target="_blank" data-imported="1"><span style="color:#c0c0c0">Twitter </span></a></span></p>
<p align="center"> </p>
<p><span style="color:#c0c0c0"><strong>Source: </strong><a href="https://sciencing.com/alpha-beta-gamma-particles-8374623.html" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>https://sciencing.com/alpha-beta-gamma-particles-8374623.html</strong></span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536642019-12-17T12:00:00-12:002019-12-17T21:22:11-12:00A Night In November's A Mop on a Segway
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/18d1ae6da4f4f8e0c9d9a97e9927c31ec2e24725/original/anin-a-mop-on-segway.jpg/!!/b%3AWyJyZXNpemU6NDI0eDQyNCJd.jpg" class="size_orig justify_inline border_" alt="" height="424" style="display: block; margin-left: auto; margin-right: auto;" width="424" /></p>
<p><span style="color:#c0c0c0">Today, I’d like to introduce you to a new band called A Night in November (ANIN). Originally from Leeds in Yorkshire, England, the band includes Gareth (singer/bass), Luis (screamer/guitar), and Costa (drums). These cats are creating Pop Punk music that sounds the way Pop Punk is supposed to sound – we have the screams, the crying guitars, the distorted guitars, and fast tempos. And, a bonus to the music is the authentic choice the band chose to make. </span></p>
<p><span style="color:#c0c0c0">Out of the gate, the trio opted to keep their English accent when singing instead of taking on an American accent as other English bands have chosen to do; thus, we have an authentic UK band creating colorful music. This plays so well into their choice of title for their second album – <em>A Mop on a </em>Segway since the title’s theme illustrates how staying true to yourself whilst discovering your place in society is the best approach to take in cementing your purpose. </span></p>
<p><span style="color:#c0c0c0">So, A Night in November has a personal fingerprint that keeps the spotlight on them constantly, because that English accent also makes the music memorable of The Beatles and Bowie. </span></p>
<p><span style="color:#c0c0c0">And, all this crazy mix of difference makes this Pop Punk trio so worth it! </span></p>
<p><span style="color:#c0c0c0"><em>A Mop on a Segway </em>feature five songs and two skits: </span></p>
<ol>
<li><span style="color:#c0c0c0"><em> </em><em>Nation of Bells</em></span></li>
<li><span style="color:#c0c0c0"><em> I Suggest Feathertough (You Have Selected Powerdrive)</em></span></li>
<li><span style="color:#c0c0c0"><em> Segway (skit)</em></span></li>
<li><span style="color:#c0c0c0"><em> </em><em>Saving Grace</em></span></li>
<li><span style="color:#c0c0c0"><em> </em><em>Snake Oil Seller</em></span></li>
<li><span style="color:#c0c0c0"><em> </em><em>Mop (skit)</em></span></li>
<li><span style="color:#c0c0c0"><em>Time at the Bar</em></span></li>
</ol>
<p><span style="color:#c0c0c0">Each song on the album has angled lyrics that puts a spin on current stories making them trend-worthy tales. </span></p>
<p><span style="color:#c0c0c0">This is my review of the three singles. </span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/5J242wf2tMRXB7118rF9ye" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Nation of Bells</strong></span></a>” opens the album with driven guitars, cymbals, and noise! The song’s narrative sings about how life and the people we surround ourselves with shapes our very existence without us even contributing to this existence. The lyrics sing:<em>It’s like I’m locked up, though I’m outside, and it’s hard to keep my voice on the inside. Eyes wide open, pitch black staring back. We’ve got your number. Too many numbers, too many names, you’ll see, you can’t pressure me . . . And it’s not like I hate everything, but since you appeared you shot to the top of my list of things I can do without. When there's nowhere to go without a nation of bells making everything good like hell. I just wanted to cash out, throw in the towel before I even get to town, those self-indulgent arrogant voices I can hear them now, living in a nation of bells</em><em>. </em>But the band turns a negative into a positive with splendid writing using metaphorical lyrics and ecstatic music. The two minutes and 17 seconds mark presents a stuttered, righteous, guitar solo that easily brings the backbone to an ear-flirty track. This upbeat cut builds layer by layer with classic Post Hardcore instrumentation providing a wonderful musical foundation that makes the song danceable and smokin! </span></p>
<p><span style="color:#c0c0c0">One of the shortest songs in the collection is one of the deepest in thought – it’s “<a href="https://open.spotify.com/track/6bgSP8nXB7wbjLDAuaGT8C" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Saving Grace</strong></span></a>.” The fourth song alludes to the contrasting emotions seen during pivotal moments in life. The line where Gareth sings, “she was wearing all black on a summers day” was written perfectly as it gets your attention off the bat. Descriptive lyrics pick up from the opening line and create a song that is playfully serious: <em>her tombstone smile could have chased the clouds away. If my memory serves me correctly, who knows, who knows. Saving Grace you've gone away. He was sitting on top of the garage roof. Planning out ways to make life future proof. If my memory serves me correctly, who knows, who knows</em>. The quick riffs and powerful percussions make the track a favorite. Clearly, ANIN know what they are doing inside of the studio and on the stage as this two minutes and 36 seconds track sets the mood and keeps you intrigued without any bells or whistles. It’s a Pop Punk lament that will appeal to even the hardest of listeners.</span></p>
<p><span style="color:#c0c0c0">And, “<a href="https://open.spotify.com/track/6dpDuoCcQapPpuPv7zCGKL" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Time at the Bar</strong></span></a>” (radio edit) closes the album and is the perfect single to play when you are passing the drinks and telling your stories of how adulthood <strong>almost</strong> messed up your life. Musically and lyrically, this song makes one think about that worn high school yearbook that was once shelved collecting dust. That yearbook that has now become the centerpiece at your Friday night parties. The contemplative lyrics paint this picture of memories past and show maturation taking a hold of life: <em>we listen to the same songs that we always will, and leaving this behinds a hard to swallow pill. You traded Punk rock, Dry Dock, for Netflix and chill, leaving this behind [is] a hard to swallow pill, yeah, leaving this behinds a hard to swallow pill . . . never knew we had it so good (times were good, times were good). Yeah, times were good when no man was left behind (times were good, times were good). No man left behind. And I’m not saying that I’m not happy for you. We were warriors, we were spartans (once upon a time) . . . we were kings, we were centurions (Bang! Bang! Bang!). And I’m not saying that I’m not happy for you</em>. It is like when your ride or die partner grows up and moves on and you are left with trippy, fun, memories. The honest integrity the lead vocal evokes, combined with the conversational singing of the backing vocals and adlibs, serves up that every day, around the way, vibe. While the catchy memorable melody line, bright acoustic guitars, and tambourines, evoke how just messing around and enjoying life is so RIGHTEOUS! This is the track that will be played again and again.</span></p>
<p><span style="color:#c0c0c0"><em>A Mop on a Segway</em> is creatively crazy and chaotic, and that is what the band wanted to get across to their fans – the idea that no matter how crazy and chaotic life may be, when one does not take life too seriously, and fun is brought into the mix, life has a way of balancing itself out. In addition, when a person is transparent and comfortable in their own skin, that is infectious and breeds true friendships that are not counterfeit. And, this is how one stays true to themselves while finding their place in society. So this album works on so many levels.</span></p>
<p><span style="color:#c0c0c0">What makes the message of the music resonate to the audience is the writing and playing of the band. A Night in November plows into the choruses and have emotive lyrics. The catchy chorus harmonies and loud rowdy riffs build such texture and personality that the songs are re-playable. Also, the humor that is spun on the seriousness makes for a light listen that garners thought.</span></p>
<p><span style="color:#c0c0c0">This album plays like a study in contrast because none of the song titles allude to the actual song architecture – for example, you know when you read the title “Fire to the Rain” by Adele you instantly assume the song’s going to be a torcher or that it is going to be a ballad in nature. Right? But with A Night in November, they keep the element of surprise by producing an album of contrasting elements which is welcomingly refreshing.</span></p>
<p><span style="color:#c0c0c0">They are the new generation of Pop Punk / Post Hardcore and they are bringing the guns, the roses, and the noise. Simply fab! This album will be tattooed to your brain!</span></p>
<p style="text-align: center;"><span style="color:#c0c0c0"><strong><a href="https://twitter.com/anin_official" target="_blank" data-imported="1"><span style="color:#c0c0c0">Twitter </span></a>| <span style="color:#c0c0c0"><a href="https://www.facebook.com/aninband" target="_blank" data-imported="1">FB</a></span></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536632019-12-03T12:00:00-12:002019-12-03T22:45:29-12:00Jambrains' Lost Horizons
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/cd33d175edf0f8b7acd96c513e67de8a1c885bf6/original/johan-alms.jpg/!!/b%3AWyJyZXNpemU6NDgyeDQ4MiJd.jpg" class="size_orig justify_inline border_" alt="" height="482" style="display: block; margin-left: auto; margin-right: auto;" width="482" /></span></p>
<p><span style="color:#c0c0c0">Reintroducing an artist to readers and fans is one of the best things about being a Music Journalist because it shows how music is ever-evolving. This time around it’s the music of Jambrains. </span></p>
<p><span style="color:#c0c0c0">To reiterate, Jambrains is the solo project of Swedish multi-instrumentalist and songwriter Johan Alm. I will be reviewing the newest release from Jambrains called <em>Lost Horizons</em>. </span></p>
<p><span style="color:#c0c0c0"><em>Lost Horizons</em> is a collection of six songs that touch on life’s most concrete emotions such as misery, optimism, and loss: </span></p>
<ol>
<li><span style="color:#c0c0c0">Again and Again</span></li>
<li><span style="color:#c0c0c0">Whiskey on the Hurt</span></li>
<li><span style="color:#c0c0c0">The Mirror of Her Dreams</span></li>
<li><span style="color:#c0c0c0">Time to Say Goodbye</span></li>
<li><span style="color:#c0c0c0">Five Days</span></li>
<li><span style="color:#c0c0c0">I Believed</span></li>
</ol>
<p><span style="color:#c0c0c0">This is my interpretation of <em>Lost Horizons</em>. </span></p>
<p><span style="color:#c0c0c0"> “<a href="https://open.spotify.com/track/5bCqAoiPl5oScOUZUxDXTH" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Again and Again</strong></span></a>” is an up-tempo, dual-vocal, track that opens the album and portrays a man who is wearing his heart on his sleeve. Loaded with guitars, this song is about living without regrets all for the sake of love, and it features instrumentation the truly pulls at one’s heartstrings similar to the music of Bruce Springsteen where the melodic emotions of each instrument drives the direction of the track – for example, the happy piano chords married to the twangy guitar. The lyrics sing: <em>you crossed the line that kept us apart / I drew it there to protect my heart but you reached out and pulled me close / first there was nothing / then came a spark that started a roaring fire way out of control / I threw a dime in the wishing well / send me to heaven or send me to hell / either way I would do it all over again / and again / and again / and again</em>. This topic is not the norm within society today or Popular music, but it is such a breath of fresh air to listen to lyrics that spell out STOIC. </span></p>
<p><span style="color:#c0c0c0"></span></p>
<p><span style="color:#c0c0c0"> There’s a psychological treatment placed on the premise of the second song “<a href="https://open.spotify.com/track/0vGIElpWPePf1utLDDcujQ" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Whiskey on the Hurt</strong></span></a>” as the storyline is about numbing the pain of mental anguish resulting from pressures of existing with a broken heart. The lyrics illustrate this observation when they sing: <em>see me standing in the rain / head thrown back to wash the pain from eyes / I’ve emptied of my tears from silent screams that no one hears / for some peace of mind I would sell my soul / for some peace of mind to forget it all / for some peace of mind / as I wait for sleep to fall I pour whiskey on the hurt</em>. On this track, Jambrains utilizes mellow instrumentation with his signature guitar being the focal instrument establishing the core melody. Jambrains’ soft vocals on the leads merging into a rough texture on the intro of the choruses, and even still going back to soft when exiting the chorus, delivers a rich emotional effect. The song is constructed using verse, chorus, verse, chorus, verse, chorus formation which helps the listener grasp a fuller meaning of the topic as the song stays constant in its rhythm and melody. </span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/7fdKtVw1gLgDDuInMtKhI6" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>The Mirror of Her Dreams</strong></span></a>” is a Folk-Rock ballad about reality versus hopes. The female protagonist is haunted daily with what she sees as realistic failures; therefore, she lives in her dreams and visits her real life. Lyrically, Jambrains illustrates this premise when he sings: <em>She dragged herself from bed l</em><em>ike so many mornings</em><em> / w</em><em>orries buzzing round her head</em><em> / t</em><em>he golden days behind her</em><em>it's a downhill ride from here</em><em> / t</em><em>he weight of</em><em> d</em><em>isappointments</em><em>gets heavier each year</em>. An additional lyric that refers to how when she dreams, her mind is like a kaleidoscope filled with mirrors that display her hopes, sings: <em>The mirror of her dreams shows a knight come riding through / the mirror of her dreams allows a perfect childhood view / the mirror of her dreams and the promises it holds / The mirror of her dreams lets her fairytale unfold</em>. It was fabulous how Jambrains shows the duality of existence by way of dreams and reality in four minutes and seven seconds. </span></p>
<p><span style="color:#c0c0c0">And, when does one place a period at the end of a relationship thus signaling that it is time to move on? Well according to Jambrains’ fourth track, “<a href="https://open.spotify.com/track/5T7D03HyW0LHq2wuj1i3oA" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Time to Say Goodbye</strong></span></a>,” the first warning sign is when you get lost along the way while traveling on the road of love. </span></p>
<p><span style="color:#c0c0c0">Jambrains’ lyrics on “Time to Say Goodbye” so adamantly sing, “there's a fault in our stars / it drew us close and tore us apart / time to say goodbye / we got lost on the way.” The bridge to the track perfectly gives the listeners a backstory into the lover’s lives together and the harsh reality that it is over when it sings: <em>the broken china on the floor / the only witness to the fight the night before / the slamming of the door marks the end of the truce of this never ending war</em>. And when hope is confused for love, then that is the time to place the PERIOD at the end and move on, Jambrains sing, “disguised as love / hope lead us astray / time to say goodbye.” Jambrains takes a lower register with his voice on this track and it complements that moody music. “Time to Say Goodbye” features a blazing guitar solo in its bridge and a smoking outro that is chockfull of guitars competing for the spotlight. This song is emotionally direct with guitars and a threading melodic core of descending modulation that’s mellow and quite dark in its mood. </span></p>
<p><span style="color:#c0c0c0"> “<a href="https://open.spotify.com/track/5rRFvAZgdgTEYTL2iTT4nx" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Five Days</strong></span></a>” shows how when one person within a relationship is battling feelings of negativity, it becomes a daily battle that both partners must fight. Jambrains demonstrates this fact by writing lyrics that showcases that dual mental state which easily causes the protagonist of the song to change into an antagonist. Jambrains sing: <em>I can’t drag myself from my bed / it’s where I hide from my demons when they get inside my head / but you need to see and I need to feel / it’s a cycle I go through but in the end I always heal</em>. The song transitions from a low-subdued Folk track into a medium paced Folk-Rock number with some Country highlights. The topic of preoccupation of mind over matters of negativity is highlighted with temperate instrumentation. Gospel piano chords help to showcase the ambiguity of the character’s mental state, while the Doo-wop command to the beat aids the listener in hearing tempo that resembles a love trying to be saved. Wonderful juxtaposition of slow-paced vocals and quick subtle changes in the music. An honest, emotional, song.</span></p>
<p><span style="color:#c0c0c0">The final track, “<a href="https://open.spotify.com/track/26coFCkkiWS8CtAR3Qkkmi" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>I Believed</strong></span></a>” has equal measures of vulnerability and solidity. This is a musical narrative about living your best life so there are no regrets. In a nutshell, the lyrics explain how you will stunt your own potential and end up with regrets if you hold back from speaking your truth, hide your feelings, follow the leader, or even try to escape reality. The moody piano adds texture and richness, and Jambrains’ signature guitar riffs layer emotion throughout the track. A great asset of this track is the writing. Jambrains uses metaphors like “road,” “a one way street ahead and a wall behind you,” and “an empty page” to show frailty and that duality of optimism and pessimism. And, one of the most dramatic and powerful lyrical lines of this collection of music is when Jambrians sing: <em>I tried so hard to walk the line between my truth and yours / lied when honesty would be misunderstood</em>. A line about facing the hardest of truths, and owning the slightest of lies, never sound so good.</span></p>
<p><span style="color:#c0c0c0">Jambrains always shoot for the highest level when it comes to delivering a collection of music to his fans, but this time, he reaches a little further and creates something a bit out of the box from his previous music and it is great! What Jambrains has fashioned with <em>Lost Horizons</em></span><span style="color:#c0c0c0"> is a well-planned next strategy to showcase what is coming next from his mind. The unhurried appeal of the music quickly captivates and offers a hiatus to most unnecessary stress. In addition, the juxtaposition of Folk music marrying Rock, Jazz, and some Psychedelic instrumentation offers a broader range. The fluid, well-constructed music of <em>Lost Horizons</em><em style="color: #000000;"> </em>helps to illustrate the maturity of the artist and the flexibility of his talents. </span></p>
<p><span style="color:#c0c0c0">Furthermore, the theme of duality pretty much follows through the entire album signifying how life’s most concrete emotions are multifaceted. And that is why <em>Lost Horizons</em> easily becomes a thesis to living – it’s like you’re listening to memories and forethoughts at the same time!</span></p>
<p><span style="color:#c0c0c0"> This new direction speaks volumes as to Jambrains’ artistic quality and scope of his musicianship. Being able to evolve as an artist while staying true to your basecamp is tantamount in knowing and producing authentic music that resonates to all listeners. </span></p>
<p style="text-align: center;"><span style="color:#c0c0c0"><strong><a href="http://www.jambrains.com" target="_blank" data-imported="1"><span style="color:#c0c0c0">Artist Page</span></a> | <a href="https://twitter.com/jambrains" target="_blank" data-imported="1"><span style="color:#c0c0c0">Twitter </span></a>| <a href="http://www.facebook.com/jambrains" target="_blank" data-imported="1"><span style="color:#c0c0c0">Facebook </span></a></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536622019-11-19T12:00:00-12:002019-12-31T08:12:04-12:00Simon Irvine “Ritual Music” (Electronica / Synth-Pop) Australia
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/1a0c093961cf300bead3e947494fa39f8be8f48e/original/simon-irvine.jpg/!!/b%3AWyJyZXNpemU6NDI1eDQyNSJd.jpg" class="size_orig justify_inline border_" alt="" height="425" style="display: block; margin-left: auto; margin-right: auto;" width="425" /></span></p>
<p><span style="color:#c0c0c0">As a music journalist, when I am sent music that sounds as if it was meticulously mixed inside of the meanest, most exhilarating, music lab there ever was in modern music, I just must share the music. So glad I was gifted <em>Ritual Music</em> by Simon Irvine from my friend <a href="https://www.traceyarbon.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">Tracey Arbon</span></a>. </span></p>
<p><span style="color:#c0c0c0">Irvine is an Electronic musician and producer from Brisbane, Australia and I have been living with all twelve tracks from off of his <em>Ritual Music</em> album since September of this year. Time only allowed me the opportunity to review two tracks from off the album, so I will be interpreting “Incantation 1” and “Watching” featuring Rusty Keys. But trust me, selecting just two to review was like just focusing on two stars in a sky full of them. </span></p>
<p><span style="color:#c0c0c0">Starting with “<strong><span style="color:#c0c0c0"><a href="/files/516621/simon-irvine-incantation.mp3" target="_blank" data-imported="1">Incantation 1</a></span></strong>,” one truly is left spellbound after audibly engulfing this track. It has a modern-day attitude like that of David Bowie’s <em>Space Oddity</em> in that its edge is robustly solemn but provocatively sublime. Irvine’s use of hand claps ups the tempo and adds a nostalgic vibe reminiscent of old school Hip-Hop but plays differently in that it keeps space for the additional build of instrumentation instead of over-looping this effect (as was done in days past). The command to the beat is pulsating and on point and it blends well with the inclusive soundscapes and vocoder.</span></p>
<p><span style="color:#c0c0c0">And lastly, but not the least, “<strong><a href="/files/516622/simon-irvine-watching-feat-rusty-keys.mp3" target="_blank" data-imported="1"><span style="color:#c0c0c0">Watching</span></a></strong>” (feat. Rusty Keys). The track opens so serene and awesomely. The soothing synths just marries well with the quiet vocoder. With the entry of the cymbals and additional synth-percussions at the one minute – nine seconds mark, the track elevates to more edge, but Irvine does not stray away from that lush slow groove bounce that keeps you glued to the speakers and your partner. I love the addition of that qausi-synth infused guitar/sax effect at the two minutes / 18 seconds mark – it serves its purpose in that it takes you away for reflection and observation and then brings you back into the syncopated mix. Irvine and Keys collaborated well to skillfully produce, “Watching” which seems to evolve every time you listen to it, thus giving the listener free-passes at an eclectically electronic power-fused show.</span></p>
<p><span style="color:#c0c0c0">Simon Irvine is serving up all kinds of brilliance when it comes to the formation and fruition of Modern Electronica / Synth Pop music. The entire album invites you on a surreal journey and leaves you wanting to hear more. Irvine’s entire concept of Electronic / Synth-Pop outshines what is currently being played on mainstream radio and inside of clubs as it has no monotony. <em>Ritual Music </em>is just conceptual splendor all brought to us by a mind and two hands. </span></p>
<p><span style="color:#c0c0c0">Go <a href="https://pinkdolphinmusic.bandcamp.com/album/ritual-music" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>here</strong> </span></a>to purchase your copy of <em>Ritual Music</em>. If it is SOLD OUT, please contact <a href="https://music.pinkdolphinmusic.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Pink Dolphin Music</strong></span></a>.</span></p>
<p><span style="color:#c0c0c0">Artwork by Shedquartercreations’ Scott Bourke.</span></p>
<p style="text-align: center;"><span style="color:#c0c0c0"><a href="https://stuffamebobs.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0"> Artist’s Page</span></a></span></p>
<p align="center"><span style="color:#c0c0c0"><a href="https://twitter.com/stuffamebobs" target="_blank" data-imported="1"><span style="color:#c0c0c0">Twitter</span></a></span><a href="https://twitter.com/stuffamebobs" data-imported="1"><br></a></p>
Klef Notestag:klefnotes.com,2005:Post/60536612019-11-19T12:00:00-12:002019-11-20T00:33:30-12:00Lucy Booth “Forest Fire” (Alt. Pop) Leeds, UK
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/833aa7f4c0f498650825c02203b0465834576651/original/lucy-booth-forest-fire.jpg/!!/b%3AWyJyZXNpemU6NDMweDQzMCJd.jpg" class="size_orig justify_inline border_" alt="" height="430" style="display: block; margin-left: auto; margin-right: auto;" width="430" /></span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/user-839962991/forest-firemastered" target="_blank" data-imported="1">Forest Fire</a>” is an Alternative Pop track by Lucy Booth. In this authentic conceptual track, the point of view is told by that artist’s observation of the negative consequences from man’s series of bad choices which in turn wreaks havoc on our planet. </span></p>
<p><span style="color:#c0c0c0">The song starts with an entrancing jewelry box effect that is laced with soft adlibs. Booth’s full of air leads captivate the listener and soon explode into flames of urgency singing about how every action is followed by a consequence that either drives one into resolving-mode or an absolute removal of their hands in the matter. The lyrics “running through the forest fire / In the night, in the night / I saw you drop the match before you ran / In the night, in the night,” explain how man continues to dismiss ownership of the fire started by the many sparks that trail behind him. </span></p>
<p><span style="color:#c0c0c0">What melds this song within your conscience are the harmonies and unisons connecting dots of expression which brilliantly allude to the artist’s message. </span></p>
<p><span style="color:#c0c0c0">Lucy Booth’s “Forest Fire” is the splendid alter ego of the typical ballad as it is mild with its melody as many ballads, but in contrast is full of modern instrumentation and production techniques that enchant and enhance the listening experience. In other words, you are not just sung a story; the song is polarizing with its lyrical message forcing you to have an opinion. </span></p>
<p align="center"><span style="color:#cc99ff"><a href="https://www.instagram.com/lucyboothmusic/" target="_blank" data-imported="1"><span style="color:#cc99ff"><strong>Instagram</strong></span></a></span></p>
<p align="center"><span style="color:#cc99ff"><a href="https://www.facebook.com/lucyboothmusic/" target="_blank" data-imported="1"><span style="color:#cc99ff"><strong>FB</strong></span></a></span></p>
<p align="center"><span style="color:#cc99ff"><a href="https://twitter.com/lucyboothmusic" target="_blank" data-imported="1"><span style="color:#cc99ff"><strong>Twitter</strong></span></a></span></p>
<p align="center"><strong style="color: #000000;"> </strong></p>
<p align="center"> </p>
Klef Notestag:klefnotes.com,2005:Post/60536602019-11-14T12:00:00-12:002021-07-15T08:27:12-12:00Katie Kittermaster Coming Home at Dawn
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/678705c32f59f4f77c4e11f933a54c50c17fb9ef/original/katie-kittermaster-coming-home-at-dawn.jpg/!!/b%3AWyJyZXNpemU6NDk2eDQ5NiJd.jpg" class="size_orig justify_inline border_" alt="" height="496" style="display: block; margin-left: auto; margin-right: auto;" width="496" /></span></p>
<p><span style="color:#c0c0c0">It takes supremacy over one’s skill, style, and representation to become a formidable contender in the world of music today. With such image-driven artists, and copycat competitors, it is hard to find an artist who is original, yet passionate about their recording career so much that they allow little to no interference of obstacles. Hey life happens, but when an artist makes it their sole pursuit to defeat the odds, then they are truly a viable performer in every right. One such force to be reckoned with is Katie Kittermaster. </span></p>
<p><span style="color:#c0c0c0">Kittermaster is a British singer/songwriter who prides herself in honing her skills and craft by going above and beyond the call of duty. She knows how to juggle life and music. Still in high school, this “A” leveled recording artist is setting up a musical foundation that will anchor longevity. A notable factor in Kittermaster’s career is that she single-handedly writes her own music while maintaining a good standing in academics. Her heartfelt, honest, songs illustrate life’s complex causes and effects while also displaying that youthful point-of-view of a fledgling adult. </span></p>
<p><span style="color:#c0c0c0"><em>Coming Home at Dawn</em> is Kittermaster’s latest EP and it is filled with five love songs that complements any theme of reality – the five songs are: </span></p>
<ol>
<li><span style="color:#c0c0c0">Sunday Afternoon</span></li>
<li><span style="color:#c0c0c0">You Needed Me</span></li>
<li><span style="color:#c0c0c0">Kaleidoscope</span></li>
<li><span style="color:#c0c0c0">Disaster</span></li>
<li><span style="color:#c0c0c0">T Shirt</span></li>
</ol>
<p><span style="color:#c0c0c0"> This is my interpretation of <em>Coming Home at Dawn</em>. </span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/katie-kittermaster/sunday-afternoon?in=katie-kittermaster/sets/katie-kittermaster-ep/s-tGqea" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Sunday Afternoon</strong></span></a>” opens the album and was written when Kittermaster was just 15 years old. This mid-tempo ballad contains tambourines, acoustic guitars, and a flirty, attitude-laden lead vocal that just spurs genuine appeal. Kittermaster’s strong vocal presence stirs-in the storyline of the track which is about a relationship that is saturated in emotions, practicality, and affection. The lyrics sing: <em>I wanna tell you how I feel but I can’t put it into words / You’re the autumn glow as the sun is dying that gently guides me home / I mean you make me feel like I can’t breathe and all I see is stars / But in a good way I swear / I wanna take you on a trip upon the Arabian Sea / I wanna be your everything / I wanna show you all the places that mean something to me / Cus your arms are one of them / You feel like home to me / Come over for a lazy Sunday afternoon / When you’re feeling sick and tired and hungover too / Let’s just get a Chinese for tonight / We’ll both be in bed by nine if that’s alright with you / And I said that’s alright don’t you worry dear / I don’t mind just lying here / I’m in your arms / I’m in your arms Tonight</em>. Kittermaster’s young wistful vocal melody pairs well with the mature storyline which is a great tongue in cheek approach that makes it hit-worthy.</span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/katie-kittermaster/you-needed-me-1?in=katie-kittermaster/sets/katie-kittermaster-ep/s-tGqea" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>You Needed Me</strong></span></a>” follows in line and does not disappoint. This Pop ballad plays like a passionate kiss laced with Loreal lipstick with its playful power. This musical narrative is a lyrical apology to a relationship that closed due to unresolved trust issues, the lyrics sing: <em>I’m sure that sometimes it comes across like I’ve got too much pride but trust me I’m not / The girl that I used to be / Something changed when you left me and I know I should’ve tried a little harder when you cried and I just watched ya but I got all these trust issues / I watched my mothers heart bleed And I felt it too / And I wish that I could say this all to your face / Don’t think I have the courage to watch you walk away / I wish that we could just let go / But I’m sorry for the mess I made</em>. “You Needed Me” has a verse, pre-chorus, chorus architecture. The melancholic piano leads the music frame while vocal echoes, subtle drums, and violins enchant. Kittermaster’s yearning vocal is very unapologetically delivered. The addition of the two-part harmony at the close of the track adds texture. </span></p>
<p><span style="color:#c0c0c0">In the same way that a kaleidoscope is an optical instrument that reflects objects into multiple shapes, the third track, “<a href="https://soundcloud.com/katie-kittermaster/kaleidoscope-2?in=katie-kittermaster/sets/katie-kittermaster-ep/s-tGqea" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Kaleidoscope</strong></span></a>,” is a reflective song that sings about a relationship placed on pause because things were not as they were seen to be. The lyrics illustrate this by singing, “then it’s like kaleidoscopes of memories come running back coming back to me but he never does he never will. This love of ours is on a standstill. He never does and I know that now. And I know that now. And I know that now.” This Pop Rock track has a wonderful command to its beat, synth effects, and evanescent backing vocals. The tambourine and guitar help the vocal soundscapes take flight. The quiver in Kittermaster’s voice speaks volumes and reflects a dreamy feeling as if she’s reaching out but cannot quite grasp that moment – it’s an intense fleeting sensation created by a great vocal talent.</span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/katie-kittermaster/disaster-1?in=katie-kittermaster/sets/katie-kittermaster-ep/s-tGqea" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Disaster</strong></span></a>” is yet another fab Pop ballad that is hit-worthy. Opening with a question “did you have a plan all along?” the fourth track is thought-provoking and lyrically addresses the topic of loss of trust within a relationship and a woman acknowledging her high-worth – the lyrics sing: <em>And I know in years to come I’ll bump into inside a pub and you’ll say did we ruin something beautiful and I say no I didn’t ruin anything thats on you and anyway that was then / And now I understand I’m worthy of a more than a man like you</em>. The way Kittermaster plays between high and low vocal registers create an emotional foundation. The addition of the lead vocal infused with an electronic synth counterpart is great. The elongated endings of verses pronounce the soft aggression of the artist. The song clearly defines that the female protagonist has not fallen; she’s just observing the mess as she moves on with life.</span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/katie-kittermaster/t-shirt-2?in=katie-kittermaster/sets/katie-kittermaster-ep/s-tGqea" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>T Shirt</strong></span></a>” is a casual love song with a length of 3:20. Closing the album with honesty, it sits neatly between County Pop and Pop. The lyrics show how love is not a fairytale where two live happily ever after perfectly, but love is an imperfect realistic concept of emotions that can become a dream come true. Descriptive lyrics explain this detail singing: <em>May be you’re thinking about our trips to the coast / Or the times that I loved you and you needed it most / May be you wished that we had had more time / Or may be you wished that you had taken one of my T-shirts so that you could sleep till the sun comes up / My T-shirt so that you could feel alone / My T-shirt so you’d believe you were here in my arms / That place that you used to call home</em>. Unlike some Millennial songwriters who fill their songs with memes, hashtags, and cyber-everything, Kittermaster scales back on that type of dialogue and instead ops for showing the human component in dating or loving in the millennium. Her perfect phrasing and relaxed melody gives this song such refreshing listens.</span></p>
<p><span style="color:#c0c0c0"><em>Coming Home at Dawn</em> is proof that Kittermaster is a skilled, tactful, realistic singer/songwriter/musician. She’s a savant when it comes to depicting practicality in music. The history is in the words sang by Kittermaster, and the present is in the music – present meaning today as well as a gift to be cherished forever. </span></p>
<p><span style="color:#c0c0c0">Kittermaster has been touring with Boyzlife on their Autumn Tour playing 15 gigs over 22 nights. Kittermaster will also be touring with Lucy Spraggan through UK and Europe. Make sure to pick a date and go out to see Kittermaster live. Also, download a copy of <em>Coming Home at Dawn</em> NOW! </span></p>
<p style="text-align: center;"><span style="color:#c0c0c0"><a href="https://www.instagram.com/katiekittermaster" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>www.instagram.com/katiekittermaster</strong></span></a></span></p>
<p style="text-align: center;"><span style="color:#c0c0c0"><a href="http://www.twitter.com/kkittermaster" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>www.twitter.com/kkittermaster</strong></span></a></span></p>
<p style="text-align: center;"><strong><span style="color:#c0c0c0"><a href="http://www.facebook.com/kkittermaster" target="_blank" data-imported="1"><span style="color:#c0c0c0">www.facebook.com/kkittermaster</span></a></span></strong></p>
Klef Notestag:klefnotes.com,2005:Post/60536592019-10-22T12:00:00-12:002019-10-23T01:27:29-12:00Iron Mike Norton “Is You Is, or Is You Ain’t My Baby” (Rock-Blues / Hip-Hop) Florida, USA
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/452c9d89d943b7f44958a0584d02c5547d26410d/original/iron-mike.jpg/!!/b%3AWyJyZXNpemU6NDA0eDQwNCJd.jpg" class="size_orig justify_inline border_" alt="" height="404" style="display: block; margin-left: auto; margin-right: auto;" width="404" /></p>
<p><span style="color:#c0c0c0">Forget everything you THINK you know about the song <strong>“<a href="https://ironmikenorton.com/track/1739158/is-you-is-or-is-you-ain-t-my-baby" target="_blank" data-imported="1"><span style="color:#c0c0c0">Is You Is, or Is You Ain’t My Baby</span></a>”</strong> by <a href="https://www.rockhall.com/inductees/louis-jordan" target="_blank" data-imported="1"><span style="color:#c0c0c0">Louis Jordan</span></a> (1943) as Iron Mike Norton has adapted this track to bring the weight of THEN and NOW! Norton’s rendition of the favored oldie carries a heavy bottom and a nice smoky-room type of demeanor. The swag of this track is amazing. Not sacrificing modernity for plays, Iron Mike Norton keeps the track rooted in its Bluesy genre, keeps the traditional attitude of the track in its place, and his raspy baritone pays homage to the original track; however, in remembering that it is 2019, he gives it a breath of present-day and gives the song such soul and substance. Norton brings these modern attributes to the table by featuring his iconic slide guitar, modern FX, and 808s. This wonderful slice of old school meets new school is a great R&B, Blues, and Rock track with elements of Hip-Hop and definitely reflects Iron Mike Norton’s title as The King of Swamp Stomp. <a href="https://music.apple.com/us/artist/iron-mike-norton/431169711?app=music&ign-mpt=uo%3D4" target="_blank" data-imported="1"><span style="color:#c0c0c0">Purchase a copy!</span></a></span></p>
<p style="text-align: center;"><span style="color:#ffffff"><strong><a href="https://twitter.com/ironmikenorton" target="_blank" data-imported="1"><span style="color:#ffffff">Twitter </span></a>| <a href="https://www.facebook.com/ironmikenorton" target="_blank" data-imported="1"><span style="color:#ffffff">FB</span></a></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536582019-10-22T12:00:00-12:002019-10-23T01:39:31-12:00Sunflower Thieves “Heavy Weight” (Pop-Folk) Leeds, UK
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/4330d5dea0d89d496a13b4f93108c5f7058c9ab9/original/sunflower-thieves-heavy-weight.png/!!/b%3AWyJyZXNpemU6MzgxeDM4MSJd.png" class="size_orig justify_inline border_" alt="" height="381" style="display: block; margin-left: auto; margin-right: auto;" width="381" /></span></p>
<p><span style="color:#c0c0c0"> “<a href="https://open.spotify.com/track/48FIO5NV8OsrysmxeCQ5gY" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Heavy Weight</strong></span></a>” is a song by Leeds duo Sunflower Thieves. The track features a nice warm musical atmosphere and beacons why we fell in love with Sunflower Thieves in the first place – that presence of peace within words and music that allows for reflection and relaxation. The way that the duo sings this track enhances the significance of the song’s message which is personal awareness and the ceasing of carrying the weight of the world! Moreover, the lyrics ask the questions that help people stop carrying the burdens of others. </span></p>
<p><span style="color:#c0c0c0">The dual vocal on the leads and the harmonies on the hook adds a rich texture supplying that right ingredient to make this song a memorable hit. And what catches the listener and reels them back in to hear more is the way Sunflower Thieves composed the track. The song builds very well and never ebbs from that unique peaceful modern styling that is Sunflower Thieves. That 808 that comes in on the second half of the track, along with the bass guitar, just rides the bottom and gives this soft track a heavy bottom. This heavy bottom anchors the song thus lending a nice modern dexterity which gives mass and body. What a pleasant modern way to say let go of unnecessary things. This Pop-Folk song is so essential right now.</span> </p>
<p><span style="color:#c0c0c0">Sunflower Thieves "HEAVY WEIGHT" Tour is rearing up with their first stop in Tynemouth, United Kingdom on November 3rd (3 November), make sure to be notified of current dates and RSVP tickets for later dates </span><span style="color:#ff9900"><strong><a href="https://www.bandsintown.com/e/101602376?app_id=WIX_Sunflower%20Thieves&came_from=267&utm_medium=api&utm_source=public_api&utm_campaign=event&trigger=rsvp_going" target="_blank" data-imported="1"><span style="color:#ff9900">here</span></a></strong></span><span style="color:#c0c0c0">!</span></p>
<p style="text-align: center;"><span style="color:#ccffff"><strong><a href="https://twitter.com/sunthievesmusic" target="_blank" data-imported="1"><span style="color:#ccffff">Twitter </span></a>| <a href="https://www.instagram.com/sunflowerthieves/" target="_blank" data-imported="1"><span style="color:#ccffff">Instagram</span></a></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536572019-10-22T12:00:00-12:002019-10-23T01:30:02-12:00Gozer Goodspeed “Running with the Outliers” (Prog. Rock / Modern Folk) UK
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/2d27107e4b0b25310762e221f068c2036f72a55d/original/gozer-goodspeed-outliers.png/!!/b%3AWyJyZXNpemU6NDE5eDQxOSJd.png" class="size_orig justify_inline border_" alt="" height="419" style="display: block; margin-left: auto; margin-right: auto;" width="419" /></span></p>
<p><span style="color:#c0c0c0">Just released this month on the 4<sup>th</sup> from Whistlewood Studios is the latest single by one of the hottest Progressive Rock / Modern Folk artists crashing the music scene – it is called “<strong><a href="/files/516620/gozer-goodspeed-running-with-the-outliers.wav" target="_blank" data-imported="1"><span style="color:#c0c0c0">Running with the Outliers</span></a></strong>” by Gozer Goodspeed.</span></p>
<p><span style="color:#c0c0c0">Goodspeed is synonymous for dropping tracks that are all consuming when it comes to psychedelic rhythms, snarly guitars, and lyrics that just POP! “Running with the Outliers” encompasses all of that and then some. The storyline speaks about how one can be incognizant to their life and surroundings, as well as life’s unabridged philosophies, questions, and realities. In addition, the hook defines how those unmindful people desperately follow the leader to form an existence, it sings, “Oh hey oh how / You’re running with the outliers now.” </span></p>
<p><span style="color:#c0c0c0">This track is truly an unorthodox righteous hit! Goodspeed’s vocals and slamming guitar are mind-blowing. Moreover, Matthew Avery, Chris Love, and Mike Roberts all rip into instrumentation with skills above elemental which takes this cut over the top. </span></p>
<p><span style="color:#c0c0c0">Do not miss this track! Download your copy <a href="https://www.gozergoodspeed.co.uk/music" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>here</strong></span></a>.</span></p>
<p style="text-align: center;"><span style="color:#00ff00"><strong><a href="https://twitter.com/gozer_goodspeed" target="_blank" data-imported="1"><span style="color:#00ff00">Twitter</span></a> | <a href="https://www.facebook.com/gozergoodspeed" target="_blank" data-imported="1"><span style="color:#00ff00">FB</span></a></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536562019-10-22T12:00:00-12:002021-07-15T08:27:04-12:00Barbara Borgelin “Woman Shine” Denmark
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/35db0bec34186fa3a2100bb9e75d2874f8998fdb/original/barbara-borgelin-woman-shine.jpg/!!/b%3AWyJyZXNpemU6NDE4eDQxOCJd.jpg" class="size_orig justify_inline border_" alt="" height="418" style="display: block; margin-left: auto; margin-right: auto;" width="418" /></p>
<p><span style="color:#c0c0c0">When a song features a snazzy beat and a sly stimulating lead, the only thing one needs to do is add their favorite dance moves to make it complete. Right here, right now, Barbara Borgelin’s “Woman Shine” mixes up all of those elements and finishes with a fully sewn up track about female respect and adornment. The lyrics sing:<strong> </strong><em>What do you do to make your woman shine? / What do you do to make her feel fine? / Living with you is too much about you / Try to see her, try something new! / Make your woman shine . . . It’s your job to make her feel fine</em>! This Jazzy Adult-Contemporary mid-tempo track includes a Modern command to its beat along with elements of Swing and Blues. Borgelin’s vocal attitude adds passion, pleasure, and practicality. </span></p>
<p><span style="color:#c0c0c0">“Woman Shine” is the fourth single to drop this year and it doubly showcases Borgelin’s mastery in writing and composing music that relates to everyone. </span></p>
<p><span style="color:#c0c0c0">Purchase your copy <a href="https://orcd.co/presavewomanshine" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>here</strong></span></a>!</span></p>
<p style="text-align: center;"><span style="color:#ffffff"><strong><a href="https://twitter.com/barbaraborgelin?lang=da" target="_blank" data-imported="1"><span style="color:#ffffff">Twitter </span></a>| <a href="https://www.facebook.com/BARBARAOFFICIALPAGE/" target="_blank" data-imported="1"><span style="color:#ffffff">FB</span></a></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536552019-10-08T12:00:00-12:002019-10-08T19:13:53-12:00Lucie Hill “Precious Time” (Dream Pop / Indie Folk) New Zealand
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/b6a2b0a7e60aa061a05479677ce6e4b480963df0/original/lucy-hill.jpg/!!/b%3AWyJyZXNpemU6NDAzeDQwMyJd.jpg" class="size_orig justify_inline border_" alt="" height="403" style="display: block; margin-left: auto; margin-right: auto;" width="403" /></p>
<p><span style="color:#c0c0c0">We all know and love those special moments - those that make memories. But those special moments that engages all of our senses without any interruptions or intrusions makes the BEST memories. “<a href="https://open.spotify.com/track/1VVIwhPRu6pJo2E38xCA2u" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Precious Time</strong></span></a>” is a song by Dream Pop singer/songwriter Lucie Hill, and it is just that TYPE of song! </span></p>
<p><span style="color:#c0c0c0">Hill is the winner of Her Music PR’s <em>Mothers in Music</em> competition and is notable for her honest, unapologetic, vocals and songwriting style. She pens songs that awaken social numbness and explores themes that provokes thoughts. With “Precious Time,” Hill alludes to the inundating habit of people choosing to use social media and cell phones to socially engage instead of utilizing human contact and interaction. Hill also illustrates how a balance of the two is the best method of keeping people sharp witted and capable to communicate our human condition. </span></p>
<p><span style="color:#c0c0c0">Hill’s self-directed <a href="https://youtu.be/IRkTnT4wCKM" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>video</strong> </span></a>for “Precious Time” highlights the above statements by using vibrant lyrics, blazing guitars, captivating hooks, and a lead vocal that just melts ice. Hannah Symons and Holly Bailey do a wonderful job in capturing Hill’s message and acting it out so realistically that it showcases like a movie and is relatable to Millennials and everyone listening and watching.</span></p>
<p><span style="color:#c0c0c0">I want to hear more!</span></p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/754d02afea7314c1624c892b4487889e59b67574/original/lucy-hill-2.jpg/!!/b%3AWyJyZXNpemU6MzE1eDIyMSJd.jpg" class="size_orig justify_inline border_" alt="" height="221" style="display: block; margin-left: auto; margin-right: auto;" width="315" /></p>
<p style="text-align: center;"><strong><span style="color:#ffff00"><a href="http://www.luciehillmusic.com/store/c1/Featured_Products.html" target="_blank" data-imported="1"><span style="color:#ffff00">Merchandise</span></a></span></strong></p>
<p style="text-align: center;"><strong><span style="color:#ffff00"><a href="https://twitter.com/luciehillmusic" target="_blank" data-imported="1"><span style="color:#ffff00">Twitter</span></a></span></strong></p>
<p style="text-align: center;"><strong><span style="color:#ffff00"><a href="https://www.facebook.com/luciehillmusik" target="_blank" data-imported="1"><span style="color:#ffff00">FB</span></a></span></strong></p>
<p style="text-align: center;"><strong><span style="color:#ffff00"><a href="https://www.instagram.com/luciehillmusic/" target="_blank" data-imported="1"><span style="color:#ffff00">Instagram</span></a></span></strong></p>
Klef Notestag:klefnotes.com,2005:Post/60536542019-10-01T12:00:00-12:002019-10-02T00:24:01-12:00Yana “Distant Shore” (Folk) Czech Republic
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/ed8f7214a4eefb3013e1bd156c1335c1414f4531/original/yana.jpg/!!/b%3AWyJyZXNpemU6NDQweDQ0MCJd.jpg" class="size_orig justify_inline border_" alt="" height="440" style="display: block; margin-left: auto; margin-right: auto;" width="440" /></p>
<p><span style="color:#c0c0c0">Yana is a singer/songwriter from Czech Republic who is re-introducing classic Folk music to the Millennials without mechanically erasing the beauty and candor of the genre. </span></p>
<p><span style="color:#c0c0c0">Yana’s latest single “<a href="https://open.spotify.com/track/597fwfdKKmKfZxAKQPssad" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Distant Shore</strong></span></a>” feature quiet instrumentation and passionate vocals that hauntingly invites the listener to think about social disturbances while supplying serene imagery. The song’s lyrics sing about escaping to a place of tranquility to assess the world we live in while pondering on our next steps to create peace. </span></p>
<p><span style="color:#c0c0c0">Joined by Liam </span><span style="color:#c0c0c0">Ó Maonlaí</span><span style="color:#c0c0c0"> on piano and backing vocals, “Distant Shore” plays like an old silent movie that allows the viewer to conceive a rich theme on the screen by using only their eyes and heart to grasp the deeper meaning of the message. In this case, the song’s scaled back instrumentation and obscure meaning allows the listener to use their deeper emotions to bring to life the song’s message. WONDERFUL! </span></p>
<p><span style="color:#c0c0c0">The vocal scales supplied</span><span style="color:#c0c0c0"> by Ó Maonlaí is quite superb and stunningly exotic – these support Yana’s mellow leads and easily harmonize with the melodies of the hook. The piano plays as a third artist on the track while the guitar supplies the structure. </span></p>
<p><span style="color:#c0c0c0">Such a quiet storm of production creating a song that speaks volumes to everyone. </span></p>
<p style="text-align: center;"><strong><a href="http://www.facebook.com/yanaceol" target="_blank" data-imported="1">Facebook</a></strong></p>
<p style="text-align: center;"><a href="http://www.twitter.com/yanaceol" target="_blank" data-imported="1"><strong>Twitter</strong></a></p>
<p style="text-align: center;"><strong><a href="https://yanaceol.bandcamp.com/releases" target="_blank" data-imported="1">Bandcamp</a></strong></p>
<p style="text-align: center;"><a href="https://open.spotify.com/artist/11c7uQHpefO2ZvUQoReyEd" target="_blank" data-imported="1"><strong>Spotify</strong></a></p>
Klef Notestag:klefnotes.com,2005:Post/60536532019-09-26T12:00:00-12:002019-09-27T00:25:21-12:00Miranda Arieh “Ferine"
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/346c035aa6d2f731a8985b29a2854a49848b5a4f/original/miranda-a-ferine.jpeg/!!/b%3AWyJyZXNpemU6NTExeDUxMSJd.jpg" class="size_orig justify_inline border_" alt="" height="511" style="display: block; margin-left: auto; margin-right: auto;" width="511" /></p>
<p><span style="color:#c0c0c0">Ever since my ears and the music of Miranda Arieh became acquainted with each other in July of 2018, never have the three of us parted. This artist’s music has continued to weave a kaleidoscopic relationship in my musical repertoire. Many a day, one of these songs play in my background setting the mood. That is what happens when true artistry connects with a journalist or fans, the music quickly becomes a soundtrack. </span></p>
<p><span style="color:#c0c0c0">Arieh is just that type of a singer/songwriter who carves a trail that people follow because she invites us to do so with her lyrics, music, and passion. We see ourselves in her and we hear our stories in her music. Never one to position herself within trends that garner fake fans or friends via social media, or sacrificing the music for likes on social media, Arieh is laying the groundwork for a career that lasts years not seconds. </span></p>
<p><span style="color:#c0c0c0">Hailing from Leeds, UK, Arieh is putting the world of music on the opposite side of its axis. Being non-normal when it comes to music and entertainment, Arieh is flipping the script on boring artist fashion while creating an open dialogue with her words and music. Finally an artist who is revolutionary, exciting, and addicting. </span></p>
<p><span style="color:#c0c0c0">Her latest album is entitled “Ferine” and includes nine tracks that feature a well-blended collection of Alternative music with elements of Glam Rock, EDM, Pop Rock, R&B, and Chamber music – which makes for an inviting listen. </span></p>
<p><span style="color:#c0c0c0">Track list: </span></p>
<ol>
<li><span style="color:#c0c0c0">Hold On</span></li>
<li><span style="color:#c0c0c0">Impossible</span></li>
<li><span style="color:#c0c0c0">Soul Price</span></li>
<li><span style="color:#c0c0c0">Viva Vivacity</span></li>
<li><span style="color:#c0c0c0">Capture</span></li>
<li><span style="color:#c0c0c0">The Silencer</span></li>
<li><span style="color:#c0c0c0">Well You</span></li>
<li><span style="color:#c0c0c0">The End</span></li>
<li><span style="color:#c0c0c0">How Does It Feel?</span></li>
</ol>
<p><span style="color:#c0c0c0">I will focus on the six chartbusters within this review. </span></p>
<p><span style="color:#c0c0c0">I start with a song that starts like a music box has just been unlocked and ends like a full-on concert in Spanish Harlem – “Hold On.” </span></p>
<p><span style="color:#c0c0c0">“<span style="color:#ff9900"><a href="https://open.spotify.com/track/1ZOG3EPjlGx3gFhahP6ifU" target="_blank" data-imported="1"><span style="color:#ff9900"><strong>Hold On</strong></span></a></span>” is a Dance-Pop track set to a Bossa Nova beat that pleasantly surprises its listeners. The narrative lyrically explains how one should be unbreakable. Arieh sings: <em>Hold on ‘til the dark of the day. I never said it was easy or anything like that I never said that I’d want you if you give me your land. Hold on, keep it down - don’t keep it up, I never said I was leaving, or anything like that. So hold on ‘til the morning ‘til I made up my mind; The changing plans are un-weaving and it makes me un-easy</em>. These lyrics clearly define how when it is dark, it is dark, and when it is light, it is light, but regardless of the mood or circumstance, if anything is worth fighting for, “hold on.” Arieh’s choice to have her vocal naturally bottomless is very provoking. This song will definitely make you think and keep you moving.</span></p>
<p><span style="color:#c0c0c0">The second track, “Impossible” is a great illustration of how Arieh has spun a twist on monotony and have created music that is unique, unusual, and strikingly adaptable. She has the chops to blend the Avant Garde with normalcy and be able to do it with panache, difference, and appeal. </span></p>
<p><span style="color:#c0c0c0">“<span style="color:#ff9900"><a href="https://open.spotify.com/track/6Esn3SVRx3at2B58NKg2cC" target="_blank" data-imported="1"><span style="color:#ff9900"><strong>Impossible</strong></span></a></span>” exemplifies her candor and creativity by being a tasty bit of Chamber Pop combining both complex instrumental textures with broad-ranging simplistic melodies and a strong vocal. The up-tempo command to the beat infused track speaks about building new bridges in life instead of revisiting old burnt bridges of the past – enjoying life in the present with no regrets. The lyrics sing, “Impossible to right my wrongs so I settle down in an old sweet song oh Impossible from dusk ‘til dawn Now I seen the sky turn red.” This song is fully loaded and charged with hypnotic synths, keys, flutes, strings, and layered percussions. Featuring an electric harpsichord on this track is nothing short of BRILLIANT adding to the full scope of living a larger than life way of life.</span></p>
<p><span style="color:#c0c0c0">Stomping in on steel platform boots is<strong> “<span style="color:#ff9900"><a href="https://open.spotify.com/track/4DOEsa4elQaryOAZ5eW2nP" target="_blank" data-imported="1"><span style="color:#ff9900">Capture</span></a></span>”</strong> an emotionally strong track that Arieh vocally evokes with force. “Capture” is about being restrained within love. This song fully illustrates how one can be held prisoner without shackles or bars just by being voiceless, emotionless, and held down by placing the satisfaction of another’s needs above your own and how breaking free <strong><em>is</em></strong> possible. Arieh sings: <em>I thought I heard you say to me “Make sure you don’t talk out loud.” So I kept quiet, in the hope that some broad change was bound to come. And I was let down, when I found out you were just riding on my back all the way down. It would make sense to let the world seep in my ears. And I’m listening to something- but I chose to be a liar. And nobody owns me. So I’ll set fire to this fire- makes me feel good</em>. Arieh showcases the energy of the song’s storyline with strong, stirring, deep, vocal endings and unrestrained passion. You get to hear the air in her voice and the quiver in her tone that spells REALITY! What a great addition with the military rhythmic percussions that play well with the piano, violins, and bass all alluding to the image of a war-torn relationship.</span></p>
<p><span style="color:#c0c0c0">The most beautiful track of the collection is “<span style="color:#ff9900"><a href="https://open.spotify.com/track/5XEfWkggj0EA16a9QX1377" target="_blank" data-imported="1"><span style="color:#ff9900"><strong>The Silencer</strong></span></a></span>.” Both interesting and compelling, the pace of this track is a bit apprehensive and appealing at the same time. Very moody in its approach, the way that Arieh lays her vocals subtly and keeps the pace with the aggressive arrangement is perfect. The melody itself is infectious, but what takes this track over the top is Arieh’s tone and vocal prowess. Moreover, her vocal manipulation adds character and lyrical images of circumstance that we may have lived through. Read the candid lyrics: <em>I heard one time The Silencer moved on. To get away before day breaks. I hurry on ‘Til you become the things you hate. Forbidden words Familiar taste. And in the evening I will say no more. And I ain’t meaning to focus all my being on what’s gone before. So in the evening I will say no more. I looked up and I saw that it was gone I turned around and realised I was alone. See now and I am all those things I hate And I kneel alone before it gets late I spoke some words with honest tongue but not one was true We’re freakin’ out - just gather round and I’ll see you through. When what you do gets done to you Tell me, how’s that working out for you?</em> This mid-tempo ballad sits neatly between Rock and New Wave and tells the story of silent pain and abuse – it’s the unsaid put to music. Love it!</span></p>
<p><span style="color:#c0c0c0">“<span style="color:#ff9900"><a href="https://open.spotify.com/track/4gk9LXBmwPLgb9zk2XOisS" target="_blank" data-imported="1"><span style="color:#ff9900"><strong>The End</strong></span></a></span>” is a song about placing a period on something that no longer needs attention in our lives and finding the strength and power to move on. The lyrics suggests this theme very well: <em>When luck was down and talk was cheap. We took it out in to the streets With sodden hands And rotten meat. When life was young and love was sweet When all the sirens had become. The End You took it down remember when? The End With gutter mouth and sodden hands The End It's over now. What's done is done I sent you stormin' to the sun. I close my eyes and count to ten What's done is done but remember when? </em>This Alternative track surgically fuses EDM with Chamber Pop and it works so well! </span></p>
<p><span style="color:#c0c0c0">The mood of the total melody is melancholy but it is bursting with passion and subtle attitude. The music arrangement features synths that modulate and bow down marrying to a Prince-esque command to the beat. Vocally, Arieh chose to add low-wandering backing vocals to lighter adlibs making for a memorable hook, while in the verses, she begins her leads crawling into the melody and then ends the verses by vocally standing up. The overall emotional vocal delivery of “The End” is scientifically beautiful as it is kind of timid but serious which is so infectious and ballad-worthy bold. <strong> </strong></span></p>
<p><span style="color:#c0c0c0">And, it is so fashionably modern to close the album with an EDM/Pop track. “<strong><span style="color:#ff9900"><a href="https://open.spotify.com/track/0ryBGvoipYSfiOlv5fLdgl" target="_blank" data-imported="1"><span style="color:#ff9900">How Does It Feel?</span></a></span>” </strong>captures the very essence of how it feels to be the victim and how others haven’t a clue until they are placed inside of that frame of mind. The lyrics highlight this analyzation:<strong> </strong><em>Some days I sit and wait for the chance to rear its head. Now I’m told you make your own chances But that pressure renders me dead I gotta write that road instead. And I hope one day you’ll realise who tests the time that so boldly soars. The time that they say is running out, you’re just running into And it’s yours. How does it feel when your mind is not your own And how does it feel when your words mean nothing. Please tell me something I didn’t know Crates down the afternoon, this feeling’s bound to pass. Set it down and set it through or this memory will last I hope this memory don’t last</em>. The music is built around a full bassline and is very synthesized-based which is so NOW! But, the jewel of this song rests on every instrument and vocal treatment blending perfectly to declare the song’s lyrical topic. Writing something stark and original is so Miranda Arieh.</span></p>
<p><span style="color:#c0c0c0">After living with the music, and listening to the stories, it is no secret that the music on “Ferine” is what its title suggests – it is untamed, rare, spellbinding music that cannot be domesticated into the boring music that is playing on Top 40 radio today. “Ferine” captures your wild side and either makes is docile when it suits that emotion, or it throws caution to the wind and sets it all ablaze. Whatever the emotion, this album will alter your base. </span></p>
<p><span style="color:#c0c0c0">As an artist, Miranda Arieh is aware of true showmanship, but she does not allow that to outshine HER story. She does not eliminate the human component in her songwriting. Similar to David Bowie, Freddie Mercury, Cyndi Lauper, and Annie Lennox, Arieh notoriously keeps a creative wardrobe, makeup, and stage to showcase her elaborate creativity to better prepare her fans to really see her illustrate her lyrics and story, but she does not depend on the art to define the artist. </span></p>
<p><span style="color:#c0c0c0">Her voice is spot on theater-level amazement being pliable and flamboyant but not brash. </span></p>
<p><span style="color:#c0c0c0">T</span><span style="color:#c0c0c0">he music set to this vivid enigmatic collection of stories is brought to life by these key players: Coner Lawrence (Drums), Aid Todd (Drums/Bass), Alice Nicholls (Keys/Strings), Richard Ormrod (Horns/Accordion), Joe Haig (Trumpet), Stefan Skrimsehire (Cello), Dariush Kanani (Acoustic Guitar), and Kate Riley & Lisa Gillingham (Backing Vocals). </span></p>
<p><span style="color:#c0c0c0">I’ve said it before, and I will continue to say it, Arieh is the reinvention of normal music and she has the artistry to make it happen by not being afraid to experiment while liberating. That’s why she still reigns as the Avant Garde Queen of Indie Music! </span></p>
<p align="center"><span style="color:#ff9900"><a href="https://music.apple.com/us/album/ferine/1472602706?app=itunes&ign-mpt=uo%3D4" target="_blank" data-imported="1"><span style="color:#ff9900"><strong>BUY</strong></span></a></span></p>
<p align="center"><span style="color:#ff9900"><a href="https://twitter.com/mirandaarieh" target="_blank" data-imported="1"><span style="color:#ff9900"><strong>Twitter</strong></span></a></span><a href="https://twitter.com/mirandaarieh" data-imported="1"><br></a></p>
Klef Notestag:klefnotes.com,2005:Post/60536522019-09-26T12:00:00-12:002019-09-27T00:08:11-12:00Velvet & Stone (self titled EP)
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/74c2037386ecca9eb95dac181876e2f418880be1/original/velvet-stone.jpg/!!/b%3AWyJyZXNpemU6NDI5eDQyOSJd.jpg" class="size_orig justify_inline border_" alt="" height="429" style="display: block; margin-left: auto; margin-right: auto;" width="429" /></span></p>
<p><span style="color:#c0c0c0">Velvet & Stone is a Contemporary Folk duo from Devon, UK that consists of Lara Snowdon (songwriter/lead vocal/acoustic guitar) and Kathryn Tremlett (violin/backing vocals). </span></p>
<p><span style="color:#c0c0c0">Velvet & Stone have released four studio albums including their latest “Velvet & Stone” – a Folk Rock chef-d'oeuvre. </span></p>
<p><span style="color:#c0c0c0">I describe Velvet & Stone as a modern mesh of Classic Folk and Contemporary Pop Rock as their melodies and instrumentation melds both genres to create a sound that is specifically Velvet & Stone. Their lyrical content spans the full gamut of the human condition with songs speaking on topics of love and its many simplicities and complications. </span></p>
<p><span style="color:#c0c0c0">“Velvet & Stone” keeps up with the duo’s formula of crafting meditative, emotional, soul-driven music. Their self-titled EP contains nine songs: </span></p>
<ol>
<li><span style="color:#c0c0c0">Fisherman’s Blues </span></li>
<li><span style="color:#c0c0c0">Oh Boy <span style="text-decoration:underline"> </span></span></li>
<li><span style="color:#c0c0c0">Lay Her Down </span></li>
<li><span style="color:#c0c0c0">Breathe </span></li>
<li><span style="color:#c0c0c0">Walls </span></li>
<li><span style="color:#c0c0c0">By the Water <span style="text-decoration:underline"> </span></span></li>
<li><span style="color:#c0c0c0">Am I Dreaming? </span></li>
<li><span style="color:#c0c0c0">Forget about the Rain </span></li>
<li><span style="color:#c0c0c0">I’ll Dream of you Tonight </span></li>
</ol>
<p><span style="color:#c0c0c0">And even though each song illustrates the music fingerprint of the duo, I will focus on the five songs that highlight the classically modern panache of Velvet & Stone.</span></p>
<p><span style="color:#c0c0c0"> The album opens with “<strong><a href="/files/516614/01-fishermans-blues-master-inc-isrc.mp3" target="_blank" data-imported="1">Fisherman’s Blues</a></strong>” a mid-tempo song that modestly tells the story of finding love and losing love. Snowdon descriptively illustrates how love reacts in the same manner as the waves of the sea with its ebbing and flowing of entering love and the passing of love. In addition, she pairs this lyrical metaphor with the harsh and hazardous life of a fisherman. The lyrics sing: <em>w</em><em>hen I grew older I would walk down by the shore / It was there that I met my fishing boy / bonny, brave and pure / I remember how we danced / we were laughing at the sky / but the captain’s call was coming / as sure as the tides / we sang the fisherman’s blues / we sang the fisherman’s blues / our cottage by the harbour was safe and sound / at night when the storm rose and the winds did howl / on days when my fishing boy / he must go out to sea / we’d stand on the shoreline and sing / we’d sing the fisherman’s blues . . . one day my fishing boy he never came home / there were tears in our small town / it never grew old / I hollered at the dark skies as a storm rolled in / those ships on the horizon they’ll never come in / we sang the fisherman’s blues</em>. Kathryn Tremlett’s violins, and the bass notes in the background, alludes to the rural imagery of “Fisherman’s Blues” perfectly.</span></p>
<p><span style="color:#c0c0c0">“<strong><a href="/files/516615/02-oh-boy-master-inc-isrc.mp3" target="_blank" data-imported="1">Oh Boy</a></strong>” starts with low soulful, southern, harmonic hums and percussions and builds with layers of instrumentation – excited violins, acoustic and electric guitars, double bass, keys, and a banjitar. This layering of music supports the song’s storyline of renewing yourself after a part of you has died from a tumultuous relationship. In addition, Snowdon’s drivingly anguished, yet confident, lead vocals pair well with the ambivalence-spurred backing vocals of Tremlett. This tussle of harmonies support lyrics that contain nuances of loss, bitterness, and a carrying hope – all equally complementing the duo’s message of strength and hope. This double handclap, foot stomp-worthy, modern Folk-Rock track will easily become our generation’s rhapsody.</span></p>
<p><span style="color:#c0c0c0">The most seductively mellow track is called “<strong><a href="/files/516616/03-lay-her-down-master-inc-isrc.mp3" target="_blank" data-imported="1">Lay Her Down</a></strong>.” The lyrics impart a hazy story that is very contemplative in that it can have multiple interpretations. But from its substantial words, and from the bittersweet vocal techniques, the track imparted a narrative of unfaithfulness to me, to illustrate, the lyrics sing: <em>l</em><em>ay her down however sweet you think the sound / I’m standing fast / here’s one for you whilst it lasts / when the night / when it feels like rain / when the winter / when it comes again . . . as for love / who is it you are dreaming of? . . . she’ll sing love to you and you’ll swear that we’re through / but you’ll say she’s like me / did you know? is she like me? / yes, yes, yes, oh yes / through the rain and the snow there was rain but it froze / lay her down / however sweet you think the sound</em>. It’s like the female protagonist of the story is conservatively saying to her ex-lover that when it is all over with, is she really like me? was it worth the damage? Such a joy to have a song that is multifaceted in its theme. </span></p>
<p><span style="color:#c0c0c0">Apart from the music in Lay Her Down’s chorus, the intro and verse music are laid back. The fervent violins and tambourines highlight such soul while the melody contains a dense drumming which easily becomes a prominent feature of the song’s rhythm. And I just love, love, love the deep register that Snowdon chose to execute on the track! The third song in the collection should be bottled up and sold – it’s just that good!<strong> </strong> </span></p>
<p><span style="color:#c0c0c0">And if you are ready for fire and the rain, take multiple listens to “<strong><a href="/files/516617/05-walls-master-inc-isrc.mp3" target="_blank" data-imported="1">Walls</a></strong>.” It features a stuttering violin technique that evokes anxiety and a narrative about standing with courage and resolve to rebuild or hold up any “wall” that you see in front of you falling down be it in the form of love, identity, or courage – the lyrics allude to this, “The days have gone for crying and the days have gone for change. I’ll not stand here in the wreckage alone and cry your name. There’s a woman in the town who sits beneath these walls. She told me to be bold and for you I will not stall. To be bold I will stand in the wreckage for you. It will take all our courage as the walls are falling through. Time is but a healer and the stones are coming lose. The walls they are falling down.” With this song, Velvet & Stone slowly peel back the layers and soon display a masterpiece. The acoustic finger style guitar picking, along with the piano, really demonstrate the musical call to action that the lyrics showcase. And at the one minute / 45 seconds mark, Tremlett nails it with her violin skills – I mean, the girl is mean! The passion that she evokes on this track is just wicked! “Walls” is that kind of Country Bluesy / Folk Rock song that we just love to love. </span></p>
<p><span style="color:#c0c0c0">Standing in contrast from the Folk-Rock “Oh Boy,” the sixth track “<strong><a href="/files/516618/06-by-the-water-master-inc-isrc.mp3" target="_blank" data-imported="1">By the Water</a></strong>” is a nice slice of Folk Pop. “By the Water” infuses a fresh up-tempo vibe. This track’s storyline deals with how people from different worlds could love equally and honestly without preconceptions when they have a common safe place to bond. In “By the Water,” that common safe place is the water – a place of tranquility, peace, and unbiasedness – an even playing field where two lovers can encounter each other without prejudiced eyes watching or opinionated ears listening. The lyrics perfectly defines this description, singing: <em>Once there was a boy and a girl who couldn’t see / their blindness was catching / they circled around you, around me / but still they ran and they hoped that no one was watching through the trees / and there they broke and they spoke by the river / tell no one but the sea / break me down by the river / you’re the fire that I seek / meet me there by the water / reflecting back at me / whisper low by the river / carry me down stream / meet me there by the water for all to see</em>. </span></p>
<p><span style="color:#c0c0c0">Snowdon does a wonderful job executing “By the Water” by adding texture to her vocals being soft in some spots of the lead and then harsh in the backing vocals and bridge. The additional solo adlibs of “ooh-hoo” gives the track so much character. Infusing tempered Bluegrass and Folk instrumentation of acoustic guitars, double bass, tambourines heavy percussions, and violins all played with a spirited Pop style, along with a lead vocal that carries a passionate tune laced with soul makes “By the Water” a modern Folk Pop track that is easy-breezy and ideally a classic working class anthem.</span></p>
<p><span style="color:#c0c0c0">We close with a traditional Folk song called “<strong><a href="/files/516619/09-ill-dream-of-you-tonight-master-inc-isrc.mp3" target="_blank" data-imported="1">I’ll Dream of You Tonight</a></strong>.” This is a nuanced song as it expresses subtle shades of meaning or feeling within the music and the lines that slowly paints a full picture representing the song’s true meaning of true love. “I’ll Dream of you Tonight” features that “raining down” vibe attached to the core melody. And I say “raining down” effect because I mean that the melody just drops down emotionally and forceful yet delicate truly showcasing the theme’s all-consuming presence. The song is so subtle and infectious. The clean lines of the instrumentation and the vocals just makes for easy listening. The song closes with that wonderful fairytale emotion that makes the listener think about happily ever after.<strong> </strong></span></p>
<p><span style="color:#c0c0c0">In an era of music that is filled to the gills with mainstream Pop and Hip-Hop, Velvet & Stone sits atop as they offer difference and authenticity. </span></p>
<p><span style="color:#c0c0c0">What I enjoy about Velvet & Stone’s music is that they aren’t taking away from the Folk genre, they are broadening its seams by engineering a return to classically emotive storytelling and combining it with modern techniques, rhythms, and timing. Their songwriting makes you think instead of outright supplying the listener with a boring narrative. They push the genre and have the songwriting tools to evoke mindfulness and emotional perception. </span></p>
<p><span style="color:#c0c0c0">“Velvet & Stone” is a ballad-driven collection of music, but with varying degrees of tempo and melody which should make it an easy placement on Adult Contemporary radio. </span></p>
<p><span style="color:#c0c0c0">A special shoutout to Roger Styles, Paddy Blight, Josiah Manning, Pete Maher, Kev Jackson, Garry Kroll, Miles Snowdon, and David Blight for making the music and production happen! </span></p>
<p><span style="color:#c0c0c0">What Velvet & Stone has when it comes to music reaches further than just the entertainment industry; this duo has harnessed the concept of appealing to the imagination of the listener which makes their music thought-provoking and addicting in every industry. </span></p>
<p align="center"><span style="color:#c0c0c0"><strong><a href="https://www.amazon.co.uk/Velvet-Stone/dp/B07VFPRYLF/ref=sr_1_2?keywords=Velvet+%26+Stone&qid=1564686566&s=dmusic&search-type=ss&sr=1-2%22" target="_blank" data-imported="1"><span style="color:#c0c0c0">BUY </span></a></strong><strong> </strong></span></p>
<p align="center"><a href="https://twitter.com/VelvetStoneMus" target="_blank" data-imported="1"><span style="color:#c0c0c0"><span style="color:#c0c0c0"><strong>Twitter</strong></span></span></a></p>
<p align="center"><span style="color:#c0c0c0"><a href="https://www.facebook.com/velvetstonemusic" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>FB</strong></span></a></span><a href="https://www.facebook.com/velvetstonemusic" data-imported="1"><br></a></p>
Klef Notestag:klefnotes.com,2005:Post/60536512019-09-12T12:00:00-12:002019-09-13T00:00:28-12:00Chris Watkins / Drunk Poets “The Ribbon and the Rope"
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/3701faa0b3d9facb698b6140a517ad5364a27089/original/chris-watkins-the-ribbon-and-the-rope-ep.jpg/!!/b%3AWyJyZXNpemU6NDUzeDQ1MiJd.jpg" class="size_orig justify_inline border_" alt="" height="452" style="display: block; margin-left: auto; margin-right: auto;" width="453" /></p>
<p><span style="color:#c0c0c0">Coming out of the mind, and off the hands, of the artist I call our generation’s Bob Dylan is “The Ribbon and the Rope,” the latest full-length EP by Chris Watkins / Drunk Poets. </span></p>
<p><span style="color:#c0c0c0">Just to refresh my readers about this intricate artist, Watkins is the founding member of the band Drunk Poets as well as a singer/songwriter/musician. Hailing from Alaska, Watkins continues to pen songs that virtually lead to roads less traveled that resonate with music lovers from across the globe. </span></p>
<p><span style="color:#c0c0c0">Unlike his previous releases, “The Ribbon and the Rope” feature songs catered to awakening sleeping societies to remember that we ALL just humans. Watkins gives this social wakeup call by using conceptual themes as his narratives and lyrically points to issues of death, religion, politics, and relationships. Chris Watkins and Drunk Poets encase these candid lyrics within Alternative Rock instrumentation that has elements of Folk and Blues.<strong> </strong></span></p>
<p><span style="color:#c0c0c0">Nine songs form this complete collection of modern abstract music: </span></p>
<ol>
<li><span style="color:#c0c0c0">The Ribbon and the Rope</span></li>
<li><span style="color:#c0c0c0">Laurel Canyon</span></li>
<li><span style="color:#c0c0c0">The Night They Killed Bobby Kennedy</span></li>
<li><span style="color:#c0c0c0">Devils Lament</span></li>
<li><span style="color:#c0c0c0">You Need a Man</span></li>
<li><span style="color:#c0c0c0">Letter from One in the Country</span></li>
<li><span style="color:#c0c0c0">Way Down in the East</span></li>
<li><span style="color:#c0c0c0">Sinners in the Hands of an Angry God</span></li>
<li><span style="color:#c0c0c0">God Rest Ye Merry Gentlemen</span></li>
</ol>
<p><span style="color:#c0c0c0">I will focus on the five songs that fully highlights the EP’s theme. I will sometimes refer to Chris Watkins and Drunk Poets as “Watkins” within this review.<strong> </strong></span></p>
<p><span style="color:#c0c0c0">The </span><span style="color:#c0c0c0"><strong><a href="/files/516611/1-the-ribbon-and-the-rope-1.mp3" target="_blank" data-imported="1">title track</a></strong></span><span style="color:#c0c0c0"> employs that wonderful Acoustic Rock that we have grown to love with Chris Watkins and Drunk Poets. A message about the wounded and how unexpected events can wreck your life sits at the center of the song’s theme, but symbolically this song speaks about saving grace and hope. The line “a ragged stitch” illustrates the fray of a rope and suggests how often the wounds carried by someone is the result of a “rope,” or the pulling of one by social struggles. In addition, the "ribbon" in the "Ribbon and the Rope" suggests how the wounded are given a “ribbon” for honor. Still, with any circumstance, as Watkins sings, “there’s a lighthouse in the squall” – a line that perfectly points out that in all the mess, fear, or turmoil, there is hope buried within, and that all it takes is some digging.<strong> </strong>The “<span style="color:#c0c0c0">Ribbon and the Rope</span>” is a great EP opener and is reflective of Watkins’ style of music. </span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/drunk-poets/the-night-they-killed-bobby-kennedy" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>The Night They Killed Bobby Kennedy</strong></span></a>” is the third track on the EP and it houses a notable narrative about the closing news topic regarding the death of Bobby Kennedy. But metaphorically, this theme alludes to how a person’s day can literally coincide with the making of world news. The lyrics sing: <em>they called me on the telephone this morning / they told me that the world was going mad / I went down to the drug store for cigarettes and tea / Joan of Arc wore makeup in the alley / the business were banging on the bar / they stood in the shop windows watching the t.v. / I remember feeling soft around the belly / I recall feeling warm around the throat / the insurance man was waiting in the garage with the key / it felt like someone kicked me in the pocket / I knew it wasn't safe to go home / the skeletons were shining like hippies in the leaves / I’m driving down a road that goes forever / I’m running from myself until I’m free / lipstick stains running down my cheek / the night they killed Bobby Kennedy</em>. It’s reality as real as it gets but displayed lyrically. Much like R.E.M.’s “Man on the Moon,” this track describes the elements of many moments within one day that all revolve around an epic time in society. </span></p>
<p><span style="color:#c0c0c0">“<strong><a href="/files/516612/4-devils-lament.mp3" target="_blank" data-imported="1"><span style="color:#c0c0c0">Devils Lament</span></a></strong>” has a title that reads like a dark poem about dirty deeds and hidden secrets. This track is about a sinner requesting forgiveness for his sins but showing an attitude of pride in that what he does is just the way it is, and he’s just a product of his environment, Watkins’ lyrics illustrate this when he sings<em>: </em><em>I’m sorry about Elvis / I was sad to see him go / I’m sorry about killing that bird in Mexico / I was drunk and he was singing like a pinata in the wind / it's kinda complicated / that's the way it's always been / forgive me father for I know not what you do / when I told you I was sorry / that was just a lie / I choked him in the gutter / I shot him through the eye / the dreams that I have are easy to explain like that bruise on your wrist and the taxi in the rain / forgive me father for I know not what you do / the clergyman's daughter is coming home from school / tea will be served at 4:30 sharp / the maid with her tray in the pantry and the ringing of the bell.</em> Wow! How impactful. This song's styling is so similiar to Bob Dylan's method of writing and depiction of everyday life. The minimalistic approach to the music just further sets the stage for a song where one is vexed but not sorry. </span></p>
<p><span style="color:#c0c0c0">One of the most up-tempo tracks of the collection is “<a href="https://soundcloud.com/drunk-poets/you-need-a-man%20%20" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>You Need a Man</strong></span></a>.” Featuring both Chris Watkins and vocalist Flower Evenden singing in unison and harmony throughout the entire track, this duality adds a sense of modernity and frankness as both vocalists add character to the song. The lyrics to the song relate how a man's duty is different to different sexes. For example, the way that Watkins composed this track, we can hear both male and female point of view. Once more, the song lyrically illustrate that with most men, a man’s duties are responsibilities; whereas to women, a man’s duties are obligations. And when I listened to this track, I instantly thought of Johnny Cash and June Cash and how they equally attributed to a song’s vibe and separate point of views. </span></p>
<p><span style="color:#c0c0c0">And one of the songs that feature one of the most beautiful melodies is “<strong><a href="/files/516613/7-way-down-in-the-east.mp3" target="_blank" data-imported="1"><span style="color:#c0c0c0">Way Down in the East</span></a></strong>.” Filled with a lot of symbolism, the song clearly brings to life the Oscar Wilde quote that reads “The only difference between the saint and the sinner is that every saint has a past, and every sinner has a future.” The premise of the song’s narrative is basically about things happening that are dark and sometimes ambiguous when the day ends<strong>. </strong>The song is played in a nice Bluesy style with a mid-tempo. And, sticking to playing the lower keys of the guitar makes for a contemplating track. </span></p>
<p><span style="color:#c0c0c0">The entire EP keeps that acoustic, unplugged, musical direction that is notable in Folk/Blues music. This type of writing and playing harkens front porch singing and gives off a nostalgic, everyday people, vibe which is very comforting but has you deep in thought. </span></p>
<p><span style="color:#c0c0c0">Chris Watkins/Drunk Poets’ approach to music is drawn my authenticity instead of nonsense. Chris does not have a narrow sense of story like many of mainstream artists being played on Top 40 radio who lean more towards the dramatic but show no real feeling for human nature or reality. For instance, Chris stays away from the trends of Popular Music. As an artist, he sees realism as a better depiction of humanity instead of sensationalism. That is what Bob Dylan does for music – build stories from themes and fuse it with music that make people think, wish, and settle. Watkins is forming that type of music tapestry for our generation. Watkins is a visual artist with music that remains rich with themes. With this type of artistry, Watkins will be a meaningful figure in our music culture that will reside for years and years.</span><em style="color: #c0c0c0; font-size: medium;"> </em></p>
<p align="center"><span style="color:#c0c0c0"><a href="https://www.facebook.com/ChrisWatkinsDrunkPoets" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>https://www.facebook.com/ChrisWatkinsDrunkPoets</strong></span></a></span></p>
<p style="text-align: center;"><span style="color:#c0c0c0"><a href="https://twitter.com/chrisdrunkpoets" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>https://twitter.com/chrisdrunkpoets</strong></span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536502019-09-05T12:00:00-12:002019-09-06T01:26:21-12:00Ghostly Beard “It’s A Hurt” (R&B/Rock) Montreal, Canada
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/96b082e881826fb6d10bad2a4874810f9947a6ae/original/ghostly-beard-its-a-hurt.jpg/!!/b%3AWyJyZXNpemU6NDM0eDQzNCJd.jpg" class="size_orig justify_inline border_" alt="" height="434" style="display: block; margin-left: auto; margin-right: auto;" width="434" /></span></p>
<p><span style="color:#c0c0c0">“<strong><a href="/files/516610/ghostly-beard-its-a-hurt.mp3" target="_blank" data-imported="1"><span style="color:#c0c0c0">It’s A Hurt</span></a></strong>” is a song recorded by Canadian singer, songwriter, musician, Ghostly Beard which was released on September 4<sup>th</sup>. Ghostly Beard is always one to push the limits within Indie Music by never settling for the norm and always meandering where others do not have the mind to go. His fans love this fact about him, and this keeps us always coming back for more.</span></p>
<p><span style="color:#c0c0c0">With “It’s A Hurt,” Ghostly Beard pulls a different card from his creative vest, and gifts us with an R&B/Rock song that’s kind of Funk-infused with a storyline about the constant conundrum of love’s complexities. </span></p>
<p><span style="color:#c0c0c0">The lyrics illustrate how love can truly hurt to the core – cutting like a knife into the deepest parts, and how sometimes we keep going right back to the hurt. Ghostly Beard sings: <em>It was just another lonely day / When I first met you girl . . . I kept thinking about you / But this time I was wrong / And you showed me who you are / With all that you've done to me / I can't stop my love, you see / My life seems so foolish, girl / When I feel this way / You give me a heart attack / Oh my, it's a hurt! / My love like a razor blade / Oh my, it's a hurt!</em> </span></p>
<p><span style="color:#c0c0c0">Containing a mid-tempo and following the form of traditional Soft-Rock and American R&B, this is a very visual song that features mellow guitar arrangements at its core, quiet synths, attentive keys, and a calm vocal. In addition, the relaxed ebbing percussions allow for this song to musically flow like a musical heart-rate monitor – with timing that deliberately pulsates in the valleys of instrumentation. The song reaches its summit at the 3 minutes / 33 seconds mark, when Ghostly Beard lays on a guitar solo that ignites a flame. </span></p>
<p><span style="color:#c0c0c0">Furthermore, the song is textured by Ghostly Beard utilizing a soft/hard approach to his vocals, where he softly sings on his leads, and includes some raspy vocal highlights on the hook. The light backing vocals adds layers of emotion, while the clapping and broken glass sound effects are spot-on. </span></p>
<p><span style="color:#c0c0c0">“It’s A Hurt” basically builds a wonderfully smooth bridge between two powerful genres and allows music listeners today to hear what REAL music is supposed to sound like. </span></p>
<p><span style="color:#c0c0c0">Download your <strong><a href="https://ghostlybeard.com/track/1734818/it-s-a-hurt" target="_blank" data-imported="1"><span style="color:#c0c0c0">copy </span></a></strong>today, and make sure to view the animated <a href="https://www.youtube.com/watch?v=zO9lg4eAPy4%20" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>video</strong> </span></a>by <a href="https://www.traceyarbon.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Tracy Arbon</strong></span></a>.</span></p>
<p align="center"><span style="color:#c0c0c0"><strong><a href="http://www.ghostlybeard.com" target="_blank" data-imported="1"><span style="color:#c0c0c0">www.ghostlybeard.com</span></a></strong></span></p>
<p align="center"><span style="color:#c0c0c0"><strong><a href="http://www.twitter.com/ghostlybeard" target="_blank" data-imported="1"><span style="color:#c0c0c0">www.twitter.com/ghostlybeard</span></a></strong></span></p>
<p style="text-align: center;"><span style="color:#c0c0c0"><strong><a href="http://www.facebook.com/aghostlybeard" target="_blank" data-imported="1"><span style="color:#c0c0c0">www.facebook.com/aghostlybeard</span></a></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536492019-09-05T12:00:00-12:002019-09-06T01:43:42-12:00Lucy Booth “Melancholy Blue"
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/b4e9c7398a3154bc789875e1ea86af0363b2552f/original/lucy-booth-melancholy-blue.jpg/!!/b%3AWyJyZXNpemU6NTA4eDUwOCJd.jpg" class="size_orig justify_inline border_" alt="" height="508" style="display: block; margin-left: auto; margin-right: auto;" width="508" /></span></p>
<p><span style="color:#c0c0c0">Colors represent more than just patterns for clothes or design templates to cover interiors and exteriors, colors also illustrate moods, emotions, realities, and practical matters. And having an artist that writes music using lyrics that tie together tangible and intangible themes in descriptive ways, adds interest and flavor to an overtly boring music landscape. </span></p>
<p><span style="color:#c0c0c0">Lucy Booth is an Alternative-Pop singer/songwriter from Leeds, UK who fashions her songs using this formula. Stunningly, she displays common situations of life in an openly expressive manner enabling another point of view.</span></p>
<p><span style="color:#c0c0c0"></span><span style="color:#c0c0c0">Booth’s latest piece of work, “Melancholy Blue,” has 4 tracks held within its four walls: </span></p>
<ol>
<li><span style="color:#c0c0c0">Melancholy Blue</span></li>
<li><span style="color:#c0c0c0">Purple Sky</span></li>
<li><span style="color:#c0c0c0">Butterfly</span></li>
<li><span style="color:#c0c0c0">Jam Sandwiches</span></li>
</ol>
<p><span style="color:#c0c0c0"> This is my interpretation of “Melancholy Blue.”<strong> </strong></span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/user-839962991/melancholy-blue-mastered?in=user-839962991/sets/melancholy-blue-ep" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Melancholy Blue</strong></span></a>” is a Pop ballad. The title track opens the EP with such imagination. The lonely piano reciprocates the feeling that Booth passionately lays onto her vocals. “Melancholy Blue” is about how grief and heartache strikes to wound the saddened but how hope is in the details of the pain, Booth sings:<em> </em><em>The clouds that rush across the sky / they don’t have time to cry, time to cry / they’ll save their rainy tears today / while mine are washed away, washed away / by these waves of grief / they trickle gently down my cheeks / remind me of your touch / the memories ache so much / the memories ache so much / and though the sun is shining bright today / my heart is overcast / there ain’t no rainbows here for you / cos the light can’t break through . . . then through the grey I see some blue / Melancholy Blue, Melancholy Blue / through all your lies I see the truth / Melancholy Blue.</em> </span></p>
<p><span style="color:#c0c0c0">Booth sings with such truth and soul that you literally begin to express your own sentiments. And with each climb of the song’s melody, you are hoping along with the artist for better times. There is a sad tremor to the lyric that adds such character. Her mezzo-soprano range is pitch perfect on this opening track and sets you up for an emotional ride.</span></p>
<p><span style="color:#c0c0c0">And with lyrics like this, "Your courage is outrageous but it’s beginning to be contagious. You’re leading me astray I can’t stay away. I’m tripping on your ego tonight . . . Now you’re forever high in your purple sky. Never coming back down to earth. Broken by the curse. So I’ll kiss you goodbye and I’ll let you fly, floating high, in your purple sky<span style="color:#c0c0c0">," you </span>are bound to become intoxicated with the next track "Purple Sky."</span></p>
<p><span style="color:#c0c0c0">One of the up-tempo tracks of the collection, "<a href="https://soundcloud.com/user-839962991/purple-sky-mastered?in=user-839962991/sets/melancholy-blue-ep" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Purple Sky</strong></span></a>” features a hypnotic feel that adds the right amount of euphoria to the subject of letting go when the one you love is captivated by substance abuse. </span></p>
<p><span style="color:#c0c0c0">In this track, you can hear a fusion of Pop and R&B in the way that Booth executes her vocals using breathless treatments on her leads and paused refrains for the hook. The ethereal backing vocals and adlibs add a bit of mystery, while the harmonies add seduction to the track. With this song, Booth used the color purple as a metaphor to symbolize the state of affairs between the song’s character and the wild, mysterious, and extravagant habits of her lover.<strong> </strong><strong> </strong></span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/user-839962991/butterfly-mastered?in=user-839962991/sets/melancholy-blue-ep" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Butterfly</strong></span></a>” features a storyline that is sure to become a single-mother anthem as it details the departure of the father of the child as well as the beginnings of the beautiful relationship between mother and baby as conflicted as that may be. The lyrics sing: <em>Butterfly, we’re going to paint the whole world blue. He is gone and it is now just me and you. And it’s okay to cry, kay to cry. As we flutter by, flutter by. Through the emptiness and the meadows of despair. . . . Don’t get me wrong, I know that he was feeling stressed, and I could have maybe been more patient I confess. But I just can’t deny, can’t deny, that I can’t justify, justify the way he disappeared, and left his baby in my arms. He said I’ll hold your hand, I know it wasn’t planned, but it is me and you, we’re gonna make it through. You spread your wings in May, and he just ran away, I bet you wish that you had stayed in your cocoon</em>.</span></p>
<p><span style="color:#c0c0c0">Writing from experience, Booth’s sentiments come across honest and real as she musically reflects on the strength and adaptability of being a single mother. Her vocals hold a prowess that just envelops the listener and makes you take in her message. You’re captivated from the intro all the way to the outro. The vocal tone of the bridge is almost conversational with its pulsed lead and dual harmonic backing - very contemplative. </span></p>
<p><span style="color:#c0c0c0">In addition, using the metaphor of a butterfly to illustrate how a baby is within the womb (cocoon) and then birthed to explore and evolve into something great was splendid. And, the modern nursery rhyme composition of “Butterfly’s” melody is enchanting. Featuring a contrasting uplifting instrumental foundation, laced with the grief-stricken nature of the song’s premise, this melodic footing showcases that two-sided emotional rollercoaster that new mothers juggle as well as Booth’s songwriting skills. </span></p>
<p><span style="color:#c0c0c0">This track gives the right words to the women who do not know how to explain this dream that can sometimes come across as a nightmare. </span></p>
<p><span style="color:#c0c0c0">The final song, “<a href="https://soundcloud.com/user-839962991/jam-sandwiches-mastered?in=user-839962991/sets/melancholy-blue-ep" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Jam Sandwiches</strong></span></a>,” truly takes the musical component and makes it visual. The personality of the track is so animated and vivid<strong>. </strong>The lyrics explain the life of a nine-year-old and how the transition from a whole family to a split family can affect all of the little things and shake up a little one’s life only to figure it out when we are adults. The lyrics sing:<strong> </strong><em>Jam sandwiches on Tuesday nights / fighting with my brother over who was right / I remember, I remember those times / and dressing up in Grandad’s clothes / pretending we were grown-ups on our tippy-toes /</em><em> I remember, I remember those times / when I was 9 years old / No worries in the world / then my mamma sat me down without a smile / said we gotta go away for a little while / when I was 9 years old / I tried my best to control /all the tears that were threatening to overflow / it doesn’t really seem that long ago / that I was 9 years old . . . </em><em>I guess I didn’t understand back then / I didn’t know why it all had to end / but now I’m old enough to finally see / that it was all about protecting me / when I was 9 years old</em>.</span></p>
<p><span style="color:#c0c0c0">It’s those circumstances like the premise of this track that shapes our future and build the memories that stick with us forever and ever. The dual vocal on the lead and the hook makes a play on the ears as if the child and the adult are remembering. The easy-going piano adds the emotion, while the inclusion of the guitar and strings, along with that modern percussive rhythm, helps the track to resonate deeply. Boy, I love this song!<strong> </strong></span></p>
<p><span style="color:#c0c0c0">I know that seeing Lucy Booth live is an amazing event as she has such a large presence on this EP alone which alludes to her gaining the public’s attention. Her music production and songwriting give such a connection between the singer and listener. </span></p>
<p><span style="color:#c0c0c0">Much like the writing of Bob Dylan, Adele, John Lennon, and Carly Simon, Booth uses metaphors to make the audience see the importance of a topic without complicating matters – it’s like tempering subjects with practicality so that everyone’s ear is receptive. Such a descriptive songwriter, Booth clearly shows us the world through her eyes and helps us socially and personally reflect on everyday topics and situations while forming an opinion. By using topics of motherhood, feminine strength, grief, loss, hope, and reality, Booth is the voice of the voiceless. </span></p>
<p><span style="color:#c0c0c0">This EP breaks open a new road for a genre within music that is near closing due to talentless vocal executions and stale narratives teamed with technology-raped instrumentation. YAY for Booth, as she is reawakening our consciences by housing songs that lyrically touch upon real-life themes like integrity, resilience, satisfaction, and normalcy while keeping humanity in the forefront and the singer/songwriter alive!<strong> </strong></span></p>
<p align="center"><span style="color:#c0c0c0"><a href="https://www.facebook.com/lucyboothmusic/" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>https://www.facebook.com/lucyboothmusic/</strong></span></a></span></p>
<p style="text-align: center;"><span style="color:#c0c0c0"><a href="https://twitter.com/lucyboothmusic" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>https://twitter.com/lucyboothmusic</strong></span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536482019-09-05T12:00:00-12:002019-09-06T01:29:44-12:00Owen Denvir “Ghost” (ElectroPop) Belfast
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/9939174d9cf5ed890013c3859df3fe77884a004b/original/owen-denvir.png/!!/b%3AWyJyZXNpemU6Mzg3eDM4NyJd.png" class="size_orig justify_inline border_" alt="" height="387" style="display: block; margin-left: auto; margin-right: auto;" width="387" /></span></p>
<p><span style="color:#c0c0c0">“<strong><a href="/files/516609/owen-denvir-ghost.mp3" target="_blank" data-imported="1"><span style="color:#c0c0c0">Ghost</span></a></strong>” is a song by Belfast-born singer/songwriter Owen Denvir. The first single off of his greatly anticipated EP “Sticks” expected to drop this year, “Ghost” is an ah-some mix of what I call Orchestral ElectroPop with its driven, modern, instrumentation and outclassing vocals. </span></p>
<p><span style="color:#c0c0c0">The song starts with earthly soundscapes, grief-stricken piano chords, and Denvir’s sexy second tenor/baritone smoking vocals. The lyrics explain the push-to-fall tale of today’s electronic dating scene and how things are often left open-ended with damaged, lingering, emotions that haunt the broken-hearted, Denvir sings: <em>Thought you were the one / thought I’d found what I lost / now I see it’s gone forever more / I held you once and now you’re a ghost / you left your stuff in my car / you told me I’d need it more / now they’re mementos of you / and I choose to cling to your memory / you left a hole in my heart / I’m bleeding out in the dark / were you too good to be true / I should have known it from the get go</em>. </span></p>
<p><span style="color:#c0c0c0">“Ghost” has a commanding presence that stays with you after your first listen. It showcases the inner emotions of a man without restraint. Not since Coldplay have the world of music been gifted with music that is so eclectically euphoric, yet demanding in its beat, until YOU hear Denvir.</span></p>
<p><span style="color:#c0c0c0"><div class="video responsive"><div class="video-container"><div class="video responsive"><div class="video-container"><iframe frameborder="0" height="350" src="https://www.youtube.com/embed/nUluod2aaPY" style="display: block; margin-left: auto; margin-right: auto;" width="425" class="wrapped wrapped"></iframe></div></div></div></div></span></p>
<p><span style="color:#c0c0c0"> </span></p>
<p style="text-align: center;"><span style="color:#c0c0c0"><a href="http://www.owendenvir.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>www.owendenvir.com</strong></span></a></span></p>
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<p style="text-align: center;"><span style="color:#c0c0c0"><a href="https://www.instagram.com/owendenvir" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>www.instagram.com/owendenvir</strong></span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536472019-08-29T12:00:00-12:002019-08-30T00:42:03-12:00Jayna Jennings “Courtyards & Aviaries Pt. 2"
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/6d49b678aeaac6eb8d2957b66e084324b6e8afd6/original/jayna-jennings-pt-2.jpg/!!/b%3AWyJyZXNpemU6NTMweDUzMCJd.jpg" class="size_orig justify_inline border_" alt="" height="530" style="display: block; margin-left: auto; margin-right: auto;" width="530" /></span></p>
<p><span style="color:#c0c0c0">It is so fulfilling to receive new music by artists that first captured your ears earlier on in their career – to see them climbing higher and creating wonderful music. </span></p>
<p><span style="color:#c0c0c0">Just to recap, Jayna Jennings is an American singer/songwriter/musician hailing from Georgia USA who has quickly gained deserved recognition from many media sources. Jennings has penned two Eps, “Safe and Sound” (2016/Christian) and “Courtyards & Aviaries Part 1.” </span></p>
<p><span style="color:#c0c0c0">Her latest “Courtyards & Aviaries Pt. 2” plays like the flipside of a mellow record with its bold rhythms and unapologetic storylines. </span></p>
<p><span style="color:#c0c0c0">In June of this year, I reviewed “The Blue,” the first single off of “Courtyards & Aviaries Pt. 2.” “The Blue” was the perfect choice for a single as it was a wonderful hint of what Jengers (fans of Jennings) would expect from the album in general. </span></p>
<p><span style="color:#c0c0c0">“Courtyards & Aviaries Pt. 2” does not stay true to its predecessor in terms of being an Americana album with <em>some</em> elements of Country, Blues, and Pop Rock, because differently this collection features an edgier feel to the album’s core melodies and the artist’s vocal delivery. Musically, the album is rooted in Country with Pop and Soft-Rock undertones and heavy rhythms, guitar-driven hooks, and swifter tempos. </span></p>
<p><span style="color:#c0c0c0">The track list of “Courtyards & Aviaries Pt. 2” is: </span></p>
<ol>
<li><span style="color:#c0c0c0">To Narcissus</span></li>
<li><span style="color:#c0c0c0">The Blue</span></li>
<li><span style="color:#c0c0c0">Sounds of the Wind</span></li>
<li><span style="color:#c0c0c0">La La La</span></li>
<li><span style="color:#c0c0c0">Don’t Hurt Me</span></li>
<li><span style="color:#c0c0c0">Free</span></li>
<li><span style="color:#c0c0c0">He Breaks My Heart</span></li>
<li><span style="color:#c0c0c0">On the Way Down</span></li>
<li><span style="color:#c0c0c0">All the Other Roses </span></li>
</ol>
<p><span style="color:#c0c0c0">This is my interpretation of the album’s six highlights! </span></p>
<p><span style="color:#c0c0c0">The album starts with the radiant Soft-Rock “<a href="https://open.spotify.com/track/0P1ZsSrn0gpkSD8p6CBSRJ" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>To Narcissus</strong></span></a>” – a wonderful metaphorical song that illustrates how some lovers are too vain to love another and how women must often gamble to find what they deserve. This song is quite elegant with its flavorful guitars that set the rhythm of the track. Within this song, Jennings name-drops mythical male power figures, like Narcissus (mentioned in the title) a hunter who loved himself more than others, and Jupiter, the god of the sky and thunder. The lyrics describes the song's theme<em>: </em><em>Is your reflection all you can see / If there was no one else would it be me / Lift your eyes from the water / The flame is burning higher / And there remains a voice . . . Jupiter is in the city city and you are / Chasing hearts like frightened deer oh dear / My love like an echo in a dream a dream a dream / Of the blue and the sounds of the wind / Can you feel it too? / Say you love me and you do</em>. “To Narcissus” is like “Twinkle Twinkle Little Star” all grown up, and it is written like a letter from a woman to herself with hopes of what she wants in a lover. Saying ‘I am worth it’ with a Soft-Rock song is major! </span></p>
<p><span style="color:#c0c0c0">And, you would never think that a song about love’s unpredictability could sound so smooth until you hear “The Blue.” </span></p>
<p><span style="color:#c0c0c0">The impression that Jennings leaves on your ears with “<a href="https://open.spotify.com/track/1tuTgsZgZ2GmVPo86Cdv90" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>The Blue</strong></span></a>” is as rich as chocolate and smooth as silk. The melody is layered with vocal expressions and modulations which equally supports the soft soundscapes, bass drum, and guitars. Honestly, the more she soars the further you want to go with her lead – she leads, and you follow her into the BLUE – that tranquil place of unknowing. The lyrics sing: <em>You are an ocean and I’m drowning / you’re deep and blue I can’t swim but I’m trying / your love is wide and long I’m starting to break / I’m lost in your love I’m caught in your wake / you are peaceful then a storm / you’re everything I’ll ever want and more / your love is far and way / you’re a storm about to pour / I’m gone in your waters you’re who I adore</em>. </span></p>
<p><span style="color:#c0c0c0">With each line she climbs a little bit more reaching a further height. Then, she trills right into that middle tonality showcasing her prowess, spilling her emotions. Then, she goes right into that infectious hook, and just holds it there with the candid exoneration singing, THE BLUE!! Choosing descriptive lyrics to drive home her point of passion also illustrates the openness of her affection as well as the realism of the track. </span></p>
<p><span style="color:#c0c0c0">The fourth song “<a href="https://open.spotify.com/track/5JFdC9yCHCQgVNNzdX7Vj3" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>La La La</strong></span></a>” is about embracing differences, being adaptable, and healing from pain. This track has a refreshingly Alternative Country Rock sound with the crisp, inundating, synths paired with the single guitar. "La La La" grows with the inclusion of electric guitars and nice chamber-like backing harmonies that adds a bit of rapture. The hook of “la, la, la” is emotionally stirring. This song is dangerously infectious – it will not get out of your head – which isn’t a bad thing!</span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/4b9glVhGLdSgLEeJu2pg78" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Don’t Hurt Me</strong></span></a>” is very reminiscent of early Dolly Parton with its sincerity and practical styling of the hook’s melody. Storytelling in its approach, this song features fiddles, banjos, and a deep bass bottom. Jennings belt out lyrics that tell the story of a woman expounding her pain but standing in her truth. This is a tearjerker in a non-traditional way with Jennings choosing to elongate her lines really affecting your emotions making you reflect and get a bit blue, but at the same time, incorporating bouncy instrumentation in places to keep it modern and fresh and not too weepy. </span></p>
<p><span style="color:#c0c0c0"></span><span style="color:#c0c0c0">And if you are looking for a song that plays very much like a Roxette track with exhilarating guitars, euphoric synths, and a lyric that holds passion and power, then </span><strong style="color: #c0c0c0; font-size: medium;">“</strong><span style="color:#c0c0c0">He Breaks My Heart” will be your song. </span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/3mQEQeVMJhh1wYt15hRCf2" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>He Breaks My Heart</strong></span></a>” sings about settling for what’s in front of you when your circumstances do not show a better path. With the soft guitars and percussions, this song plays like a nice PM-radio Country-Rock track that has a nice wide Contemporary sound. The layered vocals add texture, and the way Jennings spaces her vocals on the hook adds a thought-provoking effect. The leads are almost conversational and that makes the song very approachable. The lyrics sing: <em>he breaks my heart / I forgive him way too fast / just forget and let it past / he breaks my heart / he just keeps me hanging on . . . I just give up and give in / let up and let him make believe he’ll change / I know he’ll never change / he breaks my heart</em>. In other words she’s saying, he breaks my heart, but I love him anyway and that breaks my heart too. What’s more, the way that Jennings wrote this song is very edifying in that the lyrics clearly describes how sometimes things are not a bed of roses, and in some instances in life, that’s okay. </span></p>
<p><span style="color:#c0c0c0">The closing song is an eclectic infused Country-Pop track featuring bongos and maracas as its core percussions giving the song a wide gait and a hot rhythm. “<a href="https://open.spotify.com/track/6dmS6uNp35rN2vgFpuzzgh" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>All the Other Roses</strong></span></a>” is very upbeat and laid back. Here Jennings describes a relationship where everything is wrong but feels so right, and how the protagonist is willing to play this game of pleasure and pain as no other makes her love so much. Jennings fervently sings: <em>It feels so wrong; you’re telling me lies / Feels so right looking in your eyes / I just keep falling falling / Cause something about you drives me crazy / All the other roses have far fewer thorns / Feels so right and hurts so bad in your arms / I know I’ve just myself to blame / I’m drawn to you like a flame / But all the other roses all the other roses / Wouldn’t be the same. Something about you / Yeah something about us drives me crazy</em>. Her passionate phrasing leaps this song above other ballads that are playing on Top 40 lists right now. This song also shows Jennings’ full scale of songwriting and singing. It positions her in the middle of her competitors.</span></p>
<p><span style="color:#c0c0c0">Just like the second installment of a play, a movie, or a book, where the anticipation grows, and the thrills increase taking the entire piece to an entirely different course of its predecessor, similarly “Courtyards & Aviaries Pt. 2” unveils the other side of the artist’s emotions – she brings more passion, more power, and more restraint at times too – she’s a little more sly with some added torch placed into the mix. </span></p>
<p><span style="color:#c0c0c0">Furthermore, “Courtyards & Aviaries Pt. 2” is sort of a myth-revealer as it breaks the stigmas that some have come to see as the norm – for instance, many think that all ballads are love songs, some feel that women today refuse to show their softer side in fear of appearing weak, and then we have public opinions about love in general, that chivalry and love is dead. But in the songwriting of “Courtyards & Aviaries Pt. 2,” Jennings have given us songs that pill back the myths and places a slash across their opinions. We hear songs where the title suggests a ballad, but we hear an up-tempo track. Then, there is a song where the female is unafraid to display her unrelenting affection for her lover; she’s unafraid to show a softer side. Even still, we feel the honesty inside of pain and the sentiments of settling for less than when the circumstances do not show another path. So, it shows the other side of female empowerment. </span></p>
<p><span style="color:#c0c0c0">Jennings’ range on this EP is amazing! She gracefully balances her vocal dexterity by including an open range with clear trills, passionate vibrato, and deep belts all without overextending herself or relying on trends. </span></p>
<p><span style="color:#c0c0c0">In addition, Jennings fully contains herself within the songs on her album leaving nothing up to the imagination of the listeners – you truly do hear her story inside of each song. That is because Jennings maintains the artist’s point of view instead of the observer’s point of view within her music. She is reflected in her lyrics and melodies. You will never hear a copy and paste method of artist production where another creates and the artist depicts that translation to the fans; no, she single-handedly sculpts the story and depicts it. And THAT is where the realism and the morality of her music lives. </span></p>
<p><span style="color:#c0c0c0">With Jennings’ creation of both “Courtyards & Aviaries Pt. 1” and “Courtyards & Aviaries Pt. 2,” we get to a Goldilocks zone within music as we get to the right mix of both sides of the heart. </span></p>
<p><span style="color:#c0c0c0">This album will give you a dose of reality with a tinge of honesty and will live with you forever. Make sure to download Part 1 also.<strong> </strong></span></p>
<p align="center"><span style="color:#c0c0c0"><a href="https://music.apple.com/us/album/courtyards-aviaries-pt-2/1468934232?app=itunes" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>iTunes</strong></span></a><a href="https://music.apple.com/us/album/courtyards-aviaries-pt-2/1468934232?app=itunes" data-imported="1"><span style="color:#c0c0c0"><br></span></a></span></p>
<p align="center"><span style="color:#c0c0c0"><a href="https://twitter.com/Jayna__Jennings" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Twitter</strong></span></a></span></p>
<p align="center"><span style="color:#c0c0c0"><a href="https://www.facebook.com/jaynajennings13/" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>FB</strong></span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536462019-08-29T12:00:00-12:002019-08-30T00:35:20-12:00Ashes For Dreams "Cut You Loose" EP
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/123ed29acec4df4587f258d30d506ca7a294c4c2/original/ashes-for-dreams.jpg/!!/b%3AWyJyZXNpemU6NDk4eDQ5OCJd.jpg" class="size_orig justify_inline border_" alt="" height="498" style="display: block; margin-left: auto; margin-right: auto;" width="498" /></span></p>
<p><span style="color:#c0c0c0">Ashes for Dreams is the sum of two talents – Johan Alm of Sweden and Karen O’Mahony of Ireland. What Ashes for Dreams has brought to the music table is an interesting mesh of Heavy Rock and Modern Folk music. This fusion of differences made for a wonderful collection of songs that translates into stories for lovers as it appeals to our humanity which transcends any specific structure of a genre. “Cut You Loose” lyrically and musically frames the definition of Ashes for Dreams – vibrant storylines, pulsating guitar lines, vocals with character, and memorable hooks. </span></p>
<p><span style="color:#c0c0c0">The 12 songs on “Cut You Loose” showcases this very fact with titles that jump off the page: </span></p>
<ol>
<li><span style="color:#c0c0c0">Freeloader</span></li>
<li><span style="color:#c0c0c0">Fight!</span></li>
<li><span style="color:#c0c0c0">Rumble</span></li>
<li><span style="color:#c0c0c0">Cut You Loose</span></li>
<li><span style="color:#c0c0c0">Would It Help?</span></li>
<li><span style="color:#c0c0c0">Invisible War</span></li>
<li><span style="color:#c0c0c0">Hands Off</span></li>
<li><span style="color:#c0c0c0">I Am Perfect</span></li>
<li><span style="color:#c0c0c0">Rainy Days</span></li>
<li><span style="color:#c0c0c0">Always You</span></li>
<li><span style="color:#c0c0c0">Don’t Play That Card</span></li>
<li><span style="color:#c0c0c0">Lie With Me </span></li>
</ol>
<p><span style="color:#c0c0c0">In this capsule review, I will focus on the songs that are emotionally charged to highlight Ashes for Dreams defining presence. </span></p>
<p><span style="color:#c0c0c0">We begin with the opening track, “<a href="http://ashesfordreams.bandcamp.com/track/freeloader" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Freeloader</strong></span></a>” – a track that’s powerfully ROCK and will have you singing that hook all day. With this track, you will not hear the standard harmonies of Rock music, but you <em><strong>will</strong> </em>hear that POWER that makes us love ROCK music. The core melody, formed by the drumline and bass, is very reminiscent of the 1960’s British Rock tracks that had those stop-go drumbeats, quirky synths, and guitar breaks with the lead vocalists singing above the melody. The jangly guitar and tambourines in the bridge sets you up for a wild ride going out. This is awkwardly awesome. </span></p>
<p><span style="color:#c0c0c0">“<a href="http://ashesfordreams.bandcamp.com/track/rumble" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Rumble</strong></span></a>” comes in seductively mellow and builds into a funky, bouncing, track. I enjoyed the laid-back vocal prowess of O’Mahony – the way she has that unafraid, ready to pounce, effect with her vocal style – this illustrates the premise of the song. This also displays a person having that wait-and-see attitude towards their lover to see whether they will be straight or full of lies. The guitars literally take center stage on this track with Alm hammering the strings so fervently giving the song the energy it needs.</span></p>
<p><span style="color:#c0c0c0">The <span style="color:#c0c0c0"><strong><a href="http://ashesfordreams.bandcamp.com/track/cut-you-loose" target="_blank" data-imported="1">title-track</a> </strong>lyrically </span>deals with the mixed feelings of yearning and release within a relationship when a person is wrestling with the notion to either keep a lover or cut them loose. The downtempo of O’Mahony’s vocal delivery is gratifyingly complex and light. The elongated delivery of the lyrics in the hook, as well as the nursery rhyme melody, gives the track a hauntingly awoke feeling. The drumline on this track is so present and plays well with the authoritative lead guitar and rhythm guitar that walk on their own with Alm pulling the strings. Another great facet of “Cut You Loose” is the wonderful takeaway that the bridge delivers. This is my favorite!! The music on this track has that Rock sensibility that die-hard Rock fans crave. </span></p>
<p><span style="color:#c0c0c0">The music on “<a href="http://ashesfordreams.bandcamp.com/track/rainy-days" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Rainy Days</strong></span></a>” is so beautifully 1980’s in its delivery with its tempo and melody. It is light and infectious. The form of the verses, hooks, adlibs, and backing vocals allows for the lyrics to clearly define the storyline without those parts of the song clashing or creating boredom – yes, there’s white space in the music in the form of NO CLUTTER, and it is welcoming. The simple conversational way that O’Mahony directs her lead is clever and forms a great platform for the hooks to soar. Moreover, Alm supports her vocals by allowing the lead guitar to basically sing along with O’Mahony. A song about perfect love never sound so NOW and THEN.</span></p>
<p><span style="color:#c0c0c0">The last track that’s emotionally charged is “Lie With Me” – a mellow track that has that sip of whiskey power behind it, and it doesn’t disappoint. </span></p>
<p><span style="color:#c0c0c0">Driven by O’Mahony’s passion and Alm’s coolness, “<a href="http://ashesfordreams.bandcamp.com/track/lie-with-me" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Lie With Me</strong></span></a>” is the Rock ballad of the collection. The lyrics to “Lie With Me” talk about being the half of another’s heart no matter the cost – even if it takes your laying down beside them, or lying for them, leaving the past behind and creating a new story is the ultimate goal. On this track, you hear both Alm and O’Mahony contributing to the lead vocals and it is FIRE! Alm’s mellow approach to his lead suits O’Mahony’s range which has substance and character. The track is performed on instruments that are scaled back some giving that emotional drive the story needs, but the guitars are very present and keeps the soul of the track meandering. I think that “Lie With Me” will become one of the duo’s signature songs.</span></p>
<p><span style="color:#c0c0c0">"Cut You Loose" is an adaptable collection of modern music that gives us something to plug into our ears to distance ourselves from the millennium clutter, because its arrangement places us into a decade where music was really MUSIC. Still, this music embraces those highlights of modern music that are special. It reads complicated on paper, but it is so right. </span></p>
<p><span style="color:#c0c0c0">Johan Alm, one of my favorites in Indie Rock, who’s known for his multi-instrumentalism, songwriting, and powerful guitars, has teamed up with an equally talented artist who is known for quintessential Folk music and spell-binding vocals, Karen O’Mahony. This creation is nothing short of perfection! </span></p>
<p><span style="color:#c0c0c0">It’s the differences blending so well to make it familiar that takes this album over the top. Alm’s instrumental soundscapes, gritty vocals, and strong melodies, pairs well with O'Mahony's contralto, take no-prisoners lyrical and vocal approach to songs - similar to Joan Jett. This is on-time for what listeners need right now. </span></p>
<p><span style="color:#c0c0c0">Ashes for Dreams’ “Cut You Loose” reflects a nice change in direction within the Indie Music tapestry and reminds us of the songs in the 1980s that combined grit and tenacity with beautiful melodies and practical lyrics. That musical juxtaposition is refreshing. This album pretty much summarizes how something that should come out so wrong comes out so RIGHT! </span></p>
<p align="center"><span style="color:#c0c0c0"><strong><a href="https://twitter.com/ashesfordreams_" target="_blank" data-imported="1"><span style="color:#c0c0c0">TWITTER</span></a> </strong></span></p>
<p align="center"><span style="color:#c0c0c0"><a href="https://www.facebook.com/ashesfordreams/" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>FACEBOOK</strong><strong> </strong></span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536452019-08-29T12:00:00-12:002019-08-30T00:32:19-12:00The Silver Lake Chorus “Not Not” Los Angeles, CA (USA)
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/a8067491c0316c6962744e2965f26a96f85dc5d9/original/the-silver-lake-chorus.png/!!/b%3AWyJyZXNpemU6NTA3eDMzNyJd.png" class="size_orig justify_inline border_" alt="" height="337" style="display: block; margin-left: auto; margin-right: auto;" width="507" /></span></p>
<p><span style="color:#c0c0c0">There really is strength in numbers, and The Silver Lake Chorus (TSLC) is evidence to that statement – with their voices. I am pretty sure <em><strong>The VOICE</strong></em> creator John de Mol had a sound like this in mind when he created that reality music television show, because when viewers and listeners hear or see the words: THE VOICE, they expect a sound that vibrates your heart to awaken deadened emotions. </span><span style="color:#c0c0c0">TSLC encompasses the expression of VOICE – a united front with the main purpose of bringing to life the expressionless and the lifeless.</span></p>
<p><span style="color:#c0c0c0">TSLC's latest song “</span><a style="font-size: medium;" href="https://www.youtube.com/watch?v=vuyCGwWNDJM%20%20" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Not Not</strong></span></a><span style="color:#c0c0c0">” serves as an illustration to the above expression as it c</span><span style="color:#c0c0c0">reatively showcases the power of voice. "Not Not" uplifts you and serves as a musical catharsis signifying power, self-love, self-acceptance, and the adaptable power of women. </span></p>
<p><span style="color:#c0c0c0">The way the harmonies and unisons ebb and flow like waves in the sea, “Not Not” places you in chill mode while transversely making you rethink matters within society. Moreover, the storyline held by rich lyrics helps to change the conversation in your mind – making you more proactive instead of passive. </span></p>
<p><span style="color:#c0c0c0">The video visually alludes to the above texts featuring a collection of friends from different backgrounds enjoying the company of each other. </span></p>
<p><span style="color:#c0c0c0">This is what America needs to see and hear right now – something universally accepted, universally needed, and universally felt, and that is LOVE and RESPECT! </span></p>
<p style="text-align: center;"><span style="color:#c0c0c0"><strong><a href="https://music.apple.com/us/album/the-silver-lake-chorus/989863311?app=itunes" target="_blank" data-imported="1"><span style="color:#c0c0c0">iTunes</span></a> </strong></span></p>
<p style="text-align: center;"><span style="color:#c0c0c0"><a href="https://twitter.com/TSLChorus" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Twitter</strong></span></a></span><a href="https://twitter.com/TSLChorus" data-imported="1"><br></a></p>
<p style="text-align: center;"><span style="color:#c0c0c0"><span style="color:#c0c0c0"><strong><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/b5c2ed931d0ed52ce4ff4c1f551a72750f584871/original/the-silver-lake-chorus-2.jpg/!!/b%3AWyJyZXNpemU6NDQ2eDI5NyJd.jpg" class="size_orig justify_inline border_" alt="" height="297" width="446" /></strong></span></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536442019-08-15T12:00:00-12:002019-08-15T18:48:25-12:00Tough on Fridays "Self Diagnosis" EP
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/a3b955377919dd6222168230d752cd6744377f4d/original/tough-on-fridays.jpg/!!/b%3AWyJyZXNpemU6NDU0eDQ1NCJd.jpg" class="size_orig justify_inline border_" alt="" height="454" style="display: block; margin-left: auto; margin-right: auto;" width="454" /></p>
<p><span style="color:#c0c0c0">Just like black panthers and snow leopards, it is rare within today’s music arena to find bold Rockers who just happen to be female. We rarely get to see Rockers who are not afraid to lay it down with real talk, not afraid to stand in their truths, or those who dare you to adjust your views on a certain subject. But when we do get a glimpse of Rockers who project such boldness, as well as talent, we not only look – we stare! </span></p>
<p><span style="color:#c0c0c0">Well, you know what I am about to say, right? I have found one! </span></p>
<p><span style="color:#c0c0c0">I want to introduce you guys to a band of Rockers from Texas, USA who are just such artists – Tough on Fridays. </span></p>
<p><span style="color:#c0c0c0">Tough on Fridays’ style of Alternative Rock / Pop Punk is gaining momentum, so I thought it would be Rocking awesome to allow you to do a virtual crowd dive with me. </span></p>
<p><span style="color:#c0c0c0">This is my interpretation of their latest EP “Self Diagnosis,” a collection of Alternative Rock / Pop Punk songs that play like a music-journal in that each track feature lyrics about discovering what works for you. And since everyone knows that it sucks when one finds out that their lover is fake, what better way to open an EP than to have a song titled “Fraud” start the musical conversation. </span></p>
<p><span style="color:#c0c0c0"><a href="https://open.spotify.com/track/7ub5K9F07F8jj1mZkZJ0yX" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Fraud</strong></span></a> is a mid-tempo breakup song that features a qausi blend of instrumentation. The music production reflects the emotional roller coaster one goes through when they put a period at the end of a "waste of time" relationship. For instance, the flamboyant guitars and profound drums ride the mellow melody on the verses, while the song spikes within the hook adding a sense of euphoria.</span></p>
<p><span style="color:#c0c0c0"></span><span style="color:#c0c0c0">The second song on “Self Diagnosis” is an in-your-face, Neon-Pop track with hints of Rock. “</span><a style="font-size: medium;" href="https://open.spotify.com/track/32TNh1VzWUxz0zPuiXzYC1" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Open My Mind</strong></span></a><span style="color:#c0c0c0">” lyrically puts into words that inner question, “do you really know me at all?” The song gets in and out in just two minutes and shows off wild ambitions. The lines “cause I am lost and I may not be found," and "I can’t help but wonder what you might find if you would one day open up my mind," are descriptive and direct. "Open My Mind" represents the boundary-less direction of classic Alternative music while illustrating that modern distinct “indie” vibe we LOVE! </span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/1TNNqwaiXYSAyg3AlShtRM" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>October 1</strong></span></a>” is a song about the fabulousness of Autumn. Metaphorically, this track can also speak to our souls about being willing to adapt to differences in life, love, and mind. The lyrics sing, “I have to admit, I miss you October 1 . . . the cold keeps me warm, and I don’t know why . . . leaves are changing, and so am I.” This Pop Punk cut is held together by that wonderful interwoven effect of the guitars and textured drums.</span></p>
<p><span style="color:#c0c0c0">The EP elevates blazingly with “Little Italy.”</span></p>
<p><span style="color:#c0c0c0"> “<strong><a href="https://open.spotify.com/track/19JE3bdk9vutKKF5GCzEMk" target="_blank" data-imported="1"><span style="color:#c0c0c0">Little Italy</span></a>” </strong>starts out with stuttering guitars and is this white-hot song that just resonates with energy containing a narrative about chance encounters and the repercussions of that exotic one-night stand. Leaving nothing to chance, Caleigh effortlessly uses her guitar to meld with each verse and hook while playing nicely with Katie’s bass - it is like a pop-and-lock series of dance moves, but played on guitars. LOVE, LOVE, to hear GIRLS ROCK!</span></p>
<p><span style="color:#c0c0c0"></span></p>
<p><span style="color:#c0c0c0"> “<a href="https://open.spotify.com/track/3PY196MfmNOeKxUI1izymn" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Summer</strong></span></a>” is the truth revealer of the collection. The ruthlessly honest lyrics illustrate how sometimes things are just not that good, and how you are NOT going to be happy all the time. Summer’s conversational vocal delivery highlights the honest reality of the song’s message. And, the HOT instrumentation just takes this practical cut to another level while adding a hint of hope. With lyrics like: <em>I’m so sorry for everything I am / I’m so sorry for everything I am . . . underappreciated and barely noticed at all / she’ll be just fine</em>, this song truly speaks to this generation of music buyers and cathartically gives them a wakeup call to recognize what depression is, that it is real, and how putting it down in writing is a start in making it better. I would love to hear a remix of this track with a slowed-up tempo – that would be rad.</span></p>
<p><span style="color:#c0c0c0"></span></p>
<p><span style="color:#c0c0c0"> And, what better way to keep the listening audience’s attention than to throw in an audible curveball. </span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/0sXO3u71YHcsaCXgWwTJn7" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Retrospect</strong></span></a>” is a curveball because it is not what you would think it should be. In truth, it is a song about thinking BACK, remembering; so, the fans would think, BALLAD. But no, this song features very FORWARD music. We have the lit aggressive lead vocals that are fire! We also have interlocking drums that easily becomes the highpoint to the track – you can hear the rhythm and the command of each beat perfectly reflecting the soul of the track. Nothing left to say but #arenaready! </span></p>
<p><span style="color:#c0c0c0">“Self Diagnosis” is a commercially ready piece of music. The drive, ambition, and heart of Tough on Fridays is sharply exposed on this EP. So GREAT to hear songwriting that is brutally honest and off the cuff; not to mention, it is GREAT to hear compositions that are not so far over the edge with effects and obnoxious storylines that the music gets lost in translation. </span></p>
<p><span style="color:#c0c0c0">With “Self Diagnosis,” we got the chance to hear lyrics that tell stories that are timeless, and music that bleeds into your soul. So, I want to applaud the stand-out talent on this EP. </span></p>
<p><span style="color:#c0c0c0">Caleigh’s songwriting is perfectly in the NOW – it is deep enough to touch on topics that many shy away from, and delicate enough to make you think. Having songs with substance, as well as vocals and instrumentation that hold-off on ALL limitations, make Tough on Fridays’ sound authentic. </span></p>
<p><span style="color:#c0c0c0">The additional instrumentation on the EP played by accompanying talents easily expressed every emotion that Tough on Fridays laid onto each track. They are definitely at the top of their game as musicians. </span></p>
<p><span style="color:#c0c0c0">And, as Katie exits the band to move on to another part of her life, there are two new tough as nails artists joining Caleigh in Tough on Fridays: Kelly (bass) and Syd (lead vox). Yes, the journey continues, and we all know that we are in for one TOUGH ride, because Tough on Fridays’ arrangements, harmonies, independent voices, and progressive beats just doesn’t get your attention, it DEMANDS it! I’m hooked; I want to hear more! </span></p>
<p><span style="color:#c0c0c0">If you are in or near the Waco, Texas USA area on August 31<sup>st</sup>, please make your way to see these bold rockers in concert at the Waco’s Nexus ESports. </span></p>
<p align="center"><span style="color:#c0c0c0"><a href="http://www.toughonfridays.com" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>BANDPAGE</strong></span></a><a href="http://www.toughonfridays.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0"><br></span></a></span></p>
<p align="center"><span style="color:#c0c0c0"><a href="https://tidal.com/browse/artist/8844608" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>TIDAL</strong></span></a><a href="https://tidal.com/browse/artist/8844608" data-imported="1"><span style="color:#c0c0c0"><br></span></a></span></p>
<p align="center"><span style="color:#c0c0c0"><a href="https://itunes.apple.com/us/artist/tough-on-fridays/1248810189" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>iTunes</strong></span></a></span></p>
<p align="center"><span style="color:#c0c0c0"><strong><a href="https://www.facebook.com/toughonfridays/" target="_blank" data-imported="1"><span style="color:#c0c0c0">FACEBOOK </span></a>| <a href="https://www.instagram.com/toughonfridays" target="_blank" data-imported="1"><span style="color:#c0c0c0">INSTAGRAM </span></a>| <a href="https://twitter.com/toughonfridays/" target="_blank" data-imported="1"><span style="color:#c0c0c0">TWITTER</span></a></strong></span><a href="https://twitter.com/toughonfridays/" target="_blank" data-imported="1"><br></a></p>
Klef Notestag:klefnotes.com,2005:Post/60536432019-08-08T12:00:00-12:002019-12-31T08:11:54-12:00Dean Maywood (self-titled EP)
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/1273d370f5a166797b9b704a9ccac05e102ebe5d/original/dean-maywood.jpg/!!/b%3AWyJyZXNpemU6NTA5eDUwOSJd.jpg" class="size_orig justify_inline border_" alt="" height="509" style="display: block; margin-left: auto; margin-right: auto;" width="509" /></span></p>
<p><span style="color:#c0c0c0">What made us fall in love with Billy Joel, Bruce Springsteen, and Bon Jovi is the practicality of their music – music that resonates with REAL people – music that is not just about a movie, a movement, or a moment, but everyday life – the ups and downs, the paying of bills, the rent being due, and the lover that got away. This is what Dean Maywood does with his music, he honestly tells his story and places the mirror in front of us to see our own reflections in the music. </span></p>
<p><span style="color:#c0c0c0">His self-titled album contains five songs that illustrate the above statement and harkens sentimentality and that heart-on-the-sleeve emotion we all adore. And these floating stories, which we title as Folk Music, are sewn together with some Country, and tightened with Alternative Rock. </span></p>
<p><span style="color:#c0c0c0">We start with “<a href="https://open.spotify.com/track/7fOkxAXxO0wlQSj1qkirPX" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Jane</strong></span></a>,” a descriptive song about an ambitious love affair that is sure to end but lingers, the lyrics sing, “darling it’s late, and I don’t want to leave without you, darling it’s late, and I don’t want to leave without you, I said it’s late, but I ain’t going to leave without you.” The minimalistic production with the inclusion of only guitars makes the song play like those 1960’s folk songs that seductively hypnotize its listeners. It's infectious as it just keeps a beat and rhythmically keeps you focused.</span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/7u85dUNPaykMEM1Z3Qumst" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Knowing & Lying</strong></span></a>” is a classic Folk track with some Heartland Rock elements. It describes the reality of life and how sometimes, the only concepts that helps us to make decisions are often “KNOWING” and “LYING.” The lyrics show how things can be quite blurred and heroes seem to be less and less. The harmonica gives this track an honest outlook. Maywood chose to pullback his vocals some on this track to illustrate passion – this is coupled with haunting backing vocals repeating the hook. The guitar solos on this track is nothing short of stunning and conversational in their own right!</span></p>
<p><span style="color:#c0c0c0">Maywood’s vocals are beautiful on his third track – he shows such desire in his delivery with pleasant trills and patient push offs. “<a href="https://open.spotify.com/track/2zipiUKFGlquZLrQWTBDHW" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Louisiana</strong></span></a>” is that metaphorical track where its meaning could be about the turbulent past of the city of Louisiana in the USA and how it is slowly rising back to its power like a phoenix, or about the artist himself and how he and the city of Louisiana both are fighting to recover and live on with wounds being addressed by love and life. Maywood sings, “Louisiana, we both seen our share of hurricanes.” The echo on the leads give off that dancehall singing effect. And, the heartbeat effect at the ending is classic! A beautiful ballad.</span></p>
<p><span style="color:#c0c0c0">The picturesque “<a href="https://open.spotify.com/track/4Tx3CCBRMcIh20bDHFaHQg" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>The Silver Dollar</strong></span></a>” lyrically takes you to that familiar place in your neighborhood that served as the hangout spot, or comfort spot, that rescued so many from making mistakes. The way Maywood composed this song showcases his writing talent, because lyrically you are transferred to <strong>THAT</strong> place in your history that was a rendition of “The Silver Dollar.”</span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/61UDMMOiXCjg8CQRsvkTzO" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Lay You Down</strong></span></a>” closes the album and is a wonderful reminder that REAL love does exist. The soothing duality between Maywood and the female backing vocalist is magic! The storyline is about how when things get rough, there is someone to smooth out the edges and make it okay. The way that Maywood utilizes that whisper and loud technique to his leads makes it personal. Moreover, that powerful piano supports the driving presence of Maywood’s vocal execution reflecting that immediacy of a hero-in-waiting feeling.</span></p>
<p><span style="color:#c0c0c0">It is amazing how universally we all share the same stories. Maywood is composing and performing from Irish roots, and yet globally we can relate – this album is like the thread that holds together the metaphorical carpet of cultures. </span></p>
<p><span style="color:#c0c0c0">What is stunning about Maywood is how he conceptually blends the styles of artists that came before him and intrinsically places his mood, tastes, and style into the mix. It is not mimicry; it is an homage and an upgrade. In addition, his guitar prowess is not a separate entity when it comes to the music; no, it is a part of the story – it settles when needed, and it drifts when needed. The incorporation of banjos, harmonicas, and slight FX makes for easy listening. </span></p>
<p><span style="color:#c0c0c0">So, you are not going to find the club mixes on this album, but do not get it twisted, there is plenty of music for movement on this collection. Let’s say that this collection is the liquor that you bring <em>TO</em> the party – the drinks that make the moments and sets the stage for the rest of the night and life. </span></p>
<p><span style="color:#c0c0c0">The result of this collection is top-quality music that has staying power – this is authentically and honestly Dean Maywood. </span></p>
<p><span style="color:#c0c0c0"> “Dean Maywood” is available on all streaming platforms. </span></p>
<p align="center"><span style="color:#c0c0c0"><a href="https://music.apple.com/us/album/dean-maywood-ep/1463451322" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Apple Music</strong></span></a><a href="https://music.apple.com/us/album/dean-maywood-ep/1463451322" data-imported="1"><span style="color:#c0c0c0"><strong><br></strong></span></a></span></p>
<p align="center"><span style="color:#c0c0c0"><a href="https://www.facebook.com/pg/deanmaywood" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Facebook</strong></span></a><strong><br> <a href="https://twitter.com/DeanMaywood" target="_blank" data-imported="1"><span style="color:#c0c0c0">Twitter</span></a></strong><strong><br> <a href="https://www.instagram.com/deanmaywood/" target="_blank" data-imported="1"><span style="color:#c0c0c0">Instagram</span></a></strong></span><a href="https://www.instagram.com/deanmaywood/" target="_blank" data-imported="1"><strong><br></strong></a></p>
Klef Notestag:klefnotes.com,2005:Post/60536422019-08-01T12:00:00-12:002019-12-31T08:11:53-12:00Barbara Borgelin “Forbidden Love” (Indie Rock / Soft Rock) Denmark
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/f3bc926bd2d53f23cc22783350967011e9b0f249/original/barbara-borgelin-forbidden-love.jpeg/!!/b%3AWyJyZXNpemU6NDM1eDQwOSJd.jpg" class="size_orig justify_inline border_" alt="" height="409" style="display: block; margin-left: auto; margin-right: auto;" width="435" /></span></p>
<p><span style="color:#c0c0c0">As humans, by nature, we usually long for whatever is not ours to have; and, that longing is coupled with the challenge to gain, because it makes us feel stronger and more powerful. And in some cases, that desire makes us feel more virtuous – especially when it comes to love! </span></p>
<p><span style="color:#c0c0c0">Barbara Borgelin, a successful singer/songwriter and artist known to pen songs that treat matters of the heart and soul with passion and purpose, has just released “<strong><span style="color:#c0c0c0">Forbidden Love</span></strong>” – a sophisticated song that describes this exact viewpoint – the lyrics sing: <em>Can't think of anything else but you, you, you / And I know so well I'm not supposed to / Can't get my mind on anything else but you, you, you / Forbidden love / Forbidden love / There is nothing like stolen fruit</em>. </span></p>
<p><span style="color:#c0c0c0">Borgelin executes her leads in a temptingly fashion with cautious drags and inquisitive backing vocals. The manner in which she runs her leads with unrestraint and a quick pace, cleverly demonstrates that guarded, yet curious, feeling one has when they are in pursuit of forbidden love. And even though every instrument supports this romantic balladeer’s vocal melody, those active guitars, and that sumptuous bassline, just adds the right touch of exhilaration. Very much like Salsa, this is music for movement. This song has the rose and the thorns. Just one listen, and “Forbidden Love” will stick to you like a lover’s tattoo.<strong> </strong></span></p>
<p><span style="color:#c0c0c0">Make sure to play it, download it, and buy it on all of your favorite platforms, including Tidal, right <span style="color:#ff0000"><strong><a href="https://orcd.co/forbiddenlovepresave/presavecallback?context=pre_save&service=spotify&redirecturl=&actionid=&order=5d1a65ebf16fd17b57928b48&user=Popular%20music&status=success&origin=presavecallback" target="_blank" data-imported="1"><span style="color:#ff0000">here</span></a></strong></span>!</span></p>
<p align="center"><span style="color:#c0c0c0"><a href="https://twitter.com/BarbaraBorgelin" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Twitter</strong></span></a></span></p>
<p align="center"><span style="color:#c0c0c0"><a href="https://www.facebook.com/BARBARAOFFICIALPAGE/" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Facebook</strong></span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536412019-08-01T12:00:00-12:002019-08-01T22:03:06-12:00For ADIO “Recipe” (Pop Rock) Ireland
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/da2090e6ea82f511a0a6c5663983eec8d8529ed8/original/for-adio.png/!!/b%3AWyJyZXNpemU6NDIyeDQyMiJd.png" class="size_orig justify_inline border_" alt="" height="422" style="display: block; margin-left: auto; margin-right: auto;" width="422" /></span></p>
<p><span style="color:#c0c0c0">I would like to introduce to my readers a song that is an instant banger out of the gate – this is “<a href="https://open.spotify.com/track/0uyOqSKhorJ7duIhY16gap" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Recipe</strong></span></a>” by For ADIO, a Pop Rock band from Carlow, Ireland. </span></p>
<p><span style="color:#c0c0c0">“Recipe” is about mixing the right elements in life together “to have a good time” everyday instead of just occasionally. The construction of this song is like a science equation set to music because the sum of every angle of this song – the fervent guitars setting the principle melody, the vocal enunciations, the exciting vocal deliveries, harmonies, and doubled leads – all work flawlessly to equally create a song that has honest, exciting, vocal deliveries. What this song has is that human appeal that today often goes missing in most Top 40 tracks. </span></p>
<p><span style="color:#c0c0c0">For ADIO is easily becoming a crowd favorite, and their latest track gives the millennials exactly what they want – solid basslines, animated adlibs and vocals, and a hook that is righteously infectious. This crowd-pleaser is not just for the summer but has the potential to become a song for the start of the school year and onward!<strong> </strong></span></p>
<p align="center"><span style="color:#c0c0c0"><a href="https://twitter.com/for_adio" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Twitter</strong></span></a></span></p>
<p align="center"><span style="color:#c0c0c0"><a href="https://www.facebook.com/foradiomusic/" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>FB</strong></span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536402019-07-25T12:00:00-12:002019-07-25T20:01:19-12:00ThraVine “Shine On” (Rock) Denmark
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/9c4b561f9a8b645b3ccb73375d390160baa7a343/original/thravine.jpg/!!/b%3AWyJyZXNpemU6NTI0eDUyNCJd.jpg" class="size_orig justify_inline border_" alt="" height="524" style="display: block; margin-left: auto; margin-right: auto;" width="524" /></span></p>
<p><span style="color:#c0c0c0">ThraVine wastes no time in jumping into the deep end of the pool with “<strong><a href="/files/516608/thravine-shine-on.mp3" target="_blank" data-imported="1"><span style="color:#c0c0c0">Shine On</span></a></strong>” – their second single that just released today!<strong> </strong></span></p>
<p><span style="color:#c0c0c0">Filled with slashing guitars, off the cuff percussions, and vocals that stare you down, this beautiful Rock ballad gives us a glimpse into a modern-day fairytale where true love does exist – Gabriel LaVine sings: <em>You’re the one for me / I’m your ecstasy / we’re right where we need to be / my love / shine on my love</em>. LaVine's somber, dragging, execution of his leads is sexy and pairs well with Henrik Thrane's bright adlibs giving the song such rich texture and attitude. This vocal treatment gives off a sense of rule-defiance and control of love. Perfect! </span></p>
<p><span style="color:#c0c0c0">In addition, this crowd-pleaser keeps the listeners glued to the speakers with that wonderfully tantalizing evanescent hook instantly transporting you to those rocking, righteous, Rock ballads back in the day. Still, “Shine On’s” lyrical and instrumental stamina and drive, as well as, its exuberant melody, keeps you in the present-day. </span></p>
<p><span style="color:#c0c0c0">This track is trend-worthy and fresh – this is just the song we were waiting for to make our summer nights SHINE ON!</span></p>
<p align="center"><span style="color:#c0c0c0"><a href="https://www.facebook.com/thravine" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>FB</strong></span></a></span></p>
<p align="center"><span style="color:#c0c0c0"><a href="https://www.twitter.com/thravine_dk" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Twitter</strong></span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536392019-07-25T12:00:00-12:002019-07-25T19:58:03-12:00Samuel Jack “Feels Like Summer” (Contemporary Soul) London, England
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/1e2b98c449d4a2a37f4cd8c204ef3ab8fdda3d6c/original/samuel-jack.jpg/!!/b%3AWyJyZXNpemU6NDcyeDQ3MiJd.jpg" class="size_orig justify_inline border_" alt="" height="472" style="display: block; margin-left: auto; margin-right: auto;" width="472" /></span></p>
<p><span style="color:#c0c0c0">When an artist can just STAND on the stage and get everyone's attention with just-one-note, then that artist truly has a gift. We saw that with some Motown late greats, as well as, some pop artists from the 1980s. It's the voice - so outstanding that it can stand alone, and only gets magnified by the music.</span></p>
<p><span style="color:#c0c0c0">Today, you can see and feel that effect with Samuel Jack. That is exactly the takeaway I took when I was introduced to his voice – utter amazement. So, you know what happened once the music joined that voice? mind blown! </span></p>
<p><span style="color:#c0c0c0">His latest track “<span style="color:#ffcc00"><a href="https://open.spotify.com/track/0VJXYUuvJAg4NdZJbemhJY" target="_blank" data-imported="1"><span style="color:#ffcc00"><strong>Feels Like Summer</strong></span></a></span>” starts with Samuel Jack showcasing his seductive silk-laced baritone in an elusive setting and singing “there was something in the water making me go ‘wow’!” and he keeps us glued to this in-the-now track by letting this song steadily evolve with a soulful groove. </span></p>
<p><span style="color:#c0c0c0">The song’s lyrics revolve around the story of how a glance from a lover, the touch of one’s hand, or the thought of a lover, can take us back to a place in our youth that makes us shine – like summer. </span></p>
<p><span style="color:#c0c0c0">The brass section and guitars just highlight Samuel Jack’s sunsoaked melodies, while the handclaps are reminiscent of old school Soul and R&B tracks. In addition, the percussions give the song that heartbeat suiting Samuel Jack’s soulful delivery spot-on. </span></p>
<p><span style="color:#c0c0c0">The <span style="color:#ffcc00"><strong><a href="https://youtu.be/zZ5F7XW2BF4" target="_blank" data-imported="1"><span style="color:#ffcc00">video</span></a></strong></span> is so fresh and filled with in-your-face CGI and practical real-life views highlighted with vibrant colors. It is as if you are seeing life through technicolor shades, and the song matches that view – living life in full color! </span></p>
<p><span style="color:#c0c0c0">It’s all here friends; and, you want to be there! Samuel Jack makes a complex composition seem effortless!</span></p>
<p style="text-align: center;"><span style="color:#c0c0c0"><a href="http://samueljackofficial.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Artist Page</strong></span></a></span></p>
<p style="text-align: center;"><span style="color:#c0c0c0"><a href="https://www.facebook.com/samueljackofficial/" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>FB</strong></span></a></span></p>
<p style="text-align: center;"><span style="color:#c0c0c0"><a href="https://twitter.com/samueljackmusic" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Twitter</strong></span></a></span></p>
<p style="text-align: center;"><span style="color:#c0c0c0"><a href="https://www.instagram.com/samueljackofficial/" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Instagram</strong></span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536382019-07-25T12:00:00-12:002019-07-25T20:25:09-12:00Leaving Lennox “Old Love” (Pop) Nashville, Tennessee USA
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/adb6f5580da092ce9ae568815e1c9284f3ca8ad1/original/leaving-lennox.jpg/!!/b%3AWyJyZXNpemU6NDkzeDQ5MyJd.jpg" class="size_orig justify_inline border_" alt="" height="493" style="display: block; margin-left: auto; margin-right: auto;" width="493" /></span></p>
<p><span style="color:#c0c0c0">Just in time for New Music Friday, a song that plays like a love letter set to music – “<strong><a href="/files/516607/leaving-lennox-old-love.mp3" target="_blank" data-imported="1"><span style="color:#c0c0c0">Old Love</span></a></strong>” by Leaving Lennox, a duo whose signature sound is quickly becoming the new norm in Indie Pop Music.<strong> </strong></span></p>
<p><span style="color:#c0c0c0">Leaving Lennox is the music union of Australian singer/songwriters Mick Hambly and Lauren Val. After making the big move from Australia to Nashville, Tennessee, USA, the pair wasted no time in getting their feet wet in America’s music mecca and have made their mark in Indie Music with a progressive Pop-Folk sound that features elements of Country and Rock. </span></p>
<p><span style="color:#c0c0c0">"Old Love" wonderfully depicts how Love is a verb, and the way we adapt through love's stages establishes us as either a prisoner of love or an explorer of love – the lyrics reveal this observation singing: <em>Fire’s on and I’m staying home / It’s been 10 years since you let me go / Sitting here in a couch for two / Still thinking about you / Drink in hand / And our favorite songs / ‘Bit of Skynard and all summer long / know I’ve got a new name / but I’m still thinking about you</em>. </span></p>
<p><span style="color:#c0c0c0">The first thing that grabs you is how the intro music tiptoes into your ear. This elusive introduction is quickly joined by Val’s crisp, honest, vocals. The way that Val chose to treat her lead melody with an understated effect, was brilliant. This vocal treatment allowed the song to register in the ears of its listeners so conversationally. </span></p>
<p><span style="color:#c0c0c0">And when Hambly comes in on his lead, the song just goes to a whole other level – you get to feel the masculine approach to a transitional song. Val’s soprano voice marries well with this track and complements Hambly’s second tenor so well. The way they interlocked vocally; it was if their voices were in a rhythmic dance exchanging footnotes – it just works! Instrumentally, the progressive beats and low-end frequencies highlight both artist’s unique vocals. </span></p>
<p><span style="color:#c0c0c0">A bonus on this track is the inclusion of Aaron Sterling on drums (the live tour drummer for John Mayer and session drummer for Keith Urban and Taylor Swift, to name a few) with his combinations that are just fire! </span></p>
<p><span style="color:#c0c0c0">All the above key elements take this track over the top. Leaving Lennox musically hand carves an organic sound and laces it with a modern command to their beats and melodies. </span></p>
<p><span style="color:#c0c0c0">They are the <a href="http://www.berlinpage.com/" target="_blank" data-imported="1">Berlin</a> of our day, and I cannot wait to hear what comes next!</span></p>
<p style="text-align: center;"><span style="color:#ffff00"><a href="http://www.leavinglennox.com" target="_blank" data-imported="1"><span style="color:#ffff00"><strong>Bandpage</strong></span></a></span></p>
<p style="text-align: center;"><span style="color:#ffff00"><a href="http://www.facebook.com/leavinglennox" target="_blank" data-imported="1"><span style="color:#ffff00"><strong>FB</strong></span></a></span></p>
<p style="text-align: center;"><span style="color:#ffff00"><a href="https://www.instagram.com/leavinglennox" target="_blank" data-imported="1"><span style="color:#ffff00"><strong>Instagram</strong></span></a></span></p>
<p style="text-align: center;"><span style="color:#ffff00"><a href="http://www.twitter.com/leavinglennox" target="_blank" data-imported="1"><span style="color:#ffff00"><strong>Twitter</strong></span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536372019-07-18T12:00:00-12:002021-07-13T10:40:12-12:00Explicare “Kyoto Sunrise” (Dark Alternative) London
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/31345ecb3dafedbfbb62bcfe70cf1a181541c17c/original/explicare-artist.jpg/!!/b%3AWyJyZXNpemU6NDI0eDQyNCJd.jpg" class="size_orig justify_inline border_" alt="" height="424" style="display: block; margin-left: auto; margin-right: auto;" width="424" /></span></p>
<p><span style="color:#c0c0c0">One of the most enthralling songs I’ve heard this summer comes from the mind, voice, and hands of Explicare – a multi-instrumentalist, singer, and songwriter based in London, England. The song I am speaking of is “<a href="https://open.spotify.com/track/3K2kfFw5jhT7XtkaEsK1br" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Kyoto Sunrise</strong></span></a>.” </span></p>
<p><span style="color:#c0c0c0">Very much like that beautiful city in Japan where breathtaking natural forms of art blends with classic-contemporary pieces of art in the form of man-made architecture, with this track you can hear Explicare’s classical music background fused with Modern Alternative music. This variegated approach of creating music presents a musical experience rather than JUST a listen. </span></p>
<p><span style="color:#c0c0c0">The song slightly pushes off with a muffled synth effect, then enters Explicare’s crystal clear vocals and a sole crisp piano. Her Mezzo-soprano voice carries on a downtempo on the verses and then climbs on the pre-choruses and hook making for a delicately moving vibe mirroring the cravings of a love-devotee awaiting their lover. The way that Explicare effortlessly flows from piano, to synths, to percussions, to guitar, illustrates her music prowess. </span></p>
<p><span style="color:#c0c0c0">Equally authoritative, the lyrics suggests that insanely wild affection that lovers induce: <em>I’ve been wondering every night how might sunlight fall so heavily, beside you and me, so hopefully if our times fall unaligned, caress my energy . . . . God let this shelter be preserved, for once I feel my love has been deserved. I’m inclined to hold this automatic gratitude. You touch my hand I swear; I feel the oceans move. It’s no surprise, you could eat me alive, you know I want you to. You’re a sunrise in the afternoon. My stranger’s psychedelic eyes. Cherry wrappers fall, we’re playing Virgin Suicides . . . . Your eyes and this Kyoto Sunrise (Kyoto Sunrise)</em>. It’s that once served, always yours, method of romance with the partner harnessing a spellbinding effect, and each one embracing that special gift as if it’s their last to cherish. </span></p>
<p><span style="color:#c0c0c0">Besides the hand claps, euphoric backing vocals, and echo FX, as well as those unrestrained adlibs, the song garners a minimalistic approach to its production which is so refreshing and places the listener in a type of Zen frame of mind – this aids the listener in harvesting ALL of the song’s fineness, REALLY grasping the jest of its message. There are no additional bells or whistles to crowd the imagination or create boredom. </span></p>
<p><span style="color:#c0c0c0">“Kyoto Sunrise” grows steadily, and by mid-section, you’re at a musical summit with the song climbing with the inclusion of additional instruments. By its end, you are left with a small trinket of instrumental bliss in the form of dramatic instrumentation – icy soundscapes sliding out of existence while holding onto isolated dark piano chords and violins in the same manner as a tragic play from Shakespeare completing its production. A nice finale to a Dark Alternative Power Ballad showcasing a romantic appetite as unique as a sunrise in the afternoon. </span></p>
<p align="center"><span style="color:#ff0000"><strong><a href="https://twitter.com/glitter_sticks" data-imported="1"><span style="color:#ff0000">https://twitter.com/glitter_sticks</span></a></strong></span></p>
<p align="center"><span style="color:#ff0000"><strong><a href="http://facebook.com/explicare" target="_blank" data-imported="1"><span style="color:#ff0000">http://facebook.com/explicare</span></a></strong></span></p>
<p align="center"><span style="color:#ff0000"><strong><a href="http://instagram.com/explicare" target="_blank" data-imported="1"><span style="color:#ff0000">http://instagram.com/explicare</span></a></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536362019-07-18T12:00:00-12:002019-07-18T21:17:35-12:00Micayl “MONOCHROME” (Alt. Soul) Liverpool, England
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/249d9ba6beab39554bba7aadf791ba7343dafb7a/original/micayl-music.png/!!/b%3AWyJyZXNpemU6NDAweDQwMCJd.png" class="size_orig justify_inline border_" alt="" height="400" style="display: block; margin-left: auto; margin-right: auto;" width="400" /></span></p>
<p><span style="color:#c0c0c0">If you need a modern track that puts you in DECOMPRESS mode in the same way that 90s Soul did for you after a long day, then look no further. Check out this non-conforming Alternative Soul track called “<a href="https://open.spotify.com/track/6Oo2wjLEL8sXt0cWEFM2iQ" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>MONOCHROME</strong></span></a>” by Liverpool singer/songwriter Micayl. Not one to be underestimated, Micayl’s latest “MONOCHROME” is an example of boundless talent.</span></p>
<p><span style="color:#c0c0c0">From the soft synths merged with a modern command to the beat, along with the highlights of brass and bass, on to Micayl’s awesome down-tempo leads meshing wonderfully with those multi-toned flexed backing vocals, as well as Micayl’s floetic bridge, every element laid within this song purposefully showcases a varied music production approach that tightly shapes a song about living life in neutral shades. When one lives life in neutral shades, they subconscientiously</span><span style="color:#c0c0c0"> take all of the reactions and actions within their mind, be it anxiety, love, lust, sadness, or whatever, and give them a color; then, they blend all of those colors to create one neutral shade that gives them mental clarity. </span></p>
<p><span style="color:#c0c0c0">The overall tempo of the track is old school, but Micayl’s treatment of the instruments, adlibbed vocal melodies, and FX is so modern. This is a great example of a classic comeback being upgraded. So much personality in just three minutes – dag! </span></p>
<p style="text-align: center;" align="center"><span style="color:#c0c0c0"><strong><a href="https://www.instagram.com/thestoryoftoni/" target="_blank" data-imported="1"><span style="color:#c0c0c0">INSTAGRAM</span></a><a href="https://www.instagram.com/thestoryoftoni/" target="_blank" data-imported="1"><span style="color:#c0c0c0"><br></span></a></strong></span></p>
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<p style="text-align: center;" align="center"><span style="color:#c0c0c0"><strong><a href="https://twitter.com/ToniMicailMusic" target="_blank" data-imported="1"><span style="color:#c0c0c0">TWITTER</span></a><a href="https://twitter.com/ToniMicailMusic" target="_blank" data-imported="1"><span style="color:#c0c0c0"><br></span></a></strong></span></p>
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Klef Notestag:klefnotes.com,2005:Post/60536352019-07-18T12:00:00-12:002019-07-18T21:25:59-12:00Katey Brooks’ “Revolute”
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/59bc2443c825125d46c4d767c5fe608d6c642c73/original/katey-brooks.jpg/!!/b%3AWyJyZXNpemU6NDA3eDQwNyJd.jpg" class="size_orig justify_inline border_" alt="" height="407" style="display: block; margin-left: auto; margin-right: auto;" width="407" /><span style="color:#c0c0c0"></span></p>
<p><span style="color:#c0c0c0">You’ve heard of the African proverb ‘it takes a village’ which means that it takes all minds, hearts, and hands to raise a child? well, often it takes a collection of songs to really push the trajectory of a person or people. And, there are only certain types of artists who create music that can be shared on a wide scale displaying compositions that are made to be enjoyed while being soul-submerging, soul-submerging in that they have the capability to transfer the sad to happy, the unloved to loving, and the caged to freedom. We got these types of artists with John Lennon, Marvin Gaye, and Carly Simon. Later we heard this type of music with Lauren Hill and Sting. Right now, we have Katey Brooks! </span></p>
<p><span style="color:#c0c0c0">This Bristol, UK artist creates music that compels soul-submerging and emotional freedom. Brooks’ “Revolute” album is laced with 11 tracks that were inspired by love, loss, and rebirth: </span></p>
<ol>
<li><span style="color:#c0c0c0">Never Gonna Let Her Go</span></li>
<li><span style="color:#c0c0c0">All of Me</span></li>
<li><span style="color:#c0c0c0">We the People</span></li>
<li><span style="color:#c0c0c0">Golden Gun</span></li>
<li><span style="color:#c0c0c0">In Your Arms</span></li>
<li><span style="color:#c0c0c0">The Sweetest Things</span></li>
<li><span style="color:#c0c0c0">Burn It Down</span></li>
<li><span style="color:#c0c0c0">Jeremiah</span></li>
<li><span style="color:#c0c0c0">Call Out</span></li>
<li><span style="color:#c0c0c0">In Light of You</span></li>
<li><span style="color:#c0c0c0">Trouble So Hard</span></li>
</ol>
<p><span style="color:#c0c0c0">I will be interpreting Revolute’s five highlights. </span></p>
<p><span style="color:#c0c0c0">I’ll start with the opening track “Never Gonna Let Her Go.” </span></p>
<p><span style="color:#c0c0c0">The album opens powerful with layers, almost operatic, harmonies that are similar to the sound you get with chamber music, and it forces your ears and heart to take in the message at hand. “<a href="https://open.spotify.com/track/52Ggyl3hLwsrLGYPfI2AU7" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Never Gonna Let Her Go</strong></span></a>” is stoic and impressive track that stands in its truth with the protagonist owning her choice to love whom she chooses to love. That Dirty South Soul “ooh” backing vocals gives the track weight. Moreover, the backing vocal adlibs are reminiscent to the 1970s Soul/R&B background notes where they are highlighted with unison modulations and lead the hooks. This track is a great mix of Psychedelic Soul and Rock. The guitar stays the dominant instrument setting the mood of “Never Gonna Let Her Go.” </span></p>
<p><span style="color:#c0c0c0">Talk is cheap! In a nutshell, that is what “<a href="https://open.spotify.com/track/3r1jpjacZ2StBRHtpYcZD7" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>All of Me</strong></span></a>,” a heavy Soul, Folk-Blues, track relates. This song was inspired by an incident with Brooks and her lover where love’s reciprocation was imbalanced. Yes, our actions ALWAYS speak louder than our words, and it is best to give all of yourself than just the pieces you select to give. The song start out very mellow with a single guitar, and then grows layer by layer with organs, steady percussions, and rich harmonies. This breakup song is filled with pure honesty. In addition, the soulful swag of the track’s melody just hooks you right in. And, I love the way that Brooks used the “I” alliteration in the second verse when she sings “cause never have <strong>I</strong> let a love <strong>like</strong> this one <strong>in</strong>,” and the way that she runs that line with skilled vibrato is just stunning. This technique just allows her somber, yet strong, vocals flow like honey. The way that Brooks trills her high and low registers just keep the emotion right close to the chest like a hand of cards.</span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/1WCicLyxp0HwnW80UvbE67" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>We the People</strong></span></a>” is a revolutionary track in that it speaks volumes in so many levels. On one hand, this is a letter from a lover speaking their truth in terms of their love for another; and then, on the other hand, this track can start a movement of social love with the hook speaking for the socially mute stating “letting me out and let me love you until the end of my soul / we are the people, we are the friends, we are the lovers, we are the only ones, I wanna love you, I wanna free you, I wanna hold, but darling, I don’t want to keep you.” The piano, twang guitar, and foot stomping bass drum all supports this authoritative track. And the raw, honest, way that Brooks brings out the soul of this track with straight edge leads and harmonic hooks makes this track modest yet regal. In addition, Brooks’ italicized adlibs additionally gets the story across being that second voice – a reminder of the artist’s intentions. These are sung in a drier tone which makes the track very relatable. This song registers with anyone and puts the PRIDE back into your soul. </span></p>
<p><span style="color:#c0c0c0">I admire the way that Brooks takes ownership of HER story with “<a href="https://open.spotify.com/track/3qds3RW3KvGX3r2VhfhC9S" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>In Your Arms</strong></span></a>” – a modern Country/Folk track that features a bit of Heartland Rock and just makes you stop and listen. Brooks uses a conversational method to execute her lyrics which makes the listener envision the character of the song actually <em>looking</em> their lover right in the eyes and announcing their love or sharing their heart. The backing vocals highlights this heartfelt approach. Moreover, the layers of harmonies and unisons on “In Your Arms” frames this love letter wonderfully. This is the sit on the edge of the stage and just remember track. </span></p>
<p><span style="color:#c0c0c0">And lastly, we have “Burn It Down.” </span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/744QaqChWptrv4gjG1k9Yq" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Burn It Down</strong></span></a>” really pulls the curtains back and unleashes the SOUL honey. The storyline of this track reflects the reality of how women are victimized with society, and how society often places the blame on the woman for being assaulted. The lyrics suggests how the protagonist of the song will stand with her sisters and burn down anything that stands in the way of social justice for women. I was captivated by that definitive Soulful sound with the guitars and drumline. In addition, the scale and range of Brooks vocal prowess, and the tone of her vocal treatment was marvelous – the way she lent herself to the groove and the melody. Plus, a great vocal accentuation that lends to this track being a crowd pleaser is how Brooks slowly climbs in octaves throughout the track going higher and higher, so by the end, you are standing with fists in the air!</span></p>
<p><span style="color:#c0c0c0">Filled with a wide variety of emotions, and that heavy inner-gut urgent hook, “Burn It Down” is our concept song. It is freeing, empowering, and memorable. This is the “I got your back” track that gives a dominate illustration of whenever there is a victim, when we are united, there will be a victor and survivors. </span></p>
<p><span style="color:#c0c0c0">And while I focused on the above tracks, please take a listen to the passion-pistol “Golden Gun,” the Classic Folk “The Sweetest Things,” the R&B infused “Jeremiah,” and the bold “Calling Out.” Also, check out “In Light of You,” which meanders like a river into rapids, and finally the Jazz-Bluesy “Trouble So Hard.” All of these songs are emotionally honest and reflective. </span></p>
<p><span style="color:#c0c0c0">With today’s music, us music journalists rarely get a hold of music by artists who truly know how to tell a story, not to preach, but to teach a different point of view to awaken closed minds to see things differently. And in 2019, I am so glad to have been connected to Katey Brooks’ “Revolute.” </span></p>
<p><span style="color:#c0c0c0">Like a ship’s manifest, each track leaves a kind of music fingerprint showing where the story started and where it is heading with songs illustrating how to reawaken, how to reach back to love again, reach back to start over, how to find your TRUE self, or to search for a difference. And in conjunction with this broad theme, the listener is left seeing how love is natural, that peace is more powerful than war, and that every person, no matter their religion, race, sexual identity, or education, deserves the highest form of respect. You leave with a whole other point of view. WOW! </span></p>
<p><span style="color:#c0c0c0">And what makes these stories come to life so vividly and transfer so clearly to evoke pride, character, change, and reflection, is the musical foundation on which Brooks build the songs. A modern fusion of Country, Folk, Pop, Rock, and Soul with elements of Gospel. </span></p>
<p><span style="color:#c0c0c0">In addition, Brooks vocal skill is untouchable, really. The way that she follows each musical melody like a second skin, and they way that she alters her notes to contrast the music to give a different audible likeness, is amazing. She is clever with her adlibs and honest with her stories. With each vocal register, octave, or pull-back, you can hear victory, defeat, reflection, change, and reality. It’s the true story tellers who can write and produce as such. </span></p>
<p><span style="color:#c0c0c0">And while Brooks is the writer, producer, lead vocalist, backing vocalist, and lead / rhythm guitarist of “Revolute,” aiding in this musical interpretation of realism are: Paul Quinn (mixing and technical Production), engineers: Clint Murphy Paul Quinn, and Tarrant Shepherd, assistant engineers: Dan Patterson and Laurence Nelson. In addition, Ryan Smith of Sterling Sound did the mastering of “Revolute,” while Paul Quinn contributed male backing vocals, piano, organ and Rhodes. Jon Short was on bass, and Craig Connect provided the drums and percussions. </span></p>
<p><span style="color:#c0c0c0">This album is the key that unlocks social cages, unlocks hearts, and unlocks minds. The way that Brooks writes and plays music just gives anyone the permission to just BE and live life FIERCELY without regrets.</span></p>
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/441b158e5257693ecbeac4cc1541356b44ecb2c7/original/katey-brooks-2.jpg/!!/b%3AWyJyZXNpemU6NDE2eDQxNiJd.jpg" class="size_orig justify_inline border_" alt="" height="416" style="display: block; margin-left: auto; margin-right: auto;" width="416" /></span></p>
<p> </p>
<p style="text-align: center;"><span style="color:#c0c0c0"><a href="https://www.facebook.com/kateybrooksmusic/" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Facebook</strong></span></a></span></p>
<p style="text-align: center;"><span style="color:#c0c0c0"><a href="https://twitter.com/KateyBrooksOFCL" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Twitter</strong></span></a><a href="https://www.instagram.com/kateybrooks" target="_blank" data-imported="1"><span style="color:#c0c0c0"></span></a></span></p>
<p style="text-align: center;"><span style="color:#c0c0c0"><a href="https://www.instagram.com/kateybrooks" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Instagram</strong></span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536342019-07-10T12:00:00-12:002019-07-11T19:48:25-12:00Colour of the Jungle “Steel Tray” (Alt. Rock) Portsmouth, England
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/6de5bd3b189c4d5a02f397d30539e0f0019a930a/original/color-of-the-jungle.jpg/!!/b%3AWyJyZXNpemU6NDg0eDQ4NCJd.jpg" class="size_orig justify_inline border_" alt="" height="484" style="display: block; margin-left: auto; margin-right: auto;" width="484" /></span></p>
<p><span style="color:#c0c0c0">Ready for a song that wears cement shoes?</span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/3aD8AnO2KQH5UUcig3dqSs" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Steel Tray</strong></span></a>” is an Alternative Rock track by the ever-confident Garage Rock band Colour of the Jungle and it is built from steel – its infectious hook created by jangly guitars and attitude-laced leads, will leave you grounded. The raspy prowess of the front-man’s lead is just RIGHT on all types of levels. </span></p>
<p><span style="color:#c0c0c0">This 5-piece band from the UK sends out all kinds of raw realness as if they are the MEN OF STEEL!</span></p>
<p><span style="color:#c0c0c0">This gritty track proficiently retells the story of getting through the daily grind of life and tosses that idea right-side-up by adding the point of infusing strength or courage by having a strong core. </span></p>
<p><span style="color:#c0c0c0">To illustrate creatively, Colour of the Jungle shows how when you push through the negatives in life, it is almost like you get a sixth sense in that you are able to connect the dots to see the entire picture and plot your next course. So metaphorically, you are able to lay your cards down on a “steel tray” verses a “table” as you have that foundation of strength fused in your being from hitting the bricks and getting back up to tell your tale. </span></p>
<p><span style="color:#c0c0c0">And, the way the front man gives his vocal melody a nonchalant vibe, like, “what’s next or what now?” just places this cut above the others as it gives the song a transparency that just highlights its message. </span></p>
<p><span style="color:#c0c0c0">That sumptuous bottom solidifies the emotive lyrics, and the jangly guitar gives the track a spine that seriously supports that core melody. This song is CONCRETE – once it pours into your ears, there is no breaking its schtick - dig it! </span></p>
<p><span style="color:#c0c0c0">Make sure to check out their <a href="https://www.facebook.com/colourofthejungle/" target="_blank" data-imported="1">Facebook </a>page to see their tour dates.</span></p>
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/582a01196992c5b9bbd046f51d48e3068261a227/original/color-of-the-jungle-2.jpg/!!/b%3AWyJyZXNpemU6NDIxeDIyMCJd.jpg" class="size_orig justify_inline border_" alt="" height="220" style="display: block; margin-left: auto; margin-right: auto;" width="421" /></span></p>
<p align="center"><span style="color:#c0c0c0"><span style="color:#c0c0c0"><a style="font-size: 10px;" href="https://www.instagram.com/colourofthejungle/" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.instagram.com/colourofthejungle/</span></a></span></span></p>
<p style="text-align: center;"><a href="https://twitter.com/Colourojungle" target="_blank" data-imported="1"><span style="color:#c0c0c0"><span style="color:#c0c0c0">https://twitter.com/Colourojungle</span></span></a></p>
Klef Notestag:klefnotes.com,2005:Post/60536332019-07-10T12:00:00-12:002019-07-10T21:20:23-12:00Raised on TV “Soul on Fire” (Alt. Rock) Los Angeles, CA. USA
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/66eea0d805188cbb451f418dfe0b67d0fa83ef00/original/raised-on-tv.jpg/!!/b%3AWyJyZXNpemU6NTE4eDUxOCJd.jpg" class="size_orig justify_inline border_" alt="" height="518" style="display: block; margin-left: auto; margin-right: auto;" width="518" /></span></p>
<p><span style="color:#c0c0c0">When a song psychedelically builds in anticipation while including all of your senses, you know you are in for a treat. That is exactly what the latest single from Raised on TV does to its listeners called “<span style="color:#c0c0c0"><strong><a href="https://open.spotify.com/track/3azaRpHye1zd0Dq11CccNZ" target="_blank" data-imported="1">Soul on Fire</a>.</strong></span>”</span></p>
<p><span style="color:#c0c0c0"></span></p>
<p><span style="color:#c0c0c0">Raised on TV is an Alternative Rock Trio based in Los Angeles California. Their unconventional method in wrapping crucial social topics within modern, trend-worthy, beats and rhythms is so reminiscent of the 60s and 90s Rock bands – two decades in music where bands held a non-conforming aesthetic. This establishes Raised on TV as one of our millennial Alt. Rock bands that will have staying power.</span></p>
<p><span style="color:#c0c0c0"></span></p>
<p><span style="color:#c0c0c0">"Soul on Fire" is a song about digitally detoxing and detaching from the toxicity of technology while becoming reacquainted with reality. And, i</span><span style="color:#c0c0c0">f that catchy Psychedelic bleed-in intro does not get you hooked to this track, then the way this song evolves WILL have you hooked as if it were a drug. </span></p>
<p><span style="color:#c0c0c0">Note for note, the music is relentless in establishing that natural rhythmic Rock foundation by pulling back the melody of the leads and then allowing for the song to climb into a modulated anthemic hook. It takes skill to patiently allow for each verse to introduce itself and let it remain with the listener while simutaneously letting the pre-chorus introduce itself and linger. But, this sets the stage for a wonderful listening experience, because after this persistent-layered introduction occurs, then we have that hook that just soars - it's j</span><span style="color:#c0c0c0">ust fist pounding righteous man! </span></p>
<p><span style="color:#c0c0c0">Also, take note of the guitar solo at the 2 minutes and 22 seconds mark and how it just takes you way up into the nose bleed seats and then you are melodically taken back down to the front of the stage once the 2 minutes and 59 seconds mark comes in. </span></p>
<p><span style="color:#c0c0c0">Seriously, there are so many instrumental and vocal levers you can pull with this track to get a push. </span></p>
<p><span style="color:#c0c0c0">It is like you are entering a gate, then another gate, and yet another gate of expectations, then finally wind up at center stage, right there in living color experiencing a live concert. By the time the front man sings “I feel like a soul on fire waiting to explode,” your jaw is already on the ground from excitement. </span></p>
<p><span style="color:#c0c0c0">And what makes this Alternative Rock track refreshing is its lack of monotony, the lack of over excited synths, and the INCLUSION of just PURE ROCK fueled feeling. </span></p>
<p><span style="color:#c0c0c0">This is LIT! Red bull couldn’t do any better at getting you amped. I can see this track making its way to the top of the Billboard Top 40 list QUICK! </span></p>
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Klef Notestag:klefnotes.com,2005:Post/60536322019-06-27T12:00:00-12:002019-06-27T23:21:42-12:00Jayna Jennings “The Blue” (Blues/Pop Rock/Country) Tennessee/Georgia USA
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/ba492a3b3dc8cecdb2cf36b49366856f1179250f/original/jayna-jennings-blue-single.jpg/!!/b%3AWyJyZXNpemU6NTU2eDU1NiJd.jpg" class="size_orig justify_inline border_" alt="" height="556" style="display: block; margin-left: auto; margin-right: auto;" width="556" /></p>
<p><span style="color:#c0c0c0">What would you say if I were to tell you I know of an artist whose voice literally flutters with wings of emotion and perches right on your soul? You would probably think that I was drinking something too strong. But honestly, I do know of an artist whose voice literally spans heights and knows when to rest. Jayna Jennings is that type of artist and songwriter. Her recent release “<a href="http://itunes.apple.com/album/id1468728538?ls=1&app=itunes" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>The Blue</strong></span></a>” displays this skill so well. </span></p>
<p><span style="color:#c0c0c0">Let’s start with her opening lead when she sings: <em>You are an ocean and I’m drowning / you’re deep and blue I can’t swim but I’m trying / your love is wide and long I’m starting to break / I’m lost in your love I’m caught in your wake / you are peaceful then a storm / you’re everything I’ll ever want and more / your love is far and way / you’re a storm about to pour / I’m gone in your waters you’re who I adore</em>. </span></p>
<p><span style="color:#c0c0c0">With each line she climbs a little bit more reaching a further height. Then, she trills right into that middle tonality showcasing her prowess spilling her emotions, then she goes right into that infectious hook, and then just holds it there with the candid exoneration singing, THE BLUE!! </span></p>
<p><span style="color:#c0c0c0">A song about love’s unpredictability has never been so smooth, as most songs about the unknown of a lover or love is usually composed with a fast tempo and lyrics spelling out pretentions. But with Jennings, the impression that she leaves on your ears is as rich as chocolate and smooth as silk. The melody is layered with vocal expressions and modulations which equally supports the soft soundscapes, bass drum, and guitars. Honestly, the more she soars, the further you want to go with her lead – she leads, and you follow her into the BLUE – that tranquil place of unknowing. </span></p>
<p><span style="color:#c0c0c0">Readers, I am a legit Jenger – a true fan of Jayna Jennings. </span></p>
<p><span style="color:#c0c0c0">When I last reviewed this scarlet chanteuse’s “Courtyards & Aviaries Part 1,” I said that I cannot wait to hear “Courtyards & Aviaries Part 2,” and guess what? Pt. 2 is available for pre-order NOW and releases on August 2<sup>nd</sup> (2<sup>nd</sup> August)!!! The Blue is the first single released of this highly anticipated EP; don’t you want to hear more?</span></p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/6d49b678aeaac6eb8d2957b66e084324b6e8afd6/original/jayna-jennings-pt-2.jpg/!!/b%3AWyJyZXNpemU6NDAzeDQwMyJd.jpg" class="size_orig justify_inline border_" alt="" height="403" style="display: block; margin-left: auto; margin-right: auto;" width="403" /></p>
<p align="center"><strong><span style="color:#ffffff"><a href="https://jaynajennings.weebly.com/" target="_blank" data-imported="1"><span style="color:#ffffff">https://jaynajennings.weebly.com/</span></a></span></strong></p>
Klef Notestag:klefnotes.com,2005:Post/60536312019-06-27T12:00:00-12:002019-12-31T08:11:48-12:00Gerhardt Music “Edge of Time” (Folk) Scandinavia
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/a4eedf2536b29aaab17f2fb5fa532660a2b71b4e/original/gehardt-music.jpg/!!/b%3AWyJyZXNpemU6MzUweDQxNCJd.jpg" class="size_orig justify_inline border_" alt="" height="414" style="display: block; margin-left: auto; margin-right: auto;" width="350" /></p>
<p><span style="color:#c0c0c0">Gerhardt is the singer, songwriter, arranger, musician, producer, and actor who is the muscle and mystery behind soul-enveloping music coming out of Northern Europe. His latest, “<a href="https://open.spotify.com/track/521uS52xVwe9TCsGV9zuZ1" target="_blank" data-imported="1"><strong>Edge of Time</strong></a>” is an acoustic guitar-driven musical cup of tea with its rich melodies and strong flavored lyrics. </span></p>
<p><span style="color:#c0c0c0">This modern Folk track opens with the lyrics “Could it be that we were perfect strangers? Tryin’ to find our way through life” and unfolds to become a musical narrative that resonates with its listeners as if it were written on their walls in calligraphy. The song tells the story of departing ways but leaving while accepting that change. Featuring a sole Gibson J100 and Gerhardt’s mellow second tenor, this soft-spoken track is well-balanced and perfectly sits as an homage to vocal storytellers. </span></p>
<p><span style="color:#c0c0c0">WOW! Just to hear a velvet voice, an honest lyric, and exceptional musicianship is a hidden gift given to us by way of this song. It is so refreshing to hear a track that carries a lot of weight in its composition, but one that leans away from the typical mass-produced FX overload music. And, the best natural audio effect that this track gives us is the sliding of the fingers on the strings of that Gibson J100, the breaths taken by Gerhardt himself, and the echo that bounces off of his lyrics. Expect nothing less but the best from an artist like Gerhardt. </span></p>
<p align="center"><br><strong><span style="color:#ffffff"> <a href="http://www.twitter.com/gerhardtmusic" target="_blank" data-imported="1"><span style="color:#ffffff">http://www.twitter.com/gerhardtmusic</span></a></span></strong><br><strong><span style="color:#ffffff"> <a href="https://www.instagram.com/gerhardtmusic" target="_blank" data-imported="1"><span style="color:#ffffff">https://www.instagram.com/gerhardtmusic</span></a></span></strong><br><strong><span style="color:#ffffff"> <a href="http://www.facebook.com/gerhardtmusica" target="_blank" data-imported="1"><span style="color:#ffffff">http://www.facebook.com/gerhardtmusica</span></a></span></strong></p>
Klef Notestag:klefnotes.com,2005:Post/60536302019-06-27T12:00:00-12:002019-06-27T23:14:00-12:00Jon Magnusson "This is All it Takes"
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/4a3c18a5dd34f67d4a8748fb04e367867a03e28a/original/jon-magnusson-this-is-all-it-takes-ep.jpg/!!/b%3AWyJyZXNpemU6NTE4eDUxOCJd.jpg" class="size_orig justify_inline border_" alt="" height="518" style="display: block; margin-left: auto; margin-right: auto;" width="518" /></span></p>
<p><span style="color:#c0c0c0">What is the difference between an ARTIST and a PAINTER? Well, to me, a painter uses their tools to paint another’s vision and reflects the exact interpretation of that person’s point of view, while an artist illustrates their own vision and leaves the interpretation up to the inner muse of another. </span></p>
<p><span style="color:#c0c0c0">Also, when an artist paints a picture, there’s a concept behind by said picture that will translate an emotion. Some way, somehow, a reaction will take place in the body of the viewer, and it doesn’t have to involve all five senses to play a role in that translation. It can be just the sight of something produced by the artist that leaves an effect, or a touch, or a sound, because a true artist knows how to evoke a reaction by building layers of interest. </span></p>
<p><span style="color:#c0c0c0">Jon Magnusson has accomplished that feat with “This Is All It Takes - an instrumental EP that truly orchestrates your emotions with five songs: </span></p>
<ol>
<li><span style="color:#c0c0c0">April Sun</span></li>
<li><span style="color:#c0c0c0">Stockholm Noir</span></li>
<li><span style="color:#c0c0c0">This is All it Takes</span></li>
<li><span style="color:#c0c0c0">For Whatever It’s Worth</span></li>
<li><span style="color:#c0c0c0">Visa från Utanmyra</span></li>
</ol>
<p><span style="color:#c0c0c0">There are no words to explain a storyline, but each track’s music clearly presents a story of their own that support’s the song’s title, all the while totally reflecting a threading theme that supports the EP’s title – that in life, sometimes, one thing could be all that it takes to get the full perspective of life. This is my interpretation of the EP’s five songs. </span></p>
<p><span style="color:#c0c0c0">The opening track, “<strong><a href="/files/516602/april-sun.mp3" target="_blank" data-imported="1"><span style="color:#c0c0c0">April Sun</span></a></strong>” has a nice conceptual feel to it with its Psychedelic Jazz instrumentation. When you read the title of the track, you assume it is inspired by the sun in April, and it very much could be as this track does not have lyrics. But when you think of the artist behind this composition, Jon Magnusson, trust me, it goes deeper than that. This track could possibly personify the human condition and how we make ourselves over after something in life alters our trajectory in the same way that the sky appears with that first glimpse of sun peaking through in April as the last bit of chill goes away. The way the music enters slowly and then ambles throughout the entire piece up to the outro where the song ends with the pulse sounding guitar riff, this song is more than just about the sun in April. Musically speaking, this instrumental track aids the listener in reflecting on life in general. </span></p>
<p><span style="color:#c0c0c0">Moving on to “<strong><a href="/files/516603/stockholm-noir.mp3" target="_blank" data-imported="1"><span style="color:#c0c0c0">Stockholm Noir</span></a></strong>,” we have a Progressive Classical track and get to feel the pessimism, the bleakness, in the track with the sole piano. In contrast, the hints of hope are felt with the higher notes of the piano. This balance of black notes and high notes depicting the light and dark areas of life is demonstrated beautifully here in this musical metaphor. Those parts of living where we must bow to its power or rise above it in victory. </span></p>
<p><span style="color:#c0c0c0">And with the <strong><a href="/files/516604/this-is-all-it-takes.mp3" target="_blank" data-imported="1"><span style="color:#c0c0c0">title track</span></a></strong>, we’ve hit the summit of this musical mountain with a Progressive Rock song that alludes to what I spoke of in the introduction – how usually it takes just one thing to gain a full perspective and see that “This is All it Takes.” For example, it takes one word to start a conversation or end an argument. And musically, Magnusson has built layers of instrumentation to get your mind going in such a way that you truly begin to reflect. You take the title literally to heart and begin to reflect on different facets of your life – the abstract and the tangible. All achieved with music only – an organ, keys, guitar, cymbals, and bass. Awesome! </span></p>
<p><span style="color:#c0c0c0">The fourth track, “<strong><a href="/files/516605/for-whatever-its-worth.mp3" target="_blank" data-imported="1"><span style="color:#c0c0c0">For Whatever It’s Worth</span></a></strong>,” features a House Jazz vibe with the wide-sounding instrumentation of bass, guitar, and cymbals. And, I just adored the demanding flair of the piano playing which gave off an exuberance of even the piano having an opinion. The melody gives off that blasé faire conviction of ‘it is what it is’ – that nonchalant carefreeness that we all should aspire to achieve. </span></p>
<p><span style="color:#c0c0c0">The melody that was constructed for the final track, “<strong><a href="/files/516606/visa-fran-utanmyra.mp3" target="_blank" data-imported="1"><span style="color:#c0c0c0">Visa från Utanmyra</span></a></strong>,” is extremely beautiful. An instrumental homage to a traditional Swedish Folk song is perfectly composed. When the track starts, that bass just splits your soul and then those fluttering guitars paste you back together again. It’s the ebbing melody of this track that is just spot-on passion. This Modern Folk-Rock track is alluringly seductive and beacons a road less traveled and instrumentally expresses a need to just exist. </span></p>
<p><span style="color:#c0c0c0">To suit the mood and to fit the direction of the EP, Jon chose to keep the EP boundless when it comes to a specific genre, thus reflecting that “push the envelope” vibe he always aims for and attains. </span></p>
<p><span style="color:#c0c0c0">If ever there was a creative mind behind modern tracks, it would be Jon Magnusson; and, his newest EP “This is All it Takes” does not disappoint. Very poignantly, it’s all here – a kaleidoscopic collection of mind-blowing instrumental music that infuses a craving to seek passion, understand perplexity, and reflect personal perception all without uttering a single word.</span></p>
<p align="center"><span style="color:#c0c0c0"><a href="https://www.jonmagnusson.se/" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.jonmagnusson.se/</span></a></span></p>
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Klef Notestag:klefnotes.com,2005:Post/60536292019-06-27T12:00:00-12:002019-06-27T23:25:47-12:00NORPHLET “Stillbloom” (Rock) Texas / California, USA
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/c18704a3a48aa070d4464d08672bee92c42cbb18/original/norphlet-stillbloom.jpg/!!/b%3AWyJyZXNpemU6NTQ3eDU0NyJd.jpg" class="size_orig justify_inline border_" alt="" height="547" style="display: block; margin-left: auto; margin-right: auto;" width="547" /></span></p>
<p><span style="color:#c0c0c0">I remember when I first heard the track “Every Rose Has Its Thorn” by Poison and the effect it had on me – that sole guitar just introduced the track affectionately while placing you in REFRESH-mode – WOW! It was a satiated feeling that just musically, magically, filled up your soul. That is the EXACT effect I got when I heard “<a href="https://norphlet.bandcamp.com/track/stillbloom" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Stillbloom</strong></span></a>” by NORPHLET.</span></p>
<p><span style="color:#c0c0c0">“Stillbloom” is a ballad that visits the notion of facing your demons head on and accepting the challenge while allowing for this cathartic method of living life to reshape you to become better. The lyrics sing: <em>But I cannot forget, the way it made me feel, and doesn't make me feel. A life under a veil no matter what I do. In ire by flame or flood, you find your way straight back – you still bloom . . . spells designed as mantras that I tell myself something like ‘if I keep myself in your good graces’ but that ain't ever worked. For one could never fill. A void so cavernous where sun it doesn't rise. For moon it doesn't set, just hangs there in the sky as black as black can get. And dreams they don't bear fruit. But still bloom</em>. The metaphorical lyrics to this openhearted summer track illustrates the mantra of how one can leave the past but never forget it. In addition, it shines a light on how we CAN get over that fugitive state of mind by continuing to bloom – bloom by recognizing, reflecting, owning the past, and moving on to thrive. </span></p>
<p><span style="color:#c0c0c0">The music just wraps around the leads and choruses. From the piano-filled interlude, emotion-driven verses that are almost conversational, and an aggressively affectionate hook that is infectious, you are just suspended in authenticity. And you cannot forget those guitars man! Passion played on strings is just ah-mazing! Moreover, the sound-pullback with just the lead singing the message towards the ending is welcoming as it pays homage to 1980's Rock ballads. </span></p>
<p><span style="color:#c0c0c0">Cody Brown and Taylor Devorsky have really given us a great one here. They pulled all of the stops and pushed the envelope on us so we can see their TRUE direction in music. These guys are making modern Rock music the way the Rock legends intended Rock to carry on, and that is with REAL music, REAL stories, and REAL emotion. The only addition is NORPHLET'S very own fingerprint of Atmospheric soundscapes and Punk instrumental elements being added to the glass of Rock which makes it GRADE A! </span></p>
<p><span style="color:#c0c0c0">“Stillbloom” releases today!</span></p>
<p align="center"><span style="color:#ffffff"><strong><a href="https://twitter.com/norphletband" target="_blank" data-imported="1"><span style="color:#ffffff">https://twitter.com/norphletband</span></a></strong></span></p>
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Klef Notestag:klefnotes.com,2005:Post/60536282019-06-06T12:00:00-12:002021-07-06T05:50:10-12:00GG Fearn "Black Mirror" EP
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/6f22d6028f5fee1248db512585dbe61313c47b01/original/georgia-fern-black-mirror.jpg/!!/b%3AWyJyZXNpemU6NTQweDU0MCJd.jpg" class="size_orig justify_inline border_" alt="" height="540" style="display: block; margin-left: auto; margin-right: auto;" width="540" /></span></p>
<p><span style="color:#c0c0c0">GG Fearn is an artist to watch on the Indie Music scene as this creative talent is quickly establishing herself as a force to be reckoned with, as well as, an artist that commands attention. She’s an adaptable vocal rhyme resonating wiz, and her latest drop, “Black Mirror” needs no introduction. </span></p>
<p><span style="color:#c0c0c0">With this four-track EP, each track literally holds up the four corners of an attitude – we have the good, the bad, the sexy, and the fully in charge, all glued together with infectious soundscapes, fierce, yet gentle, spits, and modern melodies that plays well with others. </span></p>
<p><span style="color:#c0c0c0">This is a capsule review of Black Mirror where I will interpret the two singles that has the girth to fully speak for the entire collection, therefore, fully illustrating the artist’s new direction in music. I will be calling GG Fearn “GG” in this review. </span></p>
<p><span style="color:#c0c0c0">We start with the title track. And guys, OMG, you ain’t ready for this, but I’m gonna give it to you anyway. With “<a href="https://open.spotify.com/track/2Nj9fwh0HkA65tprL8GdQO" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Black Mirror</strong></span></a>,” the track starts out of the gate aggressive and demands your attention from point zero to the three minutes / six minutes closing. Here, we get a storyline that reflects an existentialist crisis where the protagonist of the song feels trapped within a place of monotony, the opening lyrics sing: <em>n</em><em>ew generation of the silver screen / velvet curtains and beauty queens / a moth gets too close to the light / suddenly everything goes white / cocktail parties and limousines / rotting meat and decaying teeth / swollen streams of reality / one cracked mirror and a fallen tree / and I think I’m going crazy / vision's going hazy / I know / I hear the shotgun ring / but you don't hear a thing / harm can be a comfort when poison is your king / a necklace made of pearls / and artificial girls / I’m stuck in a black mirror</em>.</span></p>
<p><span style="color:#c0c0c0">Now whether the lyrics illustrate that un-realistic scrutiny of the entertainment industry where artists who are rebelliously free are subjected to senseless opinions to cage creativity, or displays a muted relationship that tends to feel like the black screen of a computer once it crashes, regardless, this track serves up some realness and takes you THERE man, there to a whole other level of subconsciousness. </span></p>
<p><span style="color:#c0c0c0">Moreover, the song’s vocal production is a mixture of bold leads and softly sung hooks exaggerated with synth FX. GG has a more in-your-face tone with her leads within the verses which wonderfully illustrates the protagonist in the song firmly speaking her state of affairs, the dilemma she has stumbled into within life. Then on the hooks, GG softly sings along in harmony with the multi-layered harmonic chorus. This dual vocal styling gives “Black Mirror” a salty-sweet aurora and meshes well with the song’s music arrangement. </span></p>
<p><span style="color:#c0c0c0">That constant command to the beat coming from that bass and that guitar being all swanky in the back is just absolute. In addition, it was good to hear the delicate backing vocals in full chorus. The Electro-Pop and Dark Wave music combination is so roguishly luscious. </span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/0MfyViyoVW0XxrBqkDhxZt" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Teen Queen</strong></span></a>” is the I’m the girl who will wear black to the prom and nobody betta say one thing to me about it – SONG! Purely independent and NOW! Full of surprises, the track starts out with a full orchestral introduction, meanders into a slower tempo, and then climbs with an Electro-Pop swag. GG’s storyline is all about understanding the “new normal’ and accepting it as better not bad. A great philosophy if you ask me. The lyrics show this theme: <em>I've travelled through hell and all of its towns / God only knows where I've been / I'm the only girl that can wear the crown / yes I'm your new teen queen / you can call me narcissistic / but please don't forget sadistic / I, I am your new teen queen / nothing that they've ever seen / your time on stage is through / make way for someone / new, new, new, new, new / new, new, new, new, new / new, new, new, new, new / new, new, new, new, new</em>.</span></p>
<p><span style="color:#c0c0c0">You can actually hear the liberation coming off the tongue of GG with the way she sings this track – she links the syllable of the last word to the first syllable of the next word making “Teen Queen” floetic instead of poetic. She’s putting a spin on things, and it works. Not to mention her sassy-filled snarly vocal delivery, as well as her “done, done, done, done” hook holding it all down presenting a singing-induced coma-effect on the listeners. </span></p>
<p><span style="color:#c0c0c0">You would almost think that “Teen Queen” was an ElectroPop ballad, but the chord progressions followed by those stabbing synths, kick drums, and tambourines places this song right into the Electro-Hop genre. “Teen Queen” is very catchy and should have no problem climbing the Billboard Hot 100 charts to #1 this summer – it’s just that GOOD! </span></p>
<p><span style="color:#c0c0c0">Including “Deal with the Devil” and "Famous Last Words,” this EP will yield many singles. Every song signals GG’s talent in writing, producing, and executing an album. Plus, it solidifies her as a progressive artist. </span></p>
<p><span style="color:#c0c0c0">Much like the American singer <a href="https://en.wikipedia.org/wiki/Lizzo" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Lizzo</strong></span></a>, GG just knows how to do IT and do IT right. She is skilled in knowing when to make the next move into another direction and make it FAB while still staying true to herself. Which is exactly what GG Fearn has accomplished with “Black Mirror.”</span></p>
<p><span style="color:#c0c0c0">In contrast to GG’s previous EP “Perfect on Paper” with its genre-specific Electro-Alt. Pop instrumentation, “Black Mirror” is edgier. GG switches gears and commands the lane with a Dark Pop direction when it comes to her melodies and features a more controlling swag to her verses. In addition, she blends this Dark Pop vibe to dance music, Hip-Hop, and Pop which to me is so inspiring. </span></p>
<p><span style="color:#c0c0c0">Now, some fans become upset when one of their favorite artists mix things up a bit on their second time go round, but when the artist goes off into another direction and still appease the masses with hit-worthy tracks, why would they even care. The proof of this statement is within this hit maker called “Black Mirror” – why argue with greatness?</span></p>
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Klef Notestag:klefnotes.com,2005:Post/60536272019-06-06T12:00:00-12:002021-04-21T05:12:46-12:00Johnny Stimson “Vacation” (R&B/Soul) Dallas, Texas USA
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/7fdd54db14ea38e843c31bbf25b55a0477070bfd/original/johnny-stimson.jpg/!!/b%3AWyJyZXNpemU6NDY0eDQ2NCJd.jpg" class="size_orig justify_inline border_" alt="" height="464" style="display: block; margin-left: auto; margin-right: auto;" width="464" /></span></p>
<p><span style="color:#c0c0c0">Ready for a mood-changer? Well, take a listen to “<a href="https://open.spotify.com/track/0aGQLbrgKiIemRteq7vibm" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Vacation</strong></span></a>,” the latest track by Johnny Stimson – a singer, songwriter, producer who is making not waves, but tsunamis, when it comes to mixing things up in the world of music. Unlike his competitors today who blend equal parts music and vocal with the same emotion, tempo, and melody, Stimson does the opposite and keeps everything interesting by incorporating counterpoints within his music –a light vocal to a heavy bass bottom, or a full entourage of weighty backing vocals to a solo guitar. “Vacation” achieves this difference and makes for a song that is HOT but so COOL.</span></p>
<p><span style="color:#c0c0c0">The song starts with that wonderful in-its-feelings guitar and wave soundscapes. Enter that hefty bass and that smooth sailing, kiss me clever, vocal, and you are already transported to a whole level of CHILL! </span></p>
<p><span style="color:#c0c0c0">The lyrical #littlethings on this track just makes it so fantastic with each verse reminding us of what to do to keep things fresh within our relationships as well as life in general, for example: <em>a minute just to breathe . . . fly away from here . . . need a vacation . . . leave all our worries back at home . . . sip mimosas in the south of France . . . drift away to never never land . . . take a little break from growing up . . . no reservations . . . [and] real life can wait on me and you</em>. Then, the chorus brings it all together and just exemplifies this care-free lifestyle when Stimson sings: “I wanna run away, I wanna run away, run away run away forever, run away with me.” His Soulful, silky, falsetto will just melt you away on all types of realness. </span></p>
<p><span style="color:#c0c0c0">Seriously, Stimson just slinks through this track effortlessly, no hiccups or vocal blow-outs, no cracks. Honestly, he is sweet with that second tenor, just smooth with it. In addition, his falsetto keeps a constant tempo and resonance that is addictive, and almost meditative. Not to mention, his vocals never becomes ostentatious, it remains mature and mellow. </span></p>
<p><span style="color:#c0c0c0">And a wonderful surprise that just makes your emotions soar is that guitar solo that happens at the two minutes / 45 seconds mark. </span></p>
<p><span style="color:#c0c0c0">Distinguished by his vocal prowess, and notable for his causal YOLO-take on his storylines, Stimson continues to push the bar by penning hits. “Vacation” is no different. </span></p>
<p><span style="color:#c0c0c0">One of the best skills that an artist can have is being unpredictable – being able to blur the lines between surrealism and reality when it comes to music and be so cool that they can master it. And other than Elton John, one such modern artist that has this type of versatility is Johnny Stimson. </span></p>
<p><span style="color:#c0c0c0">Stimson’s latest track is simply unfiltered and void of the typical Pop fluff. It has that simplistic, laid-back-swag we so need right now. With so many miserable moments in life, on the daily, it was righteous to hear a song that uplifts and gets your meandering juices going.“Vacation” captures that euphoric moment of a vacation and bottles it up for us to feel. It’s a positive song; a song that is bona fide realistic, and I have no problem with that! </span></p>
<p style="text-align: center;"><span style="color:#c0c0c0"><strong><span style="color:#ffcc99"><a href="https://www.instagram.com/johnnystimson/" target="_blank" data-imported="1"><span style="color:#ffcc99">Instagram</span></a></span> | <a href="https://www.facebook.com/johnnystimson" target="_blank" data-imported="1"><span style="color:#c0c0c0"><span style="color:#ffcc99">FB</span> </span></a>| <span style="color:#ffcc99"><a href="https://twitter.com/johnnystimson" target="_blank" data-imported="1"><span style="color:#ffcc99">Twitter</span></a></span></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536262019-06-06T12:00:00-12:002019-06-06T21:59:16-12:00Phantom Suns "Caldera" EP
<p style="text-align: center;"><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/35c695af6dfdc77c0615af6dc28c54eb48a6c8ca/original/phantom-suns.jpg/!!/b%3AWyJyZXNpemU6NDg0eDQ4NCJd.jpg" class="size_orig justify_inline border_" alt="" height="484" width="484" /></span></p>
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<p><span style="color:#c0c0c0">“Caldera” is an album by Alternative-Rock/Grunge band Phantom Suns. </span></p>
<p><span style="color:#c0c0c0">Based in Burlington, Vermont (USA), Phantom Suns is Seth Gundersen (vocals/guitar), Chris Mathieu (vocals, drums, percussions), and Ryan Cohen (vocals/bass). Collectively, Phantom Suns has created an album that will give Alt. Rock/Grunge fans LIFE! </span></p>
<p><span style="color:#c0c0c0">It has been awhile since we have heard music that excites and ignites the music senses - so glad the wait is over. </span></p>
<p><span style="color:#c0c0c0">“Caldera” surely brings the heat and the element of amazement to its listeners with brash song introductions, quiet verses, loud choruses, candid lyrics, and organic riffs and melodies. This is an album for the quasi-romantic, the one who knows that you’re going to have breakups, that there are going to be bad relationships, and that life has sunny days and rainy days. Yes, “Caldera” contains songs that are brutally honest, but also hopeful. Not hopeful in the sense of fairytales, but hopeful in that life is what you make of it. </span></p>
<p><span style="color:#c0c0c0">So, it’s time to dive into the hot-spot - a 12-track brass knuckle package of forty-two minutes and twenty-one seconds: </span></p>
<ol>
<li><span style="color:#c0c0c0">Forget</span></li>
<li><span style="color:#c0c0c0">Lazuli</span></li>
<li><span style="color:#c0c0c0">Disposable</span></li>
<li><span style="color:#c0c0c0">Mush</span></li>
<li><span style="color:#c0c0c0">Knotweed</span></li>
<li><span style="color:#c0c0c0">Probably Wrong</span></li>
<li><span style="color:#c0c0c0">Trial by Stone</span></li>
<li><span style="color:#c0c0c0">Perpetual Motion Holder</span></li>
<li><span style="color:#c0c0c0">Hush Money</span></li>
<li><span style="color:#c0c0c0">Brontoscorpio</span></li>
<li><span style="color:#c0c0c0">It Won’t Stop</span></li>
<li><span style="color:#c0c0c0">Olympus Mons</span></li>
</ol>
<p><span style="color:#c0c0c0">Being that the album’s title is mirrored off a real caldron, it’s filled with robust, honest, unapologetic, songs about real life, so I will interpret the five songs that sit at the album’s core. </span></p>
<p><span style="color:#c0c0c0">We start with the opening track “<a href="http://phantomsuns.bandcamp.com/track/forget-2" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Forget</strong></span></a>” that has an expressive foundation built on layers of harmonies and modulations as well as spirited guitars and hot percussions. The lyrics sing: <em>You've been too long undercover, time to brush away the clutter, paint it all your favorite color and bask in the glow. Consequence could come and bite you in the ass. Why does such a good time have to hurt so bad? That's the price you pay. Searching for the key to unlock all your potential when you don't know what you think. But what you think you know is only your opinion . . .. Stop regretting things that haven't happened yet, 'cause you never know</em>. It was clever to start the album with a song about living without regrets and learning to forget. The music and technique of this particular song perfectly highlights each member’s skill. </span></p>
<p><span style="color:#c0c0c0">The third song of the collection starts out gloomy with a low distorted guitar riff and then slowly climbs into a medium-paced track. “<a href="http://phantomsuns.bandcamp.com/track/disposable-3" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Disposable</strong></span></a>” retells the lesson of whatever you do comes back to you, but there’s a twist, as it is not the protagonist of the song stating this fact about themselves, instead he is relating this to another person (probably a lover). The lyrics point out the premise, singing: <em>It seems you've grown quite accustomed to your lifestyle. You like to think that you own the whole world. But you can't buy your way out this time. You can't buy your way out. Watch your castle crumble all around you, just because you want more than you can handle. Your obsession weighs you down. You're disposable now.</em> The song’s tempo plays between fast and mellow throughout the cut adding to the determination of the vocal story. Often, many Grunge singers just yell and do not pay attention to the vocal itself as they are aiming for sound verses professional vocal effect; but with Phantom Suns, surprisingly, Gundersen, Mathieu, and Cohen are all on point and in key with their shrill-bursts, and do not bleed into the red with their flamboyant vocals. Well done!</span></p>
<p><span style="color:#c0c0c0">Which brings us to “<a href="http://phantomsuns.bandcamp.com/track/trial-by-stone-2" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Trial by Stone</strong></span></a>” – a track that could have easily been the score for the final season of GOT (Game of Thrones) as it is rich in that medieval tributary vibe with layers of guitars and drum grooves. </span></p>
<p><span style="color:#c0c0c0">Lyrically, “Trial by Stone” tells the story of humanity and our current existence: <em>A dying world. A dying race imprisoned within themselves. Selfishly clutching his scepter he implodes on his deathbed and turns to dust right before their eyes. Two new contenders vie for the title. Slaves haul in the ceremonial stone. Swing their swords at it one by one. With one devastating strike, a smoldering chunk breaks free. The victor proudly assumes his role. They banish the loser and strip his robes. He goes off in search of last remaining ones. Can heal them all with the aligning suns</em>. Adding to this unbridled theme is Gundersen’s resonating guitar. Moreover, Phantom Suns chose to feature a breakdown instead of a bridge, and it works so good in switching the ears on and off. In a nutshell, according to the lyrics, we are victimizing each other rather than saving the race. We do not leave stepping stones for others to follow. Sadly, we do shun individuality, and praise acceptance, pitting one against another fueled by egos. “Trial by Stone” is Alt. Rock / Grunge in every essence, but it is Contemporary in its message making it a modern Concept song. Nice social wakeup-call Phantom Suns!</span></p>
<p><span style="color:#c0c0c0">And, the track with the most memorable introduction is “<a href="http://phantomsuns.bandcamp.com/track/perpetual-motion-holder-2" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Perpetual Motion Holder</strong></span></a>” with that guitar arpeggio just lovingly alerting us to the “sweet sixteen” vibe. This introduction quickly becomes fueled by burning percussions and resonating accompanying guitars. This mid-tempo ballad contains a relentless core beat and tells the story of failed love and the lead character’s pain. The hooks are sung by the lead in the melody of the opening guitar riff along with harmony backing notes – it’s quite sweet and sexy too. The discordant mesh of a sorrowful love story and a spirited musical foundation makes for an infectious track. This is commercially ready and well-built.</span></p>
<p><span style="color:#c0c0c0">“<a href="http://phantomsuns.bandcamp.com/track/olympus-mons-2" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Olympus Mons</strong></span></a>” closes the album pretty much being the sum of all parts with its predominantly instrumental composition. Not really featuring a narrative, besides the repeated, specially placed, “One of these days I'll write some words, I was so bummed out, another Olympus Mons,” this track surprisingly has active emotion. This is played out with energetic instruments all telling their story. Gundersen’s low-note riffs play a variation of the sporadic chorus’ melody supported by Cohen and Mathieu – all framing the song’s short meditative instrumental tale. This is the first song on the album that feature synth soundscapes giving off a psychedelic vibe. “Olympus Mons” ends like a cap placed on a bottle of air – pulled pressure.</span></p>
<p><span style="color:#c0c0c0">“Caldera” is very musically outspoken!! </span></p>
<p><span style="color:#c0c0c0">Much like its natural geographical representation, “Caldera” is a heated hollow of molten music filled with remnants of memories, current experiences, and real-world vibes. I focused on the five hottest spots of “Caldera,” but additionally, “Lazuli,” “Mush,” “Knotweed,” “Probably Wrong,” “Hush Money,” “Brontoscorpio,” and “It Won’t Stop,” all feature that well-balanced abrasive sound that Alternative-Rock / Grunge fans dig – you get the mellow verses that climb to fever pitches in volume, and the heavy choruses that remain in the mind, all fused together like puzzle pieces with expertly played guitars and drums. </span></p>
<p><span style="color:#c0c0c0">And, it is not just sticking to the genre’s typical sound that makes this band memorable, it is the way that each player incorporates their own way of playing their instrument that makes them so dynamic <em>within</em> the genre.<strong> </strong>Gundersen’s rhythm guitar is impressive. He knows when to pull back for the bass and the percussions to take center stage, and when to lay into the song heavily and go all in with the rhythm to enhance the melody. Same is true with Cohen’s bass. </span></p>
<p><span style="color:#c0c0c0">Cohen possess a kind of ninja-skill when it comes to playing bass. His lines and licks are cosmetically sutured to each melody giving them a soul, heartbeat, and life making the songs live on in the ears of the fans. And last, but certainly not least, Mathieu’s drums and percussions. </span></p>
<p><span style="color:#c0c0c0">Man, oh, man, can this man play some drums? Speak on it!! It is Mathieu who gives the songs that extra modernity with those muscled kicks, snares, crashes, bounce, bottom, command to the beats, and the timings. He can assign the right percussion to the right synth and make the song just walk or stomp. Great structuring. </span></p>
<p><span style="color:#c0c0c0">I get plenty of music submissions sent my way, and after listening to, and living with, the music of Phantom Sun’s “Caldera,” they are by far the closest to Nirvana in sound that I have heard – it’s the lack of suppression when it comes to implementing their artistry. There is no holding back! You hear the screaming guitars and vocals, but you also get a storyline, and that is what makes Phantom Suns unforgettable – the takeaway. The listener is not just left with insolent noise beating on their ear drums after listening to the music, no, agreeably, they are left singing the melodies in their heads and knowing the story too. </span></p>
<p><span style="color:#c0c0c0">Most Grunge / Alt. Rock bands fail to keep a storyline or threading theme in their music which makes them obsolete. But the drive that comes out of the minds, instruments, and mouths of Phantom Suns, as well as the narratives that are built on solid melodic foundations, will KEEP them recognizable, current, and a mainstay in the world of music.</span></p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/89c5fb914eb62787405649bf2197fe8605a7231a/original/phantom-suns-2.jpg/!!/b%3AWyJyZXNpemU6NDIxeDQyMSJd.jpg" class="size_orig justify_inline border_" alt="" height="421" style="display: block; margin-left: auto; margin-right: auto;" width="421" /></p>
<p style="text-align: center;"><span style="color:#c0c0c0">“Caldera” was recorded, mixed, and mastered by Ryan Cohen at Robot Dog Studio, Williston VT. All lyrics by Seth Gundersen, and the music was written by Phantom Suns. This album is dedicated to Dave Gunderson.</span></p>
<p style="text-align: center;"><span style="color:#339966"><a href="https://twitter.com/phantomsuns" target="_blank" data-imported="1"><span style="color:#339966"><strong>Twitter</strong></span></a><a href="https://twitter.com/phantomsuns" data-imported="1"><span style="color:#339966"><br></span></a></span></p>
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<p style="text-align: center;"><span style="color:#339966"><a href="https://phantomsuns.bandcamp.com/" target="_blank" data-imported="1"><span style="color:#339966"><strong>Bandpage</strong></span></a></span><span style="color:#c0c0c0"><a href="https://phantomsuns.bandcamp.com/" data-imported="1"><span style="color:#c0c0c0"><br></span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536252019-05-30T12:00:00-12:002019-05-30T23:37:16-12:00Lucy Booth “Butterfly” (Alt. Pop) Leeds
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/c40ab644b9d8ce3713b05024913077322533ba9e/original/lucy-booths-butterfly.jpg/!!/b%3AWyJyZXNpemU6NTU1eDU1NSJd.jpg" class="size_orig justify_inline border_" alt="" height="555" style="display: block; margin-left: auto; margin-right: auto;" width="555" /></span></p>
<p><span style="color:#c0c0c0">“Butterfly we’re going to paint the whole world blue,” singer-songwriter Lucy Booth so smoothly sings on “<strong><a href="/files/516601/lucy-booths-butterfly-mp3.mp3" target="_blank" data-imported="1"><span style="color:#c0c0c0">Butterfly</span></a></strong>,” the first single off of her much-anticipated album “Melancholy Blue” due to release on June 14<sup>th</sup>. </span></p>
<p><span style="color:#c0c0c0">The storyline of the track is sure to become a single-mother anthem as it details the departure of the father of the child as well as the beginnings of the beautiful relationship between mother and baby as conflicted as that may be. The lyrics sing: <em>Butterfly, we’re going to paint the whole world blue. He is gone and it is now just me and you. And it’s okay to cry, kay to cry. As we flutter by, flutter by. Through the emptiness and the meadows of despair. . . . Don’t get me wrong, I know that he was feeling stressed, and I could have maybe been more patient I confess. But I just can’t deny, can’t deny, that I can’t justify, justify the way he disappeared, and left his baby in my arms. He said I’ll hold your hand, I know it wasn’t planned, but it is me and you, we’re gonna make it through. You spread your wings in May, and he just ran away, I bet you wish that you had stayed in your cocoon</em>. </span></p>
<p><span style="color:#c0c0c0">Writing from experience, Booth’s sentiments, she musically reflects on the strength and adaptability of being a single mother. Her vocals hold a prowess that just envelops the listener and makes you take in her message. You’re captivated from the intro all the way to the outro. The vocal tone of the bridge is almost conversational with its pulsed lead and dual harmonic backing - very contemplative. </span></p>
<p><span style="color:#c0c0c0">In addition, using the metaphor of a butterfly to illustrate how a baby is within the womb (cocoon) and then birthed to explore and evolve into something great was splendid. And, the modern nursery rhyme composition of “Butterfly’s” melody is enchanting. Featuring a contrasting uplifting instrumental foundation, laced with the grief-stricken nature of the song’s premise, this melodic footing showcases Booth's songwriting skills as well as that two-sided emotional rollercoaster that new mothers juggle. </span></p>
<p><span style="color:#c0c0c0">This track gives the right words to the women who do not know how to explain this dream that can sometimes come across as a nightmare. </span></p>
<p><span style="color:#c0c0c0">“Butterfly” presents all of the insecurities, uncertainties, as well as the hope of being a good mother in verse, melody, and lyric. Booth’s poignant lyrics, relaxed vocal, and choice of euphoric instruments, places this song right on trend and gives way to an easy climb to the top of the AC charts or Alt. Pop charts. </span></p>
<p><span style="color:#c0c0c0">No matter the topic, Booth is sure to keep us interested as she builds her stage. </span></p>
<p align="center"><a href="https://twitter.com/lucyboothmusic" target="_blank" data-imported="1"><strong><span style="color:#cc99ff"><span style="color:#cc99ff">https://twitter.com/lucyboothmusic</span></span></strong></a></p>
<p align="center"><a href="https://www.facebook.com/lucyboothmusic" target="_blank" data-imported="1"><strong><span style="color:#cc99ff"><span style="color:#cc99ff">https://www.facebook.com/lucyboothmusic</span></span></strong></a></p>
<p align="center"><a href="https://www.instagram.com/lucyboothmusic/" target="_blank" data-imported="1"><strong><span style="color:#cc99ff"><span style="color:#cc99ff">https://www.instagram.com/lucyboothmusic/</span></span></strong></a></p>
Klef Notestag:klefnotes.com,2005:Post/60536242019-05-30T12:00:00-12:002019-05-30T23:34:12-12:00Monti "This is For You"
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/8e4c96849010ad52c6ef189b9bbe9e26e3667109/original/monti.jpg/!!/b%3AWyJyZXNpemU6NTQ3eDQ3OSJd.jpg" class="size_orig justify_inline border_" alt="" height="479" style="display: block; margin-left: auto; margin-right: auto;" width="547" /></span></p>
<p><span style="color:#c0c0c0">“This is For You” is the latest album by American singer-songwriter Monti (Laura Silva). Based in Los Angeles, this Electro-Pop artist beautifully wears her heart on her sleeve, but she is no sentimentalist. Much like the stunning story-telling murals painted aside the buildings of the city in which she resides, Monti showcases her stories of fragility, honesty, and reality within her music but she makes sure to include the rebellious spirit of ceasing to submit within the music too. Narratives that illustrating ceasing to submit to anything that will cage a free-spirit, be it the past, society, or the music industry. Her latest collection of songs features that wild at heart persona that the artist conveys so gracefully. </span></p>
<p><span style="color:#c0c0c0">“This is For You” is sewn together with five songs: </span></p>
<ol>
<li><span style="color:#c0c0c0">Cowards Castle</span></li>
<li><span style="color:#c0c0c0">Echo</span></li>
<li><span style="color:#c0c0c0">Shadow </span></li>
<li><span style="color:#c0c0c0">Hurt</span></li>
<li><span style="color:#c0c0c0">Super Hero</span></li>
</ol>
<p><span style="color:#c0c0c0">Collectively, these songs explain the theme of overcoming obstacles and coming out on the other side polished, poised, and powerful. This is my interpretation of “This is For You.” </span></p>
<p><span style="color:#c0c0c0">The album begins with the song “<a href="https://open.spotify.com/track/6YLCkFxQCNMXGXvTmkmdLq" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Cowards Castle</strong></span></a>” – an Electro-Pop track that surgically blends snare drums and synths with an oboe, cellos, piano, guitars, and a bottom beat making for a virtuoso musical experience. The song starts out pulled-back a bit and then builds in the same manner that a person’s anticipation builds at the moment they see the need to escape a bad place. The song tells the story of a lover who cages himself within the framework of his cowardice and how the protagonist is caught between the emotional turmoil, the hook sings: <em>I hear you talk / false prophet / hold my heart real hostage / house of cards / watch them fall down, down, down, on the tracks . . . your building a cowards castle confusing it with calm, your building a cowards castle this prison’s now your throne . . . your living on the rocks now, rocks now, your building a cowards castle, building it alone.</em> Monti’s anguished register on this song just paints the whole picture of the premise. Her dramatic soprano crawls along with the threading melody of elusive synths within the verses, and then modulates strengthening the hooks. A broad choral effect placed on the vocals of the hook, including backing vocals, magnifies the passion of the lyric.</span></p>
<p><span style="color:#c0c0c0">Towards the outro of "Cowards Castle," an electric guitar introduces itself and just takes the clarity of the track to a whole new level complementing Monti’s piercing vocals 100%. The overall structure of “Cowards Castle” is Electro-Pop, but Monti’s vocal delivery is pure SOUL. The song was co-written and produced by Josh Stevens (Calvin Harris, LMFAO) and was released as one of the two singles preluding the album’s drop. “Cowards Castle” is so exonerating and is a Grammy-worthy track. </span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/1nXFSrkSWD0SA5kpJmsr4u" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Echo</strong></span></a>” is the first single released off of “This is For You,” and features a commanding chorus sang by the Hope Generation’s Youth Choir. This Power Pop track brings our hearts out of the shadows and into the sun relating the story of overcoming adversities and tackling impossibilities. This theme is brought to life by Monti pictorially singing in the verses snapshots of moments in life where we are our most vulnerable, for example, verse one sings: <em>some get saved by the bell, and some get promised a prom date, some pass out on a Monday . . . some get left on the curb, some will never be heard, but for me to show up is a victory . . . let it echo down the hallway, cause!</em> Then the hook sings: <em>we are, we are, we are the voiceless / we are, we are, we are the reckless, we are, we are, we are our choices, estimated to never make – we are, we are, we are the voiceless, we are, we are, we are the restless, we are, we are, we are our choices, estimated to never make</em>. Monti’s emotional delivery just carries this tune so well and gives the listener a bird’s eye view into her soul. You can hear the tears and the hope on every note she utters. </span></p>
<p><span style="color:#c0c0c0">The induction of Josh Stevens’ vocal adds texture and eclecticism with the co-writer/producer even dropping lyrical notes depicting how our society chooses to medicate, rather than educate, our youths. In the bridge Monti changes up the tempo and injects a beautiful melody while she delves down deep and brings up passion and empathy and just pushes her vocals and just soars. The dominant instrumentation of “Echo” is highlighted by a guitar, a pounding piano, heavy electronics, minimal supplementary percussions, and a serious bass drum. “Echo” exemplifies the voice of the voiceless delivering a pure anthem to those who fly under the radar – those of us who often slip through the cracks of society. </span></p>
<p><span style="color:#c0c0c0">The third song, “<a href="https://open.spotify.com/track/5X9sYNFNHkgS2EODG5YQoz" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Shadow</strong></span></a>” is a piano-driven Pop-Jazz track with Salsa influences. “Shadow” conveys the message of being addicted to the painful pleasure of passion and dealing with the repercussions of lust. Starting out as a laid-back track and then growing into a full-bodied track, this song incorporates a brass section that just boosts the big melody of the track, as well as an organ that melodically leaves its fingerprints. On this track, Monti flexes her vocal muscles in all types of ways adding variety and swagger. First, she appears calm vocally like a lounge singer, then she climbs into a salty lead bringing the attitude, and then she layers her vocals lacing them with growls and purrs. The hooks display Monti in a raspy register, while she softens up some in the bridge. The spicy backing vocals and adlibs are reminiscent to 1970s Soul and adds so much girth to the track. Monti shows that she will not be defeated by emotion; she will be the victor! </span></p>
<p><span style="color:#c0c0c0">The Power ballad of the bunch is “<a href="https://open.spotify.com/track/4cBBGUgvgafrSPfeMBTwJt" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Hurt</strong></span></a>.” This Pop-R&B lament tells the story of how sometimes love turns out to be nil leaving the lovelorn partner confused feeling helpless. Within the hook, Monti illustrates how one tries to pick through the chaos and try to pick themselves back up again. The lyrics sing, “you were the angel that’s supposed to lift me up and lay me on a cloud, and if this angel’s supposed to lift me up and lay me on a cloud, why does it hurt?” The parenthetic bridge supplies more definition to the track’s story. Monti’s short R&B phrasing fully equips this track with substance and shows the duality of love.</span></p>
<p><span style="color:#c0c0c0">With a title that places the image of a superhero in the minds of the audience, as well as a storyline that is the antithesis to an actual “superhero,” Monti closes her album with a bang! </span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/1HUvJH5QibSoVFikxlg9os" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Super Hero</strong></span></a>” tells the story of a person who just wants people to know that they are just a human trying to make it through the daily grind just like the rest of us. The lyrics depicts this person as being aware of their struggles, limitations, and victories while also making sure to NOT be seen as a role model, savior, or idol. The lyrics sing, “I don’t have all of the answers . . . I’m not some kind of super hero. I bleed just like you do; my heart breaks too. I’m not your kind of super hero. I’m not the one to save you; let go, I’m falling too.” </span></p>
<p><span style="color:#c0c0c0">The final track features hefty piano chords, guitars, authoritative synths, and threatening drums. The core instrumentation of the hooks contain a nicely interrupted, almost pulsated, electronic synthed-out bassline that works so well in interpreting the sketchy pattern of the song’s protagonist. And Monti’s vocal delivery on this track is beautifully complex with her slow dancing, so-to-speak, on the first verse, then layering her harmonies and unisons on the second verse, and still expanding her vocals on the choruses making for a driven track. In addition, the boom-boom-clap effect gives the track that anthemic aura that so many songs preceding “Super Hero” had – those songs that have gone on to become a mainstay within our culture – like Queen’s “We Will Rock You” (to name one). “Super Hero” closes with an echo leaving the listeners hanging in anticipation of what’s coming next from Monti. </span></p>
<p><span style="color:#c0c0c0">WOW! if ever the proverbial phrase “when life gives you lemons, make lemonade” was illustrated perfectly by music, it would be Monti’s “This is For You.” </span></p>
<p><span style="color:#c0c0c0">Monti literally has taken the most trying times of her life and placed them in a metaphorical bottle sending them afloat on waves of music by unleashing the hurt, isolation, and confusion. And, the weight of the issues defined within “This is For You,” does not give way to hefty music scores slanted with pleads, a sorrowful collection of music, or a watered-down version of power. Not at all. Here, Monti intricately keeps it light by incorporating slick vocals, gritty harmonies, smooth melodies, and modern soundscapes and command to the beat. </span></p>
<p><span style="color:#c0c0c0">And what she is doing with her artistry is giving the right platform for issues that need a dialog; building a new sound stage to project real music to the masses – a sound stage that is sure to outshine, and dominate, the stagnate stages that exist in Modern music today. </span></p>
<p><span style="color:#c0c0c0">Monti shows that there is purpose in passion, and that imperfection is perfection, and she does it all with flavored, flawless, style and TALENT. She’s MONTI – get used to her! Il meglio deve ancora venire [the best is yet to come] (Italian) !! </span></p>
<p align="center"><a href="https://www.montitheartist.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0"><span style="color:#c0c0c0">https://www.montitheartist.com/</span></span></a></p>
<p align="center"><a href="https://www.instagram.com/montitheartist/" target="_blank" data-imported="1"><span style="color:#c0c0c0"><span style="color:#c0c0c0">www.instagram.com/montitheartist/</span></span></a></p>
<p align="center"><a href="http://www.facebook.com/montitheartist" target="_blank" data-imported="1"><span style="color:#c0c0c0"><span style="color:#c0c0c0">www.facebook.com/montitheartist</span></span></a></p>
<p align="center"><a href="http://www.twitter.com/montitheartist" target="_blank" data-imported="1"><span style="color:#c0c0c0"><span style="color:#c0c0c0">www.twitter.com/montitheartist</span></span></a></p>
Klef Notestag:klefnotes.com,2005:Post/60536232019-05-23T12:00:00-12:002019-05-23T21:36:49-12:00Russell Craig "Call Me the Rain"
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/e77fb66071237af20008f1dd21bba482ea4ee131/original/russell-craig.jpg/!!/b%3AWyJyZXNpemU6NTI4eDUzNyJd.jpg" class="size_orig justify_inline border_" alt="" height="537" style="display: block; margin-left: auto; margin-right: auto;" width="528" /></span></p>
<p><span style="color:#c0c0c0">Right before National Wine Day here in the USA, I wanted to gift my readers with a small collection of songs from an artist whose music literally enlightens any mood. The music is entitled “Call Me the Rain,” and the artist is Russell Craig – an Alternative singer/songwriter/musician from Auburn, Alabama. </span></p>
<p><span style="color:#c0c0c0">After living with this collection of music, I would describe Craig’s vocal sound as a mix of Randy Travis and Blake Shelton as he has that same smooth, smoky, storytelling, drink-in-hand style to his vocal’s character. But when it comes to his prowess, what takes Russell Craig over the top is that attitude that he places into his songs. Craig’s vocal mood is highlighted by his raspy, second tenor/baritone that just bespeaks Heartland machismo laced in practicality and blue jeans! With each song, we are met with passionate melodies all brought to life by guitars and real-life narratives. You can really take a hold of this collection of music. </span></p>
<p><span style="color:#c0c0c0">“Call Me the Rain” contains six tracks: </span></p>
<ol>
<li><span style="color:#c0c0c0">By Your Side</span></li>
<li><span style="color:#c0c0c0">The Night</span></li>
<li><span style="color:#c0c0c0">I’m Alive</span></li>
<li><span style="color:#c0c0c0">Call Me the Rain</span></li>
<li><span style="color:#c0c0c0">Turn Out the Lights</span></li>
<li><span style="color:#c0c0c0">Lies</span></li>
</ol>
<p><span style="color:#c0c0c0">This is my interpretation of the album’s highlights. </span></p>
<p><span style="color:#c0c0c0">If the exact idea of being silly in love could be placed in a song, “<a href="https://open.spotify.com/track/6FmaKjwh13Xk7Oik0l44r5" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>By Your Side</strong></span></a>” would be that song. This Alternative Rock song deals with the subject matter of being high on life and love and living vivaciously in the moment, the lyrics sing: <em>why don’t you take me home, I’ll turn the radio on, I’ll take care of you like a man supposed to, I’ll turn that frown into a grin, I’ll be your lover, I’ll be your friend, and when you wake up in the morning light, I’ll still be by your side</em>. “By Your Side” has a playful chorus that is memorable and infectious and recalls those snapshot memories that we all love to collect and cherish. “By Your Side” is a perfect way to open the album!</span></p>
<p><span style="color:#c0c0c0">If you are looking for a nice Soft Rock / Alternative track, then look no further, as “<a href="https://open.spotify.com/track/2hMSaasbcph7dOIk0xrZBC" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>The Night</strong></span></a>” offers us that mellowed-out vibe that eases you right into chill-mode. Layers of guitars, easy percussions, and soft synths build this track and complements Craig’s laidback longing vocal. </span></p>
<p><span style="color:#c0c0c0">Craig makes it RAIN with his <strong><a href="https://open.spotify.com/track/7EyN5MHaA7YLRqk0NDe9Yu" target="_blank" data-imported="1"><span style="color:#c0c0c0">title track</span></a>!</strong></span></p>
<p><span style="color:#c0c0c0">Starting with words “people call me the wall, cause I won’t break,” the stage is set for a hit-worthy Alternative County track filled with muscle. “Call Me the Rain” is a track about underestimating the power within, and Craig displays this theme by singing in a low register that is both hot and heavy. He expresses this emancipation of power with the lyrics: <em>girls call me the reptile, cause I’m like a snake, you can call me the wind cause I’ll blow you away, yeah, I’ve been called a lot of things, but call Me the Rain, call me the rain, cause I make it pour, call me the rain, outside the door, I’ll bring the thunder, and I will wash it all away, yeah, I’ve been called a lot of things but call me the rain</em>. Built with confident guitar riffs played by amplified acoustic guitars and electric guitars, the strut and swagger of the song excites the senses. </span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/0Sya2F4cautmvzK8HKC2mZ" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Turn Out the Lights</strong></span></a>” is that romantic guitar-driven ballad that lyrically builds a story of sensuality. Featuring instrumentation from majority guitars and percussions, the fifth track highlights the passion felt between two people when they are embraced making love, not lust, and how others might see this as wrong, but it is SO right. The dual vocal on the hooks fully places the listener’s focus on the bonding of two lovers. The way Craig runs his leads is almost R&B in its delivery. This Alternative take on a Country Pop ballad makes it so massively commercially ready. “Turn Out the Lights” gives that right bit of sexy making it romantic.</span></p>
<p><span style="color:#c0c0c0">Flavored guitars start the closing song “<a href="https://open.spotify.com/track/7JXjGGmPif9Q9YeI3hfSOJ" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Lies</strong></span></a>” – a song that induces the same feeling in its listeners that those honest mid-tempo tracks of the 1980s sung Jon Bon Jovi and Rick Springfield gave to its listeners – songs that just said it all. I loved the rhyme scheme on the leads and the drumline that pushed this heartache song into a rebound track. At the three minutes point, Craig lays into a guitar solo that is just fire! Coming off the bridge, the song climbs softly and then closes gently with the guitar talking – splendid!</span></p>
<p><span style="color:#c0c0c0">I feel that the purpose of this album was to connect the dots between the gray areas in life that makes our hearts beat while conversely providing enlightenment to what many see as complex emotions and issues, like areas of love, loyalty, and awkward moments, to name a few things. In the same manner that a nice rain cleans the ground after a storm, Craig’s talent in knowing the right topic to explore, and the right instruments to enhance the story, brings clarity. </span></p>
<p><span style="color:#c0c0c0">Craig told me that he was born with a rare degenerative eye disease called Retinitis Pigmentosa, and that although his eyesight is deteriorating, his vision “has never been more clear.” “Call Me the Rain” is evidence of this fact. Each track is a pictorial set to music where the characters, scenes, and stories are up front in the present no matter the tense of the backdrop. Every shape of the music’s sound, every color of the song’s mood, and every bend of the melody is vividly perceived. </span></p>
<p><span style="color:#c0c0c0">Russell Craig illustrates that it does not always take <strong>sight</strong> to evoke emotion in another, it takes <strong>insight</strong>. Craig’s intense sense of understanding allows him to harness his gift and translate messages into music. What a feat to accomplish; I cannot wait to hear what else he has to offer us. </span></p>
<p align="center"><span style="color:#0000ff"><a href="http://russellcraigsounds.com/" target="_blank" data-imported="1"><span style="color:#0000ff"><strong>Artist Page</strong></span></a></span></p>
<p align="center"><span style="color:#0000ff"><a href="https://www.youtube.com/channel/UCC4okm9wfhRF7Ys74BCludQ/featured" target="_blank" data-imported="1"><span style="color:#0000ff"><strong>YouTube</strong></span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536222019-05-23T12:00:00-12:002019-05-23T21:40:12-12:00Ghostly Beard’s “Tell Me” (Soft Pop Rock) Montreal, Canada
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/7bc8dcc02998853419a5b554d1d90bf2edea06da/original/ghostly-beard-tellme.jpg/!!/b%3AWyJyZXNpemU6NDk4eDQ5OCJd.jpg" class="size_orig justify_inline border_" alt="" height="498" style="display: block; margin-left: auto; margin-right: auto;" width="498" /></span></p>
<p><span style="color:#c0c0c0">An artist who refuses to be outlined by a specific genre, Ghostly Beard never listens to genre-specific tracks and write from those templates, instead, he writes from his core and the genre is chosen from an original tapestry. “<a href="https://ghostlybeard.com/track/1690038/tell-me" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Tell Me</strong></span></a>” is a Soft Pop Rock track that just italicizes your life by making you chillout and focus!</span></p>
<p><span style="color:#c0c0c0">“Tell Me” lyrically describes that moment when we, tired of the chaos in our lives, ask WHY or TELL ME why, TELL ME how, TELL ME when, TELL ME what? You know? And sometimes, even just the act of asking makes it all settle into place – letting it out. The lyrics sing: <em>The walls are crumbling / All around my world / Is there one thing to be done? / And deep inside, I’m feeling bad at night / I’m searching the light...Now tell me what’s pulling me down / And why were you screaming so loud / Tell me what’s knocking me down / While the world is spinning around</em>. </span></p>
<p><span style="color:#c0c0c0">The modest percussions, organ, guitars, and minimal FX pushes the song’s message forward. This track is not plain and simple; it’s progressively uncomplicated and so needed. “Tell Me” is not a song for a moment, it is a song for a lifetime of moments. </span></p>
<p align="center"><span style="color:#c0c0c0"><strong>Social media links</strong></span></p>
<p align="center"><a href="https://ghostlybeard.com" target="_blank" data-imported="1"><strong><span style="color:#00ccff"><span style="color:#00ccff">https://ghostlybeard.com</span></span></strong></a></p>
<p align="center"><a href="https://www.facebook.com/aghostlybeard" target="_blank" data-imported="1"><strong><span style="color:#00ccff"><span style="color:#00ccff">https://www.facebook.com/aghostlybeard</span></span></strong></a></p>
<p align="center"><a href="https://twitter.com/ghostlybeard" target="_blank" data-imported="1"><strong><span style="color:#00ccff"><span style="color:#00ccff">https://twitter.com/ghostlybeard</span></span></strong></a></p>
<p align="center"><strong><span style="color:#c0c0c0">Buy links</span></strong></p>
<p align="center"><a href="http://ghostlybeard.com/album/1047967/tell-me" target="_blank" data-imported="1"><span style="color:#00ccff"><strong><span style="color:#00ccff">http://ghostlybeard.com/album/1047967/tell-me</span></strong></span></a></p>
<p align="center"><a href="https://ghostlybeard.bandcamp.com/track/tell-me" target="_blank" data-imported="1"><span style="color:#00ccff"><strong><span style="color:#00ccff">https://ghostlybeard.bandcamp.com/track/tell-me</span></strong></span></a></p>
<p align="center"><a href="https://store.cdbaby.com/cd/ghostlybeard9" target="_blank" data-imported="1"><span style="color:#00ccff"><strong><span style="color:#00ccff">https://store.cdbaby.com/cd/ghostlybeard9</span></strong></span></a></p>
Klef Notestag:klefnotes.com,2005:Post/60536212019-05-23T12:00:00-12:002019-05-23T21:36:36-12:00Katie Ellen “Dear You” (Country Folk) UK
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/7830419e0fe220b281ff680df9845d5f8c46fd6e/original/katie-ellen-dear-you.png/!!/b%3AWyJyZXNpemU6NTA0eDUwNCJd.png" class="size_orig justify_inline border_" alt="" height="504" style="display: block; margin-left: auto; margin-right: auto;" width="504" /></span></p>
<p><span style="color:#c0c0c0">Written, arranged, and performed by Katie Ellen, “<a href="https://open.spotify.com/track/5Vqg197lJe9qURqpLBo181" target="_blank" data-imported="1"><strong>Dear You</strong></a>” is a cathartic prescription for grief, regret, and misunderstandings all composed on a linen napkin of instrumentation and rich lyrics.</span></p>
<p><span style="color:#c0c0c0">A song that features just a lead, backing vocals, and a guitar is so refreshing to hear during a time in music when we are bombarded with over-excited instrumentation and FX on steroids. The pleasant, somewhat forlorn, vocal execution rides gracefully, reminding us to not hold back our words and emotions – even when it is difficult to do so. The opening couplet, “All those things I didn't say, </span><span style="color:#c0c0c0">'Cause I was too afraid” basically says it all. What a perfect example of good songwriting when you can achieve a thorough understanding of a song in just two lines. </span></p>
<p><span style="color:#c0c0c0">“Dear You” showcases Ellen’s producer talents in that she produced, mixed, and mastered the track. In addition, “Dear You” features a more cathartic form of writing when it comes to Ellen’s typical stylings. She is not predictable on the track, and has a nice, rough around the edges, range to her vocals which highlights the details of the song’s distress. </span></p>
<p><span style="color:#c0c0c0">With “Dear You,” Katie Ellen is re-introducing the cathartic song back to the masses. </span></p>
<p style="text-align: center;"><span style="color:#cc99ff"><strong><a href="https://katieellenmusic.com" target="_blank" data-imported="1"><span style="color:#cc99ff">https://katieellenmusic.com</span></a></strong></span></p>
<p style="text-align: center;"><span style="color:#cc99ff"><strong><a href="https://twitter.com/katieellenmusic" target="_blank" data-imported="1"><span style="color:#cc99ff">https://twitter.com/katieellenmusic</span></a></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536202019-05-16T12:00:00-12:002019-05-16T21:47:29-12:00Velvet & Stone “By the Water” (Folk-Americana) Devon, UK
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/803cb83eda930ee77f7ef70098ba45e130c2c54b/original/velvet-and-stone-by-the-water-artwork-joe-snowdon.jpg/!!/b%3AWyJyZXNpemU6NTAxeDUwMSJd.jpg" class="size_orig justify_inline border_" alt="" height="501" style="display: block; margin-left: auto; margin-right: auto;" width="501" /></span></p>
<p><span style="color:#c0c0c0">Velvet & Stone, one of our favorite Indie Folk duos have just released “<a href="https://open.spotify.com/track/3O2NPUaU1wleJa20933dyj" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>By the Water</strong></span></a>,” another tempting prelude to their highly anticipated self-titled album due to drop this summer!! Standing in contrast from the Contemporary Folk of “Oh Boy,” “By the Water” infuses a fresh up-tempo Folk-Americana vibe that beacons summertime.</span></p>
<p><span style="color:#c0c0c0">This latest single deals with how people from different worlds could love equally and honestly without preconceptions when they have a common safe place to bond. In “By the Water,” that common safe place is the water – a place of tranquility, peace, and unbiasedness – an even playing field where two lovers can encounter each other without prejudiced eyes watching or opiniated ears listening. The lyrics perfectly defines this description, singing: <em>Once there was a boy and a girl who couldn’t see / their blindness was catching / they circled around you, around me / but still they ran and they hoped that no one was watching through the trees / and there they broke and they spoke by the river / tell no one but the sea / break me down by the river / you’re the fire that I seek / meet me there by the water / reflecting back at me / whisper low by the river / carry me down stream / meet me there by the water for all to see</em>. </span></p>
<p><span style="color:#c0c0c0">Lara Snowdon does a wonderful job executing this track by adding texture to her vocals being soft in some spots of the lead and then harsh in the backing vocals and bridge. The additional solo adlibs of “ooh-hoo” gives the track so much character. </span></p>
<p><span style="color:#c0c0c0">Equally, each player adds to the quiet power of this track with Snowdon’s vocals/guitar/writing, Kathryn Tremlett on violins, Kev Jackson on guitar, Garry Kroll on percussions, and Paddy Blight on double-bass. </span></p>
<p><span style="color:#c0c0c0">Blending tempered Bluegrass and Folk instrumentation of acoustic guitars, double bass, tambourines, heavy percussions, and violins all played with a spirited style, along with a lead vocal that carries a passionate tune laced with soul, makes “By the Water” a modern Folk-Americana track that is easy-breezy and ideally a classic working class anthem.</span></p>
<p style="text-align: center;"><span style="color:#99ccff"><strong><a href="http://www.velvetstonemusic.com/" target="_blank" data-imported="1"><span style="color:#99ccff">Band Page</span></a> | <a href="https://twitter.com/VelvetStoneMus" target="_blank" data-imported="1"><span style="color:#99ccff">Twitter</span></a></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536192019-05-15T12:00:00-12:002019-05-15T22:03:01-12:00James B “Reality TV Star” (Rock) Great Britain
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/5c3d685eafaf3d39ca41206e820d89bb01c6b932/original/james-bacon-reality-tv-star.jpg/!!/b%3AWyJyZXNpemU6NTQ3eDU0NyJd.jpg" class="size_orig justify_inline border_" alt="" height="547" style="display: block; margin-left: auto; margin-right: auto;" width="547" /></span></p>
<p><span style="color:#c0c0c0">Finally a Rock song that does not pump its breaks when it comes to tone, tempo, and drive. “<strong><a href="/files/516600/reality-tv-star-james-b.mp3" target="_blank" data-imported="1">Reality TV Star</a></strong>” is the latest track by British singer, songwriter, musician, producer James B (James Bacon). </span></p>
<p><span style="color:#c0c0c0">A song about unrealistically living reality starts with James B carrying a nice second tenor/baritone vocal prowess and building from sexy sweet, in his direction, to mellowed-out smooth. In addition, his harmonies are so soulful yet Rock rhythmic. The lead vocal is spliced with dual backing vocals to give a nostalgic Rock vibe. This vocal representation is hugged by distorted guitars that hold their own while leading the drumline and minimal FX to literally give the song a sort of Psychedelic, Progressive Rock edge. </span></p>
<p><span style="color:#c0c0c0">At the two minutes / 52 seconds mark, the lead guitar climbs and is then joined by the rhythm guitar meandering on playing the core melody. These two guitar-gents are soon joined by additional guitars adding so much texture all layering each other in splendor. All of this music magic highlights the story’s message - </span><span style="color:#c0c0c0">that unrealistic point of view that many reality TV stars illustrate as being REAL-LIFE.</span></p>
<p><span style="color:#c0c0c0">"Reality TV Star" lyrically, and musically, gives the description of how these people flash this impractical way of life across our screens daily – sadly pitting young girls against each other eager to one day be like those so called “STARS” instead of aspiring to be better, loving themselves, and progressing to be greater. James B sings: <em>Painted nails in fifty shades of grey, tiny dog, Louis Vuitton, a little too much make-up on, smiling is easy, easy but fake, try being nicer, it's not that hard, but she'll never change . . . Do you know who I am? / Don't you watch me on TV? / Do you know how I feel? / Are you looking at me?</em> </span></p>
<p><span style="color:#c0c0c0">Finally a rock star who does not glorify the fake world of reality TV. Finally, a track that has lyrics that state the obvious and honestly asks, what ARE they famous for? We all know that these people are only famous for being famous. We all know that there really is little to no talent, no real dreams, no (ah-hem) education, and sometimes, no real bodies. And this track’s hook drives home this point “Reali-TV star, what are you famous for? Reali-TV star, what are you famous for?” DONE! </span></p>
<p><span style="color:#c0c0c0">When you listen to the skill and ambition that is personified in the chord progressions within this track, you will quickly agree with me when I say that James B is the quintessential modern combination of a Jimi Hendrix merged with Brian May (Queen). His playing is just so off the cuff and unorthodox that it really supplies a spine to music, thus leaving you telling yourself “this is surreal, this can only be a dream.” But no son, this IS what reality sounds like – James B just plays THAT good!</span></p>
<p style="text-align: center;"><span style="color:#00ccff"><strong><a href="https://www.jamesbtunes.com/" target="_blank" data-imported="1"><span style="color:#00ccff">Artist Page</span></a> | <a href="https://twitter.com/jamesbaconx" target="_blank" data-imported="1"><span style="color:#00ccff">Twitter </span></a>| <a href="https://www.facebook.com/jamesbtunes" target="_blank" data-imported="1"><span style="color:#00ccff">Facebook</span></a></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536182019-05-09T12:00:00-12:002019-05-09T22:19:28-12:00Muriel & Blazquez “Moonbeam” (Pop/Classical) Leeds, England
<p style="text-align: center;"><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/a03334f4d1b46799ee228ac632592e2cf010e0d7/original/muriel-blazquez-moonbeam-cover.jpg/!!/b%3AWyJyZXNpemU6NDkxeDUwMyJd.jpg" class="size_orig justify_inline border_" alt="" height="503" width="491" /></span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/murielblazquez/moonbeam/s-IhOy1" target="_blank" data-imported="1"><span style="color:#c0c0c0">Moonbeam</span></a>” is a song by Muriel & Blazquez – a duo who composes modernly Classical Pop songs that has storylines that resonate globally. </span></p>
<p><span style="color:#c0c0c0">The lyrics present themselves as telling the story of natural wonderment, but this really translates as an abstract lover: <em>Moon beam, when did you forget you shone a light of hope, for all of the night wanderers. I won't forget about your light when the day comes back to haunt us. It starts with a chord I've heard 100 times or so before, repeatedly slowly the melody is the silence that drops between each strike of the piano. We glide through the space of the tone [;] vanilla smoke fills in the gaps between your sigh. At some point of the night I reali[z]e that the lines between smell sound and touch have dissolved, until only thick layers are left . . . </em><em>We both know your warmth upon my skin has a timer, so you leave your touch on my bones for my body tonight is ever lasting. And when the harsh lights come back on [,] we go back to our expected roles. But right now, we lie here, fully exposed</em>.” </span></p>
<p><span style="color:#c0c0c0">Like their previous single “Skin / Veil Me Pt. 2,” a piano acts alone as the track’s instrumentation; but differently, “Moonbeam” incorporates a sort of communicable vocal to the verses that plays like a dialog spliced with harmonies and evanescent operatic backing vocals. The verses are vocally one-toned illustrating a deep thought vibe, but the backing vocals scale pleasingly adding texture and emotion. </span></p>
<p><span style="color:#c0c0c0">The way that Muriel & Blazquez compose music is so refreshingly modern as it goes against what some may think is musical logic. At first listen, the listener’s mind is thinking “hey, wait a minute, this is not right, isn’t the tempo supposed to be like this? Or isn’t the lead and hook supposed to be tonal like this? Or isn’t the outline is supposed to play like this?” And this biased view of music is just based on the simple fact of music lovers being used to what THEY think works and a type of forced comfort zone. But once you get into the vibe of the song, and really LISTEN, you begin to hear a whole different pattern. You see how it really complements the human condition and speaks to the internal rooting of your love of music. It is approachable and balanced. </span></p>
<p><span style="color:#c0c0c0">What Muriel & Blazquez is doing to modern Pop/Classical music is what Sting did for Pop music in the 1980s, and that is presenting a new methodology in that they are blending unorthodox approaches to vocals and music that easily becomes infectious. In short, they are using a different paint brush, and applying different strokes, to paint a unique picture on an existing canvas of music, and it works! </span></p>
<p align="center"><span style="color:#c0c0c0"><a href="https://twitter.com/murielblazquez" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>https://twitter.com/murielblazquez</strong></span></a></span></p>
<p align="center"><span style="color:#c0c0c0"><a href="https://www.facebook.com/murielblazquez" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>https://www.facebook.com/murielblazquez</strong></span></a></span></p>
<p align="center"><span style="color:#c0c0c0"><a href="https://www.instagram.com/murielblazquez/" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>https://www.instagram.com/murielblazquez/</strong></span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536172019-05-09T12:00:00-12:002019-05-09T22:15:30-12:00Lucy, Racquel and Me “Melancholy Fraise”
<p style="text-align: center;"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/0316f0b8f8bb60a4ddcfa21f198f141b33d8899d/original/lucy-raquel-and-me-melancholy-ep.jpg/!!/b%3AWyJyZXNpemU6NTAweDUwMCJd.jpg" class="size_orig justify_inline border_" alt="" height="500" width="500" /></p>
<p><span style="color:#c0c0c0">Spring is leveling out on some high notes when it comes to Indie Music – one album that is placing the accent mark on this season’s music is “Melancholy Fraise,” the 3<sup>rd</sup> album from internationally collected AC/Folk-Pop band Lucy, Racquel and Me. </span></p>
<p><span style="color:#c0c0c0">In contrast to the band’s previous work where the songs were an eclectic fusion of Adult Contemporary blended Folk Pop (“Where the Moon Never Sets”) “Melancholy Fraise” is an eclectic cocktail of genres spanning from Jazz, Rock, and Folk. Splendidly, these genres are shaken, not bruised, by Modern Pop elements. </span></p>
<p><span style="color:#c0c0c0">With “Melancholy Fraise,” Lucy, Racquel and Me stay true to their threading theme of human nature, but not so much as the typical emotional part of human nature, but more of our actions and reactions to certain events in our lives. For example, how me may cover up past deeds that we are not happy about, or how we project our emotions on to someone else to free ourselves but instead wind up caging ourselves. Regardless of the circumstance, these natural human tendencies are vividly embraced in nine songs: </span></p>
<ol>
<li><span style="color:#c0c0c0">Leave It All Behind</span></li>
<li><span style="color:#c0c0c0">I Am</span></li>
<li><span style="color:#c0c0c0">What Will I Say?</span></li>
<li><span style="color:#c0c0c0">Until</span></li>
<li><span style="color:#c0c0c0">Mocha</span></li>
<li><span style="color:#c0c0c0">Lan Del Rey</span></li>
<li><span style="color:#c0c0c0">Fugitive Words</span></li>
<li><span style="color:#c0c0c0">Bird’s Eye View</span></li>
<li><span style="color:#c0c0c0">On A Day Like This</span></li>
</ol>
<p><span style="color:#c0c0c0">I will be interpreting the singles that highlight the theme of “Melancholy Fraise” which I translate to mean an unveiling of sad situations. I will explain my reasoning behind interpreting the title as such later, but for now, let’s dive right into the music! </span></p>
<p><span style="color:#c0c0c0">We start with the opening track “Leave it All Behind.” </span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/lucy-racquel-and-me/18-leave-it-all-behind-24bits?in=lucy-racquel-and-me/sets/melancholy-fraise" target="_blank" data-imported="1"><span style="color:#c0c0c0">Leave it All Behind</span></a>” erupts with a fluorescent twang guitar that just evokes the image of waves and gives the song that chill-factor, and a persistently, modern, standard beat that mirrors the anxiety felt when an on-the-spot decision has to be made in life. This song is all mixed up with musical emotion and personifies that whirlwind of thoughts and ideas that goes through one’s mind when they are set to place a period at the end of a part of their life and leave it all behind: <em>One day you catch a train, you take a window seat / the ground is swept away from underneath your feet. There’s nothing on your mind, and nothing in your hands, you leave it all behind, your universe expands / Beyond the railway tracks, beyond the Milky Way your destination waits. No need to say goodbye, no need to make amends / Your heart is free to fly, your heart is on the mend / </em><em>You leave it all behind.</em></span></p>
<p><span style="color:#c0c0c0">Racquel nails it with her vocals, utilizing her signature smoky/sugared Contralto register on the verses with an addition of parenthetic backing vocals. Such instrumental texture and vocal modulation just elevate you. This song is sugar and spice and all things nice when it comes to Rock-Pop. </span></p>
<p><span style="color:#c0c0c0">Coming off the cuffs of Leave it All Behind’s energy is the 4<sup>th</sup> track “<a href="https://soundcloud.com/lucy-racquel-and-me/until?in=lucy-racquel-and-me/sets/melancholy-fraise" target="_blank" data-imported="1"><span style="color:#c0c0c0">Until</span></a>” – a Rock-Folk song about unrecognizable fear.</span></p>
<p><span style="color:#c0c0c0">“Until” features Lucy’s great storytelling. She lyrically paints a tangible picture of the protagonist facing fears and waiting until her saving grace arrives to make it alright: <em>I'm throwing away all the useless junk / I'm swimming back to the ship I have sunk so much to set right, don't know where to start don’t know how to get back / back into your heart / until I hear your key in the door I'll be down on the floor / until I feel your hands on my face I'll be so out of place</em>. The drums and guitars lead this track and adds a level of expectation which has you waiting patiently for the protagonist to feel safe. A nice straightforward track! </span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/lucy-racquel-and-me/fugitive-words?in=lucy-racquel-and-me/sets/melancholy-fraise" target="_blank" data-imported="1"><span style="color:#c0c0c0">Fugitive Words</span></a>,” is an appealing Folk track that has a creative instrumental foundation that is so sensually meditative. Phil has built this musical core by constructing it with classical music arrangements featuring violins, cabasa, and a nylon-stringed classic guitar (to name a few). In addition, an enigmatically-executed lead vocal joins forces with inducing harmonies and layered adlibs adding more stature to the track which works well in introducing the song’s character, a female who longs to leave her secrets in the dark, eschewing negativity in her life. The chorus outlines this theme well by singing, “Out of my reach, like scared little birds flying away from my strange little world. Got to let them escape, got to leave them unheard. My beautiful fugitive words.”</span></p>
<p><span style="color:#c0c0c0">Furthermore,the enunciation of the vocal leads is fantastic, and the “E” and “I” alliteration just draws in that yearning effect. The style of the violin’s accompaniment creates a heavy traditional Mediterranean Folk music charm. Lastly, “Fugitive Words” builds its layers with ascending and descending vocals and string melodies. </span></p>
<p><span style="color:#c0c0c0">The beautiful Bossa Nova-styled “<a href="https://soundcloud.com/lucy-racquel-and-me/25-bird-s-eye-view-24bits?in=lucy-racquel-and-me/sets/melancholy-fraise" target="_blank" data-imported="1"><span style="color:#c0c0c0">Bird’s Eye View</span></a>” takes its place one slot above the closing track and presents itself discreetly with a Jazz tempo and modern Samba musical footing. Featuring a piano as its core instrument, the song covers an impressive emotional territory with lyrics that illustrate how you can feel unworthy, or as if you are missing something in your life when you continue to look at things right under your nose, or view things just within your small living circumference. But when you truly awaken yourself to the grandeur of what’s greater than you, and begin to see things at another angle, you start to see all that is supplied to you, you are never alone, and you have SO MUCH! The lyrics sing to this fact: <em>Step on the cracks and the world goes under / You cry in your sleep, too tired to wonder / Whatever happened to peace and love and the promised help from above. Craving silence, surrounded by whispers. The middle of summer like the coldest of winters / Whatever you do, it’s a hit and miss so what about something like this / Lift your head, you’re one of the chosen few / See it all instead, from a bird’s eye view / a bird’s eye view . . . the world’s bright blue from a bird’s eye view / a bird’s eye view</em>. Jazz infused leads follow a mellow tempo and dances well with softly dignified layered backing vocals, thus creating a mood-adjusting modern ballad.</span></p>
<p><span style="color:#c0c0c0">What a wonderful carefully laid ensemble of image-driven stories complemented with varied music. Truly an unveiling of disheartening happenstances which befits the title of the album “Melancholy Fraise.” </span></p>
<p><span style="color:#c0c0c0">Both MELANCHOLY and FRAISE separately mean totally different things: MELANCHOLY means sad, while FRAISE, when translated from French to English, is “strawberry.” Still, another definition has FRAISE as meaning a "pleated collar, ruff" (Merriam Webster); yet another definition of the term references “to unwrap” something. So when these two terms are combined, you would think SAD STRAWBERRY, yes? NO! After living with this collection of music, and following the storylines contained within the music, I would think that this album’s title favors the later definition, to unwrap or unveil, and this eludes to a medley of songs depicting the sorrow of one’s journey, or the sadness that one can inflict on other’s lives. </span></p>
<p><span style="color:#c0c0c0">And if a title is such a metaphor for one’s assemblage of distress, then it will not only evoke sadness in the listener, it will also induce reflection and be cathartic for some listeners. This collection of songs serve up a palatable experience like that of a fine glass of wine paired with the right cheese board – there are no substitutes. Every element applied to this album does what it was supposed to do, and that is give an experience, or better yet, a bird’s eye view into the core of the music’s character. </span></p>
<p><span style="color:#c0c0c0">The right chemistry is always present with the music of Lucy, Racquel and Me. Again, each member hails from different areas on the globe, but when the song is completed, the right instrument (Me / Phil) is applied to support the lyric (Lucy). And still, that duo of lyric and instrument only translates the emotion of the piece by being delivered by the right vocalist (Racquel). You will never pick up a collection of this band’s music and not feel a difference once you complete your listening. You will leave with a different frame of mind than what you had before first listening, because the music will continue to live in your ears, the voice will continue to resurface in your mind, and the lyrics will continue to define its worth. </span></p>
<p><span style="color:#c0c0c0">Like I said earlier, when you really want an experience with food and wine, you cannot get around it, you must pair the right bouquet and vintage with the right cheese, meats, and company – it is just fitting. Such is the norm with the music and creativity of Lucy, Racquel and Me. </span></p>
<p><strong> </strong></p>
<p style="text-align: center;"><span style="color:#cc99ff"><a href="https://lucy-racquel-and-me.com/music" target="_blank" data-imported="1"><span style="color:#cc99ff"><strong>BANDPAGE</strong> </span></a></span><br><span style="color:#cc99ff"> <a href="https://open.spotify.com/album/0vi1juOLzC5yXN2IRMDH9t" target="_blank" data-imported="1"><span style="color:#cc99ff"><strong>SPOTIFY</strong> </span></a></span><br><span style="color:#cc99ff"> <a href="https://soundcloud.com/lucy-racquel-and-me/sets/melancholy-fraise" target="_blank" data-imported="1"><span style="color:#cc99ff"><strong>SOUNDCLOUD</strong> </span></a></span><br><a href="https://lucyracquelandme.bandcamp.com/album/melancholy-fraise" target="_blank" data-imported="1"><span style="color:#cc99ff"> <span style="color:#cc99ff"><strong>BANDCAMP </strong></span></span></a><a href="https://lucyracquelandme.bandcamp.com/album/melancholy-fraise%3Eto" target="_blank" data-imported="1"><br></a></p>
Klef Notestag:klefnotes.com,2005:Post/60536162019-05-02T12:00:00-12:002021-07-09T03:56:47-12:00UON “Exit” (Electronic Post-Rock) Melbourne
<p><span style="color:#00ff00"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/17a2e643263c4eb7e403284f324a8cb8928f9b4e/original/uon-exit.jpg/!!/b%3AWyJyZXNpemU6NDM0eDQzNCJd.jpg" class="size_orig justify_inline border_" alt="" height="434" style="display: block; margin-left: auto; margin-right: auto;" width="434" /></span></p>
<p><span style="color:#c0c0c0">From Prototype Musique comes “<a href="/files/516599/exit.mp3" target="_blank" data-imported="1"><span style="color:#c0c0c0">Exit</span></a>” from the multi-collective project group UON (Urgency of Now). </span></p>
<p><span style="color:#c0c0c0">UON is led by producer Simon Segal and consists of Dallas Cosmas (acoustic guitar / bass), Paul Healy (piano), Susan Hume (vocals), Bindy Cohen (drums), and also Simon Segal on synthesizers. “Exit” was engineered by Wayne Rintoul, and its vocal melody comes from the mind of Milton Nomikoudis.<em> </em></span></p>
<p><span style="color:#c0c0c0">Not only is there a message of positive humanity in the title of this creative collective of talents, but the song also spurs positive energy with each instrument, vocal, lyric, adlib, backing effect, and productive technique collectively working to make “Exit” one memorable, freshly classic, Electronic Post-Rock song that is perfectly alchemized to hold the heavy subject matter that needs a dialogue within today’s society. </span></p>
<p><span style="color:#c0c0c0">Exit’s storyline embraces the theme of contemplation: </span></p>
<p><span style="color:#c0c0c0"><em>Come, walk with me / if this is where we’re going / stay, stay and see / we are all but knowing / you can drive / I feel / hey, I feel / stay if you please / nothing’s changed from this side / stay if you please / give me something, a sign / can we talk? / Is this fire or ice we walk? / I never know til I’m through the door / within these walls we’re strangers / lions in cages . . . gives me comfort to hear you breathe / It’s the only way of knowing you’re still here with me / I feel / hey, I feel</em>.</span></p>
<p><span style="color:#c0c0c0"> The lyrics illustrate how one can be within a relationship but continuously contemplate whether the union is thriving or if it is time to put a period at the end of it all. And, Susan Hume captures this theme by quietly bringing anticipation through piercing her words yet vocally exhaling more and more as the song grows displaying a sense of curiosity. By the second verse, an impending piano chord marches in and lays on a whole other ground of inquisitiveness. At the two minutes / ten seconds mark, a sort of piano sonata bleeds into a vocally chilled solo that crawls, stands, and then walks on to expose a choir that adds power and majesty accentuating the passion of the protagonist’s purpose, and it also brings in a sense of independence. </span></p>
<p><span style="color:#c0c0c0">Moreover, this song builds with layers of instrumentation – each awaiting their turn and then introducing themselves building a skyscraper of emotions – the guitars pulling along and curbing the core melody; the percussions adding the thought-provoking element; the piano supporting the suspense driven lyrics; the synths directing our emotions; and, the uncompromising core melody that is the song’s skeletal system, all highlighted by a meticulous production from a studio that is capable of making hits. </span></p>
<p><span style="color:#c0c0c0">When I listened to this track, I could envision a person trapped inside of an iced shard and then suddenly by control of mind, and positivity, the ice begins to melt around them, and then the sun shines and the newly strong individual exits. And that is what is wonderful about this collaborative production of many talents, each listener can see their own adaptation of the song’s theme. </span></p>
<p><span style="color:#c0c0c0">This track does what no other song is doing on the market right now, and that is, continually evolve with layers upon layers of melodic changes that are embraced with a lead vocal that classically hugs each curve, stair, and straight edge of the music. It keeps you engaged and interested. </span></p>
<p><span style="color:#c0c0c0">And still, there is more to come from Urgency Of Now (UON). </span></p>
<p><span style="color:#c0c0c0">I feel that UON is about to bring us some awesome, reflective, smoking, modern Chamber Music, because their storylines and conversing instruments induce reflection and change. Besides, Chamber Music is noted to be the “music of friends” by Richard Walthew (lecturer of published works in South Place Institute, London, 1909), and as "rational people conversing" by Johann Wolfgang von Goethe (poet, natural philosopher, novelist circa 18th century). So, who better to take this concept, centrifuge it to accept modern elements of music, combine it with practical stories, thus creating approachable songs, than UON. </span></p>
<p><span style="color:#00ff00"><span style="color:#c0c0c0">This was worth the wait. Good to hear a union of many talents breathing through music! “Exit” released Friday April 26<sup>th</sup>, so <a href="http://prototypemusique.com/Releases/exit" target="_blank" data-imported="1"><span style="color:#c0c0c0">download</span></a> your copy NOW!</span> </span></p>
<p align="center"><span style="color:#00ff00"><strong><span style="color:#00ff00"><a href="http://www.prototypemusique.com/" target="_blank" data-imported="1"><span style="color:#00ff00">www.prototypemusique.com</span></a></span></strong></span></p>
<p align="center"><span style="color:#00ffff"><strong><a href="https://twitter.com/uontheband" target="_blank" data-imported="1"><span style="color:#00ffff">Twitter</span></a></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536152019-04-25T12:00:00-12:002019-04-25T21:06:20-12:00Guy Paul Thibault “The Road Between”
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/3b1081298daaa8f5a6646a1005e9d118d4d5c8de/original/guy-paul-thibault-the-road-between.jpg/!!/b%3AWyJyZXNpemU6NTU2eDU1NiJd.jpg" class="size_orig justify_inline border_" alt="" height="556" style="display: block; margin-left: auto; margin-right: auto;" width="556" /></span></p>
<p><span style="color:#c0c0c0">Hey readers, I am so, so, so glad to reintroduce you to Guy Paul Thibault – an artist who I see as romantically rough, rugged, and raw with an artist presence that is a great cross between the flair of a gentleman and the edginess of a biker. His music resonates so practically that anyone can relate to its storylines and want more after their first listen. </span></p>
<p><span style="color:#c0c0c0">Thibault’s recent album is entitled “The Road Between” – a fully loaded collection of County Rock songs that highlights loving hard in the Millennium and playing even harder illustrating that omnipresent fork in the road when it comes to making decisions in life. </span></p>
<p><span style="color:#c0c0c0">Nine songs illustrate this theme: </span></p>
<ol>
<li><span style="color:#c0c0c0">Anymore</span></li>
<li><span style="color:#c0c0c0">Dangerous Strangers</span></li>
<li><span style="color:#c0c0c0">Talk to Me</span></li>
<li><span style="color:#c0c0c0">Take Me</span></li>
<li><span style="color:#c0c0c0">Who Are You</span></li>
<li><span style="color:#c0c0c0">Day Drinking</span></li>
<li><span style="color:#c0c0c0">No One Understands</span></li>
<li><span style="color:#c0c0c0">Don’t See Me Cry</span></li>
<li><span style="color:#c0c0c0">Catch My Fall</span></li>
</ol>
<p><span style="color:#c0c0c0">This is my interpretation of the album’s five highlights. </span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/4tmQ2DDrXQeOFq7jOayJG0" target="_blank" data-imported="1"><span style="color:#c0c0c0">Anymore</span></a>” opens the album with a classic Honky-Tonk vibe featuring hand-claps, guitars rushing in, and the bass drum sounding off. The lyrics of “Anymore” shares the story of a man who recounts the history he shared with his lover and how he is still floored by the sudden change in their relationship: <em>Walking home I lost the spring in my step / Passing our old front door / The thought in my head was something you said that cut me straight to the core . . . now all of these things I just can't forget . . . you don't know where I sleep at night anymore / you don't know what it’s like in my life anymore . . . why don't cha love me anymore / why don't ya love me anymore / why don’t ya love me anymore / why don't ya love me anymore</em>. Thibault vividly highlights the protagonist’s distress creating that emotional whirlwind effect by layering his vocals and adlibs. </span></p>
<p><span style="color:#c0c0c0">Once more, “Anymore” features multiple vocal renderings from Thibault, like echoed leads, double harmonies in the hooks, and a muffled vocal in the bridge at the two minutes / 32 second’s mark. This is a different vocal approach from Thibault when compared to his previous work, but so refreshing as it really brings home that clichéd point in one’s life where they are left hanging, you know the feeling, like the song has ended and you are still dancing – that’s what Thibault accomplished with his technique. Perfect! </span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/0jERTrYO7QRYi9eHn9IpEH" target="_blank" data-imported="1"><span style="color:#c0c0c0">Dangerous Strangers</span></a>” brings that sizzle that we were waiting to hear. Production-wise, Thibault uses the typical verse, prechorus, hook formation which aids the listener in following along with the artist as they present the song’s message. Thibault’s baritone tears into the cut opening the song with lyrics that paints the picture of a one night stand about to go down: <em>I can’t think / I think you blew my mind / the feeling that I get is that you're one of my kind / my kind of bad mistake / taking all my lies / so pretty in pink / what’s behind those sad eyes</em>. </span></p>
<p><span style="color:#c0c0c0">Tactfully, Thibault incorporates the technique of changing-up the song’s tempo for each section of the song which enables the listener to really become a part of the song’s journey. For instance, the verses have a mid-tempo which showcases the feeling of a person when they just encounter another person and they are being cautious. Illustrating anticipation, the prechorus’ melody modulates with the words: <em>For a minute think you saw, what was really on my mind / a touch of evil, it could be a simple little crime / you can only think of him, how he broke your heart / Are you gonna do to him what he did to you / What he did to you / What he did to you</em><span style="color:#c0c0c0">.</span> And then the hooks come in scaled back in tempo resetting the mood of the track with a lowered vocal register singing, “Yes we’re dangerous strangers, out tonight / Yes we’re dangerous strangers, just you and I.<em>”</em> </span></p>
<p><span style="color:#c0c0c0">With the inclusion of varied synths coupled with flashy guitars, refined percussions, an organ, and what sounds like a harpsichord, “Dangerous Strangers” literally takes you along for a ride viewing that chance encounter at night. A female vocal lace the track adding a bit of sugar to Thibault’s spice, and the open-ended outro leaves you wondering about the character’s whereabouts. You truly get to feel the atmosphere of the song’s affair. </span></p>
<p><span style="color:#c0c0c0">And if any song will put you in a guitar-induced coma, “<a href="https://open.spotify.com/track/3Ziw9pk5gdUCLjQ9vHO6Mb" target="_blank" data-imported="1"><span style="color:#c0c0c0">Who Are You</span></a>” will do the job. Starting with an imposing organ, drums, and bass, this song is leaving some heavy footprints to follow. Yes, sir! I was hooked at the first tambourine beat, but that killer synth riff that lies in that song like a snake just was fire! That riff alone is bold enough to carry the weight of the song’s message. </span></p>
<p><span style="color:#c0c0c0">“Who Are You” is based on the principle of culpability where the song’s character is contemplating where he stands in his relationship with a guilty conscience: <em>The way I feel after sunset / I’ve lost the stars in your eyes / with some unknown motion broken your heart / You just can’t seem to say goodnight / cause here is the moonlight / and these are our scars / though you lie here beside me / I can’t tell who you are / Do you feel like I'm closing you in / Do you just need someplace to hide / You've realized what you missed from the start / and your tired of these silly lies /cause here is the moonlight and these are our scars / though you lie here beside me / I can’t tell who you are</em>. Thibault’s edgy vocals executed with a down prowess, added to smoky backing vocals, supports this music-driven track that features a descending instrumental melody for its leads paired with an ascending melody of the hooks. The guitar solo at the two minutes / seventeen seconds point leaves you wondering if the title speaks in terms of the protagonist questioning himself or his partner. </span></p>
<p><span style="color:#c0c0c0"><strong>“</strong><a href="https://open.spotify.com/track/1jPW1kBtzFvkvsKe6FJa6q" target="_blank" data-imported="1"><span style="color:#c0c0c0">Day Drinking</span></a>” is an up-tempo track that starts slowly with a sort of muted drum kick and quickly builds into a full rock track that has that nice American Country Rock vibe to it that sets the summer off right. The announcer in the intro sets you up for the wild ride, and the fully-charged melodic verses coupled with Rock choruses keeps you glued to the music. Telling the story of how it’s okay to reminisce only if you are willing to try something new, “Day Drinking” is an incredible [song] that is stockpiled with varied guitars blazing, harmonica, percussions waxed on, and tambourines that tickle us with a little Pop to ignite. It is bringing the nightlife to the AM and showing how to live to celebrate life. </span></p>
<p><span style="color:#c0c0c0">Once more, Thibault is still surgical, not mechanical, with his guitar and he displays this craft by inserting a spirited guitar solo set as the bridge that just lifts the track up texturally and builds a mental picture of a hometown where practical people make life livable. In addition, we are graced with Thibault’s powerful baritone that never settles it just keeps on, keeping on carving the way for a hit. </span></p>
<p><span style="color:#c0c0c0">And while it features many niche-specific instrumentations, [Day Drinking] is not cliched as it encompasses a modern command to its beat and millennial textures that climb when the verses are ready to showcase and modulate at the entrance of the hook. [<strong>inserted from </strong><a href="http://www.klefnotes.com/music_reviews/guy_paul_thibault_day_drinking_countryrock_nova_scotia/" target="_blank" data-imported="1"><span style="color:#c0c0c0">Klef Notes’ review of this single</span></a><strong>, July 2018</strong>]</span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/1Py6O8nDkm1RKvDhNeOzZc" target="_blank" data-imported="1"><span style="color:#c0c0c0">Catch My Fall</span></a>” is a beautiful Country Rock ballad that does not waste time in establishing the premise that everyone needs saving at one point in their lives. The lyrics flawlessly illustrates the song’s theme, singing: <em>Sweet September, sweet September rain comes down on me tonight to wash away the pain / why'd you leave, now I’m walking these same streets with a pocket full of memories I just can't leave at my feet / with the break of May she turned and walked my way / an angel with a broken heart, a little lost runaway / she cut like diamonds through the walls I had built / then I let her in my heart and those walls I rebuilt / Please don't cry tonight / Please don’t leave tonight / Who's gonna be there to Catch my fall / And though I thought I knew what love could be / she tried to stay but had much more road to see / and though she cried on the night she left I can still hear her last words ringing in my head</em> [CHORUS]. Such descriptive songwriting.</span></p>
<p><span style="color:#c0c0c0">The song’s lead character (who was broken in heart and spirit) saved a female’s life by rescuing her from running away from her past (or fears), thus he was saved by her love for him; still, he had to develop strength, as he had to let her go for her to freely live her life. WOW! This is one of the hardest things in life to do. “Catch My Fall” carries everything it needs to sew up this wonderful collection of Country Rock songs: lyrics that construct such a visually moving story, a modern progressive instrumental arrangement, vibrant 3-4-part harmonies, and a delicately rough vocal. This Country Rock song sings to the girl in the club. </span></p>
<p><span style="color:#c0c0c0">And, do not miss out on listening to the full-bodied, guitar-driven “Talk to Me,” the tender “Take Me,” the heart-wrenching “No One Understands,” and the elusive “Don’t See Me Cry” that features a heavy piano core and a hair-standing-on-end guitar solo, check out this out at its one-minute /55 seconds mark. Ya’ll? I’m just saying! There are so many surprises on this album. “The Road Between” is a bold step in the right direction. </span></p>
<p><span style="color:#c0c0c0">I have noticed some changes with the artist’s vocal technique, which is quite impressive with layering of vocals and structured harmonies, as well as some hints of vocal FX which gives the collection more swagger, confidence, and a push into the direction of Modern Country Rock instead of classic Country Rock. And even though you may hear some FX, Thibault keeps it to a minimal. </span></p>
<p><span style="color:#c0c0c0">Regarding the overall production, nothing feels rushed creating that ugly overwhelming feeling that some listeners receive when listening to other types of modern music. This album is the way that upgrades should be completed! </span></p>
<p><span style="color:#c0c0c0">Even to the point of the title accentuating the threading theme of the album’s storylines – nothing was left to chance. </span></p>
<p><span style="color:#c0c0c0">If you think of life in general as a current place instead of just a destination, there will be roads running right through it with your past on one side, your presence on the other, and your future right up the road. This theme is encapsulated in the songs collected on this album, showcasing a personal reflection of the artist himself rather than the artist’s view of another. </span></p>
<p><span style="color:#c0c0c0">Each song has some type of description presenting a topic as one way, or the other – for instance, the line between success and false hope, love and lust, or sanity and insanity. </span></p>
<p><span style="color:#c0c0c0">This songwriting method easily translates to everyday people, just regular folks – those who wear blue jeans, drive regular cars, and look to the weekend to let their hair down. It is pure passionate practicality set to music. And trust me, Thibault never, never, never disappoints when it comes to the music. </span></p>
<p><span style="color:#c0c0c0">With Thibault, the guitar always takes center stage on each song, but the way that he builds the song around his guitar is simply amazing. He masterfully tweaks his playing to suit the additional instruments of the tracks. For each song’s theme, melody, and/or vocal, he adjusts his guitar riffs and chords, or simply plugs in an entirely different textured technique, to customize and enhance the song. Moreover, he makes sure to include a core melody that can either be salty or sweet while making sure each additional instrument reflects the mood of the song without sacrificing that guitar’s dominance. </span></p>
<p><span style="color:#c0c0c0">You must reach for “The Road Between!” </span></p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/a0f2891fdf2fcdc8f60ab37fa4c378f58ebf4e1b/original/guy-p.jpg/!!/b%3AWyJyZXNpemU6NDY1eDMxMCJd.jpg" class="size_orig justify_inline border_" alt="" height="310" style="display: block; margin-left: auto; margin-right: auto;" width="465" /></p>
<p style="text-align: center;"><span style="color:#99ccff"><a href="http://www.guypaulthibault.com" target="_blank" data-imported="1"><span style="color:#99ccff"><strong>Artist Page</strong></span></a></span></p>
<p style="text-align: center;"><strong><span style="color:#99ccff"><a href="https://twitter.com/gpthibault" target="_blank" data-imported="1"><span style="color:#99ccff">Twitter</span></a></span></strong></p>
Klef Notestag:klefnotes.com,2005:Post/60536142019-04-17T12:00:00-12:002019-04-17T22:52:01-12:00Freya Roy “22 Movements” (Neo-Soul) Norwich-based
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/1067bb4153662e7ee9e917f9722605ab7e4e0f9b/original/freya-roy-22-movements-single-artwork.jpg/!!/b%3AWyJyZXNpemU6NDc0eDQ3NCJd.jpg" class="size_orig justify_inline border_" alt="" height="474" style="display: block; margin-left: auto; margin-right: auto;" width="474" /></span></p>
<p><span style="color:#c0c0c0">Smooth, light smoky, vocals hug “<a href="https://open.spotify.com/track/3bzn3croDCd9P0GSemPwCn" target="_blank" data-imported="1"><span style="color:#c0c0c0">22 Movements</span></a>” - the new song by Neo-Soul artist Freya Roy. </span></p>
<p><span style="color:#c0c0c0">Norwich-based Freya Roy is a singer, songwriter, guitarist, and producer who is a wonderfully modern Neo-Soul artist who is garnering attention from many sources, be it radio, online, and/or print. </span></p>
<p><span style="color:#c0c0c0">I see Roy as a great combo of Erykah Badu<em> </em>and Alanis Morissette as she brings an unorthodox approach to Pop-Soul fusing Jazz vocal melodies with R&B rhythms and tempo, combined with a lyrical practicality that is typically showcased by a Pop-Folk artists. This wonderful blending technique is illustrated on “22 Movements” and makes for an infectious Neo-Soul track. </span></p>
<p><span style="color:#c0c0c0">Soft percussions and guitars frame this three minutes and 40 seconds track about social acceptance of one’s sexual identity and the public hurdles laid by the rule-makers. The lyrics perfectly spell out the longing for INDEPENDENCE from hiding: </span></p>
<p><span style="color:#c0c0c0"><em>Today I’m 22 and I’m thinking of you / It’s the best things I do / You say my name / We pretend I’m a friend / We just share the same bed . . . . Today I’m wondering high / the way I show my face in front of your eyes . . . . Take me to the place that I always know in my heart it waits for like a home . . . . Is there anyone around are you on my side I can tell by your eyes Is it what we do at which you are staring? Sorry do you find it, find it offending? See tell me how it feels to be on the other side Where you play right, whatever that’s like Even would you like to see, what is to be me?</em> </span></p>
<p><span style="color:#c0c0c0">A passionately thrilling command to the beat, as well as that kissing to be clever vocal appeal that Roy uses, highlights an exhilarating openly honest track about accepting your honest identity. </span></p>
<p><span style="color:#c0c0c0">Moreover, Roy’s sun kissed vocals leaves everything chilled and relaxed in the same manner that a glass of chardonnay does at the end of a busy work day.</span></p>
<p><span style="color:#c0c0c0">Additionally, check out the video below that features dancer/choreographer Salome Pressac beautifully, soulfully, illustrating the fluid movement of a slowly revealed love affair and all of its idiosyncrasies – the highs, lows, twists, turns, stops, short pauses, and ever-evolving affection. </span></p>
<p><span style="color:#c0c0c0">Pressac splits her moments of dance between an urban outdoor background wearing Urban Chic clothing and an empty loft space wearing a nude leotard and pointe dance shoes. Demonstrating stamina and skill, her lines are surgically straight while her flexibility is fluid-like with such confidence. Her choreographed emotionally filled dance personifies the song’s message perfectly. </span></p>
<p><span style="color:#c0c0c0">Freya Roy will be performing at Clubuniquity in Suffolk on April 26<sup>th</sup> and at HPBC in Leeds on May 1<sup>st</sup>. If you are in the areas, make sure to step in to see this soulful chanteuse.</span></p>
<p style="text-align: center;"></p><div class="video responsive"><div class="video-container"><div class="video responsive"><div class="video-container"><iframe frameborder="0" height="350" src="https://www.youtube.com/embed/XwzvjH74MYI" width="425" class="wrapped wrapped"></iframe></div></div></div></div>
<p style="text-align: center;"><span style="color:#00ccff"><a href="https://twitter.com/Freyaroy" target="_blank" data-imported="1"><span style="color:#00ccff"><strong>Twitter</strong> </span></a>| <a href="https://www.facebook.com/freyaroymusic/" target="_blank" data-imported="1"><span style="color:#00ccff"><strong>Facebook</strong> </span></a>| <a href="https://www.instagram.com/freyaroy/" target="_blank" data-imported="1"><span style="color:#00ccff"><strong>Instagram</strong></span></a></span></p>
<p style="text-align: center;"> </p>
Klef Notestag:klefnotes.com,2005:Post/60536132019-04-11T12:00:00-12:002019-04-11T20:57:49-12:00Ian Guerin "Irreplaceable"
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/dbaa2fa67f2d3e96bf10738a63702edc6aef06fc/original/ian-guerin-irreplaceable-album-cover-art.jpg/!!/b%3AWyJyZXNpemU6NTMzeDUzMyJd.jpg" class="size_orig justify_inline border_" alt="" height="533" style="display: block; margin-left: auto; margin-right: auto;" width="533" /></span></p>
<p><span style="color:#c0c0c0">Remember the music back in the day that made you think? Made you change your ways – change your mind? Made you fall in love or out of love? Or simply placed you in a better mood than what you were in when you first stepped inside of the room? Well, I am l so happy to give to my readers a collection of music that presents itself as that apparatus that sets the mood with honest storylines, rich vocal approaches, and modern infused retro melodies. This collection is entitled “Irreplaceable” and it comes from the mind, and voice, of Los Angeles’ Ian Guerin. </span></p>
<p><span style="color:#c0c0c0">Guerin is a Modern RnB/Pop recording artist, songwriter, producer who is blending nostalgic R&B/Soul melodies with fresh percussive beats, synths, and tempos. He is not your standard Modern artist; he keeps the story within the music and never compromises the vibe – it’s R&B/Pop with heart and a purpose. Let’s dive right in! </span></p>
<p><span style="color:#c0c0c0">Thirteen tracks tell the story of modern love and all its complexities and pleasures: <strong> </strong></span></p>
<ol>
<li><span style="color:#c0c0c0">A Different Affair</span></li>
<li><span style="color:#c0c0c0">Free Time</span></li>
<li><span style="color:#c0c0c0">Cry</span></li>
<li><span style="color:#c0c0c0">Irreplaceable</span></li>
<li><span style="color:#c0c0c0">Roll the Dice</span></li>
<li><span style="color:#c0c0c0">The Place</span></li>
<li><span style="color:#c0c0c0">Feature in Your Life</span></li>
<li><span style="color:#c0c0c0">Real Man</span></li>
<li><span style="color:#c0c0c0">Chapter II</span></li>
<li><span style="color:#c0c0c0">You Made Me a Sinner</span></li>
<li><span style="color:#c0c0c0">For the Holidays (bonus track)</span></li>
<li><span style="color:#c0c0c0">Roll the Dice (Gxmble Remix) [Bonus Track]</span></li>
<li><span style="color:#c0c0c0">Roll the Dice (Cypha da Moonchild Remix) [Bonus Track]<em> </em></span></li>
</ol>
<p><span style="color:#c0c0c0">This is my interpretation of “Irreplaceable.” Here are the six highlights. <strong> </strong></span></p>
<p><span style="color:#c0c0c0">Opening the album with an infectious bass groove and violins reminiscent to old school R&B/Soul is “<a href="https://open.spotify.com/track/6Qqp6p38LlVcVUCKaaauia" target="_blank" data-imported="1"><span style="color:#c0c0c0">A Different Affair</span></a>.” Lyrically, the song has a message of loving honestly, with the hook singing, “we’re gonna try a different dynamic / We’re gonna try a different affair / We’re gonna try a different dynamic / You’re gonna love me my way.” The song stays smooth throughout the entire track with a constant beat with only the bridge adding some texture with a music drop-back and a dual vocal. Nice lyrical metaphors laced within to show the different dynamics the protagonist is willing to incorporate into his relationship to make love work this time around. This is the modern vinyl cut of the collection.</span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/7fzsYFmxsAXzabbzCIwRz2" target="_blank" data-imported="1"><span style="color:#c0c0c0">Irreplaceable</span></a>,” the title track, is an R&B ballad that just seals the deal when it comes to purchasing this album. From the Spanish guitars, quiet violins, and heavy bass bottom, this mood-setting track about matchless love just knows which pulse to push when you are listening to it. “Irreplaceable” follows the typical verse-chorus-bridge form and is structured into three distinct sections with the bridge being the highpoint of the track. Guerin’s vocal prowess is showcased with him scaling and dipping his vocals to illustrate the track’s emotional scale. In addition, Guerin keeps a low register throughout to show subtlety. </span><span style="color:#c0c0c0"> </span></p>
<p><span style="color:#c0c0c0">At the two-minutes, twenty-four seconds point, Guerin displays a vocal styling that pretty much has gone under the radar in popular music, he repeats his hook and then pleads for understanding in the same manner that Teddy Pendergrass, and other Soul singers, did back in the day. He completes that section by talking out the lyrics and finishing the song with the music playing to fade – this technique places emphasis on human nature and makes the song approachable, a fan favorite, and memorable.</span></p>
<p><span style="color:#c0c0c0">A shuffle-percussive beat opens the fifth track “<a href="https://open.spotify.com/track/4haQOHELFQQyn5mrfD0IKE" target="_blank" data-imported="1"><span style="color:#c0c0c0">Roll the Dice</span></a>.” Gritty and kind of shady, this is a commercially ready break-out track that features a Hip-Hop backbeat and some elements of EDM with the full use of the synthesizer and FX. This song is just hook, after hook, after hook and its raw energy is infectious! </span></p>
<p><span style="color:#c0c0c0">“Roll the Dice” tells the story of taking a chance on love: <em>So I’mma take a little chance & roll the dice / I’mma take a little chance & roll the dice / Now that you’ve unblocked me I’ll, risk my pride / I’mma make my move & show you I’m, what you want / You know we ain’t over / So roll them / I rolled them / Now it’s your turn to roll them / We’re two & that’s your number / The universe is calling us</em>. Vocally, Guerin sounds very reminiscent of early Michael Jackson (circa “<strong>Bad</strong>”). Guerin accomplished this Jackson-esque singing dexterity by doing an overlay of tenor octaves, doubled (almost scat-like) adlibs, and multi-vocal hooks. All these elements accentuate the attitude of the song, thus making this track a Pop seductive piece of music. </span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/0KxR2rNh2oEoCgUexmUwrL" target="_blank" data-imported="1"><span style="color:#c0c0c0">The Place</span></a>” comes in with powerful strings and a modest piano. This Dance Pop mid-tempo track tells the story of the modern fairytale coming to life. With the addition of a rap-swag vocal in the slim hooks, dual harmony notes, and Guerin’s nice flow to the verses, this track floats on air. “The Place” starts out subtle and builds to a simmering flame with Jazz piano chords and light strings which gives the track animation. “The Place” is the perfect modern-day slow jam.</span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/3zGP3CxAjrnymcX6wNEn9c" target="_blank" data-imported="1"><span style="color:#c0c0c0">Real Man</span></a>” brings in a nice shift in the album combining more basslines, altered synths, and otherworldly soundscapes leaving huge footprints. The melody and lead lyric paint a picture of seduction, and the hook frames it with dramatic musical artwork built with synths, piano, cymbals, and snares. The lyrics tell the story of a man who is not ashamed to take care of his queen which makes him a “real man:” <em>You’re bizarre / I’m crazy /We’ll be strange together / Trust me we’ll make it work / (Make it work, work, work, make it work) / So when you come, home to me / You won’t find no silly drama / You will find a home cooked meal / Cause when you want to go to sleep / I will service you / Then make sure you get all the rest you need</em>. This Pop R&B song is quick-tempered, but the addition of the mellow piano in the pre-choruses adds some calm and takes the track to a whole other level of cool. Moreover, on this track, Guerin tinkered with a quick-paced vocal in the pre-chorus and multi-layered backing vocals taking the song over the top.</span></p>
<p><span style="color:#c0c0c0">A brass section inspired by Michael Jackson’s “Off the Wall” album lays the foundation of the tenth, and final full track, on “Irreplaceable,” it’s called “<a href="https://open.spotify.com/track/1RTnbE1OzxVc776NOwK5Cs" target="_blank" data-imported="1"><span style="color:#c0c0c0">You Made Me a Sinner</span></a>.” The opening words of this track speaks volumes when it comes to illustrating the message of how a lover can turn you from good to bad: <em>I cleaned my act up / </em><em>Picked it up a notch / Put myself together / I was the best man / Thought you were the one / You, you, you, you-hoo-hoo / You, you, you, you-hoo-hoo / Made me a sinner; I’ll burn in hell / Every minute was well worth / Yeah, yeah, yeah, yeah-he-he . . . Every kiss’s a lesson learned / Why you complaining? / You taught me well / I’m just doing what you do / Now I’m a world class cheater . . . I know killer lines / I can teach you / You made me a sinner, girl</em>. Guerin’s vocals are more expressive on this track and has a nice raspy tenor featuring higher octaves with his tenor in the backing vocals and having such integrity. “You Made Me a Sinner” is a great Classic Retro-Pop/Funk track with modern rhythmic command.</span></p>
<p><span style="color:#c0c0c0">Additionally pay attention to “Free Time” with its great take on the modern breakup, both "Roll the Dice" remixes, and the bouncy “For the Holiday” that contains a nice Motown-Philly infused Big Band-Pop/R&B modern sound. </span></p>
<p><span style="color:#c0c0c0">Incorporating some retro-Soul and R&B with modern Pop and Hip-Hop can easily go wrong and sound dated or a horrible mesh of experimentation, but Guerin did it excellently. </span></p>
<p><span style="color:#c0c0c0">Let me tell you, this man did not hold-back when it came to the best production to reflect and compliment his talent – as the character John Hammond stated in “Jurassic Park,” he “spared no expense.” And let me say, when the quality of your product is just as professionally tweaked as your talent, that is a sign of an artist that is surely cementing themselves for longevity, because a career in music is just as much as an investment as stocks and bonds are for Wall Street. Nice to hear the quality! </span></p>
<p><span style="color:#c0c0c0">Putting his best foot forward without sacrificing the music, Guerin is also positioning himself to be a formidable player and will be one of the most dependable hit makers of our generation. </span></p>
<p><span style="color:#c0c0c0">And, what separates him from artists today that sample with old school music techniques, melodies, and rhythms and blend those elements to current musical trends (Bruno Mars, The Weeknd, Charlie Puth, Justin Timberlake), is that Ian Guerin does not allow for those current trends in music to dictate his <strong>ENTIRE</strong> trajectory when it comes to his sound. He makes sure HE does not get lost in the mix of things and keeps his independence. </span></p>
<p><span style="color:#c0c0c0">His signature sound is turning out to be #MOOD with expressive violins, heavy bass bottoms to give weight to his music, and rhythmic tenor vocal stylings that can be either sentimental or straight-out cold. Trust me, sooner than later, when you hear a song come on the radio that has this sound, I guarantee you that it will be Ian Guerin.</span></p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/ecb90d911666cfaa9d0734c1c36fa9528c1d6ef3/original/ian-guerin.jpg/!!/b%3AWyJyZXNpemU6NDE2eDI3OCJd.jpg" class="size_orig justify_inline border_" alt="" height="278" style="display: block; margin-left: auto; margin-right: auto;" width="416" /></p>
<p> </p>
<p align="center"><strong><a href="http://ianguerinmusic.com/" target="_blank" data-imported="1">Website</a></strong><strong><br> <a href="https://www.instagram.com/iamianguerin/" target="_blank" data-imported="1">Instagram</a></strong><strong><br> <a href="https://www.facebook.com/IamIanGuerin/" target="_blank" data-imported="1">Facebook</a></strong><a href="https://www.facebook.com/IamIanGuerin/" target="_blank" data-imported="1"><strong><br></strong></a></p>
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Klef Notestag:klefnotes.com,2005:Post/60536122019-04-11T12:00:00-12:002019-04-11T20:17:59-12:00NORPHLET "The Weatherman"
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/17912bf67b547aab669d09835ad4d2c9f8f92930/original/norphlet-the-weatherman.jpg/!!/b%3AWyJyZXNpemU6NTgyeDU4MiJd.jpg" class="size_orig justify_inline border_" alt="" height="582" style="display: block; margin-left: auto; margin-right: auto;" width="582" /></p>
<p><span style="color:#c0c0c0">I first caught sight of NORPHLET September of last year with their single <strong>“</strong><a href="http://www.klefnotes.com/music_reviews/norphlet_brand_new_alternative_rock_texascalifornia_usa" target="_blank" data-imported="1"><span style="color:#c0c0c0">Brand New</span></a><strong>” </strong>which was a busting at the seams anthemic Alternative Rock track! Now, Taylor Devorsky and Cody Brown (NORPHLET) is back with “The Weatherman.”</span></p>
<p><span style="color:#c0c0c0">The theme of the album is inspired by real-world elements and explores the perception of oneself and the conscience that supports or rejects our life’s course in three tracks – brilliant! </span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/norphletband/norphlet-vice-versa-wav?in=norphletband/sets/the-weatherman-ep" target="_blank" data-imported="1"><span style="color:#c0c0c0">Vice Versa</span></a>” opens the album with a bang with cymbals clashing, guitars screaming, and the opening words “first day of the rest of my life” demanding attention and setting the stage for an up-tempo subliminal track. </span></p>
<p><span style="color:#c0c0c0">“Vice Versa” is a song about seeing things in life the other way around, not in its typical place within the scheme of things. In other words, would things be better if we were to flip things on end or change things around? Would you get to that place in mind, body, and/or spirit, or life that you seek, if you were to just do things differently, or “vice versa?” Cody Brown candidly sings: <em>life / I say over and over as I try to convince myself / yeah, the first day of the rest of my life / product of twenty something years somehow just passing me by . . . fabricating meaning, justifying circumstance / sprawling aimlessly about the house / retracing my mistakes / when all I want is just for this to feel worth it / all I want for you to feel is vice versa</em>. </span></p>
<p><span style="color:#c0c0c0">The timing of the music and the “real-talk” vocal execution of the lyrics give this track a contemplative vibe. Moreover, this track has a wonderful textured instrumental approach that climbs and falls creating a layer of free-flowing melody. </span></p>
<p><span style="color:#c0c0c0">Second in command is “<a href="https://soundcloud.com/norphletband/norphlet-fingers-crossed-wav" target="_blank" data-imported="1"><span style="color:#c0c0c0">Fingers Crossed</span></a>”- a mid-tempo track that passionately sits on your shoulders. The lyrics tell the story of one having hope when you feel as if you are surrounded by despair: <em>I saw you in the yard today / but every time that I got too close you flew away / or opened up my mouth to speak / you were gone before I got that far / and I know it’s not for keeps but it still stings / It’s getting clear in almost every single way / that you’re here for me to see / to for me to save, and that’s okay</em>. And what wakes up this sleeping giant of a track are those driven guitars and those classic rock drums!</span></p>
<p><span style="color:#c0c0c0">Cody Brown wastes no time in accomplishing magic with that electric guitar by implementing cleaner tones to place emphasis on the simplicity of the track’s message, but also allowing the guitar to reverberate where possible highlighting the weight of the composition – it’s musical impressionism at its best. Furthermore, “Fingers Crossed” also has that passive-aggressive vibe that we heard with Matchbox Twenty back in the day. This vibe is established by Taylor Devorsky’s percussions. </span></p>
<p><span style="color:#c0c0c0">Devorsky’s percussions play nicely on the playground (so-to-speak). To put it plainly, the percussions are not conflicting each other, nor are they spaced so far apart that they sound isolated. The percussive blend that Devorsky accomplished on this track is favorable and welcoming, thus smoothly giving the ears something to pull on vs pushing away. </span></p>
<p><span style="color:#c0c0c0">This guitar/percussive foundation is layered featuring a consistent rhythm and tempo such as we hear in modern music. This professional blending enables the audience to easily grab a hold of the song’s concept and melody without causing boredom or confusion. In addition, the emotional expression conveyed through the music, lyrics, and the vocals are confessional and frank, and that’s the type of music our society needs to hear today – just tunes and stories that makes them stop and think, and by all means, have a concept that makes sense. </span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/norphletband/norphlet-solamente-wav" target="_blank" data-imported="1"><span style="color:#c0c0c0">Solamente</span></a><strong>” </strong>closes the album and is a song that looks intently on individuality which makes this a great song to round out the previous tracks in that it is like a final discourse. The lyrics illustrate a person first being oblivious to their lot in life and pretty much saying “hey this is me, this is all that I am, all that I have become,” and then the mood changes and the character recognizes the “weatherman” predicting the end. Pleasantly highlighting this transition in thought is the music.</span></p>
<p><span style="color:#c0c0c0">Layered extremely well, the music balances the lyrical story by starting out blazing like a person in control, and then settles down with mellowed out instruments and a slower tempo as if a person becomes tranquil but somewhat disturbed with reality settling into thoughts. </span></p>
<p><span style="color:#c0c0c0">“Solamente” is Spanish for “Only” and perfectly illustrates how our individuality is very important to us, and how our consciences continue to dictate the way you recognize with yourself, and ONLY, yourself. </span></p>
<p><span style="color:#c0c0c0">Interweaving the conflict of mental unrest with beautiful melodies and a blend of tempos is a complicated technique that many shy away from as often the message gets lost in the music, or the emotion gets diluted from the tempo. But if you can pull this off, you are truly a genius when it comes to songwriting and producing as you know exactly how to touch the human core by mixing things up and executing perfectly. </span></p>
<p><span style="color:#c0c0c0">NORPHLET has accomplished this feat on “The Weatherman.” The smart treatment of fusing metaphorical topics with elements of subconscious is realistic and it works, because that is how the human mind works. </span></p>
<p><span style="color:#c0c0c0">In addition, the title “The Weatherman” is fitting as the weatherman does predict how we dress, where we go in terms of traveling by plane, car, or on foot, and often our moods be it rainy (sad), sunny (happy), cold (bitter), or warm (okay). You DO hear the weatherman in the background in the kitchen while preparing breakfast, in your car while in route to work, etc. So to choose that title as a metaphor for our inner thoughts is perfect. </span></p>
<p><span style="color:#c0c0c0">To illustrate, that voice inside of our heads either keeps us on track through life or constantly dams us when our mental state is developed within a toxic environment. And in either case, it’s a struggle to train our inner thoughts to aide us rather than fail us, and it is finding positive outside resources that match our goals, or reinforcements to challenge us to be better, that strengthens that inner voice to assist instead of desist, that enables us to thrive, live, and win. That is what “The Weatherman” musically interprets to our ears, thus trickling down to our souls. </span></p>
<p><span style="color:#c0c0c0">This skill is reminiscent to artists in the decade’s past in music where they truly thought out the entire process of their creative project – from the music, melody, lyrics to suit the storyline, the artwork to complement the tracks, as well as the TITLE. </span></p>
<p><span style="color:#c0c0c0">NORPHLET identifies with the alternative Rock genre, but this album is a great departure from their norm to the subgenre of Emo as each track on “The Weatherman” is truly emotionally expressive and impressive. </span></p>
<p><span style="color:#c0c0c0">In short, “The Weatherman” is a soliloquy set to music!</span></p>
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Klef Notestag:klefnotes.com,2005:Post/60536112019-04-04T12:00:00-12:002019-12-31T08:11:39-12:00American Authors "Seasons"
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/f6512b6103736018492e4dca19ccda0197ac6253/original/american-authors.jpg/!!/b%3AWyJyZXNpemU6NjQweDQyNyJd.jpg" class="size_orig justify_inline border_" alt="" height="427" width="640" /></span></p>
<p><span style="color:#c0c0c0">To me, there are three gritty cities on the Eastern seaboard of this ROCKING Unites States of America that starts with the letter “B” – Baltimore (my home city), Boston, and Brooklyn, and each tough as nails urban jungle spins out lots of creativity from within their concrete walls – the type of creativity that comes out of the gate already fearless! An act that has left a footprint in Boston and has landed in Brooklyn who classifies as such a creative force to be reckoned with is American Authors. </span></p>
<p><span style="color:#c0c0c0">No stranger to the masses, American Authors have already won us over with such studio albums like “Oh, What a Life” and “What We Live For,” but now after taking the time to decompress and create solely from the soul, Zac Barnett (vocals), Dave Rublin (bass), Matt Sanchez (drums), and James Adam Shelley (guitar/ banjo) are back with “Seasons” a collection of music that fully embodies the complex meandering of emotions we humans display in life that resembles the changing of seasons. “Seasons” hold 10 tracks that harnesses this theme: </span></p>
<ol>
<li><span style="color:#c0c0c0">Stay Around</span></li>
<li><span style="color:#c0c0c0">Say Amen</span></li>
<li><span style="color:#c0c0c0">Calm Me Down</span></li>
<li><span style="color:#c0c0c0">I Wanna Go Out</span></li>
<li><span style="color:#c0c0c0">Neighborhood</span></li>
<li><span style="color:#c0c0c0">Can’t Stop Me Now</span></li>
<li><span style="color:#c0c0c0">Deep Water</span></li>
<li><span style="color:#c0c0c0">Bring It on Home</span></li>
<li><span style="color:#c0c0c0">Before I Go</span></li>
<li><span style="color:#c0c0c0">Real Place</span></li>
</ol>
<p><span style="color:#c0c0c0">This is my interpretation of “Seasons’” 6 highlights.</span></p>
<p><span style="color:#c0c0c0">In keeping with the above musical theme of human emotions reflecting the seasons, the opening track “<a href="https://open.spotify.com/track/0DdyfIYw5xQqOtVfg9pf66" target="_blank" data-imported="1"><span style="color:#c0c0c0">Stay Around</span></a>” encompasses that heighted heat of Summer with its Emo Pop edginess blending with Modern Rock’s passion. And it’s not the lyrical component of the track that solely illustrates that summery vibe but the music and the vocal prowess. </span></p>
<p><span style="color:#c0c0c0">The music of “Stay Around” is aggressive, explosive and commanding – it covers every piece of your listening ear like the haze of summer and takes you from zero to 60 in a fever-pitch in just three minutes and 41 seconds. Nice thematically elevated bass lines easily become the spine of the track taking it to higher ground, while that fabulous boom-clap effect (that we grew to love with Queen’s “We Will Rock You”) takes you all the way home to the streets. Moreover, those drums that are in your face, like, boom, boom, boom, gets you hooked on this track as if it was a drug. </span></p>
<p><span style="color:#c0c0c0">As the lyrics spell out the story of having that ride or die person in your life to ride the waves with you in shallow or high water, those hot “ahhh” FX personifies affection. Zac Barnett’s smooth falsetto melts all over this track riding the peaks and valleys of instrumentation like butter. He brings the heat! It’s arena pleas meld with grit making this a fresh progressive track in its production. The only thing missing is the fire hydrant opened on full blast giving us a cool down! </span></p>
<p><span style="color:#c0c0c0">And when you think of the rising from the fall or awakening the new, you think of Spring, and “<a href="https://open.spotify.com/track/0U8KmbmtY2cPI0XpPSVPKu" target="_blank" data-imported="1"><span style="color:#c0c0c0">Say Amen</span></a>” personifies this theme very well. Opening with dark piano chords and a Gospel bottom, this track’s message is about never being alone in life and having a hand to hold through life’s twists and turns. The lyrics sing: <em>We could start from the top before we were hopeless / I'd be lying if I wasn't hoping / We could lie 'cause it's been quite a while / Since I've seen your light / Since I've held you, my friend / I don't feel alright / If you were with me, I could say Amen</em>. </span></p>
<p><span style="color:#c0c0c0">Featuring a Dirty South Hip-Hop swag fused with Alternative Pop, “Say Amen” comes off as so RIGHT and TIGHT. This song is tailored to glory with innovative lyrics and the rain down on me vocal, synth, and backing effects. In addition, the Gospel chords positions this song right at the edge of Soul. Matt Sanchez’ percussions are in full effect on this track giving that nice bottom, and I loved the choir and the addition of Billy Raffoul which adds the right touch of liquor (so to speak) to the inspirational shot. Stomping our feet on the floors of the church with this cut! </span></p>
<p><span style="color:#c0c0c0">The musical theme of human emotions reflecting the seasons reaches its midway point with “<a href="https://open.spotify.com/track/4HIz69HfJjohNVhrCtAw0f" target="_blank" data-imported="1"><span style="color:#c0c0c0">Neighborhood</span></a>,”a moderate tempo track about maturation. Opening with James Adam Shelley dexterously touching the stings of his acoustic guitar, this honest Alternative Pop track features Bear Rinehart of NEED TO BREATHE and is easily the season of Autumn set to music as it displays growth and change. This track keeps a steady beat and places an impending piano as its bottom, paired with dense uncompromising percussions, a whistle effect, and dreamy soundscapes. The arrangement of this track is so pretty and light and easily recalls the statement “it takes a village.” I enjoyed the feeding-in vocal technique used on this track as it helps in bringing in that feeling we get when our thoughts are rushing as we transition from childhood to adulthood.</span></p>
<p><span style="color:#c0c0c0">The first single released off “Seasons” brings the chill-effect and is very inspirational and shows how in life we crave to be chiseled out of the ice and bitterness of life by a positive stimulus. Showcasing instrumental stylizing of Gospel, fused with Rock and Soul, “<a href="https://open.spotify.com/track/1UGC7ZZGgriKyoYipPR2Ng" target="_blank" data-imported="1"><span style="color:#c0c0c0">Deep Water</span></a>” introduces the theme of winter<strong>. </strong>Creatively, American Authors utilize instrumentation that depicts audible imagery of chill and hope: the plucked violins, deep-snow foot-printing 808s and additional heavy percussions, elusive piano, and an organ. These instruments are all married to a full choir and a strong lead vocal.</span></p>
<p><span style="color:#c0c0c0">Furthermore, the lyrics of “Deep Water” outstandingly paints a picture of optimism singing: <em>Ain't even scratched the surface / Thinking I deserve the dream but I don't deserve the hurting / I want the flame without the burning / But I can't find my purpose when I don't know what my worth is / I was going for the title, got hit by your tidal wave, uh / Can't stay in the shallows, please tell me I won't wash away / When it pulls me under, will you make me stronger / Will you be my breath through the deep, deep water / Take me farther, give me one day longer / Will you be my breath through the deep, deep water</em> / <em>when I’m sinking like a stone, at least I know I'm not alone</em>. Such soul incased in one song – wow! </span></p>
<p><span style="color:#c0c0c0">Not only the tempo and overall arrangement, but also that soulful yearning that Zac Barnett places on this track – even down to the low vocal growl hanging on the end of the hook’s “alone” lyric. Likewise, that daunting backing adlib vocal effect and that swing-low vocal styling of the lead mixes well with the choir to paint a picture of hope. The track ends as it begins – meditative and contemplative. The band’s adaptability shines on the seventh track “Deep Water.” <strong> </strong></span></p>
<p><span style="color:#c0c0c0">And there are two tracks that are the epitomes of the entire collection: Can’t Stop Me Now and Before I Go. </span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/1Oz6zSGsAgoQfRmTT766jm" target="_blank" data-imported="1"><span style="color:#c0c0c0">Can’t Stop Me Now</span></a>” is that Super Bowl halftime hit that needs an arena and it illustrates every cycle of life – it IS transition personified with music that is textured and goes from sitting to standing to marching. It all starts with a mellow vocal and piano giving off the feel of a modern rhapsody and soon builds into a fierce chant that goes on to a roaring mantra. “Can’t Stop Me Now” gets the audience involved and becomes OUR SONG with its nice old school vibe and modern command to the beat. Those powerful piano chords, plucked violins, bells, and accompanying drums are magnificent. </span></p>
<p><span style="color:#c0c0c0">In addition, the guys do not disappoint with a powerful lead vocal, outstanding wide-backing vocal, and Dave Rublin’s recurring righteous bass. Arena hooks makes you lift your fists to the air and say, “No you can’t stop me now!” while that distorted guitar in the bridge is the best summit to go to the outro. Not to mention, that whistle adding the right touch of “no care in the world” personality. A song about conquering fears and changing to be powerful has never sound so good. This will quickly become the modern Blue-collar working-man / working-woman anthem.<strong> </strong></span></p>
<p><span style="color:#c0c0c0">And, “<a href="https://open.spotify.com/track/0PZJ3pXwgg5ortToqBbjXd" target="_blank" data-imported="1"><span style="color:#c0c0c0">Before I Go</span></a>” holds all life’s seasons within it with a storyline about making sure to live before you die. This song speaks volumes. Zac Barnett’s vocal delivery is outstanding – very passionate and honest. You can hear the empathy and heartfelt yearning in his execution. Barnett’s raspy prowess fits the track so well as it illustrates his delving down into the soul and bringing out his laments. The lyrics sing: <em>I hope I find a peace of mind / In all of my woes / I hope the rain, it brings a light / To my broken soul / I hope I lose myself in the city / But find my home / I hope I live my life / Before I go</em>. </span></p>
<p><span style="color:#c0c0c0">“Before I Go” perfectly paints the picture of how in life we sometimes get frozen in time like winter, need the warmth of a higher being, family, or partners like spring to help us thaw out, feel the burn of reality like summer, and then we see the change before we go like autumn. The skill of each member's musicianship is outlined perfectly on this cut too – the swell of the synths, the grounding of the percussions, as well as the cores of the guitars all play their part in delivering a song that interprets that way of just LIVING very well. That is winter, spring, summer, and fall all in three minutes and sixteen seconds. A great wakeup-call to the masses. </span></p>
<p><span style="color:#c0c0c0">And, do not overlook: Calm Me Down, I Wanna Go Out, Bring It on Home, and Real Place. </span></p>
<p><span style="color:#c0c0c0">In art, we have what is known as the Dutch Masters – a collection of artists from Holland who’s work spanned decades and was prosperous due to its practicality and talent. These creative gentlemen had the skills and chops to create work that enthused people’s emotions – made them STOP and STARE and made them question the normal standards of that time in society. That's what I see with American Authors, a new breed of masters in mainstream music – artists who have that pure adaptable creative control that we rarely see in today’s music – the type that just pulls you in and never lets you go. It’s that ability to reach around and gather from the modern while respecting the previous without being archaic. </span></p>
<p><span style="color:#c0c0c0">With “Seasons,” you are left at the end of listening with this jaw-to-the-floor look and you are pondering on the way these guys enveloped your senses with lyrics, music, and a story. You truly were able to feel the winters, springs, summers, and falls of life in one collection. In the same way that we stare at a Rembrandt, or a Bosch, or a painting from Johannes Vermeer, catching every bit of shadow, glare, light, and shine, that’s what “Seasons” instrumentally does to the listener. To put it in a music perspective, this band is delivering the type of music today that artists and bands like Prince and Queen brought to the fans. Like modern chemist in a lab mixing different elements to create a sole product that makes change, American Authors are adaptable and not pigeonholed and are limitless to their creativity. </span></p>
<p><span style="color:#c0c0c0">This is not rhetoric, I am honestly so glad to have reviewed these Music Masters – four guys who are writing their own story, inviting us along the journey, and leaving a large footprint in music. Cannot wait to see what else they put to a studio canvas. </span></p>
<p><span style="color:#c0c0c0">American Authors will be playing at the Hampton Beach Casino Ballroom on Wednesday, June 5th, 2019 at 8:00 PM - 169 Ocean Blvd, Hampton, NH 03842. There is no excuse not to get out to see these Modern Creative Masters. </span></p>
<p align="center"><a href="http://www.weareamericanauthors.com" target="_blank" data-imported="1"><span style="color:#ff0000"><strong><span style="color:#ff0000">www.weareamericanauthors.com </span></strong></span></a></p>
<p style="text-align: center;"><span style="color:#ff0000"><strong><a href="https://twitter.com/aauthorsmusic" target="_blank" data-imported="1"><span style="color:#ff0000">Twitter </span></a>| <a href="https://www.instagram.com/americanauthors/" target="_blank" data-imported="1"><span style="color:#ff0000">Instagram</span></a></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536102019-03-31T12:00:00-12:002019-03-31T22:30:10-12:00Trapdoor Social “Truth” (Pop Rock) Los Angeles, CA
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/44f1c9aa86b0f0ccc95f06041d10b11d05a9fe8c/original/trapdoor-social.jpg/!!/b%3AWyJyZXNpemU6NDYzeDQ2NiJd.jpg" class="size_orig justify_inline border_" alt="" height="466" width="463" /></span></p>
<p><span style="color:#c0c0c0">I am so excited to introduce Trapdoor Social to you guys!! A skyrocketing Indie Rock band from La Ciudad de Los Angeles (the City of Los Angeles). Their latest single “<a href="https://open.spotify.com/track/46z3dWGm8d8VmMUnQi1my3" target="_blank" data-imported="1"><span style="color:#c0c0c0">Truth</span></a>” is that track we’ve been waiting for to blast from Spring Break on to this summer – it is chock full of blazing music that will get you high on life!</span></p>
<p><span style="color:#c0c0c0">A song that edits the fairytale-philosophy of finding that perfect love has never sounded so amazing to me, and the jumping-off-the-page lyrics tells this story wonderfully with a front man who is vocally capable of carrying such a spirited track without letting it become cheesy, and a band who has the talent to keep the pace without sacrificing the mood. </span></p>
<p><span style="color:#c0c0c0">The way this song builds really heightens the anticipation in its listeners so that by the time the hook introduces itself, we are already there man. </span></p>
<p><span style="color:#c0c0c0">It’s all here: from the jangly guitar, the whirlwind synths, and gritty guitars, on to those bass-in-your-face percussions and catchy adlibs, “Truth” is ready for the Billboard charts – I’m just waiting for the rest of the music world to see the fireworks that I see when listening to this track. Hooks upon hooks gives this Pop track its soul and staying power. </span></p>
<p><span style="color:#c0c0c0">This is the outdoor concert track of 2019! </span></p>
<p style="text-align: center;"><a href="https://twitter.com/TrapdoorSocial" target="_blank" data-imported="1"><span style="color:#c0c0c0"><span style="color:#c0c0c0">https://twitter.com/TrapdoorSocial</span></span></a></p>
<p style="text-align: center;"><a href="http://www.trapdoorsocial.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0"><span style="color:#c0c0c0">http://www.trapdoorsocial.com/</span></span></a></p>
<p style="text-align: center;"><a href="https://www.instagram.com/trapdoorsocial/" target="_blank" data-imported="1"><span style="color:#c0c0c0"><span style="color:#c0c0c0">https://www.instagram.com/trapdoorsocial/</span></span></a></p>
Klef Notestag:klefnotes.com,2005:Post/60536092019-03-31T12:00:00-12:002019-03-31T22:19:13-12:00Grace May “Quiet” (Neo Soul) USA
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/a193e21acd159b62c635992a465123e32e0ec5a3/original/grace-may.jpg/!!/b%3AWyJyZXNpemU6NjUweDQ0NiJd.jpg" class="size_orig justify_inline border_" alt="" height="446" width="650" /></span></p>
<p><span style="color:#c0c0c0">I was glad to receive the music of Grace May – her latest release “<a href="https://open.spotify.com/track/5VxbXihoEiKa4OwJd7o1HD" target="_blank" data-imported="1"><span style="color:#c0c0c0">Quiet</span></a>” is sure to awaken your senses quietly but powerfully.</span></p>
<p><span style="color:#c0c0c0">A song about being “broken” but shyly hiding not to burden others, “Quiet” holds an instrumental and vocal foundation that features a great blend of electric and acoustic guitars, whispering synths, minimal percussive FX, and soft backing vocals. It is a commercial-ready Neo Soul track with some elements of Blues. It is simple yet has substance which allows the track to resonate with realism. </span></p>
<p><span style="color:#c0c0c0">Interestingly, May keeps a passive vocal approach in “Quiet” and builds the song with vocal transitions that range from a silent whisper to louder enunciations that tells her truth illustrating that intimidating thinking that people who silence their own pain to not burden others display – wonderful production technique. </span></p>
<p><span style="color:#c0c0c0">If you could capture the essences of R&B & Soul Music and place them inside of one vase and then pierce a whole in the side of that vase, the sound coming out of it would be Grace May, a pure Neo-Soul enchantress that will easily push current R&B and Neo Soul artists rungs down on the ladder of music – just give her the platform and watch what happens! </span></p>
<p style="text-align: center;"><span style="color:#c0c0c0"><a href="https://www.gracemaymusic.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.gracemaymusic.com</span></a></span><br><span style="color:#c0c0c0"> <a href="https://www.instagram.com/gracegw/" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.instagram.com/gracegw/</span></a></span><br><span style="color:#c0c0c0"> <a href="https://twitter.com/gracemaygw" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://twitter.com/gracemaygw</span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536082019-03-28T12:00:00-12:002019-03-28T23:19:17-12:00Janos “Zero” (Pop Soul/Funk) London/Oslo
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/26c56bde3d72e05f76d36a4342cf467661807c1c/original/janus.png/!!/b%3AWyJyZXNpemU6NTU2eDM2NiJd.png" class="size_orig justify_inline border_" alt="" height="366" width="556" /></span></p>
<p><span style="color:#c0c0c0">You know how sensitive our society has become today with people jumping on all social media platforms in DEFENSE-mode if/when they FEEL someone has said something they do not agree with (even if it is their own assumptions). This is especially true if you choose to be yourself and not be molded by social norms and society, or if someone just is not feeling your independence. So if ever you are too shy to say “do you Boo, let me do me” in fear of feeling as if you’re throwing shade or being spiteful, just blast the latest release from Swedish Pop-Punk Soul singer-songwriter Janos called “<a href="https://open.spotify.com/track/2EymDP8JKeahvtYg2mElUu" target="_blank" data-imported="1"><span style="color:#c0c0c0">Zero</span></a>” – a track that can do all the talking for you.</span></p>
<p><span style="color:#c0c0c0">“Zero” has a lyrical narrative about self-empowerment and features a relaxed vibe that gets you pumped-up with its confident command to the beat, layered electronic synths, and that brilliant assortment of euphoric soundscapes. Moreover, Janos’ vocal appeal is on point – his vocal tone soothes you and gets your attention like a shot of whiskey. </span></p>
<p><span style="color:#c0c0c0">Janos gives us a sexy vocal that is a superb mix of second tenor and baritone raspiness without being too rough. He also throws in some attitude and casualness which makes his artistic presence approachable and makes this track addictive. </span></p>
<p><span style="color:#c0c0c0">Nice to hear a track that wonderfully incorporates “jangly” guitar riffs with a fusion of Soul swag, Pop melodies, Punk independence, and a funky rhythm line as its spine. </span></p>
<p><span style="color:#c0c0c0">Ya’ll, this song is fire! No fillers here; “Zero” should dominate the tracks.</span></p>
<p align="center"><a href="https://www.facebook.com/JanosMusicofficial/" target="_blank" data-imported="1"><strong><span style="color:#ff9900"><span style="color:#ff9900"> https://www.facebook.com/JanosMusicofficial/</span></span></strong></a></p>
<p align="center"><a href="https://twitter.com/JanosBAndersson" target="_blank" data-imported="1"><strong><span style="color:#ff9900"><span style="color:#ff9900">https://twitter.com/JanosBAndersson</span></span></strong></a></p>
<p align="center"><a href="https://www.instagram.com/janosmusic/" target="_blank" data-imported="1"><strong><span style="color:#ff9900"><span style="color:#ff9900">https://www.instagram.com/janosmusic/</span></span></strong></a></p>
Klef Notestag:klefnotes.com,2005:Post/60536072019-03-28T12:00:00-12:002020-04-06T06:44:34-12:00The Astronots “Settle Down” (Rock-N-Roll) Los Angeles/USA
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/72280ebe015ef43e645e3a7c878f95902f8535f4/original/the-astronots.jpg/!!/b%3AWyJyZXNpemU6NDgyeDQ4MiJd.jpg" class="size_orig justify_inline border_" alt="" height="482" width="482" /></span></p>
<p><span style="color:#c0c0c0">Hey guys and gals, I’d like to direct your attention to The Astronots – a Garage Rock band from Los Angeles who are charming the ears off their audience with some righteous, Psychedelic, New Age-Rock. Their latest release “<a href="https://open.spotify.com/track/60QOYbHQzRytc9Qtv0UAOH" target="_blank" data-imported="1"><span style="color:#c0c0c0">Settle Down</span></a>” is a mid-tempo track that gets your adrenaline going by incorporating layers of Zen-instrumentation fused with three-part unison and harmony notes which quickly becomes spellbinding.</span></p>
<p><span style="color:#c0c0c0">“Settle Down” is a track about calming down the anxiety that lives in your head and it draws you in by starting with a heart-throbbing bassline blended with flooring percussions. And what makes this track so magnetic is the pulsating soundscapes, solar-synth effects, that southwestern guitar riff that echoes throughout the track, and those blood rushing guitars. </span></p>
<p><span style="color:#c0c0c0">It’s like Niko Giaimo, Allee Futterer, Eddie Campbell played with a chemistry set left by Zeppelin and came out with a wonderful piece of Modernly-curated Garage Rock-N-Roll that is all kinds of peculiar, smoky, and groovy – it’s raw, mellow, and organic – exactly what we music journalist would expect to come off the cuff of California. </span></p>
<p><span style="color:#c0c0c0">Don’t wait to download your copy of “Settle Down” NOW!</span></p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/62d03c95d21ce14bca2d88b788af8a461a4be314/original/the-astronots-ii.jpg/!!/b%3AWyJyZXNpemU6MzEweDM1OCJd.jpg" class="size_orig justify_inline border_" alt="" height="358" style="display: block; margin-left: auto; margin-right: auto;" width="310" /></p>
<p style="text-align: center;" align="center"><a href="http://www.theastronots.com/" target="_blank" data-imported="1"><span style="color:#99cc00"><strong><span style="color:#99cc00">http://www.theastronots.com/</span></strong></span></a></p>
<p style="text-align: center;"><a href="https://twitter.com/weareastronots" target="_blank" data-imported="1"><span style="color:#99cc00"><strong><span style="color:#99cc00">https://twitter.com/weareastronots</span></strong></span></a></p>
Klef Notestag:klefnotes.com,2005:Post/60536062019-03-28T12:00:00-12:002019-05-14T23:57:23-12:00Velvet & Stone “Oh Boy” (Indie Folk) Devon UK
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/3cce9983ea388d83addfa2736814b95658dbdfd0/original/velvet-and-stone.jpg/!!/b%3AWyJyZXNpemU6NDYweDQ2MCJd.jpg" class="size_orig justify_inline border_" alt="" height="460" width="460" /></span></p>
<p><span style="color:#c0c0c0">Do not expect any bells and whistles with the track I am about to introduce to you, just an honest track that starts optimistically cold but soon turns up the heat allowing the female phoenix to rise! </span></p>
<p><span style="color:#c0c0c0">The track I am speaking of is “<a href="https://open.spotify.com/track/3ni9imicwuqC9odvaSdTnL" target="_blank" data-imported="1"><span style="color:#c0c0c0">Oh Boy</span></a>” by Contemporary Folk duo Velvet & Stone. Velvet & Stone consists of singer/songwriting/musicians Lara Snowdon (lead vocal/acoustic guitar) and Kathryn Tremlett (violin/backing vocals) and they have spun string into silk with this track. </span></p>
<p><span style="color:#c0c0c0">“Oh Boy” starts with low soulful, southern, harmonic hums and percussions and builds with layers of instrumentation that supports the song’s storyline of renewing yourself after a part of you has died from a tumultuous relationship – fervent violins, acoustic and electric guitars, double bass, keys, and a banjitar. In addition, the lead vocalist’s drivingly anguished, yet confident, execution of the song pairs well with the ambivalence-spurred backing vocals to support lyrics containing nuances of loss, bitterness, and a carrying hope – all equally complementing the duo’s message of strength and hope. </span></p>
<p><span style="color:#c0c0c0">“Oh Boy” is the first single from Velvet & Stone's debut album that dropped on March 1 of this year. This double hand-clap, foot stomp-worthy, modern Contemporary Folk track will easily become our generation’s rhapsody. </span></p>
<p align="center"><a href="http://www.velvetstonemusic.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0"><span style="color:#c0c0c0"><strong>http://www.velvetstonemusic.com/</strong></span></span></a></p>
<p align="center"><a href="https://twitter.com/VelvetStoneMus" target="_blank" data-imported="1"><span style="color:#c0c0c0"><span style="color:#c0c0c0"><strong>https://twitter.com/VelvetStoneMus</strong></span></span></a></p>
Klef Notestag:klefnotes.com,2005:Post/60536052019-03-28T12:00:00-12:002021-06-24T07:00:53-12:00The Great Escape “All You Got is Gold” (FOLK) Venice, California USA
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/05f90cd13fe7e8f80b2df53babadbd5961acbb42/original/the-great-escape.jpg/!!/b%3AWyJyZXNpemU6NjQweDM0MiJd.jpg" class="size_orig justify_inline border_" alt="" height="342" width="640" /></span></p>
<p><span style="color:#c0c0c0">You can say that The Great Escape has created a type of musical gold rush globally with their modern-vintage style and hook-driven songs. One of their latest tracks, “<a href="https://open.spotify.com/track/5QvzJkwd3FiKXYOmJMuBOk" target="_blank" data-imported="1"><span style="color:#c0c0c0">All You Got is Gold</span></a>,” was featured in the popular NETFLIX series “The Haunting of Hill House” and explores the topic of being pleasantly satisfied with the little things, those things in life that people often place little to no value on like love, laughter, and/or life in general. Nice to hear a track that has descriptive lyrics illustrating how life’s most tangible things are as precious as gold, especially true love and affection. As Ingrid Andersson sings: the “universe [is] in bloom.” </span></p>
<p><span style="color:#c0c0c0">Less is more with “All You Got is Gold.” The track itself features minimal instrumentation, but the pieces included on this track (bass drum, banjo, harmonium, and lead guitar) packs a big punch and gives us that foot stomping-blissful vibe we crave. Ingrid Andersson’s voice represents passionate power on all levels and holds a pleasantly raspy, chill, and sexy vocal prowess. She sings with the same passion that Tracey Chapman captivates us with, a practical poise and attitude laced with casualness and emotion that just resonates to all of us – so polished and addicting. That type of raw vocal on this track is so earthly solid and pleasing. </span></p>
<p><span style="color:#c0c0c0">Moreover, Malte Hagemeister and Kristian Nord balances Andersson by bringing the grit and confidence creating an overall freeing experience. The way Andersson, Hagemeister, and Nord all chime in singing “gold” towards the song’s closing, and the emotion and passion that is heard in their voices and seen on their faces in the video, equates to awesome musicianship! </span></p>
<p style="text-align: center;"></p>
<div class="video responsive"><div class="video-container"><div class="video responsive"><div class="video-container"><iframe frameborder="0" height="224" src="https://www.youtube.com/embed/jUMW4xsMJoA" width="272" class="wrapped wrapped"></iframe></div></div></div></div>
<p><span style="color:#c0c0c0">What captivated me about the video for “All You Got is Gold” is that classic Hollywood cinematography that glues you to the screen with only using the colors of black and white. This vintage look tied to a grass-roots type of studio set up all evokes a sort of quasi sparkle like gold as it really fascinates you like a shiny coin on the street. </span></p>
<p><span style="color:#c0c0c0">“All You Got is Gold” just takes you there, you know. You are really saying “yes” once the track concludes. </span></p>
<p><span style="color:#c0c0c0">What The Great Escape has created with “All You Got is Gold” is a vibrant heavy piece of <strong><em>Cartier</em></strong> in the shape of organic wild flowers (thorns and all) and sun kissed music notes. </span></p>
<p><span style="color:#c0c0c0"></span></p>
<p style="text-align: center;"><span style="color:#ffffff"><a href="http://www.facebook.com/wearethegreatescape" target="_blank" data-imported="1"><span style="color:#ffffff"><strong>www.facebook.com/wearethegreatescape</strong></span></a></span></p>
<p style="text-align: center;"><span style="color:#ffffff"><a href="http://www.facebook.com/wearethegreatescape" target="_blank" data-imported="1"><span style="color:#ffffff"></span></a></span></p>
<p style="text-align: center;"><span style="color:#ffffff"><a href="http://www.twitter.com/greatescapereal" target="_blank" data-imported="1"><span style="color:#ffffff"><strong>www.twitter.com/greatescapereal</strong></span></a></span></p>
<p><span style="color:#c0c0c0"></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536042019-03-21T12:00:00-12:002021-06-28T06:09:33-12:00Izzy Thomas “Trouble (Pull That Trigger)” Rock N Roll (London)
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/80a2020e4a279c1d32eab03be8354549869352e1/original/izzy-thomas.jpg/!!/b%3AWyJyZXNpemU6NDgyeDI5MiJd.jpg" class="size_orig justify_inline border_" alt="" height="292" style="display: block; margin-left: auto; margin-right: auto;" width="482" /></span></p>
<p><span style="color:#c0c0c0">In honor of Women’s History Month, I have another female artist making waves – but the kind of waves that cause musical tsunamis with jaw-dropping percussions, unapologetic guitars, and a vocal that turns plain old rocks into diamonds. I am speaking about Izzy Thomas. </span></p>
<p><span style="color:#c0c0c0">Izzy Thomas is a London-based singer/songwriter who is gaining recognition in print and online with her sound. Her latest song “<a href="https://soundcloud.com/izzy-thomas/izzy-thomas-trouble-pull-that-trigger" target="_blank" data-imported="1"><span style="color:#c0c0c0">Trouble (Pull That Trigger)</span></a>” is an example of her QUEEN-stats – a fresh, commercially-ready Rock N Roll track that fuses elements of Alternative Pop with a heavy Hip-Hop bottom.</span></p>
<p><span style="color:#c0c0c0">One element that will stand out from the jump that sets Thomas apart from her peers and competitors is her 4-octave vocal range and the way she moves between those octaves effortlessly. This is a vocal skill that has become kind of washed-out in Modern Rock N Roll, and Thomas is breathing all types of LIFE back into this genre of music. Thomas’ vocal technique is astonishing – she sings with an intense sense of rhythm and emotion making sure to place emphasis on attitude without sacrificing her phrasing. Within one song, she’s sultry, brassy, gritty, sweet, and ferocious – she’s a woman not to be messed with or there WILL be repercussions. Moreover, the instrumental attitude on this track dances perfectly with Thomas’ vocal energy. </span></p>
<p><span style="color:#c0c0c0">Featuring a sort of spellbinding effect on the ears, the music production comes at us with thick beats that move comfortably with sonic soundscapes and percussions. Those gritty chains-on-brick percussive effect is dominating. The slap-you-in-your-face drumline is spot-on, while the guitars are edgy and hits you on all sides like artistic ninjas wearing nine-inch nails. </span></p>
<p><span style="color:#c0c0c0">This is a song that has I AM WORTH IT written all over it, and she is worth it. She’s rough, harsh, but also sweet – the perfect storm!</span></p>
<p style="text-align: center;"><span style="color:#ff9900"><strong><a href="https://izzythomas.com/" target="_blank" data-imported="1"><span style="color:#ff9900">Artist Page</span></a> | <a href="https://twitter.com/izzythomasmusic?lang=en" target="_blank" data-imported="1"><span style="color:#ff9900">Twitter </span></a>| <a href="https://www.facebook.com/izzythomasofficial/" target="_blank" data-imported="1"><span style="color:#ff9900">FB</span></a></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536032019-03-21T12:00:00-12:002019-03-22T00:24:26-12:00Fiona Grey “Girls Like Me” (Pop) California/USA
<p></p>
<div class="video responsive"><div class="video-container"><div class="video responsive"><div class="video-container"><iframe frameborder="0" height="265" src="https://www.youtube.com/embed/DG77KtgDicg" style="display: block; margin-left: auto; margin-right: auto;" width="322" class="wrapped wrapped"></iframe></div></div></div></div>
<p><span style="color:#c0c0c0">When you look at the official video for “Girls Like Me,” you will be drawn into the song by one stare by Fiona Grey, and kept there by that VOICE!!! </span></p>
<p><span style="color:#c0c0c0">“Girls Like Me” has a lyrical storyline about a woman feeling safe with her other half no matter where they go or what they do, but it also holds the message of someone loving a “girl like me” for who she truly is no matter how she looks or what she has on – she sings: <em>I’m all dressed up, queen with no crown / I tried to be tough but it’s safer here on the ground / you like to sleep, I stay up late / so hold me right now / don’t hesitate . . . . I watch you pick apart my brain / stay still so I can drive you insane / you like the thrill, I need the chase / you don’t understand and I don’t want to explain / Girls like me / Girls like me</em>. This message is descriptively depicted by Fiona Grey herself in her video.</span></p>
<p><span style="color:#c0c0c0">From the makeup, wardrobe, setting, and overall production, the full message of Grey’s song comes to life. Grey progresses this image by showing different facets of a woman’s life depicted by different wardrobe choices and makeup stylings and then slowly peels away traditional methods of beauty transforming from a fully made up woman to a stripped-down version of herself by the video’s conclusion – she wipes off her lipstick, takes down her hair, pulls off her lashes, and she leaves. With this concept, she visually shows how your best side is your true side, and if you are okay with yourself, then that is all that matters. Plus, if someone wants to honestly love you, they must appreciate an accept all your sides. You will cheer with tears of joy when she finally stands there poised and perfectly herself. </span></p>
<p><span style="color:#c0c0c0">Grey’s layered vocal delivery on this track will have you rooting for the artist also. She delicately places herself within this song and delivers a powerful, emotion-driven, performance. Her raw vocals are pitch-perfect and demanding having the chops to either break your heart while also being capable of subtly molding your emotions back together again with one tear-jerked trill. Vocally, Grey is poised and painted in neon emotions. With her soprano vocals, Grey cuts through this song like a sword being both vocally raw and edgy but tempered with kindness and softness just enough to be approachable. </span></p>
<p><span style="color:#c0c0c0">Musically, every element is in its proper place – the opening organ eluding to that pondering reflection of self, on to the soft electronic soundscapes, synths, quiet cymbals and additional percussions. This varied musical tapestry gives us a modern Pop track with some elements of smooth Jazz and Blues. </span></p>
<p><span style="color:#c0c0c0">I call “Girls Like Me” Cyndi Lauper’s “Girls Just Want to Have Fun” mellowed-out, honest, little sister that is doing for this generation what Cyndi Lauper did for the listening audience in the 1980s, and that is, teaching us to accept our imperfections and embrace our own image of beauty. </span></p>
<p><span style="color:#c0c0c0">With so many people being kept in the competitive comparison race due to social media and insta-everything, this eye-opening track will make people aware of their own reflection in the mirror and give them the confidence to embrace it. </span></p>
<p><span style="color:#c0c0c0">“Girls Like Me” deserves a standing ovation. WOW! That’s femininity to the millionth power! </span></p>
<p style="text-align: left;"><span style="color:#c0c0c0">She is giving a voice to the women who need to be heard!</span></p>
<p style="text-align: center;"><span style="color:#ffff00"><strong><a href="http://www.fionagreymusic.com/" target="_blank" data-imported="1"><span style="color:#ffff00">Artist Page</span></a> | <a href="https://www.facebook.com/fionagreymusic/" target="_blank" data-imported="1"><span style="color:#ffff00">Face Book</span></a> | <a href="https://twitter.com/FionaGreyMusic" target="_blank" data-imported="1"><span style="color:#ffff00">Twitter</span></a></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536022019-03-21T12:00:00-12:002019-03-22T00:16:32-12:00Ashley Woodruff “Somewhere in There” (Alt. Pop) Sudbury, Ontario
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/c58e5d0410edb83d49b792faa601c363b3874c6b/original/ashley-woodruff-3.jpg/!!/b%3AWyJyZXNpemU6NDgweDQ4MCJd.jpg" class="size_orig justify_inline border_" alt="" height="480" style="display: block; margin-left: auto; margin-right: auto;" width="480" /></span></p>
<p><span style="color:#c0c0c0">When I first introduced singer/songwriter Ashley Woodruff to my readers in July of 2018, it quickly became apparent that she was on the cusp of a reigning career in Alternative Pop because of three things: one, that beautiful contralto vocal prowess that is so addicting (even though her range is expansive). Two, she always writes and execute real-world songs that resonate with almost every demographic within her audience radius. And three, the passion she places within each track – you can feel every breath, emotion, truth and/or dare. </span></p>
<p><span style="color:#c0c0c0">Woodruff’s latest song “<a href="https://open.spotify.com/track/1CbHGfIM9cJX4lGVJs8RDW" target="_blank" data-imported="1"><span style="color:#c0c0c0">Somewhere in There</span></a>” is a cautionary track that hands us a dose of realistic humanity. The song opens with gloomy soundscapes and an enveloping threading synth effect that sets up the stage for a song about how numbing reality by hiding from the truth can only produce a future resulting in loss of self. The lyrics clearly explains this theme: <em>where are you hiding / can’t seem to find you here / you have to be somewhere in there / though you’re right here / you are a shell of yourself / you’ve changed / are you even aware / I understand / you’re too blind to see / you have turn off this road</em>. </span></p>
<p><span style="color:#c0c0c0">I really like how Woodruff allows for the music to take the lead as she follows along – it really does play delivering a hide and seek listening-effect with Woodruff vocally being the music’s shadow. You really get the sense that she is looking, or better yet, searching as she avidly adapts her vocals to grasp the music’s mood and direction. For instance, the music comes in suspenseful, and she enters vocally being both robust yet soft. The music rides low and she follows with smooth vocalizations; the music climbs, and Woodruff scales and adds backing vocal highlights that lifts your spirit. Even the addition of vocal echoes and some repeating instrumental riffs gives way to the song’s inquisitive listening experience. </span></p>
<p><span style="color:#c0c0c0">Moreover, this song includes a bridge to give the listener room to breathe and accept the song’s message and ponder. At the two minutes and 48 seconds mark, the track splits at its bridge presenting us with contralto, mezzo-soprano, and soprano vocal harmonies laced with minimal FX and a moving layered synth soundscape that slowly builds, takes us away, and then brings us back again thus carrying us on to the powerful piano-driven outro. </span></p>
<p><span style="color:#c0c0c0">This is a song that is worth your attention and worth sharing. </span></p>
<p><span style="color:#c0c0c0">And if your music voyage takes you to Ontario Canada this spring, make sure to check out Ashley Woodruff performing live at: </span></p>
<p><span style="color:#c0c0c0"><em><strong>The Townehouse </strong></em><strong>on </strong><strong>April 04, 2019 in Sudbury, Ontario at 10:00 pm</strong></span></p>
<p><span style="color:#c0c0c0"><em><strong>Fire House Bar and Grill </strong></em><strong>on </strong><strong>April 19, 2019 in Capreol, Ontario at 9:00 pm</strong></span></p>
<p><span style="color:#c0c0c0"><em><strong>Marshall's Bar & Grill </strong></em><strong>on </strong><strong>April 20, 2019 in Espanola, Ontario at 10:00 pm</strong></span></p>
<p style="text-align: center;"><strong style="color: #c0c0c0; font-size: medium;"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/fa3ea1875288bc42d1cea0a5d3f5c987182f9ec9/original/ashley-woodruff-pic-2.jpg/!!/b%3AWyJyZXNpemU6MzcyeDI0OCJd.jpg" class="size_orig justify_inline border_" alt="" height="248" width="372" /></strong></p>
<p style="text-align: center;"><span style="color:#ff0000"><strong><a href="https://www.ashleywoodruff.com/" target="_blank" data-imported="1"><span style="color:#ff0000">Artist Page</span></a> | <a href="https://twitter.com/AWMusic2017" target="_blank" data-imported="1"><span style="color:#ff0000">Twitter</span></a></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536012019-03-21T12:00:00-12:002019-03-22T00:12:11-12:00Jennifer Mlott “Before I Cry” (Country-Pop) Indiana/USA
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/fb9a4867cef445e7adcc05c6c58e0375044caa42/original/jennifer-mlott.jpg/!!/b%3AWyJyZXNpemU6NDE2eDQxNiJd.jpg" class="size_orig justify_inline border_" alt="" height="416" style="display: block; margin-left: auto; margin-right: auto;" width="416" /></span></p>
<p><span style="color:#c0c0c0">Remember the ballads that Whitney Houston, Taylor Dayne, and Mariah Carey would belt-out back in the 90s – those ballads that started with vocals emotionally low telling a heartfelt, honest, story and then slowly climbing to a chorus that blew us away? Well, we have another one with “<a href="https://open.spotify.com/track/6ZVCi9JtSYMNrjEyFjTDI9" target="_blank" data-imported="1"><span style="color:#c0c0c0">Before I Cry</span></a>” by national Award-Winning recording artist, choreographer, and dancer, Jennifer Mlott.</span></p>
<p><span style="color:#c0c0c0">The track starts with a dominating piano, light soundscapes, and synths giving the track a kind of dark edginess which is a prelude to the sadness felt by the lyrical message of a relationship that is frail and heading towards failure due to lack of communication. Mlott sings: <em>try and hear me before I cry /hurry up hurry up before I lose you / hurry up hurry up before you love me too / hurry up hurry up before I change my mind</em>. </span></p>
<p><span style="color:#c0c0c0">Mlott gives a great performance on this track and presents a perfect dual styling with her vocal range – she delves low and then soars like a bird which also illustrates that dual emotional aspect of a love that is filed highs and lows. With Mlott’s vocal execution, you can also feel the yearning to be heard, the anticipation to save the passion, and the willingness to forgive. All classic signs of a creative and talented writer and vocalist. </span></p>
<p><span style="color:#c0c0c0">Another highpoint of this track is its production. </span></p>
<p><span style="color:#c0c0c0">The choice to keep the music and mastering effects at a minimal on “Before I Cry” was splendid as it helps the listening audience to truly hear the HUMAN and not just computer-generated (CG) vocalizations. In 2019, we are bombarded with tracks that are loaded with CG vocal FX, synths, and various instruments that sometimes tend to crowd the overall production blurring the vocals and the message of a song. Relying on CG techniques as treatments in production are fine on up-tempo tracks, as it brings the hype and make for great dance cuts, but this is not the case with most ballads. Other than the piano, soundscapes, and synths, "Before I Cry" additonally includes: <span style="color:#c0c0c0">violins, soft electronic percussions, some light backing adlibs and FX, and a voice – that’s it.</span> </span></p>
<p><span style="color:#c0c0c0">“Before I Cry” features a production that allows for Mlott’s message and voice to take center stage, so you truly can walk away with Mlott’s vocals in your head instead of the bottom beat. </span></p>
<p><span style="color:#c0c0c0">When a Country-Pop song tells the story of someone pleading to give love every try before the cry, it deserves a listen. “Before I Cry” released this month. Real music is back and it’s memorable!</span></p>
<p style="text-align: center;"><span style="color:#cc99ff"><strong><a href="https://www.jennifermlott.com/" target="_blank" data-imported="1"><span style="color:#cc99ff">Artist Page</span></a> | <a href="https://twitter.com/JenniferMlott" target="_blank" data-imported="1"><span style="color:#cc99ff">Twitter</span></a></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60536002019-03-14T12:00:00-12:002019-03-14T21:47:52-12:00The Wag "We Carry On"
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/a24bc1938e008b3be245708ef8d68320aa6d69d2/original/the-wag-we-carry-on-album-cover.jpg/!!/b%3AWyJyZXNpemU6NTQ5eDQ5MyJd.jpg" class="size_orig justify_inline border_" alt="" height="493" width="549" /></p>
<p><span style="color:#c0c0c0">What is the mark of a true band? I mean, what makes people say, “now, THAT’S a BAND” versus someone saying, “they are a band?” Is it their connections? The scope of their roster? Their tour schedules? The size of their fanbase? Their image? </span></p>
<p><span style="color:#c0c0c0">Well, in all honesty, all those elements make up a part of that defining mark of a TRUE band. But the most distinguishing factor is their rapport with each other’s bandmates. Yes, we can see it when we see a band on stage. It is obvious if they truly get along, and it resonate in their music. </span></p>
<p><span style="color:#c0c0c0">When a fan goes to a concert of a band that display that familial affection, the first thing that comes out their mouth (after yelling the lyrics of the hit songs) is “wow, you can tell they love each other,” or “yo, I see why they have been in the industry rocking out for so long, those cats are each other’s family.” Right? And that concert is just MAJOR! </span></p>
<p><span style="color:#c0c0c0">We see it with bands like Queen, Aerosmith, and The Rolling Stones – that casual, cool, real-life family aurora – where they fight, get tired of each other, laugh, cry, breakup, regroup, and talk the talk; where it is all real, and that reality crosses into the music. </span></p>
<p><span style="color:#c0c0c0">In saying the above, I’d like to introduce you to a band that still, to this day, carries that close-knit comradery. They are The Wag. </span></p>
<p><span style="color:#c0c0c0">The Wag are an American Pop Rock band from New Jersey who have been mesmerizing audiences for over twenty years. This rocking band of four have opened for: John Cafferty & The Beaver Brown Band, Rick Springfield, Jefferson Starship, Gavin Degraw, Phillip Phillips, and Peter Tork of the Monkees. </span></p>
<p><span style="color:#c0c0c0">Their newest release “We Carry On” embraces that love of life, having fun even when it rains, I’ll be your shoulder to cry on – type of music – in other words, music for living as it encompasses practicality and reality. </span></p>
<p><span style="color:#c0c0c0">There are eleven Pop Rock songs that illustrate this theme: </span></p>
<ol>
<li><span style="color:#c0c0c0">We Carry On</span></li>
<li><span style="color:#c0c0c0">She’s a Devil</span></li>
<li><span style="color:#c0c0c0">Never Let It Bring You Down</span></li>
<li><span style="color:#c0c0c0">Believe</span></li>
<li><span style="color:#c0c0c0">Me and You</span></li>
<li><span style="color:#c0c0c0">Touch You</span></li>
<li><span style="color:#c0c0c0">Everybody Said</span></li>
<li><span style="color:#c0c0c0">I’ve Been Waiting</span></li>
<li><span style="color:#c0c0c0">Coat of Arms</span></li>
<li><span style="color:#c0c0c0">Days Go By</span></li>
<li><span style="color:#c0c0c0">Bright Lights</span></li>
</ol>
<p><span style="color:#c0c0c0">This is my interpretation of the six songs that highlight “We Carry On.” </span></p>
<p><span style="color:#c0c0c0">The <a href="https://soundcloud.com/the-wag/we-carry-on?in=the-wag/sets/we-carry-on" target="_blank" data-imported="1"><span style="color:#c0c0c0">title track</span></a> opens the album with such fantastic sparkle. “We Carry On” is a song about building lasting strong relationships (friendships and partnerships) in life, even if it is in the form of memories. The lyrics sing: <em>there are days when your memory still haunts me / everything just feels so heavy / then I think about your smile / carry me when my spirit grows too weary / when I think I can’t go on / come and sit with me a while … We carry on / breathing through the song we’re singing / living on the joy it’s bringing / we carry on / everything must change / one thing will remain / just as every night leads to the dawn / we carry on / all the years & all the miles / all the tears & all the smiles / wouldn’t have it any other way / we carry on</em>. Perfect choice of lyrics to build a storyline of associations that keeps us afloat during the harsh tides of life and swim along with us during the tranquil times. </span></p>
<p><span style="color:#c0c0c0">The band’s choice to use minimal effects and minor instrumentation is great for a track that illustrates how the smallest things means the most in relationships that withstand the tests of time – acoustic guitar, drumline, and synths – that’s it, and it works. And, Alicia Van Sant leads “We Carry On” with a vocal prowess that is melodic, forceful, and bright.</span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/the-wag/never-let-it-bring-you-down?in=the-wag/sets/we-carry-on" target="_blank" data-imported="1"><span style="color:#c0c0c0">Never Let It Bring You Dow</span></a><strong>n</strong>” is a mid-tempo Soft Rock track with a mix of drums, synths, bass, and digitally distorted guitar that highlights the band’s formidable playing skills. Lead by Don Lee, the third track is about optimism and his lead is full of energy and raspy appeal. Lee’s vocal timbre indicates a vocalist who has the chops to flex with the song being able to either soar or dive depending on the track being recorded. That guitar laying into the song at the one minute / 39 seconds mark is to die for, and those harmonic “oohs” and “aahs” make for a commercially ready, uncluttered, track that stays with you.</span></p>
<p><span style="color:#c0c0c0">Bringing in funky beat and dance-until-you-fall tempo is “<a href="https://soundcloud.com/the-wag/believe?in=the-wag/sets/we-carry-on" target="_blank" data-imported="1"><span style="color:#c0c0c0">Believe</span></a>” a song that easily marries 1980s Rock with Modern Pop. Brian Ostering welcomes us with his vocal and it is so commanding that it remains with you after the track concludes. The part of the hook that goes, “you know you gotta believe” where the lead repeats those lyrics going up an octave as it builds, and then he digs down and sings “don’t let them bring you down, down?” yeah, that part? That is so 2019!</span></p>
<p><span style="color:#c0c0c0">One word describes “<a href="https://soundcloud.com/the-wag/me-and-you?in=the-wag/sets/we-carry-on" target="_blank" data-imported="1"><span style="color:#c0c0c0">Me and You</span></a>,” and that is BEAUTIFUL! This modern love letter is so soft-spoken vocally, yet forceful enough to engrave its emotion onto your heart. The dual female/male vocal makes this track so romantic. Another facet of the song that resonated with me was that it included a bridge – that part of the song that crosses the listener from the intro on to the outro and give them second or two to breathe before going back into the cut. I rarely hear bridges today in music, and if there are bridges, they are so minute that they are unrecognizable. I can see this track being the closing song to a modern version of “Dirty Dancing.” This is the song that makes Valentine’s Day every day.</span></p>
<p><span style="color:#c0c0c0">And I wanted to shine a spotlight on the seventh track “<a href="https://soundcloud.com/the-wag/everybody-said-1?in=the-wag/sets/we-carry-on" target="_blank" data-imported="1"><span style="color:#c0c0c0">Everybody Said</span></a>” because it really is the jack-of-all-trades of the bunch as it features lyrics with such depth built around instrumentation that plays like a fairytale with attitude. From the arpeggio guitar chord starting the track, on to the percussions (chimes and cymbals included), woodwinds, and accordion, as well as Van Sant’s contralto, backing vocals, along with the vocal effect sounding like a speaker box (by the way, a great technical metaphor for the he-said/she-said storyline) makes for a very modernly enchanting track. A song about building opinions based off misunderstandings never sounded so good. </span></p>
<p><span style="color:#c0c0c0">And closing the album is a Folk-Rock song about those times in life that stay with us until the end. “<a href="https://soundcloud.com/the-wag/bright-lights?in=the-wag/sets/we-carry-on" target="_blank" data-imported="1"><span style="color:#c0c0c0">Bright Lights</span></a>” even lyrically mentions those impactful moments, such as weddings, births, proms, etc. that come into our lives and how the people that surround us makes them special. The four-part harmony further emphasizes that “it takes a nation” effect. I have to say, it was a nice change of pace to hear a song like "Bright Lights" during an era in music when songs are so pigeon-holed with storylines about “events” (strip clubs, one-night stands, breakups, and throwing shade) instead of “journeys.” And, this song features “the journey” – moments within time versus just a place in time. In addition, the la-la-la-la backing vocal also emphasizes the “hands of time” clicking away bringing on the least expected.</span></p>
<p><span style="color:#c0c0c0">The Wag consists of Alicia Van Sant (vocals/keys/flute/percussion), Brian Ostering (vocals/bass), Don Lee (vocals/guitar), and Joshua Van Ness (vocals/drums/percussion). And let’s raise a glass to Brian Mowery (drummer/percussionist)! All true artists. </span></p>
<p><span style="color:#c0c0c0">The Wag has given the listening audience songs that are filled with so many reminders of what makes life so worth living and not just existing, you know? For example: the ability to love even when it is hard to do so or knowing that gossip exists but not giving it too much care, or better yet, living your best life OUT LOUD, and not to forget, loving hard! To put it plainly, The Wag has reminded us of how to be HUMAN. This type of songwriting comes from artists who have experiences that they choose to share, and skilled musicians who can pull out the right sentiments to target the audience through the song. </span></p>
<p><span style="color:#c0c0c0">And as stated above, The Wag have been in some good company over the years by opening the show for major artists. But again, that is not what makes them have that envied staying power that many artists crave. No! There are three things that makes this quartet of Pop Rock resonate so well with the masses: one, the songwriting and musicianship – these guys’ mastery over the lyric, melody, and instrument is mature, fun, interesting, and truly contagious. Two, that “everyday-people” vibe that they carry. That persona that lets fans know that it’s okay – everything’s chill – the same musical demeanor that Steven Tyler of Aerosmith and Bruce Springsteen carry along on their musical journey. And three, that close-knit family affection. When you look and listen to The Wag, you do not see or hear a studio-made band, no, it is a TEAM. No airs; it’s just music-fam, and we dig it! </span></p>
<p><span style="color:#c0c0c0">In a world where people take things SO serious, social media rules our days, and the very act of just simply living life has become so opiniated, it was good to listen to music that places a PAUSE on the new-normal. </span></p>
<p><span style="color:#c0c0c0"><span style="text-decoration:underline"><strong>Upcoming events</strong></span>:</span></p>
<p><span style="color:#c0c0c0">3/29/19 – The band walks the Red Carpet at the Garden State Film Festival 6:00 pm.</span></p>
<div>
<p><span style="color:#c0c0c0">3/30/19 – The band will be at the Fest for Beatles Fans – NY Metro 2019 at the Hyatt Regency 12:00 pm.</span></p>
<div>
<p align="center"><strong><span style="color:#00ff00">Website: <a href="http://www.thewagband.com/" target="_blank" data-imported="1"><span style="color:#00ff00">www.thewagband.com</span></a></span></strong><br><strong><span style="color:#00ff00"> Facebook: <a href="http://www.facebook.com/thewagband" target="_blank" data-imported="1"><span style="color:#00ff00">www.facebook.com/thewagband</span></a></span></strong><br><strong><span style="color:#00ff00"> Twitter: <a href="http://www.twitter.com/thewag" target="_blank" data-imported="1"><span style="color:#00ff00">www.twitter.com/thewag</span></a></span></strong><br><strong><span style="color:#00ff00"> Soundcloud: <a href="http://www.soundcloud.com/the-wag" target="_blank" data-imported="1"><span style="color:#00ff00">www.soundcloud.com/the-wag</span></a></span></strong><br><strong><span style="color:#00ff00"> Youtube: <a href="https://www.youtube.com/user/TheWagBand" target="_blank" data-imported="1"><span style="color:#00ff00">www.youtube.com/user/TheWagBand</span></a></span></strong></p>
</div>
<p> </p>
</div>
Klef Notestag:klefnotes.com,2005:Post/60535992019-03-14T12:00:00-12:002020-01-17T06:53:23-12:00Verity White "Reclaim; Set Fire"<p class="verse"><span style="color:#c0c0c0"><em><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/2af6de7e062c91c2b7ea86e510afd98f31d54f47/original/vw-reclaim-set-fire.jpg/!!/b%3AWyJyZXNpemU6NDkyeDQ5MiJd.jpg" class="size_orig justify_inline border_" alt="" height="492" width="492" /></em></span></p>
<p class="verse"><span style="color:#c0c0c0"><em>I am woman, hear me roar / in numbers too big to ignore / and I know too much to go back an' pretend . . . I am wise but it's wisdom born of pain / yes, I’ve paid the price but look how much I gained / if I have to, I can do anything / I am strong (strong) / I am invincible (invincible) / I am woman</em>. When you look at the cover of Verity White’s second album “Reclaim; Set Fire,” those lyrics to Helen Reddy’s song “I Am Woman” just comes to mind, because you quickly see the power, the confident poise, the pride, adaptability, sensitivity, creativity, feistiness, pain, beauty, and the progression of femininity – to put it plainly, you see all that is woman. </span></p>
<p class="verse"><span style="color:#c0c0c0">Musically, Verity has always been a force to be reckoned with when it comes to her methodology of doing music because as a Rock artist, she is picture perfect in all that she creates – her appeal to the masses with lyrics that are descriptive, honest, and unapologetic, her ability to rise over defeat and claim her throne as the Mistress of Rock by evolving and having staying power, and how she keeps her audience and critics guessing by keeping the music fresh with track after track of songs that empower, enthuse, and engage. </span></p>
<p class="verse"><span style="color:#c0c0c0">She is woman; she is reclaiming; and she is on fire! </span></p>
<p class="verse"><span style="color:#c0c0c0">So, let’s dive right into this wonderful guitar-driven collection of Rock music that has irons in the pots of New Wave and Classic Alternative Rock: </span></p>
<ol> <li><span style="color:#c0c0c0">Come and Get It</span></li> <li><span style="color:#c0c0c0">Heartstorm</span></li> <li><span style="color:#c0c0c0">Turn this up</span></li> <li><span style="color:#c0c0c0">Inside your love</span></li> <li><span style="color:#c0c0c0">Wild</span></li> <li><span style="color:#c0c0c0">Push it Down</span></li> <li><span style="color:#c0c0c0">Goodbye, you’ll see</span></li> <li><span style="color:#c0c0c0">Listen Up!</span></li> <li><span style="color:#c0c0c0">Overload</span></li> <li><span style="color:#c0c0c0">Feel This</span></li>
</ol>
<p><span style="color:#c0c0c0">In my interpretation of “Reclaim; Set Fire,” I will be highlighting six tracks to illustrate the threading theme of self-confidence and female strength. </span></p>
<p><span style="color:#c0c0c0">The opening track “<a contents="Come and Get It" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/2DQ5CW57lPp4d7Mu96ctO5" target="_blank"><span style="color:#c0c0c0">Come and Get It</span></a>” is a driving, demanding, track that exudes a self-assured persona. The lyrics alarmingly sing “if you want it, come and get it” which clearly presents this confidence of self. This pure Rock track with hot-as-fire cymbals, and a riveting guitar, keeps you moving from the first foot stomp on to the final yell. Verity aggressively starts this track and keeps up with the music like an Olympic runner, trilling, climbing, and crooning from note to note. This up-tempo track is a modern feminist anthem that will get everyone asking themselves, where can I get a dose of oomph like Verity?</span></p>
<p><span style="color:#c0c0c0">And after listening to “Come and Get It,” which gets the blood going, it feels good to decompress with a sort of musical vacation which comes it the form of the second track. </span></p>
<p><span style="color:#c0c0c0"><strong>“</strong><a contents="Heartstorm" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/1QcJjEtczR9683Difn4L7E" target="_blank"><span style="color:#c0c0c0">Heartstorm</span></a><strong>” </strong>calms the heart with its relaxed introduction that plays like a pleasant mental time-pacer with the guitar riffs being played so gently like the guitarists were touching spiderwebs of bass and lead (I love this effect). This soft introduction gives the listener that so-many-seconds of tranquility that is needed to reboot, but it quickly grows into a ballad that growls. </span></p>
<p><span style="color:#c0c0c0">Verity softly enters the track singing cautiously but provokingly, and then she slams into a hostile vocal – she sings<em>: I felt lost / I couldn't see a way out / storm gathers overhead / its too soon for it to rain down / a tempest raging in the dark / can I control it, I control it, I control it? / I follow my heart right through this storm but it's hard to love when your heart's stillborn / your broken pieces all around my bed I pick them up, still cherry red . . . I feel you underneath my skin / you think you're stronger then me / I won't give in</em>. The lyrics of “Heartstorm” paint the picture of an impending failure in a relationship. The lyrical illustration shows how one can see the dark clouds looming before the storm, but you still have time to react – or will you? </span></p>
<p><span style="color:#c0c0c0">The fourth track of the collection is a wonderful example of how Verity does not just settle where people expect her to stay – she evolves. Verity can change lanes without crashing, and it comes in the form of<strong> “</strong><a contents="Inside Your Love" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/2c8qDFGTYTEZuaQBt8UVSd" target="_blank"><span style="color:#c0c0c0">Inside Your Love</span></a>.<strong>” </strong></span></p>
<p><span style="color:#c0c0c0">What Verity has done with “Inside Your Love” is what I call tempering the genre, where an artist does not leave their genre of choice but tweaks it some by adding in other elements to the mix to add variation. As a Rock artist, it was nice to hear a track that exhibits an Electro Pop bottom, tempo, and overall production while Verity still laid into that full-bodied Rock lyrical style. Full of energy, “Inside Your Love” contains an infectious hook. Verity vocally creates that hill-to-valley effect with her trills that just doubles the catchiness of the song, and the dual vocal effect on the hooks just highlights Verity’s crisp enunciations. Stating the title of the album within its lyrics, “Inside Your Love” is a wonderful mid-to-up tempo, commercially-ready cut about having that one person by your side that helps you to reset and start anew.<strong> </strong></span></p>
<p><span style="color:#c0c0c0">Starting like a fairytale, “<a contents="Wild" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/7bgepgthe5agUZqtcYK1Qv" target="_blank"><span style="color:#c0c0c0">Wild</span></a><strong>” </strong>is a Rock ballad that radiates an organic feel like the ballads of the 1960s, where the musical outline is so crisp and plain that it is seductive. The lyrics of this track are just pleasantly consuming: <em>Picking at the pieces of the person that I am / I don't know what we'll find this time / I scare myself, I don't know what lies underneath / I scare myself, with my lack of belief / Please forgive me if I seem a little wired / I don't know who I am, I'm nurturing this child / Please forgive me if I seem a little tired / I'm beaten down, I'm broken and I'm wild</em>. Verity’s whole, robust, vocalizations makes you hear the strength of the song, as the mellow backing vocal and single lead guitar makes you hear the innocence of the song. </span></p>
<p><span style="color:#c0c0c0">“Wild’s” storyline is about not knowing who you are, or shall I say, what you can accomplish, and figuring it all out. And, I love the two-angled point of view of this track. It’s a wonderful love song if you imagine the character singing to her partner in terms of them helping her recognize herself – which is so beautiful. On the other hand, it is cathartic if you see the character as exploring herself to see who she finds. </span></p>
<p><span style="color:#c0c0c0">Self-exploration is something that takes a lot of examining but is so empowering once it is completed and you come out on the other side focused and knowing YOU! Either way, “Wild” speaks to us and justifies our need to be recognized, whether it is by our own reflection or someone else’s view.<strong> </strong></span></p>
<p><span style="color:#c0c0c0"><strong>“</strong><a contents="Push it Down" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/5cvUuzUeLxaGnfJsme2s9W" target="_blank"><span style="color:#c0c0c0">Push it Down</span></a><strong>” </strong>is cunning, because it starts out so sweet and then belts you in the ear and continually keeps the punches coming . . . and I like it! Verity and her band keep you engaged and riding with their music right out of the gates even before moving to the second verse. This hard-hitting track was made to be performed in a big space. Verity’s vocal execution on her leads are snarly but good-looking like leather and lace. </span></p>
<p><span style="color:#c0c0c0">That awesome guitar solo gave me life – OMG – is it just me or is “Push it Down” Rock anthem-worthy? Um . . . Yes! A song with mixed tempos about ego never sound so good. This is what hits are made of! Listen to the guitars and drums pound it out at that outro – bam!<strong> </strong></span></p>
<p><span style="color:#c0c0c0">Closing the album is “<span style="color:#c0c0c0">Feel This</span><strong>”</strong> – a ballad that is simply outstanding! Honestly, it has been a while since I have heard a female rocker knock them out on a ballad. We heard this a lot with <a data-imported="1" href="https://en.wikipedia.org/wiki/Heart_(band)" target="_blank">Heart </a>and <a data-imported="1" href="https://roxette.se/" target="_blank">Roxette </a>in the 1980s, but not since then, until now – thanks Verity White. </span></p>
<p><span style="color:#c0c0c0">Verity’s soulful, spirited leads mixing with harmony notes in the hooks makes this song like a second skin. And Verity’s overall emotional delivery on this track is superb. Sure, I am a fan, but this is true – when you listen to “Feel This” you get the anguish, questions, and yearning. Adding to the emotions brought out on this track is the music – a single piano. </span></p>
<p><span style="color:#c0c0c0">The way the pianist plays on “Feel This” makes this song so thought-provoking and honest. For instance, the classic piano does not take away from the lyric, it expertly complements the content of the song which is about trailing careful through life, day by day, finding our way. Such skill, it easily sounds as if the piano is telling its inner confessions across the hall. “Feel This” is the rose of the bunch with delicate vocal elements and thorn piercing piano chords. </span></p>
<p><span style="color:#c0c0c0">Hands-up to the vocal execution and the overall production of “Reclaim; Set Fire.” Verity and her band’s talents really shine on this album. From beginning to end, this female-fronted band synch and flex to each other’s musical twists, changes, scales, and falls. The guitarists, percussionist, keyboardist, and producer really have that “IT” factor and they know how to play well with Verity. They illustrate variation, fearlessness, and skill all in thirty-three minutes! </span></p>
<p><span style="color:#c0c0c0"><span style="text-decoration:underline">Now, let me pull the frontwoman into the spotlight</span>:</span></p>
<p><span style="color:#c0c0c0">I love the direction that Verity took for the entire album. She was able to give self-acceptance a spine, pushing it to the foreground so everyone could see how this is doable. Verity was also able to lyrically support her theme of female strength by showing that it takes passion to be powerful which in term enables a woman to RECLAIM herself as well as SET FIRE to anything that needs to be removed. But this is no surprise when it comes to Verity. As a creative artist, Verity continues to evolve to present something new to the masses. The cover art alone illustrates Verity’s ingenuity. </span></p>
<p><span style="color:#c0c0c0">I touched on this at the opening of this review, but let me take another minute to revisit the cover art of Verity White’s “Reclaim; Set Fire.” This artwork evokes the image of evolving, thus the butterfly. Not a typical change, but a powerful transformation, therefore the fire. And then there’s Verity poised right in the center, or shall I say epicenter, indicating that things are going to crack, rumble, and fall when she changes things. Yes, there is going to be some damage, but with every sort of storm, comes PEACE! </span></p>
<p><span style="color:#c0c0c0">And in terms of Verity’s vocal stylings on this album, she’s both vehement and cautious, knowing when to vocally stomp or tip-toe. Her range is superb and wide. Lyrically, she implemented both “push” and “pull” treatments regardless of the song’s tempo – meaning some tracks lyrically asked for something while others enforced. Only accomplished songwriters know how to explore this technique. Not to say that her previous work was weak or too rough, no, not at the least, but on “Reclaim; Set Fire, we vividly see that this collection of songs is a byproduct of Verity’s self-expression resulting in an honest, arched, strong, dual-sided, balanced piece of creation – we see WOMAN! </span></p>
<p><span style="color:#c0c0c0">I seriously hope you download your copy TODAY. This is not an album that you want to snooze on. They say the future is female and Verity is taking center stage – always hard as nails yet soft as water and transparent – fearless but understanding. To ignore this album would be inexcusable!</span></p>
<p style="text-align: center;"><span style="color:#ff6600"><strong><a data-imported="1" href="https://twitter.com/veebear" target="_blank"><span style="color:#ff6600">Twitter </span></a>/ <a data-imported="1" href="https://www.veritywhite.com/" target="_blank"><span style="color:#ff6600">Band page</span></a></strong></span></p>Klef Notestag:klefnotes.com,2005:Post/60535982019-03-06T12:00:00-12:002020-04-09T03:49:56-12:00Kingsley “Without You – Yoswayy Remix” Indie Pop (Oregon, USA)<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/ae9771f727734a2a86ce9978851e48de0e715d57/original/kingsley.png/!!/b%3AWyJyZXNpemU6NTA4eDUwOCJd.png" class="size_orig justify_inline border_" alt="" height="508" width="508" /></p>
<p><span style="color:#c0c0c0">When we look at artists like Annie Lenox, Tracy Chapman, and Prince (to name a few), one thing that they ALL had in common regardless of the genre they recorded within or the roots they stemmed from culturally, is they ALL were non-conforming. Each of those artists did not allow society or the industry to place them within the typical cookie-cutter molds ready to replicate and sell. No, these artists kept to their true identities and made the world fall in love with their difference and talent. </span></p>
<p><span style="color:#c0c0c0">An artist in this wonderful industry of music who is not allowing the industry standards to place a STAMP on her is Kingsley – an Indie Pop singer, songwriter, musician from Chi-Town (Chicago) who now resides in Oregon USA. This eclectic beauty truly does pin the snapshots from her life’s journeys to her mirror and spin them into hits. </span></p>
<p><span style="color:#c0c0c0">“<a data-imported="1" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/0nRbFLxAI5LcUgDuvfhAw2" target="_blank">Without you</a>” from her newest EP “I Am Because I Dance,” taps into that deep-down brokenness that comes with separation from love. Kingsley sings: <em>back to the day when </em><em>you caved in and told me I deserve someone better than you baby / the day when you broke my heart in two / took the other half with you / I'll never get use to being without you / I'll never get use to being without you</em>. Honest, practical, lyrics.</span></p>
<p class="3vff3xh4yd"><span style="color:#c0c0c0">This track is layered perfectly always giving the audience something new, but staying in sync, which keeps you interested. This honest, practical, track starts with an electrifying guitar riff that easily becomes the spine of the entire track – I am SPEECHELESS! Moreover, I love the way Kingsley blends elements of Rock, Pop, and R&B on "Without You." </span></p>
<p class="3vff3xh4yd"><span style="color:#c0c0c0">Another highlight of the track is the way that Kingsley vocally executed this track – it is weighty without being heavy. She approaches the track’s leads very delicately but pounds the human-emotional element in with that guitar hook and pulsating percussions to illustrate the magnitude of love that has become divided. Kingsley’s vocal attitude and sugar-kissed vibrato adlibs also play with your ears and adds that tad of innocence to the track. </span></p>
<p><span style="color:#c0c0c0">In addition, Yoswayy (producer of Talk Modern) was surgical with his production of this EP. </span></p>
<p><span style="color:#c0c0c0">I think it is time you downloaded your copy now!</span></p>
<p style="text-align: center;"><a contents="Artist Page" data-link-label="" data-link-type="url" href="https://www.iamkingsley.com/" target="_blank"><span style="color:#c0c0c0">Artist Page</span></a></p>Klef Notestag:klefnotes.com,2005:Post/60535972019-02-28T12:00:00-12:002019-02-28T23:53:55-12:00Becky Bowe “You and Your World” (Pop/Soul) North Yorkshire
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/f249a611e6141fb1c1611b2ace0e9ff21629969f/original/becky-bowe-new-song.jpg/!!/b%3AWyJyZXNpemU6NTAweDUwMCJd.jpg" class="size_orig justify_inline border_" alt="" height="500" width="500" /></span></p>
<p><span style="color:#c0c0c0">Readers, I would like for you take a minute and listen to <a href="https://soundcloud.com/becky-bowe/you-and-your-world" target="_blank" data-imported="1"><span style="color:#c0c0c0">this</span></a>! Doesn’t this track flow smoothly as if music became wine? That’s Becky Bowe, and the song is called “You and Your World.”</span></p>
<p><span style="color:#c0c0c0">I first introduced you to Becky Bowe in May of 2018 when she just released her debut single “That’s How Love works” – a song that has reached number 9 on the Singer/Songwriter iTunes chart. So I am glad to hear something else from this talent, a mid-tempo Pop Soul ballad that shapes the heart. </span></p>
<p><span style="color:#c0c0c0">“You and Your World” is a getting-something-off-the-chest type of song where you can feel the anguish, the honesty, and the realization of accepting change through the lyrics. Bowe’s singing reflects this emotional journey taken by the character of the song who is allowing themselves to be vulnerable, yet confident enough to learn how to love again – it is as if the character is speaking from their chest – their heart, and it shows rhythmically. </span></p>
<p><span style="color:#c0c0c0">The quiet organ vibing with the soft percussions and jazz guitars just makes you melt. In addition, Bowe’s vocal range in “You and Your World” flexes to show her vocal prowess; she scales two and a half octaves and tones it down to reflect control and grace. She flutters like a butterfly on this track and is smooth as butter. </span></p>
<p><span style="color:#c0c0c0">American Soul singer-songwriter, model, poet and actress, Jill Scott said that “Soul music is about longevity and reaching and touching people on a human level,” and that is what Bowe has accomplished with her latest track “You and Your World.” Bowe is articulate enough to bend with the times, but solidly grounded as a singer-songwriter that she never sacrifices the soul of the music, and she keeps the human experience within the story. </span></p>
<p><span style="color:#c0c0c0">“You and Your World” is admirably soulful and is already climbing its way up the Singer/Songwriter iTunes charts. Cannot wait to see what’s next! </span></p>
<p style="text-align: center;"><a href="https://twitter.com/becksbowe" target="_blank" data-imported="1"><span style="color:#ff0000"><span style="color:#ff0000"><strong>Twitter</strong></span></span></a><a href="https://twitter.com/becksbowe" data-imported="1"><br></a></p>
Klef Notestag:klefnotes.com,2005:Post/60535962019-02-28T12:00:00-12:002019-02-28T23:43:50-12:00DOMI “Let Me Follow” (Norwegian Pop, British EDM) Europe
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/35296d16cf22067c9cb1b8c85901592d28ca27ed/original/domi.jpg/!!/b%3AWyJyZXNpemU6NTE5eDUxOSJd.jpg" class="size_orig justify_inline border_" alt="" height="519" width="519" /></span></p>
<p><span style="color:#c0c0c0">DOMI is a 5-piece band with roots that spread into all eclectic spaces. Their sound is raw, fresh, and modernly unique. Their latest cut is called “<a href="https://soundcloud.com/user-167118941-539417466/let-me-follow" target="_blank" data-imported="1"><span style="color:#c0c0c0">Let Me Follow</span></a>,” and this band is showing no signs of slowing down. </span></p>
<p><span style="color:#c0c0c0">“Let Me Follow” starts with rhythmic drum sticks keeping time and soon evolves into a soft vocal, FX-infused Pop/EDM track that demands your attention. Featuring soft themes, such as unrequited love and dire need, the lyrics display this interpretation by singing: <em>Underneath it all behind these closed doors I’m not safe / We’re hunted by the wo[r]ld thrown to the wolves we are fooled / And we can’t hide cause we’ll always be in their sight / No we can’t run, If we try to fight we will die / No wonder I am cold in this paradise I’m alone / Let me follow, Follow you / Let me feel like you do / Let me follow, follow you / Let me feel like you do / Let me follow, Follow you / Let me feel like you do / Let me follow, follow you / Let me feel like you do</em>. </span></p>
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/7e02c3c5051e11680450dc69ca0e890b4f1eea01/original/domi-2.jpg/!!/b%3AWyJyZXNpemU6NDIweDI4MCJd.jpg" class="size_orig justify_inline border_" alt="" height="280" style="display: block; margin-left: auto; margin-right: auto;" width="420" /></span></p>
<p><span style="color:#c0c0c0">Front woman Dominika has the skill to flex her vocal prowess in the right way in order for that passionate emotion to be projected. Moreover, the backing vocals are sky-lifting awesome on this cut. It is as you are flying from the intro to the outro. </span></p>
<p><span style="color:#c0c0c0">The track is built around varied instrumentation, but it’s that evanescent percussive sound-ground that easily introduces itself as the song’s core. All five members have the talent, elasticity, and drive to make DOMI unforgettable! </span></p>
<p><span style="color:#c0c0c0">I am quite sure that in another place and time acts and artists like No Doubt and Lorde would run in the same pack as DOMI, but the difference is that DOMI would lead the pack and the others would FOLLOW, because DOMI is DOMI - undeniably unstoppable!</span></p>
<p style="text-align: center;"><span style="color:#ffff00"><a href="https://twitter.com/WeAreDOMI" target="_blank" data-imported="1"><span style="color:#ffff00"><strong>Twitter</strong></span></a></span></p>
<p style="text-align: left;"><span style="color:#ff00ff"><span style="color:#ff00ff"><strong><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/6f2c394feadceea1f0d3ddf6906cbdd11fe0f700/original/domi-1.jpg/!!/b%3AWyJyZXNpemU6NDg4eDMyNSJd.jpg" class="size_orig justify_inline border_" alt="" height="325" style="display: block; margin-left: auto; margin-right: auto;" width="488" /></strong></span></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535952019-02-21T12:00:00-12:002019-12-31T08:11:31-12:00The Gear – “There’s A Place” and “Secret that Lies Behind” UK
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/8955bc6c3ab5db56ec01749b97a35dff50a61633/original/the-gear-band-plain.jpg/!!/b%3AWyJyZXNpemU6Mzk4eDQ5OCJd.jpg" class="size_orig justify_inline border_" alt="" height="498" style="display: block; margin-left: auto; margin-right: auto;" width="398" /></span></p>
<p><span style="color:#c0c0c0">The Gear is back with two new tracks that simply overrides monotony – “There’s A Place” and “Secret that Lies Behind.” </span></p>
<p><span style="color:#c0c0c0"></span></p>
<p><span style="color:#c0c0c0"> </span></p>
<p style="text-align: center;"><strong style="color: #c0c0c0; font-size: medium;"><a href="https://open.spotify.com/track/0Ixh167kTB6YDs5COMbBJ4" target="_blank" data-imported="1"><span style="color:#c0c0c0">There's A Place</span></a></strong></p>
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/0ceb4ec5430f28a965e7ad9d3af48002eaef69b8/original/the-gear-theres-a-place.jpg/!!/b%3AWyJyZXNpemU6NDE0eDQxNCJd.jpg" class="size_orig justify_inline border_" alt="" height="414" style="display: block; margin-left: auto; margin-right: auto;" width="414" /></span></p>
<p><span style="color:#c0c0c0">“There’s A Place” is a rebellious, unapologetic track that lyrically illustrates the human need to be free in their own space. The song starts a bit stripped-down and then quickly gains momentum. The lyrics sing, “all the trees turn from green to red inside my head / I don’t be who you want me to be.” The track features a mood-setting blend of resonant guitars, hi-hats, and vocals kissed with the right vocal effect to give off that upside-down space feeling. We are met with an ah-some bridge at the three minutes / 16 seconds point with guitars and drums demonstrating a cool tantrum foot-stomping effect which suits this track perfectly. The track ends with a jam session!</span></p>
<p><span style="color:#c0c0c0"></span></p>
<p style="text-align: center;"><a style="font-size: medium;" href="https://open.spotify.com/track/6ieIJoRfL9alBpxShICXyN" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Secret that Lies Behind</strong> </span></a></p>
<p><span style="color:#c0c0c0"><strong><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/8785fa7eaddad5e07eb88dfc94f9c1a5137a6902/original/the-gear-secret-that-lies-behind.jpg/!!/b%3AWyJyZXNpemU6NDIxeDQyMSJd.jpg" class="size_orig justify_inline border_" alt="" height="421" style="display: block; margin-left: auto; margin-right: auto;" width="421" /></strong></span></p>
<p><span style="color:#c0c0c0">“Secret that Lies Behind” is a tripped-out track that gives us a kind of a 1960’s meets 2019 sound with its fresh take on Psychedelic Rock spliced with a modern drumline. The front man sings in a chilled-out register lyrically depicting all the questions that come out to play within a relationship. Filled with layers upon layers of music texture, the track starts out in your face, then mellows out, and then slaps you again. So, if you like it rough, then this one's for you! </span></p>
<p><span style="color:#c0c0c0">The Gear is a band to watch – these guys’ songwriting and musicianship gives proof of a band that can keep up with the ever-evolving trends of Rock music.</span></p>
<p style="text-align: center;"><span style="color:#ffff00"><a href="https://twitter.com/TheGearBand" target="_blank" data-imported="1"><span style="color:#ffff00"><strong>Twitter</strong></span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535932019-02-21T12:00:00-12:002019-12-31T08:11:30-12:00Gravity Castle “I’ll Just Be Me” (Alt. Pop) Utah, USA
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/c9b6f8d18d738e3db347877a09a673803423ffa8/original/gravity-castle.jpg/!!/b%3AWyJyZXNpemU6Mzc5eDM2NyJd.jpg" class="size_orig justify_inline border_" alt="" height="367" width="379" /></span></p>
<p><span style="color:#c0c0c0">If you are ready to bop your head to un-filtered dope music, then take a peep at Gravity Castle.</span></p>
<p><span style="color:#c0c0c0">Gravity Castle is an American Pop duo from Utah that is bringing difference and familiarity at the same time to the music industry. Their latest cut “I’ll Just Be Me” has the chops to not only ride along with Top 40 commercial success but also jump ahead of their competitors on the charts. Check it out <a href="https://open.spotify.com/album/5URPxEtWAesMH8MDU67n7o" target="_blank" data-imported="1"><span style="color:#c0c0c0">here</span></a>!</span></p>
<p><span style="color:#c0c0c0">The up-tempo track starts with beautiful soundscapes and feature a message within the music that says it's fine being yourself. In a world full of followers and mimics, this music-based metaphorical song is so needed and appreciated. And with a storyline that is so practical that anyone can connect to it, there is no wonder this song is so infectious. But what makes this song stick like glue is that layered and textured technique that the guys applied to “I’ll Just Be Me.” </span></p>
<p><span style="color:#c0c0c0">First, the dual vocal that creates a wonderful play on the ears with a lower registered vocal complementing the tenor vocal on the pre-choruses and hook making for a tight vocal experience; then, there’s the leveled guitars, impressive keys, and that alternative-House Music bottom that commands its beat. And finally, that wonderful syncopated core melody that produces a sort of nursery-rhyme for adults. So, it’s no secret, “I’ll Just Be Me” is instantly memorable and Gravity Castle is here to stay! </span></p>
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/2680d14b3756ba7b81aaab5ee22ea0d76fc95667/original/gravity-castle-2.jpg/!!/b%3AWyJyZXNpemU6NDgzeDM3MSJd.jpg" class="size_orig justify_inline border_" alt="" height="371" style="display: block; margin-left: auto; margin-right: auto;" width="483" /></span></p>
<p style="text-align: center;"><span style="color:#cc99ff"><strong><a href="https://twitter.com/gravitycastle" target="_blank" data-imported="1"><span style="color:#cc99ff">Twitter</span></a></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535922019-02-21T12:00:00-12:002019-12-31T08:11:30-12:00Afraid of Human
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/d450383b7ce4e900dbedecd8a843194a8538570e/original/afriad-of-human-coverart.jpeg/!!/b%3AWyJyZXNpemU6NTMyeDUzMiJd.jpg" class="size_orig justify_inline border_" alt="" height="532" width="532" /></span></p>
<p><span style="color:#c0c0c0">Afraid of Human is the first Indie Hard Rock band that I have heard that reminds me of Metallica, Guns N’ Roses, and Mötley Crüe.<strong> </strong><strong> </strong></span></p>
<p><span style="color:#c0c0c0">Hailing from Warren, Pennsylvania, the Afraid of Human brass-knuckles lineup includes Jimmie Botto (vocals), Brandon Kulp (guitar/vocals), Mike Key (guitar), Dusty Huff (bass), and John Grimm Sr. (drums). </span></p>
<p><span style="color:#c0c0c0">The music of Afraid of Human is nothing short of BRILLIANCE hooked to an amp. Each song tells a story that the listening audience can relate to and combines modern edginess without sacrificing that classic serious Hard Rock sound we love. </span></p>
<p><span style="color:#c0c0c0">So glad to hear a band that is breathing pure energy into a genre of music that was beginning to wane in mainstream music by being placed behind Hip-Hop, Pop, Rock, and R&B. </span></p>
<p><span style="color:#c0c0c0">Their self-titled EP has eleven tracks: </span></p>
<ol>
<li><span style="color:#c0c0c0">Through the Lies</span></li>
<li><span style="color:#c0c0c0">All I Am</span></li>
<li><span style="color:#c0c0c0">Gut Check</span></li>
<li><span style="color:#c0c0c0">The One</span></li>
<li><span style="color:#c0c0c0">Now You Know</span></li>
<li><span style="color:#c0c0c0">Ghost in The Shadows</span></li>
<li><span style="color:#c0c0c0">Walk with Me</span></li>
<li><span style="color:#c0c0c0">Livin’ It Up</span></li>
<li><span style="color:#c0c0c0">Repercussions of War</span></li>
<li><span style="color:#c0c0c0">From the Ashes</span></li>
<li><span style="color:#c0c0c0">My Everything</span></li>
</ol>
<p><span style="color:#c0c0c0">I will be highlighting eight of the cuts in order to frame this perfect piece of Hard Rock art. Get ready for some Hard Rock that will tighten the stitches of our American tapestry. </span></p>
<p><span style="color:#c0c0c0">The album opens with licks and arpeggio in full effect.<strong> “</strong><a href="https://open.spotify.com/track/4cAgduUXUbBsZwMXS9S9eY" target="_blank" data-imported="1"><span style="color:#c0c0c0">Through the Lies</span></a>” displays its protagonist as seeing through the lies of the antagonist and reacting accordingly. And if the guitar solo that is surely conversing splendidly at the two minutes / four seconds mark does not get you hooked, then certainly the Glam Rock full gang-vocal chorus sound will connect to you. And if that is still not enough to blow your mind as an opening track, at the tail-end of that exciting guitar solo, smooth backing vocals come in and then they drop like gravity, only to spring back up to take you to the outro. One word – MAGIC! </span></p>
<p><span style="color:#c0c0c0">The way that<strong> “</strong><a href="https://open.spotify.com/track/64nOrCcEnVzzuQk5r8Svp2" target="_blank" data-imported="1"><span style="color:#c0c0c0">All I Am</span></a><strong>” </strong>begins just gave me life. The guitars were seriously talking shop on this track, and Jimmie Botto executes his lead very rhythmically. Botto bobs and weaves through “All I Am” placing emphasis on what needs attention – he accents, scales back, and just rides with it vocally. In addition, this song features an aggressive sound with a hook that gives us that 'fist in the air' emotion as well as being very memorable. The guitar riff that begins the song ends the song along with a drum roll that is classic ROCK – John Grimm Sr. just kills it on those drums!</span></p>
<p><span style="color:#c0c0c0">And when I say to get ready to fall in love, I mean it, because “<a href="https://open.spotify.com/track/4KLA4ZvHQ8JdG6JmyDqTT7" target="_blank" data-imported="1"><span style="color:#c0c0c0">The One</span></a>” is just one of those types of songs that steals your heart! A Hard Rock power ballad with guitars AND violins?? Pinch me, I must me dreaming. It is rare that a Hard Rock band produces such beautifully composed ballads, and Afraid of Human has done just that with “The One.” Fab!</span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/2DwHdCCDkiaiiN7F7fG8nQ" target="_blank" data-imported="1"><span style="color:#c0c0c0">Now You Know</span></a>” is a great musical illustration of the band’s skill – the way that the guys composed this cut with that full-harmony hook creates a sense of depth. In short, “Now You Know” defines the statement “what you see is what you get,” and it’s gritty, unapologetic, bodacious, and dripping with modulations. Yo, I was flying on this song!</span></p>
<p><span style="color:#c0c0c0">I simply love, love, love the way “<a href="https://open.spotify.com/track/7rS51wJayXjxPRhAlWNEuo" target="_blank" data-imported="1"><span style="color:#c0c0c0">Walk with Me</span></a>” starts – the way the lead guitar introduces this cut, it is as if someone’s fingertips are tiptoeing on your shoulders. This track is chock-full of surprises, from the way the soft leads give way to an explosive heavy chorus, on to the blended harmony hooks, and then the short musical bridge that encircles you at the two minutes / thirty seconds mark.</span></p>
<p><span style="color:#c0c0c0">Not too many musicians can produce a distorted guitar effect without making it bleed into becoming just noise, but Afraid of Human has succeeded in this technique. The way that this band has utilized distortion makes their guitars create that rousing effect that we all love, yet they also made them blend in enough to play along with other muscular instruments and it works! “<a href="https://open.spotify.com/track/5RratIgpv2OZbOLqcQCnsu" target="_blank" data-imported="1"><span style="color:#c0c0c0">Livin’ It Up</span></a>” is a rock-out YOLO anthem that will sit with you and become your shot-gun road-dog. The hook is simply ah-some!</span></p>
<p><span style="color:#c0c0c0">The tenth track, “<a href="https://open.spotify.com/track/6pmxaMNYfjOPbZDuUN4len" target="_blank" data-imported="1"><span style="color:#c0c0c0">From the Ashes</span></a>,”is so seductive in its melody, it alone can open a door! Featuring emotive lyrics that spell out the story of rising from regret, “From the Ashes” is full of spiraling guitars that emote a whirlwind type of healthy mental trip by pulling you in and then letting you go. Make sure to listen carefully to the front man’s vocals that are full of character and yearning.</span></p>
<p><span style="color:#c0c0c0">And if the sustained electric guitar does not captivate and spark your interest, then the cymbals and full drumline will do the job. The MUSIC is everything on “<a href="https://open.spotify.com/track/0mVJDcsY8g1eK2Uu2ZbjgD" target="_blank" data-imported="1"><span style="color:#c0c0c0">My Everything</span></a>.” The final track in the installation contains a balanced music to vocal ratio while Botto has a nice tone to the vocal which keeps you engaged. The melodic drop between the lead and hooks are spot-on righteous and builds a platform for the front man to ascend. I also enjoyed how the bridge comes in and the track soars on to the outro.</span></p>
<p><span style="color:#c0c0c0">In contrast to many Hard Rock bands where the screaming and intense volume of the hooks, leads, and adlibs are the most important element, what listeners will notice right up front is that this band is about the music and the message. Out of the gate, Afraid of Human’s storylines are so easily understood, and their melodies are so vivid. But do not get it twisted, Afraid of Human still gives us that BIG sound that die-hard Hard Rock fans live for, and it is impactful! – it is what made us fall in love with those Hard Rock icons in the past. </span></p>
<p><span style="color:#c0c0c0">Yes, it is all here readers: anthemic hooks, guitars that inflict tingles down your spine, pounding drums, threading FX, and major vocalizations. </span></p>
<p><span style="color:#c0c0c0">The way these guys place their harmonies makes for good listening. Moreover, the added texture to their verse progressions are surgically placed throughout a cut to give the most effect. And, Jimmie Botto is like a vocal prize fighter when it comes to a Hard Rock vocalist. Not to mention, after every yelled lyric or hard-as-nails hook, there will be a well-shaped music line. Yes, you are dealing with some serious, talented, musicians when you hear the names John Grimm Sr., Dusty Huff, Brandon Kulp, and Mike Key. </span></p>
<p><span style="color:#c0c0c0">No wonder Afraid of Human is making waves. These talented musicians’ instrumental combinations are absolutely chemical – like acid and base composed perfectly to alchemize your mind dude. Afraid of Human are respecting the musical formula that Pantera, Metallica, Guns N’ Roses, and Mötley Crüe (to name a few) laid down, but also mixing things up to produce variations of classic melodies and modern techniques. I call it a HardRock Renaissance – the prose, command to the beat, pulsating melodies, vivacious riffs, spine-riveting licks, and heart throbbing vocals all melting in to make good music. </span></p>
<p><span style="color:#c0c0c0">They are a Hard Rock band on my list of 2019 artists to watch! </span></p>
<p><span style="color:#c0c0c0">“Afraid of Human” is available on iTunes, Spotify, Google Play, Amazon Music and multiple other retailers, so make sure to get your copy and live life on the edge! </span></p>
<p style="text-align: center;"><span style="color:#00ccff"><strong><a href="http://afraidofhuman.com/" target="_blank" data-imported="1"><span style="color:#00ccff">Band page</span></a> | <a href="https://twitter.com/afraidofhuman" target="_blank" data-imported="1"><span style="color:#00ccff">Twitter</span></a> | <a href="https://www.facebook.com/afraidofhuman" target="_blank" data-imported="1"><span style="color:#00ccff">FB</span></a></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535912019-02-14T12:00:00-12:002019-12-31T08:11:29-12:00Franchise “Diesel Lullaby” Pop (Miami, USA)
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/4c713410f26b65cd8c994055c24b4392bb8a8a8b/original/diesel.jpg/!!/b%3AWyJyZXNpemU6NTEzeDUxMyJd.jpg" class="size_orig justify_inline border_" alt="" height="513" width="513" /></p>
<p><span style="color:#c0c0c0">Remember the rhythmic pulse P.M. Dawn’s “Set Adrift on Memory Bliss” gave to the masses that summer in 1999? That smokin mind trip that just made you go “ah, yeah, that’s my song?” Well, that’s what Franchise accomplishes with his latest single “<a href="https://www.franchisesound.com/pop/diesel-lullaby/" target="_blank" data-imported="1"><span style="color:#c0c0c0">Diesel Lullaby</span></a>” – that perfect blend of Pop/R&B and Hip-Hop that often goes missing today in music. </span></p>
<p><span style="color:#c0c0c0">Never has a song about a broken heart been so darn addictive, and it first starts with the voice of Miami-based singer/songwriter/producer Franchise. </span></p>
<p><span style="color:#c0c0c0">A great way to explain Franchise’s hypnotic voice would be to think about if one could combine Marc Anthony with Michael Jackson. And I am not just saying this, no, it is all in that textured, seasoned, functional, tenor/second tenor and how the artist can wield that instrument to do what he needs it to without sacrificing the sound or effect. He goes there! You can hear the lower registers, the soaring octaves, and the relaxed leads. Franchise’s harmonies are wonderfully romantic, but powerful; it is experience tempered with romance. </span></p>
<p><span style="color:#c0c0c0">Different than most ballads today, “Diesel Lullaby” does not sadden you or wreck your heart. In contrast, it tells the story of a broken heart with a tempo that confirms a sense of hope and moving on. The way “Diesel Lullaby” was produced and executed, it allows for this romantic ballad to forcefully place you in a trance with an affectionate hook that is constructed on harmonies and blended focused vocals. The poetic rhyme scheme is amazing. </span></p>
<p><span style="color:#c0c0c0">The entire track builds as it moves along while being supported by a military drum cadence that equally illustrates the love warrior who is singing his heart out lamenting, “I am a victim of love, loving a heart of stone.” </span></p>
<p><span style="color:#c0c0c0">“Diesel Lullaby” is a Pop track, but there are so many blended elements – for instance, the R&B synths, underlying Hip-Hop drum line, and modern FX. These all come together to sweep you off your feet while making you root for the heartbroken and riot for the heartbreaker. </span></p>
<p><span style="color:#c0c0c0">“Diesel Lullaby” released yesterday, so I suggest you hurry to buy or stream a song that is going to fuel its way to the top of the charts.</span></p>
<p style="text-align: center;"><strong><span style="color:#ffff00"><a href="https://twitter.com/franchisesound" target="_blank" data-imported="1"><span style="color:#ffff00">Twitter </span></a>| <a href="https://www.franchisesound.com/" target="_blank" data-imported="1"><span style="color:#ffff00">Artist's Page</span></a> | <a href="https://www.facebook.com/franchisesound" target="_blank" data-imported="1"><span style="color:#ffff00">Facebook</span></a></span></strong></p>
Klef Notestag:klefnotes.com,2005:Post/60535902019-02-07T12:00:00-12:002019-12-31T08:11:29-12:00Ghostly Beard “Papercut” (Pop) Montreal
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/8b25e8f6c3f566e8fe4a825115afb14aab7fd1ee/original/ghostly-beard-papercut.jpg/!!/b%3AWyJyZXNpemU6NDQ3eDQ0NyJd.jpg" class="size_orig justify_inline border_" alt="" height="447" width="447" /></span></p>
<p><span style="color:#c0c0c0">Much like Peter Gabriel, Ghostly Beard is always flipping the cards on the table to give us something we least expect but fall in love with quickly. Just released today, “<a href="https://ghostlybeard.com/album/952894/papercut" target="_blank" data-imported="1">Papercut</a>” is a song that illustrates the harmless approach of love and the little things about this emotion that cuts so deep. Like a papercut, literally, affection and its byproducts appear almost non-existent until you recognize it’s there and that’s when it can hurt.</span></p>
<p><span style="color:#c0c0c0">The lyrics illustrates this by singing <em>I know, it's not deep but it can hurt l</em><em>ike a papercut / It all started as a flirt / Then the paper cut / No, it can't really break your heart / You won't fall apart / You just need another start / Get another part . . . You just don't know what it's like u</em><em>ntil you've felt / That little something sad / That's slicing right across your heart</em>. </span></p>
<p><span style="color:#c0c0c0">“Papercut” is not overcrowded with FX, and plays along like a ditty revealing a not-too-serious storyline, but it is overtly realistic and professionally produced. Once again, Ghostly Beard excites us with his mellow, chilled-out, vocal register and gives us fantastic guitar technique. The un-fused outro at the three minutes and six seconds mark is just great. Ghostly Beard opted for the music to end as if an electric plug was pulled and the power went out. </span></p>
<p><span style="color:#c0c0c0">I enjoy Ghostly Beard’s sensory box type of artistry where on the surface it seems so simple but really reflects a deeper meaning. </span></p>
<p><span style="color:#c0c0c0">Anxiously awaiting to see what else the artist develops this year!</span></p>
<p style="text-align: center;"><strong><span style="color:#ff9900"><a href="https://twitter.com/ghostlybeard" target="_blank" data-imported="1"><span style="color:#ff9900">Twitter </span></a>| <a href="https://ghostlybeard.com/home" target="_blank" data-imported="1"><span style="color:#ff9900">Artist Page</span></a></span></strong></p>
Klef Notestag:klefnotes.com,2005:Post/60535892019-02-07T12:00:00-12:002019-02-07T22:13:17-12:00Virgo Son "Set Me Free" EP
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/20c309e16c4a44e3f52f901c65c4fa87f3ab5705/original/virgo-son-cover.jpg/!!/b%3AWyJyZXNpemU6NTgweDQxMCJd.jpg" class="size_orig justify_inline border_" alt="" height="410" width="580" /></p>
<p><span style="color:#c0c0c0">“Set Me Free” is a Pop Rock EP by Danish independent music artist Virgo Son. The album was written, performed, recorded, and produced by Virgo Son. </span></p>
<p><span style="color:#c0c0c0">This Pop Rock / Bluesy EP has 12 tracks that reflects on the path taken by the most creative of artists when they seek independence from any constraint – even if it is a limitation within themselves: </span></p>
<ol>
<li><span style="color:#c0c0c0">Set Me Free </span></li>
<li><span style="color:#c0c0c0">Line of Lovers </span></li>
<li><span style="color:#c0c0c0">Unspoken Words of Love</span></li>
<li><span style="color:#c0c0c0">The Good Samaritan</span></li>
<li><span style="color:#c0c0c0">Idols</span></li>
<li><span style="color:#c0c0c0">Words I Wish I’d Said</span></li>
<li><span style="color:#c0c0c0">Rewind the Time</span></li>
<li><span style="color:#c0c0c0">Pain Instead of Love</span></li>
<li><span style="color:#c0c0c0">Story Unspoken</span></li>
<li><span style="color:#c0c0c0">Four Letter</span></li>
<li><span style="color:#c0c0c0">Over Now</span></li>
<li><span style="color:#c0c0c0">I’ve Got A Name</span></li>
</ol>
<p><span style="color:#c0c0c0">I will interpret the six tracks that significantly describes the journey taken by some artists in order to accept their talents, speak their truths, and express their entire identity with freedom! </span></p>
<p><span style="color:#c0c0c0">The album opens with the <span style="color:#c0c0c0"><a href="https://open.spotify.com/track/5N3NO6t9qLLAwjKfd2qts6" target="_blank" data-imported="1">title track</a></span> which clearly pronounces that need to open up and have a voice and how cathartic that process becomes when it is completed with honesty. The lyrics sing: <em>Don’t think I don’t have a voice or a choice / Though I’m not talking so loud / I tend to take it too far wave goodbye / To my own needs / I wonder why I’m not around / Never speaking up for myself / Set me free, I’m stuck in this frame / Let me be, my kindness brings my pain</em>. Virgo Son has a nice, romantic, hearty, croon to his lead vocals on this track. Moreover, the harmonies and balanced, yet simple, guitars also enhance that releasing emotion. </span></p>
<p><span style="color:#c0c0c0"><a href="https://open.spotify.com/track/2tz4Kfy8GexL1zJvgEnUfb" target="_blank" data-imported="1"><span style="color:#c0c0c0">Line of Lovers</span></a> has that dual vocal that climbs into a thrice vocal and it is so welcoming. Line of Lovers is a song about that complex feeling that happens when falling in love is just not the right thing now between the two involved. The lyrics support’s the track’s theme: <em>My mind keeps painting the scene / It’s by far the worst I’ve seen / I thought she had no doubt / But saying love wasn’t the right move / Next time maybe next time / So let’s go waiting in the line of lovers</em>. Virgo Son selected a variation of guitars which gives the track a kind of Rock Blues taste and it works. The guitar solo at the two minutes and 29 seconds mark is sublime and thrillingly isolated. I love that wonderful card-to-chest feeling this track gives off which keeps you guessing – is the man reflecting on his regrets of that love, or contemplating his next step in continuing the relationship? The climbing guitars and the song’s anticipating-build keeps you pierced to the speakers. <strong> </strong></span></p>
<p><span style="color:#c0c0c0">An acoustic guitar is strummed, and in comes layers of fervent guitars, this is how one of my favorite tracks opens up. It is called <span style="color:#c0c0c0"><a href="https://open.spotify.com/track/6DrlCqaN471FtTvY2yK5Ku" target="_blank" data-imported="1">Idols</a> </span>– a song that lyrically spells out the reality of society looking to others as idols. The lyrics sing: <em>Fed up with expectations, promises nobody kept / All we are is a reflection of those we consider perfect / We have no touch with reality, lost our sanity / Close to counting days and nights until we are drowning / Cause we’re following idols who live our dreams / And we’re chasing an arrival to where life ain’t real / Everybody’s running in circles / Chasing their tale, escaping their fail / Willing to sell out / Cause we’re following idols who live our dreams / And we’re chasing an arrival to where life ain’t real</em>. This honest song shows how we, as a society, chase unrealistic goals and aspirations seen on social media pages and in the lives of other people. Instead of looking at ourselves, we often look to others for an identity or solution. </span></p>
<p><span style="color:#c0c0c0">In short, know your value and be who you aspire to be no matter what others are doing – because in the end, it is your thoughts, hopes, and identity that will define you. Idols fit Marvin Gaye’s statement “If you cannot find peace within yourself, you will never find it anywhere else;” and, I love the way the song ends with only the music playing in the same fashion as classic songs back in the day. This should be downloaded ASAP!</span></p>
<p><span style="color:#c0c0c0"><a href="https://open.spotify.com/track/7tAbpGWjPrPP6JvGAoj554" target="_blank" data-imported="1"><span style="color:#c0c0c0">Story Unspoken</span></a> is a bluesy track about regret: <em>The scenes repeatedly shows in my head / Story unspoken I still regret</em>. Featuring an unhurried core guitar melody, Virgo Son’s lead vocal blends well with the minimal instrumentation by having attitude. In addition, Story Unspoken has a wonderful descending vocal melody in its hook and I love it! </span></p>
<p><span style="color:#c0c0c0">The tenth track should be played on the biggest speakers available to man so that everyone could hear the full effect of the production! It is funky, exciting, and fun with a modern melodic tempo married to Dirty South quasi Blues guitars. <a href="https://open.spotify.com/track/2z76HCrisxKOm0hyglm0on" target="_blank" data-imported="1"><span style="color:#c0c0c0">Four Letter</span></a> has the flavor and vocal FX that is needed for a hit. The second chorus really brings home the reality of how love is unpredictable, which sings: <em>Everyday things go round / Words once honoured turn to lies / The love we’re hoping for and all [its] joys / Lose [its] fairytale when called by name / I’ve given four letter words away for free / Sold my smile for less, wanna crucify me</em>. </span></p>
<p><span style="color:#c0c0c0">Moreover, Four Letter's hook flows up and down in the same manner that love does your heart and emotions with one day you being up and the other day you possibly being down. And, what stands out spectacular on this track is the way Virgo Son allows the guitars to take center stage for ONE ah-mazing minute. You gotta hear this song! The only thing needed is a shot of whiskey!</span></p>
<p><span style="color:#c0c0c0">Tying up the theme of the album is <a href="https://open.spotify.com/track/6FhT7rZl92cId9WNLrqQyP" target="_blank" data-imported="1"><span style="color:#c0c0c0">I’ve Got a Name</span></a>. This track lyrically spells out how having a voice and recognizing the roads taken to get to that place of understanding is paramount in living your truth. I’m liking that middle-of-the-road effect the song has which makes it a REAL tune instead of studio-made adaptation. This song features Virgo Son singing in a more open register and it is so appealing. This is the perfect song to close the EP as it is like a public declaration from the artist to the world that THIS IS ME! </span></p>
<p><span style="color:#c0c0c0">This EP gives the coffeehouse singer the confidence to be the creative artist they know they are and rock out the arenas that they see themselves performing at in their dreams. “Set Me Free” is an album to vibe to and aspire to produce – an album that is straight from a songwriter/musician’s heart and full of individual tracks that will generate hits. </span></p>
<div>
<p><span style="color:#c0c0c0">The relationship between the singer and the song is in full light on this EP. Virgo Son gives us interpretive tracks, and his vocal accents create spontaneity. With the production of the music, it is brilliant how Virgo Son used the minimalist-effect showcasing the honest and real songwriting itself, not only the production and music, which is so rewarding. </span></p>
<p><span style="color:#c0c0c0">“Set Me Free” also has a nice open-mic feel. As a songwriter, Virgo Son knows how to write a pure lyric and attach the right instrument to the track to make one believe every word marked in the track. </span></p>
<p><span style="color:#c0c0c0">So make sure to download your copy today and get a sneak-peak into behind-the-scenes of a TRUE artist who is about to set the world on fire with his uncaged talent. </span></p>
<p style="text-align: center;"><span style="color:#ffffff"><a href="https://www.facebook.com/VirgoSonMusic/" target="_blank" data-imported="1"><span style="color:#ffffff">Facebook</span></a></span><a href="https://www.facebook.com/VirgoSonMusic/" data-imported="1"><br></a></p>
</div>
Klef Notestag:klefnotes.com,2005:Post/60535882019-02-07T12:00:00-12:002019-02-07T21:50:15-12:00James Bakian “Voices” (Alt. R&B) UK
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/7717f8bca2cf5446ba47f446cee890f333a0544f/original/james-bakian-voices.jpg/!!/b%3AWyJyZXNpemU6NDMyeDQzMiJd.jpg" class="size_orig justify_inline border_" alt="" height="432" width="432" /></span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/5aKro2qjkLKfy1kPOAFL5X?si=0owWnLxvSn60gOSzpUDxkQ" target="_blank" data-imported="1"><span style="color:#c0c0c0">Voices</span></a>” is an Electro-R&B ballad by English singer-songwriter James Bakian. </span></p>
<p><span style="color:#c0c0c0">The song features a down-tempo R&B melody complete with an melodious acoustic guitar riff embraced by synths and soft as pillow percussions. </span></p>
<p><span style="color:#c0c0c0">The lyrics discuss the way love can be misunderstood in the time of despair: <em>all the voices in her head got her wishing she was dead. And my bones are quaking scared. Got these feelings undeclared. And I hope she knows I care, cos for her I’ll be there</em>.</span></p>
<p><span style="color:#c0c0c0">In addition, Bakian’s voice has more depth and introduces an infectious powerful lyrical flow. He accomplishes this sensual vocal prowess by maneuvering through vocal elisions to accent his wide-tenor range while showcasing a dual vocal hook that is haunting yet enchanting. </span></p>
<p><span style="color:#c0c0c0">Wearing his heart on his sleeve, Bakian digs down deep and gives us a track that is full of emotion to start off 2019. </span></p>
<p style="text-align: center;"><span style="color:#00ffff"><strong><a href="https://jamesbakian.com/home" target="_blank" data-imported="1"><span style="color:#00ffff">Homepage </span></a>| <a href="https://twitter.com/jamesbakian" target="_blank" data-imported="1"><span style="color:#00ffff">Twitter </span></a>| <a href="https://www.instagram.com/jamesbakian/" target="_blank" data-imported="1"><span style="color:#00ffff">Instagram</span></a></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535872019-01-30T12:00:00-12:002019-01-30T20:48:26-12:00Light Emitting Dinosaurs “Ambition” Alt. Rock (UK)
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/b7c25d1b69c35de5e28ce408ef6ef709f7f01a5b/original/lightemittingdinosaurs.jpg/!!/b%3AWyJyZXNpemU6NTA3eDUwNyJd.jpg" class="size_orig justify_inline border_" alt="" height="507" width="507" /></p>
<p><span style="color:#c0c0c0">Light Emitting Dinosaurs is a band out of Brixton doing what Prince and the Revolution, as well as C&C Music Factory, did back in the 1980s/1990s, and that is mixing quirky and funk with quintessential talent. Their latest single “<a href="https://soundcloud.com/user-792085610/ambition" target="_blank" data-imported="1"><span style="color:#c0c0c0">Ambition</span></a>” showcases this exciting uniqueness and is just off-the-wall FAB! </span></p>
<p><span style="color:#c0c0c0">“Ambition” features a storyline about entering the unknown and conquering that mystery, and the accompanying <a href="https://youtu.be/QK0HoXbAev0" target="_blank" data-imported="1"><span style="color:#c0c0c0">video </span></a>illustrates this premise very well with CGI and FX. And what makes this track such a welcoming addition to the Indie Music Alt. Rock arena are the various grooves and beats that can stand alone but work so well together and eclectically makes a HIT! That sub-bass that keeps you glued to hear what comes next, along with surreal soundscapes, command to the beat, off the cuff hook, and the frontwoman’s empowering soprano, just takes you there man. Nikki really knows how to push the power! </span></p>
<p><span style="color:#c0c0c0">“Ambition” will quickly become that mind-altering, heart-skipping, body-swaying track that you were in search of since you yelled “Happy New Year” weeks ago. Finally a track opening the new year in Indie Music with that textural element of surprise. </span></p>
<p><span style="color:#c0c0c0">This modern Rock spliced with Funk and R&B song is not what you’d expect, but is so NOW; therefore, I had to let you in on this <strong>LED</strong> secret.</span></p>
<p style="text-align: center;"><strong><span style="color:#99cc00"><a href="https://twitter.com/LEDinosaurs" target="_blank" data-imported="1"><span style="color:#99cc00">Twitter </span></a>| <a href="https://www.instagram.com/proseccowicz/?hl=en" target="_blank" data-imported="1"><span style="color:#99cc00">Instagram</span></a> | <a href="https://www.lightemittingdinosaurs.com/" target="_blank" data-imported="1"><span style="color:#99cc00">Bandpage</span></a></span></strong></p>
<p style="text-align: center;"><strong><span style="color:#99cc00"><span style="color:#99cc00"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/7021c152c69f4c5e4a6d37c04054d797e8a7c45b/original/light-emitting-dinosaurs-pic-2.jpg/!!/b%3AWyJyZXNpemU6NTU4eDM3MiJd.jpg" class="size_orig justify_inline border_" alt="" height="372" width="558" /></span></span></strong></p>
Klef Notestag:klefnotes.com,2005:Post/60535862019-01-24T12:00:00-12:002019-12-31T08:11:27-12:00Captain Sib - The Dream Commander
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/9f61b982505e4fc66d6eecd831fe14f1ba5c8041/original/captain-sib-photo-ii.jpg/!!/b%3AWyJyZXNpemU6NTc1eDU3NSJd.jpg" class="size_orig justify_inline border_" alt="" height="575" width="575" /></p>
<p><span style="color:#c0c0c0">Captain Sib is what many Indie Rock artists aspire to become – a very forward-thinking artist who would rather present themselves as different, than standing in the shadows of their competitors. </span></p>
<p><span style="color:#c0c0c0">Captain Sib took a different direction with this EP and has soared above his competitors and classmen with “The Dream Commander” – a sort of galactic trajectory in music where melodies, instruments, and FX all come from odd sources but collectively join storylines that resonate with all practical forms of living. </span></p>
<p><span style="color:#c0c0c0">The Dream Commander by Captain Sib – 13 tracks:</span></p>
<ol>
<li><span style="color:#c0c0c0">Circuit X</span></li>
<li><span style="color:#c0c0c0">Moon Visions</span></li>
<li><span style="color:#c0c0c0">King of Concrete</span></li>
<li><span style="color:#c0c0c0">Stars</span></li>
<li><span style="color:#c0c0c0">Miracles Wait</span></li>
<li><span style="color:#c0c0c0">Breather</span></li>
<li><span style="color:#c0c0c0">The Dream Commander</span></li>
<li><span style="color:#c0c0c0">Warriors of Wasteland</span></li>
<li><span style="color:#c0c0c0">Four Walls</span></li>
<li><span style="color:#c0c0c0">Auto Enforcer</span></li>
<li><span style="color:#c0c0c0">Down by The Docks</span></li>
<li><span style="color:#c0c0c0">The Frantic Caller</span></li>
<li><span style="color:#c0c0c0">Fog</span></li>
</ol>
<p><span style="color:#c0c0c0">A more advanced album than its predecessors, I chose to pull out the seven tracks that gives Captain Sib’s audience a bird’s eye view into the opposite side of what we know as Captain Sib. </span></p>
<p><span style="color:#c0c0c0">The first track “<a href="https://soundcloud.com/captainsib/circuit-x" target="_blank" data-imported="1"><span style="color:#c0c0c0">Circuit X</span></a>” literally welcomes you into the world of the Captain.</span></p>
<p><span style="color:#c0c0c0">Starting with a movie-pulled dialogue, “Circuit X” features floating synths and angular guitars that catapults its listeners into basically a prelude, of sorts, for what you are about to witness musically in this EP. This track builds that four-wall sound you are craving with Electronic music. </span></p>
<p><span style="color:#c0c0c0">And if you are an Electronic music fan who digs ballads, then “<a href="https://soundcloud.com/captainsib/moon-visions" target="_blank" data-imported="1"><span style="color:#c0c0c0">Moon Visions</span></a>” is your song. This SynthPop ballad is posh in its melodic structure and features a steady drumline that supports that classic hook that sings “those m-m-m-m-m-m-moon visions” and keeps you glued to the speaker in hopes of the song’s characters finally meeting up. </span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/captainsib/king-of-concrete" target="_blank" data-imported="1"><span style="color:#c0c0c0">King of Concrete</span></a>” offers a wonderful premise to what evolves into a splendid Rock track by allowing seamless guitars to start the song. In comes full chorused leads that echo like dream memories. This production technique really does kind of sneak you into the track where you do not want to leave. In addition, the music leads this track and allows for listener-pondering. The premise of the song illustrates living your best life in full power of your domain.</span></p>
<p><span style="color:#c0c0c0">Classic hand-clap effects usher you into the 4<sup>th</sup> track entitled “<a href="https://soundcloud.com/captainsib/stars" target="_blank" data-imported="1"><span style="color:#c0c0c0">Stars</span></a>.” Captain Sib’s signature dual vocal helps to apply a tapestry to a minimally effected track. “Stars” feature subtle leads mixed with very upbuilding, quicker paced, hooks that incorporate synthed bells and a driven melody. A good Alternative Rock song that shows how acknowledging your own star power is all that is needed to reach the stars and beyond. Stars is full of surprises.</span></p>
<p><span style="color:#c0c0c0">“In all of your dreams … he never hesitates,” are two lyrical lines that comes off of one of my favorites on the EP – “<a href="https://soundcloud.com/captainsib/the-dream-commander" target="_blank" data-imported="1"><span style="color:#c0c0c0">The Dream Commander</span></a>.” <strong> </strong>And honestly, this track does not hesitate when it comes to the little things making a HUGE sound. At first listen, you hear predominantly a 1980s homage to dance music, but when you take a second listen, you begin to hear pulsating bass lines and synth soundscapes that feature a modern command to the beat which continuously spring forward and draw back while maintaining a steady threading tempo. This commercially-ready track gives you that “wait for it, wait for it, now leap” feeling when you fancy your ears to its production. Even the synths actually electronically sing “the dream commander” in the chorus’ melody – listen – it follows the last vocal line of the chorus. Hear it? This track right here is a superbly 1980s and Millennium fusion of timeless talent packaged into four minutes.</span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/captainsib/warriors-of-wasteland" target="_blank" data-imported="1"><span style="color:#c0c0c0">Warriors of a Wasteland</span></a>” is that mid-tempo track that grows into a monster. Imagine an artist strumming his guitar seated on a pier and singing his realism into dreams, and then suddenly your eyes become fixed on his thoughts that soon develop from simple to mega – that is what the eighth track rouses. And what delivers a big punch to this effect is that ah-some guitar workout that is turning fire from yellow to blue on this track. “Warriors of a Wasteland” tackles the issues of turning lemons into lemonade, so to speak, when it comes to our world – being warriors and fighting for that beam of light that we all deserve without limits. With a climbing bridge that includes piped-up guitars and out of this world synths hugging an infectious hook, this track is very thought-provoking. </span></p>
<p><span style="color:#c0c0c0">Closing the EP is “<a href="https://soundcloud.com/captainsib/down-by-the-docks" target="_blank" data-imported="1"><span style="color:#c0c0c0">Down by the Docks</span></a>” – an Alternative Rock ballad with more of an acoustic feel. The lyrics refer to soul mates completing each other’s lives. Featuring a David Bowie-worthy second tenor vocal that is laced with a modern take on the psychedelic smoke and mirrors effect, “Down by the Docks” makes you sway and smile. As the lyrics sing, “when you’ve got nothing, you have nothing to let go . . . you know in time, it’ll be all right.” The song ends with a simple bass drum, hi-hat, and piano. It is as if the movie has gone off and the credits are about to roll.</span></p>
<p><span style="color:#c0c0c0"></span></p>
<p><span style="color:#c0c0c0">After listening to "The Dream Commander" in its entirety, I kept thinking of how there are plenty of bands and artists who tout that they are the highlight of the genre by continually evolving with soundscapes, collaborations, and modern effects, but what Captain Sib has done with “The Dream Commander” is establish himself as a prelude to the future of the genre – he’s about three steps ahead, similar to David Bowie whose music was within a genre but he always seemed to surprise the masses by doing the “un-normal” and not just evolve.</span></p>
<p><span style="color:#c0c0c0">Like the dark side of the moon, artists like Bowie and Captain Sib continue to remain a mystery - creating collections of music that keeps the element of surprise that just keeps you guessing and interested. </span></p>
<p><span style="color:#c0c0c0"></span></p>
<p><span style="color:#c0c0c0">Now while there will always be only one Bowie, Captain Sib is closely a respected protégé as he is alchemizing the indie music Alternative realm by embracing difference while kind of redefining what makes being different in music an asset instead of a defect.</span></p>
<p><span style="color:#c0c0c0">“The Dream Commander” doesn’t just deliver a poem with melody but takes it a step further and depicts a story glued to a different angle – it’s not only songwriting and instrumentation, but also architecture building new ideas into old philosophies within song. It is inventive and explorative. It's turning dreams and moments into movies.</span></p>
<p><span style="color:#c0c0c0">In short, from the writing, the concept, the overall production and execution, “The Dream Commander” is stylishly different and purposefully meaningful. </span></p>
<p><span style="color:#c0c0c0">This is your invitation to discover this collection – no need to RSVP, just listen and dream.</span></p>
<p style="text-align: center;"><span style="color:#ff0000"><strong><a href="https://twitter.com/captainsib" target="_blank" data-imported="1"><span style="color:#ff0000">Twitter </span></a>| <a href="https://captainsib.co.uk/" target="_blank" data-imported="1"><span style="color:#ff0000">Bandpage</span></a>| <a href="https://www.facebook.com/captainsib" target="_blank" data-imported="1"><span style="color:#ff0000">Facebook</span></a></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535852019-01-24T12:00:00-12:002019-01-24T21:42:16-12:00“Skin / Veil Me Part 2” by Muriel & Blazquez (Leeds, England) Classical
<p><span style="color:#ff9900"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/5500df84bf44479ef324996ce950666e1b6928b3/original/muriel-blazquez-photo.jpg/!!/b%3AWyJyZXNpemU6NTQ1eDU1OCJd.jpg" class="size_orig justify_inline border_" alt="" height="558" width="545" /></span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/murielblazquez/skin-veil-me-pt-2" target="_blank" data-imported="1"><span style="color:#c0c0c0">Skin / Veil Me Part 2</span></a>” is a poignant track by Muriel & Blazquez – a Classical music duo from Leeds, England. </span></p>
<p><span style="color:#c0c0c0">This single unfolds like a novel from the Romantic period with its imagery and impressionism, particularly in the way that Muriel & Blazquez utilized the element of human perception and experience within their writing. </span></p>
<p><span style="color:#c0c0c0">“Skin / Veil Me Pt. 2” enters softly, grows with textural cadence, and then exists softly. Filled with harmonies that ebb and flow like waves, this track is a wonderful example of Modern Classical music with orchestrated live instrumentation in the form of a piano and only vocals. </span></p>
<p><span style="color:#c0c0c0">The storyline is complex but not rigid while lyrically sketching a picture of someone seeking shelter for their emotional toils choosing to envelop themselves into the night where everything fades to black. Great word art! </span></p>
<p><span style="color:#c0c0c0">And Muriel & Blazquez display the importance of vocalizing issues through song by using their voices to bring out those deep emotions within the music in the same manner that artists who write concept albums utilize this technique. This duo touches on social topics (i.e. depression) that often gets buried within the confines of social norms – and they execute it with class. <strong> </strong></span></p>
<p><span style="color:#c0c0c0">“Skin / Veil Me Part 2” is a period piece set to music that you do not want to overlook! </span></p>
<p><span style="color:#c0c0c0">Check out the conceptual video of "Skin / Veil Me" Part 1 & 2.</span></p>
<p><span style="color:#ff9900"><div class="video responsive"><div class="video-container"><div class="video responsive"><div class="video-container"><iframe frameborder="0" height="350" src="https://www.youtube.com/embed/HhItcK5enQ8" style="display: block; margin-left: auto; margin-right: auto;" width="425" class="wrapped wrapped"></iframe></div></div></div></div></span></p>
<p style="text-align: center;"><span style="color:#ff9900"><strong><a href="https://twitter.com/murielblazquez" target="_blank" data-imported="1">Twitter </a>| <a href="https://www.facebook.com/murielblazquez" target="_blank" data-imported="1">Facebook </a>| <a href="https://www.instagram.com/murielblazquez/" target="_blank" data-imported="1">Instagram</a></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535842019-01-10T12:00:00-12:002019-01-10T21:32:10-12:00Forest Robots “Timberline and Mountain Crest”
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/8bf28c22673d982aa4a63010046a7d1854f3ff8a/original/forest-robots-timberline-and-mt-crest-image.jpg/!!/b%3AWyJyZXNpemU6NTUyeDU1MiJd.jpg" class="size_orig justify_inline border_" alt="" height="552" width="552" /></span></p>
<p><span style="color:#c0c0c0">From energizing soundscapes to image-driven melodies, Forest Robots is a master when it comes to creating messages in music. That’s why I am so glad to reintroduce Forest Robots to my regular readers while introducing this artist to my new readers; and, his newest EP “Timberline and Mountain Crest” wastes no time in getting right into the magic. </span></p>
<p><span style="color:#c0c0c0">Ten tracks encompass instrumental power and curiosity: </span></p>
<ol>
<li><span style="color:#c0c0c0">Sudden Bioluminescence</span></li>
<li><span style="color:#c0c0c0">Where the Wild Summer Storms Run</span></li>
<li><span style="color:#c0c0c0">Through the Trees and Into Wide Open Landscapes</span></li>
<li><span style="color:#c0c0c0">Between the Orange and Purple Horizon</span></li>
<li><span style="color:#c0c0c0">Treading Where Others Have Perished</span></li>
<li><span style="color:#c0c0c0">As the Sun Rises Between Timberline and Mountain Crest</span></li>
<li><span style="color:#c0c0c0">On A Desolate Shore Under A Full Moon</span></li>
<li><span style="color:#c0c0c0">Farewell Sudden Summer Storm Clouds</span></li>
<li><span style="color:#c0c0c0">When Forest Leaves Begin to Change</span></li>
<li><span style="color:#c0c0c0">It’s Quietest at The Edge Of The Crestline</span></li>
</ol>
<p><span style="color:#c0c0c0">I will focus on six of the tracks to place emphasis on Forest Robots' ability to turn the needle on music’s compass to mental exploration. </span></p>
<p><span style="color:#c0c0c0">Opening the album is the transient track “<a href="http://forestrobots.bandcamp.com/track/sudden-bioluminescence" target="_blank" data-imported="1"><span style="color:#c0c0c0">Sudden Bioluminescence</span></a>” that just stops you in your tracks and makes you ponder on the how’s, whys, when’s, and what’s of life. The orchestration of the track’s melody is perfectly in line with the organic flow of things in life that spontaneously light up as the core melody starts slow and climbs in tempo and effect. It is pulsating and quietly elevating. And like a summer storm, the next track comes in with meaning.</span></p>
<p><span style="color:#c0c0c0">You know the way, t<span style="color:#c0c0c0">hat perfect way, that the wind appears to be kissing you on each ear at different times? Well, that is how </span>“<a href="http://forestrobots.bandcamp.com/track/where-the-wild-summer-storms-run" target="_blank" data-imported="1"><span style="color:#c0c0c0">Where the Wild Summer Storms Run</span></a>” ushers into play. T<span style="color:#c0c0c0">his track bounces into each ear, one at a time, and is so ridiculously awesome</span><span style="color:#c0c0c0"> - WOW, what a great effect! Plus, this cut </span>has a hook that is just so memorable. Like a tornado, it just eats up the trail of other artist’s EDM tracks reorganizing what many feel an EDM track should sound like. Gone is the monotony of over layered instrumental textures, overused digital soundscapes, and looping of melodies. This track is organic and progresses with fresh vibes. Nice!</span></p>
<p><span style="color:#c0c0c0">Next, we have<strong> “</strong><a href="http://forestrobots.bandcamp.com/track/treading-where-others-have-perished" target="_blank" data-imported="1"><span style="color:#c0c0c0">Treading Where Others Have Perished</span></a>” – a sort of one minute instrumental natural bridge that connects the tracks, which is followed by “As the Sun Rises between Timberline and Mountain Crest.”</span></p>
<p><span style="color:#c0c0c0"><strong>“</strong><a href="http://forestrobots.bandcamp.com/track/as-the-sun-rises-between-timberline-and-mountain-crest" target="_blank" data-imported="1"><span style="color:#c0c0c0">As the Sun Rises between Timberline and Mountain Crest</span></a><strong>” </strong>starts out with just a crisp piano and visually puts to mind the very moment when one sees the sun peak over a mountain. The piano and synths climb together, pull back, and then continue to climb with a cello joining in to pull the track to its finish. It is simplistic and richly fierce at the same time. If one could climb mount Vesuvius and reach its summit, this would be their score – the cello resembling rough edges that smooth-out as time goes on, and those crisp provoking piano notes and synths mirroring oozing lava.</span></p>
<p><span style="color:#c0c0c0">The “wild card” of the bunch is the ninth track “<span style="color:#c0c0c0"><a href="http://forestrobots.bandcamp.com/track/when-forest-leaves-begin-to-change" target="_blank" data-imported="1">When Forest Leaves Begin to Change</a>,</span>” and justly so, as the experience of seeing leaves change is abrupt. Something so normal as autumn takes a different approach each year: it starts at its own time and ends at its own time, the colors may be duller or brighter, or it could last two months to three months. When leaves begin to change in nature, it illustrates purposeful control within nature, thus teaching us how to refrain from lack of control. Moreover, this natural process also shows us how to never lose our vibrant colors. This track helps us to remember how change, self-control, and uniqueness go hand in hand.</span></p>
<p><span style="color:#c0c0c0"><strong>“</strong><a href="http://forestrobots.bandcamp.com/track/its-quietest-at-the-edge-of-the-crestline" target="_blank" data-imported="1"><span style="color:#c0c0c0">It’s Quietest at The Edge of the Crestline</span></a><strong>”</strong> is a contemplative track that closes the album smoothly and transiently. Eclectic soundscapes dance and mold onto each other without clashing or coming off as too melancholy. This track is impressionably visual and brings to mind the view of one clearing the woods on foot to encounter the shore at their reach. </span></p>
<p><span style="color:#c0c0c0">I wanted to bring in 2019 with a more explorative take on music by reviewing Forest Robots’ “Timberline and Mountain Crest.” Forest Robots’ music brings that difference when it comes to Electronic Music. Not one song on this album is pretentious in its production with too many FX or overlapping melodies that makes the listener get lost in the mix. Each track is laid out with a crystal clear foundation that allows for a wonderful, fulfilling, listening experience. </span></p>
<p><span style="color:#c0c0c0">And aesthetically, while both timberlines and mountain crests illustrate natural borders letting us know our limits, they also invite us to dare and explore what may seem impossible. This collection of instrumental music helps to enhance the emotions in us that make us climb, fly, swim, and dream in order to accomplish the impossible. </span></p>
<p><span style="color:#c0c0c0">Awaiting your exploration is a collection of music that is very open-hearted and open-minded. </span></p>
<p><strong><span style="color:#ffff00"><a href="https://www.forestrobots.com" target="_blank" data-imported="1"><span style="color:#ffff00">Website </span></a></span></strong><br><strong><span style="color:#ffff00"><a href="https://www.instagram.com/forestrobots/" target="_blank" data-imported="1"><span style="color:#ffff00">Instagram </span></a></span></strong><br><strong><span style="color:#ffff00"><a href="https://twitter.com/forestrobots" target="_blank" data-imported="1"><span style="color:#ffff00">Twitter </span></a> </span></strong><br><strong><span style="color:#ffff00"><a href="https://www.facebook.com/forestrobots/" target="_blank" data-imported="1"><span style="color:#ffff00">Facebook </span></a></span></strong></p>
Klef Notestag:klefnotes.com,2005:Post/60535832019-01-10T12:00:00-12:002019-01-10T21:09:21-12:00Triple Creek “Torn Down Whole” (Rock) Ohio
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/4cd7c47de67063ba794f095b04f3d8c03a40c450/original/triple-creek-cover-art.jpg/!!/b%3AWyJyZXNpemU6NTIweDUyMCJd.jpg" class="size_orig justify_inline border_" alt="" height="520" width="520" /></span></p>
<p><span style="color:#c0c0c0">“<a href="https://itunes.apple.com/us/album/torn-down-whole-single/1443924427" target="_blank" data-imported="1"><span style="color:#c0c0c0">Torn Down Whole</span></a>” is a song by American Rock band Triple Creek. Forming in 2017, Triple Creek has waisted little time in tearing up the streets with their style of righteous Rock music, and this latest cut does not disappoint.</span></p>
<p><span style="color:#c0c0c0">Available on Apple Music, Spotify, YouTube, Pandora, and other major music platforms, “Torn Down Whole” is the song you need to PUSH you into 2019. Its professionally amped up, unapologetic, guitar riffs and percussive command to the beat spearheads lyrics that speak about a reckless relationship that has crashed and burned. </span></p>
<p><span style="color:#c0c0c0">Out the gate, it was nice to hear the front man quietly ease into the cut, vocally building from verse to hook allowing the track to gain momentum – a great twist from many Rock artists who scream into the mic from intro to outro. The track’s tempo beacons a Post-Grunge register which is welcoming as it keeps the song in a melancholy, yet unbreakable, direction. </span></p>
<p><span style="color:#c0c0c0">Full of layers of sizzling instrumentation, this track is full of surprises! At the two minutes / 30 seconds mark, the guitar starts stuttering in and climbs to an arena-worthy solo that just showcases pure POWER.</span></p>
<p><span style="color:#c0c0c0">If you are fans of Creed and Pearl Jam, it would be an accident NOT to pick up this track!</span></p>
<p><span style="color:#c0c0c0">Make sure to follow Triple Creek on <a href="https://www.facebook.com/triplecreekband" target="_blank" data-imported="1">Facebook </a>and check out their tour schedule <a href="https://triplecreekband.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">here</span></a>.</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535822019-01-03T12:00:00-12:002019-01-04T00:30:09-12:00Miranda Arieh “The End” (EDM/Alternative Pop) UK
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/fd22af83b9456856a88c6f895cbf863301905f4b/original/miranda-arieh-2.jpg/!!/b%3AWyJyZXNpemU6NDMzeDQzMyJd.jpg" class="size_orig justify_inline border_" alt="" height="433" width="433" /></span></p>
<p><span style="color:#c0c0c0">Readers, the Avant-Garde Queen of Indie Music is back on her throne with “<a href="http://mirandaarieh.bandcamp.com/track/the-end" target="_blank" data-imported="1"><span style="color:#c0c0c0">The End</span></a>,” a song about placing a period on something that no longer needs attention in our lives and finding the strength and power to move on. The lyrics suggests this theme very well:</span></p>
<p><span style="color:#c0c0c0"><em>When luck was down and talk was cheap We took it out in to the streets With sodden hands And rotten meat When life was young and love was sweet When all the sirens had become The End You took it down remember when? The End With gutter mouth and sodden hands The End It's over now What's done is done I sent you stormin' to the sun. I close my eyes and count to ten What's done is done but remember when?</em> </span></p>
<p><span style="color:#c0c0c0">The 4th single released off Miranda Arieh's forthcoming album, “Ferine” (scheduled to drop March 2019), this Alternative track surgically fuses EDM with Chamber Pop and it works so well! </span></p>
<p><span style="color:#c0c0c0">Ever being the non-normal when it comes to music, Arieh’s production and execution of this track is inspiringly different and displays how difference, when done right, carves paths. </span></p>
<p><span style="color:#c0c0c0">The mood of the total melody is melancholy but is bursting with passion and subtle attitude. The music arrangement features synths that modulate and bow down marrying to a Prince-esque command to the beat. Vocally, Arieh chose to add low-wandering backing vocals to lighter adlibs making for a memorable hook, while in the verses, she begins her leads crawling into the melody and then ends the verses by vocally standing up. The overall emotional vocal delivery of “The End” is scientifically beautiful as it is kind of timid but serious which is so infectious. </span></p>
<p><span style="color:#c0c0c0">The video that accompanies this track is so evoking – watch <a href="https://youtu.be/-ZhwErSWchI" target="_blank" data-imported="1">here</a> to further feel the effect of “The End.”</span></p>
<p><span style="color:#c0c0c0">The main character of the video, Arieh herself, illustrates art with makeup-artist-worthy facial glam, hair, and wardrobe. This enchantress is here to slay wearing a metallic gold body suit paired with gold platforms that elevates and smooths out the story. So epically fantasy and empowering. </span></p>
<p><span style="color:#c0c0c0">Arieh is an artist that thinks outside of the box, so it is no surprise that the song and the video would be boundless and ballad-worthy bold. </span></p>
<p><span style="color:#c0c0c0">Make sure to download your copy by going to <a href="https://www.mirandaarieh.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">Miranda’s music page</span></a>!</span></p>
<p><strong><span style="color:#99cc00"><a href="https://twitter.com/mirandaarieh" target="_blank" data-imported="1"><span style="color:#99cc00">Twitter </span></a></span></strong>| <strong><span style="color:#99cc00"><a href="https://www.instagram.com/mirandaarieh/" target="_blank" data-imported="1"><span style="color:#99cc00">Instagram</span></a></span></strong></p>
Klef Notestag:klefnotes.com,2005:Post/60535812018-12-13T12:00:00-12:002018-12-13T20:55:28-12:00“Guadalupe River” Todd Barrow (Country/Rock) Texas, USA
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/6ba3e78d6345fd6ddaf43abad6868043558af586/original/todd-barrow.jpg/!!/b%3AWyJyZXNpemU6NjE4eDYxOCJd.jpg" class="size_orig justify_inline border_" alt="" height="618" width="618" /></p>
<p><span style="color:#c0c0c0">Sorry to sound cliché, but “everything IS bigger in Texas,” and I’m talking about the talent of Todd Barrow – a Country music Indie artist who is following in the footsteps of classic Country trailblazers who have given us music that becomes the soundtracks to films and our lives. </span></p>
<p><span style="color:#c0c0c0">This <em>Best Country</em> album winner for 2017 (Akademia) has teamed up with a few musicians who have played with fellow Texan <a href="https://en.wikipedia.org/wiki/Miranda_Lambert" target="_blank" data-imported="1"><span style="color:#c0c0c0">Miranda Lambert</span></a> (singer/songwriter) and has given us a music thirst quencher with “Guadalupe River.” Listen to a sample right <span style="color:#c0c0c0"><a href="https://toddbarrowmusic.com/track/1110040/guadalupe-river" target="_blank" data-imported="1"><span style="color:#c0c0c0">here</span></a></span>!</span></p>
<p><span style="color:#c0c0c0">More than just a musical homage to a popular river that runs through parts of Texas, this single (from Barrow’s “Texas Country Nation” album) tells the story of relaxing and living life simply for the buzz of life. And in true Country formation, this is far from boring or complicated - the very illustrative lyrics are so relatable that everyone and their mamma can get into this cut that makes you long for the weekend: </span></p>
<p><span style="color:#c0c0c0"><em>Sunny day feeling lazy / Time for fun & get crazy / Fishin rod, innertube and a cooler / Text the gang ready to hang by the water. Think I’ll drink me a cold one baking in the hot sun / Floatin down the river.. catchin a buzz.. with my friends….. / Yeah It’s been a long week time to let my troubles go / Take it fast take it slow on the GUADALUPE RIVER. Margarita mix in my truck / Tequila, Red solo cup / Girls in bikinis swaying to the radio / Rainbow trout hooked on a line.. lets roll.</em><strong> </strong></span></p>
<p><span style="color:#c0c0c0">Barrow’s flavored second Tenor just rides the melody and captures these words fabulously which invites the listener’s ears into the song with a boy-next-door vocal approach. </span></p>
<p><span style="color:#c0c0c0">As for the arrangement and production, I found it to be modernly motivating. By using Top 40 Country Rock instrumentation that is featured nowadays on tracks by Keith Urban and Brad Paisley, the song stays relevant. But what I noticed about Barrow is that he did not imitate Urban and Paisley in his overall treatment of the music or melody - he stayed true to his craft which elevated my expectations. </span></p>
<p><span style="color:#c0c0c0">A true ARTIST does this type of blending of trends with originality which is a great music treatment to keep the artist's fingerprint recognizable.</span></p>
<p><span style="color:#c0c0c0">In addition, the lack of clutter on the song was a great "new normal." Barrow placed less emphasis on lots of FX and synths, as opposed to the usual bells and whistles incorporated in Top 40 Country tracks today, which makes for a very approachable track. </span></p>
<p><span style="color:#c0c0c0">So good to hear a well-produced track about doing stuff for the fun of it and living life uncomplicated. And, it is so nice to hear a track like this done RIGHT! </span></p>
<p><span style="color:#c0c0c0">“Guadalupe River” showcases a Soft-Rock/Country sound that is easy listening with a pulse. </span></p>
<p><span style="color:#c0c0c0">Download your copy right <a href="https://www.toddbarrowmusic.com/press-kit" target="_blank" data-imported="1"><span style="color:#c0c0c0">here</span></a> for a buck and some change. It doesn’t get any easier than this!</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535802018-12-12T12:00:00-12:002018-12-12T21:29:26-12:00Bill Magill “Last Night at the Ha-Ra” – a Rock drama
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/8cc1bdb47ae03c710ba906386bddbe7543bd5b10/original/bill-magill.png/!!/b%3AWyJyZXNpemU6NTY1eDU2NSJd.png" class="size_orig justify_inline border_" alt="" height="565" width="565" /></span></p>
<p><span style="color:#c0c0c0">Before I begin my interpretation of this dramatic collection of music, I wanted you to get a listen of the opening track “<a href="https://soundcloud.com/billmagill/daisy?in=billmagill/sets/last-night-at-the-ha-ra" target="_blank" data-imported="1"><span style="color:#c0c0c0">Daisy</span></a>” so you can hear this highlighted form of music magic right at the beginning.</span></p>
<p><span style="color:#c0c0c0">This opening track starts with vocalizations styled as if they were recorded live in a pub, then the introduction of that boisterous piano sits right down and in comes that velvet vocal of Magill and that hypnotic Gypsy-like music foundation. </span></p>
<p><span style="color:#c0c0c0">Now, I bet you are on your feet, swaying to a song about living your best life but instead of being in a bar, club, or arena, you are either in your living room or office or someplace else. And seriously, when no one is looking, in your mind, you are planted at the best seat in the house – ha, ha. So goes the talent of Magill – the ability to transport you from bland to extreme splendor by exciting the senses with storylines and lyrics that designs a theater in the mind with music to match. </span></p>
<p><span style="color:#c0c0c0">The way Bill Magill opens and closes his album is like you are seated in an open-air arena or theater experiencing a fully produced theatrical show. </span></p>
<p><span style="color:#c0c0c0">This is a review of his latest album “Last Night at the Ha-Ra” – a Rock drama which depicts the lives of everyday people at their local bar with 14 spellbinding tracks: </span></p>
<ol>
<li><span style="color:#c0c0c0">Daisy</span></li>
<li><span style="color:#c0c0c0">Sea of Dreams</span></li>
<li><span style="color:#c0c0c0">Strange</span></li>
<li><span style="color:#c0c0c0">Into the Falls</span></li>
<li><span style="color:#c0c0c0">How Hard</span></li>
<li><span style="color:#c0c0c0">Bullet Made of Gold</span></li>
<li><span style="color:#c0c0c0">I Can’t Wait</span></li>
<li><span style="color:#c0c0c0">Paralyzed</span></li>
<li><span style="color:#c0c0c0">Linger with Me</span></li>
<li><span style="color:#c0c0c0">How Hard (reprise)</span></li>
<li><span style="color:#c0c0c0">Mad</span></li>
<li><span style="color:#c0c0c0">Strange Souvenir</span></li>
<li><span style="color:#c0c0c0">She’s My Babe</span></li>
<li><span style="color:#c0c0c0">Ciao Ciao au Revior</span></li>
</ol>
<p><span style="color:#c0c0c0">I will place a spotlight on seven tracks, but please feel free to explore the entire collection. </span></p>
<p><span style="color:#c0c0c0">So are you ready to hear some varied Rock? </span></p>
<p><span style="color:#c0c0c0">Since we opened the review with the first track, let’s go on to the second track “Sea of Dreams” – an Alternative Rock feel-good song that is a bit Bluesy. </span></p>
<p><span style="color:#c0c0c0"><strong>“</strong><a href="https://soundcloud.com/billmagill/seaofdreams?in=billmagill/sets/last-night-at-the-ha-ra" target="_blank" data-imported="1"><span style="color:#c0c0c0">Sea of Dreams</span></a><strong>” </strong>carefully cruises along as if you are sucked into the plush seats of a Cadillac ride. The track that will start the show for me is very conversational with a clever, almost free-versed, treatment of the verses. </span></p>
<p><span style="color:#c0c0c0"><strong>“</strong><a href="https://soundcloud.com/billmagill/strange?in=billmagill/sets/last-night-at-the-ha-ra" target="_blank" data-imported="1"><span style="color:#c0c0c0">Strange</span></a><strong>”</strong> is a flawless example of art imitating life as it is very visual. Magill mentioned that the character of the track is a man singing about his ordeal with Alzheimer’s as he lovingly asks his wife to help him when he reaches his end. So, it is kind of surreal as this musical conversation seems to be taking place at the very minute you are listening to the track. With four instruments taking their seats at the bar (guitars, accordion, subtle percussion, and violins) and lyrics that are practical and relatable, “Strange” would do well on the Adult Contemporary charts. And if passion could ever be defined by music lines, then<strong> “</strong>Into the Falls<strong>” </strong>is that defining note. </span></p>
<p><span style="color:#c0c0c0">"<a href="https://soundcloud.com/billmagill/intothefalls?in=billmagill/sets/last-night-at-the-ha-ra" target="_blank" data-imported="1"><span style="color:#c0c0c0">Into the Falls</span></a>" is a Soft Rock ballad that appeals to the heart featuring a female vocal dancing with Magill’s raspy vocal. It is both romantic and storytelling. The piano and violin playfully frolic with each other elegantly at the 53 seconds mark and builds layers overlapping each other that soon splits into anticipation by the 1:27 mark. These musical layers moodily reintroduces the vocalists. By writing music like “Into the Falls,” Magill easily brings the mystery of falling into seduction to life. A stunning duet that personifies romance.</span></p>
<p><span style="color:#c0c0c0">An affectionate piano starts off the seventh track “<a href="https://soundcloud.com/billmagill/i-cant-wait?in=billmagill/sets/last-night-at-the-ha-ra" target="_blank" data-imported="1"><span style="color:#c0c0c0">I Can’t Wait</span></a>” making for a very inviting introduction – like a prelude. And with lyrics that read like an entry into a person’s diary, Magill has composed a track that tips the scales when it comes to emotional delivery. Here are some of this track’s passionate and reflective lyrics: <em>another night is ending but this ain't just another night, and I'm pretending things might turn out the way they might. The queen of my dreams just kissed me goodnight tonight I can't wait to see her again. T</em><em>his million-dollar evening, her million dollar smile, leaves me believing that I would drive a million miles, a billion or more, if they led me right to her door. I can't wait to see her again</em>. </span></p>
<p><span style="color:#c0c0c0">In addition, “I Can’t Wait” includes a beautiful dual violin interlude at the one minute / 49 seconds mark paralleling the principle piano melody and flooding the entire track with temperament. If you are a romantic, this track will remind you of the reason you believe in love. Wonderful placement of “I Can’t Wait” at its #7 slot making it the median to the 14 tracks lacing “Last Night at the Ha-Ra.”</span></p>
<p><span style="color:#c0c0c0">And, the one thing that “lingers” with you after listening to “<a href="https://soundcloud.com/billmagill/lingerwithme?in=billmagill/sets/last-night-at-the-ha-ra" target="_blank" data-imported="1"><span style="color:#c0c0c0">Linger with Me</span></a>” is the cascading finger-picked lead guitar melody. Not to mention the incorporation of the French spoken word making it a prime track for romantics. This song builds as it moves on by starting mellow and then growing into an edgier Rock track.</span></p>
<p><span style="color:#c0c0c0">Now when it comes to the basics of PURE Rock, in terms of tempo, instruments, and timing, two tracks almost tie. </span></p>
<p><span style="color:#c0c0c0">Running neck to neck with true Rock music formation is a track called “How Hard” and “<span style="color:#c0c0c0">Mad</span>” – but we are going to focus on the eleventh song "<a href="https://soundcloud.com/billmagill/mad?in=billmagill/sets/last-night-at-the-ha-ra" target="_blank" data-imported="1">Mad</a>" as this one takes you into the stands of an arena and makes you pump your fist. Its swift tempo and command to the beat makes it a tough as nails song. Moreover, the treatment of selected Hard Rock instrumentation and vocal elements makes this arrangement the most heavily infused Modern Rock of the all the songs. </span></p>
<p><span style="color:#c0c0c0">The show’s finale comes in with<strong> “</strong><a href="https://soundcloud.com/billmagill/ciaociaoaurevoir?in=billmagill/sets/last-night-at-the-ha-ra" target="_blank" data-imported="1"><span style="color:#c0c0c0">Ciao Ciao au Revior</span></a><strong>”</strong> – a nice walk down memory lane that announces the album’s title and feature a hook that basically drives the melodic verses.</span></p>
<p><span style="color:#c0c0c0">“Last Night at the Ha-Ra” places personality into Rock music and helps us to see that the real-life stories come first and then the music follows thus making the soundtracks that we live by. After listening to the full album, I can say that Magill truly knows how to put to music encounters that often are hard to put into words. Honestly, you can vividly see each person seated at their table conversing – these “regulars” telling and often retelling their story of that day or week or life, and then a spotlight being placed above that table and the drama being played out by way of lyrics and music. It is extraordinary. </span></p>
<p><span style="color:#c0c0c0">And the way that each track is vocally executed is almost conversational and pure which follows the point of view that Magill set out to approach and display. </span></p>
<p><span style="color:#c0c0c0">Not since Rodgers and Hammerstein and Elton John have we been graced with dramatic music like this; and, I am so glad that Indie Music have Magill to reintroduce us to FEELING the music in such a balanced approach of both musical theater and Pop Culture. </span></p>
<p><span style="color:#c0c0c0">Based in Aix-en-Provence, Magill is quickly reaching the globe with this form of practical, yet vivid, music. </span></p>
<p><span style="color:#c0c0c0">With an ensemble of musicians from France, Britain, America, and Australia, Magill has built a collection of music that will last forever and be placed onto the big screen or stage. Featuring the talents of Pete Thomas (drummer for Elvis Costello and the Attractions), Daniel Mille (award-winning French accordionist), Jon Fellowes (guitar), Rie Sinclair (Los Angeles-based recording artist), Mariachi Neuva Generacion (San Francisco), and Magill’s core band called The Vivid Stage (to highlight a few key players), this mesmeric assortment of music will recharge and reshape your “typical” way of viewing the norm in the same way that “The Greatest Showman”(2107) has recently illustrated a new way of seeing the “underdog” for audiences of motion picture.<strong> </strong></span></p>
<p><span style="color:#c0c0c0">Enjoy the accompanying video below and make sure to keep up with Magill by visiting his social media platforms.</span></p>
<p></p>
<div class="video responsive"><div class="video-container"><div class="video responsive"><div class="video-container"><iframe frameborder="0" height="350" src="https://www.youtube.com/embed/JHJOOAURwUU" style="display: block; margin-left: auto; margin-right: auto;" width="425" class="wrapped wrapped"></iframe></div></div></div></div>
<p><span style="color:#ffff00"><strong>Facebook: <a href="https://www.facebook.com/billmagillmusic/" target="_blank" data-imported="1"><span style="color:#ffff00">https://www.facebook.com/billmagillmusic/</span></a></strong></span></p>
<p><span style="color:#ffff00"><strong>Instagram: <a href="https://www.instagram.com/bill.magill/" target="_blank" data-imported="1"><span style="color:#ffff00">https://www.instagram.com/bill.magill/</span></a></strong></span></p>
<p><span style="color:#ffff00"><strong>Website: <a href="https://billmagill.com/" target="_blank" data-imported="1"><span style="color:#ffff00">https://billmagill.com/</span></a></strong></span></p>
<p> </p>
Klef Notestag:klefnotes.com,2005:Post/60535792018-12-06T12:00:00-12:002018-12-06T21:25:18-12:00“Noirstar” (Dark City Edition) Tobitronics featuring Fans of Jimmy Century UK/USA
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/35a431cfc12b9c3c6e56bf95d4ac8f706a0a3698/original/tobi-noirstar.jpg/!!/b%3AWyJyZXNpemU6NTc3eDU3NyJd.jpg" class="size_orig justify_inline border_" alt="" height="577" width="577" /></span></p>
<p><span style="color:#c0c0c0">Finally a song that gives you the same feeling that you get when you first walk into a basement club – a pounding pulse, chills, and anticipation to move! </span></p>
<p><span style="color:#c0c0c0">The elusive Luxembourg based “Mixologist of Indie Music” (Tobi) has just released a new cut called “<a href="https://soundcloud.com/user-780229339/tobisonics-vs-fans-of-jimmy-century-noirstar" target="_blank" data-imported="1"><span style="color:#c0c0c0">Noirstar</span></a>” (Dark City Edition) that is a twist from his norm and allows the listening audience a glimpse of his shadow. For this musical monSTAR, he’s teamed up with Las Vegas based duo Fans of Jimmy Century which features Alicia Perrone & Victor James.</span></p>
<p><span style="color:#c0c0c0">This drama infused track appeals to Hip-Hop, Alternative, and Pop fans alike. Tiptoeing into your ear, this modern track builds and brings Cinematic Synth-Scape into a whole new light. The ambiguity of the lyrics excitingly allows the listener to evoke their own interpretation of the song’s meaning. Once that dubstep began flirting with <em>my</em> ears, I heard a kind of homage to the concrete jungle. </span></p>
<p><span style="color:#c0c0c0">The scaled-down bassline and otherworldly vocal effect gives the song a cryptic persona, but it’s light enough to make you lift your fists skyward. </span></p>
<p><span style="color:#c0c0c0">With the surgical production of praiseworthy pitch drops, smoking synth stanzas, dope lyrics, sleek vocals, leave you hanging hooks, and controlled basslines, “Noirstar” should definitely be placed in heavy rotation on mainstream and indie radio as this track is cutting people up with its muscular musical spine. </span></p>
<p><span style="color:#c0c0c0">A collaborative success that will bring us on into 2019!</span></p>
<p><span style="color:#ff9900"><span style="text-decoration:underline">Social Platforms</span>: </span></p>
<p><span style="color:#ff9900">Tobisonics – <a href="https://www.instagram.com/tobisonics" target="_blank" data-imported="1"><span style="color:#ff9900">Instagram </span></a>/ <a href="https://twitter.com/tobisonics" target="_blank" data-imported="1"><span style="color:#ff9900">Twitter </span></a>/ <a href="https://www.facebook.com/tobiproducer%20" target="_blank" data-imported="1"><span style="color:#ff9900">Facebook</span></a></span></p>
<p><span style="color:#ff9900">Fans of Jimmy Century – <a href="https://www.instagram.com/fansofjimmycentury" target="_blank" data-imported="1"><span style="color:#ff9900">Instagram </span></a>/ <a href="https://www.facebook.com/fansofjimmycentury" target="_blank" data-imported="1"><span style="color:#ff9900">Facebook</span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535782018-12-06T12:00:00-12:002018-12-06T21:29:18-12:00Ryan Fox “On the Run” Alternative Rock (Kent)
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/abac9aefdc16f9de6e8c71f4dd604e30f9032988/original/ryan-fox-on-the-run.jpg/!!/b%3AWyJyZXNpemU6NTg0eDU4NCJd.jpg" class="size_orig justify_inline border_" alt="" height="584" width="584" /></p>
<p><span style="color:#c0c0c0">Set things aside and focus on this piano-based piece of Rock music. OMG! The introduction of this track I am introducing to you is so commanding of your soul. </span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/0XpGlo7BspYt57zZj5xZ25" target="_blank" data-imported="1"><span style="color:#c0c0c0">On the Run</span></a>” is a track by Ryan Fox that beckons the wonderful song stylings of Elton John, Lennon, and Pink Floyd – music that is more two dimensional in implementation and not your average one-trick pony. </span></p>
<p><span style="color:#c0c0c0">A song about a fugitive has never been so exciting and welcoming. But, Fox’ choice to blend classical piano ascending and descending notes and chords (that usually makes our hearts melt) with a cheery vocal tone, and modest percussions, has produced a song that is full of texture and keeps the listener interested and ready to push replay. In addition, the arpeggiated piano at the outro is reflective. In short, “On the Run” is simply infectious! </span></p>
<p><span style="color:#c0c0c0">Very cinematic in its makeup, this track will stay with you like the taste of your best chardonnay!<strong> </strong></span></p>
<p><span style="color:#c0c0c0"></span></p>
<p><span style="color:#c0c0c0">Preview more of Fox’ music at <a href="https://itunes.apple.com/gb/album/on-the-run/1434241534" target="_blank" data-imported="1"><span style="color:#c0c0c0">Apple Music</span></a>.</span></p>
<p> </p>
Klef Notestag:klefnotes.com,2005:Post/60535772018-12-06T12:00:00-12:002019-12-31T08:11:23-12:00Lucy, Racquel and Me “Where the Moon Never Sets”
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/dd30a1683f143cfb779280fe249f808da1046fd3/original/lucy-raquel-and-me.jpg/!!/b%3AWyJyZXNpemU6NTk2eDU5NiJd.jpg" class="size_orig justify_inline border_" alt="" height="596" width="596" /></p>
<p><span style="color:#c0c0c0">2018 has given us some interesting Indie music that bridges the gap between Modern and Classic – some eclectic EDM, a blend of Hip-Hop and Blues, some Rock, Funk, Grunge, Pop, and other genres. We’ve sampled the traditionalist in music, as well as the genreless – all from some wonderful artists and bands. So, I have to say that I have been blessed to review so many soundtracks about living, loving, and liberating. </span></p>
<p><span style="color:#c0c0c0">With the last month of 2018 amongst us, I am glad to add a brilliant band to my list of favorites – a band containing a lyricist from Australia (Lucy), a composer from France (Phil, a.k.a. Me), and a vocalist from California USA (Racquel). The band’s name is Lucy, Racquel and Me, and while their union is unordinary, their music is extraordinary. </span></p>
<p><span style="color:#c0c0c0">Their latest EP, “Where the Moon Never Sets” contains six inimitable Adult Contemporary blended Folk Pop-infused tracks that touches on matters of the heart, soul, and mind: </span></p>
<ol>
<li><span style="color:#c0c0c0">Unravel</span></li>
<li><span style="color:#c0c0c0">In My Head</span></li>
<li><span style="color:#c0c0c0">Grey</span></li>
<li><span style="color:#c0c0c0">Millions Out There – Album Version</span></li>
<li><span style="color:#c0c0c0">Pull Down the Moon</span></li>
<li><span style="color:#c0c0c0">Inside My Vault</span></li>
</ol>
<p><span style="color:#c0c0c0">This is my interpretation of “Where the Moon Never Sets.” </span></p>
<p><span style="color:#c0c0c0">The opening track starts everything by striking a musical VOGUE stance with an exhilarating piano and percussions. “<a href="https://soundcloud.com/lucy-racquel-and-me/unravel?in=lucy-racquel-and-me/sets/where-the-moon-never-sets" target="_blank" data-imported="1"><span style="color:#c0c0c0">Unravel</span></a>” presents a lyrical message that explores the moment in time when someone must grasp the reality of love ending. The secret surprise with this track is the less is more technique in which the simple instruments of percussions, violins, and piano creates such a passionately orchestral musical tapestry that is soul-stirring combined with a catchy vocal chorus that holds a catchy “do-do-do-do-do” hook. This track grows on you!</span></p>
<p><span style="color:#c0c0c0">The jewelry box handling of the musical foundation of “<a href="https://soundcloud.com/lucy-racquel-and-me/in-my-head?in=lucy-racquel-and-me/sets/where-the-moon-never-sets" target="_blank" data-imported="1"><span style="color:#c0c0c0">In My Head</span></a>” is so welcoming. This commercially-ready track displays an almost vintage 1960 meets NOW command to the beat and a nice blend of acoustic and electric guitars. The nursery rhyme vocal melody performed by the vocalist is embracing and memorable.</span></p>
<p><span style="color:#c0c0c0">What makes “<a href="https://soundcloud.com/lucy-racquel-and-me/grey?in=lucy-racquel-and-me/sets/where-the-moon-never-sets" target="_blank" data-imported="1"><span style="color:#c0c0c0">Grey</span></a>” so infectious is the metaphorical lyrical treatment of the color grey and how the color grey is illustrated here as the personality of the main character’s love interest and how that personality alters the main character’s mood be it happy or sad. Overall, there is a two-sided approach to the is track. This is heard in the dual vocal that laces the chorus and the split point of view that the track allows the listener to form as the title would make you first think this is a track of darkness and gloom. But once you listen to “Grey” and hear the simple, coy, vocal technique used to exemplify Lucy’s lyrics, and the musical tempo, you hear the track’s true light and airy modern Pop Folk image.</span></p>
<p><span style="color:#c0c0c0">The most contemplative track on the album is “<a href="https://soundcloud.com/lucy-racquel-and-me/millions-out-there-album-version?in=lucy-racquel-and-me/sets/where-the-moon-never-sets" target="_blank" data-imported="1"><span style="color:#c0c0c0">Millions Out There – Album Version</span></a>.” The violins lead the way on this sentimental track that lyrically embraces the impact felt and seen after one die. The beauty of this track is that life is celebrated instead of the death being mourned which makes for a very reflective power ballad.</span></p>
<p><span style="color:#c0c0c0">Fervent guitars take center stage on the fifth track “<a href="https://soundcloud.com/lucy-racquel-and-me/pull-down-the-moon?in=lucy-racquel-and-me/sets/where-the-moon-never-sets" target="_blank" data-imported="1"><span style="color:#c0c0c0">Pull Down the Moon</span></a>” and lays the foundation for an expressive Folk Rock track that tells the story of a femme fatale who gets what she wants no matter the price paid or conclusion. The lyrics: <em>gave her all you had, nothing's reaching her it's the moon she wants . . . when you saw her eyes and the night in them . . . </em><em>took her by the hand, cold and careless led her up the old creaky staircase / it's a narrow ledge where you're balancing looking down on her haunted palaces shut your eyes and know she will laugh at you she will never come close to loving you / how insane it is, there’s no pleasing her pulling down the moon would be easier,</em> clearly, and cleverly, illustrates how insatiable need can make anyone pay a heavy price - in the case of this track, the men pay with their lives to share just a minute of time and space with a woman who is not interested in love, but the game of winning. </span></p>
<p><span style="color:#c0c0c0">Adding to the mysterious vibe of “Pull Down the Moon” is Phil’s impressionable guitar solo, where at the 1 minute / 56 seconds mark, this instrument literally does pull down the moon! This impactful solo brings the listener to the outro and is filled with both passion and purpose. Moreover, the stair-climbing guitar riffs, pulse-pounding percussion, organ, and the unapologetic way Racquel flows her attitude-laced vocals, blends perfectly with this quickly layered track. </span></p>
<p><span style="color:#c0c0c0">The final track “<a href="https://soundcloud.com/lucy-racquel-and-me/inside-my-vault?in=lucy-racquel-and-me/sets/where-the-moon-never-sets" target="_blank" data-imported="1"><span style="color:#c0c0c0">Inside My Vault</span></a>” feature an Iberian Jazz/Blues infused Soft Pop Rock music composition. The lyrics tell the story of an elusive lover and the secret that will be kept by the one loved. The way Racquel performs this track is longing and sensual – it is as if cigarette smoke has become tangible and you can actually pull it with your fingers. Such vocal attitude keeping a mellow tempo allows for the eclectic music to be expressive and sort of like a second vocalist.</span></p>
<p><span style="color:#c0c0c0">“Where the Moon Never Sets” is a perfectly thought-out, creative, well-produced piece of music where the album’s lyrical imagery symbolizes facets of the cosmos and connects it to how we live our lives. Even the title strikes a chord with you and makes you contemplate, as the luminary of the night (the moon) truly <em>does</em> affect us humans in so many ways, be it our mood, life cycle, mentality, and inner core. Therefore, it is only fitting that “Where the Moon Never Sets” is a great title for a collection of songs that touches on matters of the heart, soul, and mind. </span></p>
<p><span style="color:#c0c0c0">And when I say that I breathed a sigh of relief when I first started listening to this album, believe me, I breathed a sigh of relief because there is a shortage of talent when it comes to real vocalists, lyricists, producers, composers, etc. in music. And after being force-fed by mainstream radio with rotation after rotation of unrelatable music, to be gifted with the music from a band called Lucy, Racquel and Me? SIGH! </span></p>
<p><span style="color:#c0c0c0">This band, in the tradition of bands/artists like the Bee Gees, Fleetwood Mac, Journey, Elton John, and Oliva Newton-John, gives evidence of what artists back in the day accomplished, and what Modern artists of today need to accomplish – the ability to craft music so that it truly carries a message and makes a difference – that’s it! No songs filled with auto-tune, over-synths, and cosmetic approaches to making music; no topics about club-hopping, one-night stands, booty this or that, or expletives. Just music that can move the masses! </span></p>
<p><span style="color:#c0c0c0">Lucy, Racquel and Me strikes that perfect balance when it comes to creating, producing, and executing music. Each artist plays their part at attributing a stroke of professional musical paint onto the canvas, but it takes each artist to make up the complete image that is displayed to the masses of music. </span></p>
<p><span style="color:#c0c0c0">For instance, the lyrical component, Lucy – even though the makeup of the lyrics that Lucy compose touches on matters of the heart, soul, and mind, they are far from being tacky, sappy, muted, or boring. Each track has roots that goes very deep into the makeup of the human condition and traditionally tells the story of love, life, and being liberated through song. </span></p>
<p><span style="color:#c0c0c0">And when it comes to the vocal aspect of the compositions, Racquel’s performance of each track is individually impactful. She is open-minded enough to explore each of her vocal registers and give to the track what it needs – she delves down low when needed to; and, she soars when the music takes her there. She is adaptable, variable, and approachable with her vocal prowess and exudes such personality leaving the tracks living instead of lifeless. </span></p>
<p><span style="color:#c0c0c0">Finally, there’s Phil – the producing machine! Phil gives to the lyricist and vocalist whatever the song needs to be complete. Actually, he chooses the direction of the song’s final genre destination by applying the right instruments and arrangements. The tempo, drag, pull back, modulations, distortion, and duration of the songs all comes from the mind of Phil. </span></p>
<p><span style="color:#c0c0c0">The overall creation, production, and execution of “Where the Moon Never Sets” allows for any, and every type, of listener to relate to the music and have a personal reflection while listening to the music. Moreover, that same listener can have a take-away after experiencing the band’s creation. </span></p>
<p><span style="color:#c0c0c0">We don’t need the bells, whistles, smoke, or mirrors when it comes to music; sometimes a song simply about “boys and girls” is all we need. Stories and melodies addressing practical things, but so exhilaratingly crafted that you do breathe a sigh of satisfaction after listening and cannot wait to hear it again! What we NEED is Lucy, Racquel and Me.<em> </em></span></p>
<p><span style="color:#c0c0c0"><a href="https://lucy-racquel-and-me.com" target="_blank" data-imported="1"><span style="color:#c0c0c0"></span></a><span style="color:#ffff00"><strong><a href="https://lucy-racquel-and-me.com" target="_blank" data-imported="1"><span style="color:#ffff00">Band page</span></a> / <a href="https://tinyurl.com/LRAM-SPOTIFY" target="_blank" data-imported="1"><span style="color:#ffff00">Spotify </span></a>/ <a href="https://tinyurl.com/LRAM-YOUTUBE" target="_blank" data-imported="1"><span style="color:#ffff00">Youtube</span></a> / <a href="https://tinyurl.com/LRAM-FACEBOOK" target="_blank" data-imported="1"><span style="color:#ffff00">Facebok </span></a>/ <a href="https://twitter.com/LRAM_music" target="_blank" data-imported="1"><span style="color:#ffff00">Twitter</span></a></strong></span></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535762018-11-28T12:00:00-12:002019-12-31T08:11:22-12:00Thorns Inside “1 Lane Hwy”
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/bf6903d8c4334986123fd125166d45599dc7e97c/original/thorns-inside.jpg/!!/b%3AWyJyZXNpemU6NTMzeDQ0MyJd.jpg" class="size_orig justify_inline border_" alt="" height="443" width="533" /></p>
<p><span style="color:#c0c0c0">You know the scenario: you are driving down the highway in route to your favorite hangout joint, the one you know by heart, and then suddenly you are detoured – lost – on a whole other exit. Soon, you make some turns, trying to find your way back to your route, but you spot another place that looks interesting to enjoy socializing and a few shots of your favorite drink. You check it out and now it becomes your NEW hangout spot. </span></p>
<p><span style="color:#c0c0c0">Have you ever experienced that scenario – where old becomes a lost moment and in finding your way back you discover a new “best?” Sure – we all have some way or another. And what is so awesome about this scene is that every turn to get to the destination sparked some new emotion, thought, or fact. </span><span style="color:#c0c0c0">“1 Lane Hwy” by Thorns Inside does that very same thing to its listeners. </span></p>
<p><span style="color:#c0c0c0">This 13-track, Rock, EP will blow your mind! Coming from the creative minds of Thorns Inside, each track leads you down different exits of interesting Rock music concepts. The track listing is as follows: </span></p>
<ol>
<li><span style="color:#c0c0c0">Waste Away</span></li>
<li><span style="color:#c0c0c0">1 Lane Hwy</span></li>
<li><span style="color:#c0c0c0">Can’t Help but Love You</span></li>
<li><span style="color:#c0c0c0">Live Today</span></li>
<li><span style="color:#c0c0c0">Fallen Apart</span></li>
<li><span style="color:#c0c0c0">Dangerous Ground</span></li>
<li><span style="color:#c0c0c0">L.D.D.</span></li>
<li><span style="color:#c0c0c0">Thief of Love</span></li>
<li><span style="color:#c0c0c0">Runaway with My Heart</span></li>
<li><span style="color:#c0c0c0">Riding High</span></li>
<li><span style="color:#c0c0c0">The Day Before</span></li>
<li><span style="color:#c0c0c0">Day of Destruction</span></li>
<li><span style="color:#c0c0c0">You</span></li>
</ol>
<p><span style="color:#c0c0c0">This is my interpretation of the album’s nine highlights.</span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/2hRqinGNsMfKTLqO6l16dy" target="_blank" data-imported="1"><span style="color:#c0c0c0">Waste Away</span></a>” opens the album with that wonderful Metal massive sound and prepares you for the ride of your life. Guitars blazing and hi-hats spanking, the track’s message is about starting over when there is nothing left to fix. </span></p>
<p><span style="color:#c0c0c0">I loved the hook’s two-part harmony with that high, crisp falsetto dancing with the second-tenor/baritone. It is rich and delivers an ah-some package of nostalgic Rock. Now, o</span><span style="color:#c0c0c0">n to the </span><span style="color:#c0c0c0">title track</span><span style="color:#c0c0c0"> that keeps up the force of the preceding track.</span></p>
<p><span style="color:#c0c0c0">"<a href="https://open.spotify.com/track/70IUachHJpqQKFJkXzp9Jm" target="_blank" data-imported="1">1 Lane Hwy</a>" does keep up the force of its predecessor, but places the pedal to the metal a bit more with an accelerated tempo. The guitar riff that plays peek-a-boo in this track is nothing short of splendid. The lead vocalist’s notes go from short-form to long-form modulations and trills. <strong>This is the concert opener! </strong> </span><span style="color:#c0c0c0">And when it comes to the third track, “Can’t Help but Love You,” “thrill-ride” is the only two words that comes to mind. </span></p>
<p><span style="color:#c0c0c0">The lyrical message of the third track paints the picture of true love and undying devotion and just makes you feel good. The twists and turns on this track make for a commercial-ready song that should be in rotation right now on all radio platforms. "Can't Help but Love You" feature awesome layered choruses and melodies that are addicting. Check out the video here!</span></p>
<p><span style="color:#c0c0c0"><a href="https://www.youtube.com/watch?v=yhZpleW8Nlg" data-imported="1"><span style="color:#c0c0c0"><span style="color:#000000"><br></span><div class="video responsive"><div class="video-container"><div class="video responsive"><div class="video-container"><iframe frameborder="0" height="350" src="https://www.youtube.com/embed/yhZpleW8Nlg" style="display: block; margin-left: auto; margin-right: auto;" width="425" class="wrapped wrapped"></iframe></div></div></div></div></span></a></span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/1LNI2qLUr7LuqSfgrLtE2c" target="_blank" data-imported="1"><span style="color:#c0c0c0">Dangerous Ground</span></a>” uses a lower register lead vocalist and spine-tingling guitars that seem to set this track on fire! That signature guitar riff that is the backbone of the track is classic and strong – very memorable.</span></p>
<p><span style="color:#c0c0c0">A nice twist on this musical road is “<a href="https://open.spotify.com/track/2jkdKwR8mBo3nd8bq21hYC" target="_blank" data-imported="1"><span style="color:#c0c0c0">L.D.D.</span></a>” – this is an excerpt that includes a nice Dirty South melody utilizing tambourines, guitars, and a lead vocalist that has a low smooth growl. This in turn quickly joins a higher octave vocal counterpart and then the curtain closes. Which leads us into the eighth track “Thief of Love.”</span></p>
<p><span style="color:#c0c0c0">A jam session of excited guitars ignites “<a href="https://open.spotify.com/track/5nnIfBAi7REk3W3lbAqubh" target="_blank" data-imported="1"><span style="color:#c0c0c0">Thief of Love</span></a>” – a seductively, trancing, mid-tempo Rock ballad that captures the angst one feels when contemplating love's many mysteries – the instrumentation does this spot on by exhilaratingly climbing and then stooping low to almost purring. Then, at the two minutes / 24 seconds mark, the guitar takes center stage with a melodramatic solo. Nicely done!</span></p>
<p><span style="color:#c0c0c0">Another turn in the road comes with “<a href="https://open.spotify.com/track/097HBfUieHvHjDYJS5OsYH" target="_blank" data-imported="1"><span style="color:#c0c0c0">Runaway with My Heart</span></a>” – a track that touches on the topic of heartbreak. </span></p>
<p><span style="color:#c0c0c0">The ninth track is just a beautiful Rock slow-dance maker that gets the heart strings all twisted up. The way the lead opens the track with anguish-filled notes and ends each melody with a yearning elongating note is artful. The guitar repeating the main melody back to the singer is splendid – very instrumentally conversational in its execution. Lighters in the air for this track!</span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/5o2YBEbVWA2gPyyOO5fANB" target="_blank" data-imported="1"><span style="color:#c0c0c0">The Day Before</span></a>” is yet another twist on “1 Lane Hwy” – this excerpt features anthemic orchestration created by synths and guitars solely. Let’s call it a Rock-Rest-Stop before heading to the last track included in this review – the power ballad “You.”</span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/4y76malTZ2WjTY4JDSb0f0" target="_blank" data-imported="1"><span style="color:#c0c0c0">You</span></a>” echoes those power ballads we made love to, danced to, and sang along with back in the day – you know the ones. The layered hooks on this track are FIRE! It was a nice creative touch to allow the backing vocals to announce the first lyrics to the verses before the lead sings the entire verse. The low modulations that lead to a vocal, and tempo, drawback before the bridge adds mystery. </span></p>
<p><span style="color:#c0c0c0">And, there is no missing that FAB guitar solo that leads to the final verse of "You." It is a song of longing, and the lead makes sure to place an emphasis on this emotion by swooning instead of singing.</span></p>
<p><span style="color:#c0c0c0">So first, let me say that I am so stoked that music like this still exists. It brings back so many memories and excites you to make more high-energy memories. </span></p>
<p><span style="color:#c0c0c0">“1 Lane Hwy” is definitely a Heavy Metal Rock album that devotees of Mötley Crüe, Led Zeppelin, Judas Priest, Def Leppard, Metallica, and Korn will LOVE! Thorns Inside takes the chemistry of those bands, kisses that chemistry with their signature riffs, melodies, highly amplified guitars, distorted guitars, along with extended guitar solos and songwriting, and wraps it up in a box tied with a metal-studded bow. </span></p>
<p><span style="color:#c0c0c0">Thorns Inside hails from North Carolina, USA and consists of Paul Bowman (Lead & Backing Vocals/Rhythm Guitar), Frankie Bauguess (Lead, Rhythm, & Acoustic Guitars, Keyboards, Percussion, Backing Vocals), Steven Lee Adams (Bass Guitar), and Scotty Irving (percussions / Backing Vocals). </span></p>
<p><span style="color:#c0c0c0">All songs were written by Paul Bowman and Frank Bauguess (except for "Can't Help but Love You," "Thief of Love," and “Riding High" by Paul Bowman, Frankie Bauguess, Charles Heller, and Johnny Oakley). </span></p>
<p><span style="color:#c0c0c0">This EP is seasoned and funky with a whole lot of metal. It gives us that throwback hunger that we love and mixes it with that new Metal demand that we bang our heads to right now. </span></p>
<p><span style="color:#c0c0c0">I call it “Millennial Metal” and I love it! Follow the guys <a href="https://twitter.com/InsideThorns" target="_blank" data-imported="1"><span style="color:#c0c0c0">here</span></a> and DM them for a copy of “1 Lane Hwy” – this is one Indie Music exit you do NOT want to miss!</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535752018-11-15T12:00:00-12:002021-04-21T05:14:17-12:00Ivory Tower Project “How Much More”
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/544629d75ecab9965a20f28eca1ea2ba5eeb1ddd/original/ivory-tower-proj-cover-art.jpg/!!/b%3AWyJyZXNpemU6NTM3eDUzNyJd.jpg" class="size_orig justify_inline border_" alt="" height="537" width="537" /></p>
<p><span style="color:#c0c0c0">In the wake of “Bohemian Rhapsody” movie opening this month on Friday the 2<sup>nd</sup>, I am honored to review a band called Ivory Tower Project who keeps the candle burning at both ends for the Power Rock icons of the past (like Queen) by staying true to melodies kissed with pure band instrumentation arrangements, vocal harmonies that escapes the gut and settles into the mind, messages in the music, and pure craftsmanship when it comes to playing the music. </span></p>
<p><span style="color:#c0c0c0">Ivory Tower Project is a Rock duo hailing from New York USA and incudes: Mark Regula (vocals, keyboards, acoustic guitar, bass, percussion) and Tony Novarro (guitars, bass, percussion and engineer). </span></p>
<p><span style="color:#c0c0c0">Ivory Tower Project were double nominated in this year’s Nashville Universe and triple nominated in The Josie Music Awards. Their debut album is entitled “Red Hot” and it is HOT peeps. The latest album to come off the reel-to-reel is “How Much More” and will be featured in this review. </span></p>
<p><span style="color:#c0c0c0">Fourteen tracks stockpiled with Classic Rock enthusiasm and energy are sketched onto this ivory tower wall of music: </span></p>
<ol>
<li><span style="color:#c0c0c0">How Much More? (Alternate Version)</span></li>
<li><span style="color:#c0c0c0">The Ideas of March (Et Tu Brute?) [Alt. Version)</span></li>
<li><span style="color:#c0c0c0">Gotcha’ (Club Mix) (Alt. Version)</span></li>
<li><span style="color:#c0c0c0">Ring Around Rosie (Alt. Version)</span></li>
<li><span style="color:#c0c0c0">Way Too Late (Full Length Remix)</span></li>
<li><span style="color:#c0c0c0">Always (Alt. Version)</span></li>
<li><span style="color:#c0c0c0">When Friends Become Lovers</span></li>
<li><span style="color:#c0c0c0">Please Tell Me (Alt. Version)</span></li>
<li><span style="color:#c0c0c0">Woman of The Times (Alt. Version)</span></li>
<li><span style="color:#c0c0c0">Burning (Full Length Remix)</span></li>
<li><span style="color:#c0c0c0">Surf Song</span></li>
<li><span style="color:#c0c0c0">You Can See It in My Eyes (Remix)</span></li>
<li><span style="color:#c0c0c0">Le Dare Un Anillo a Rosi</span></li>
<li><span style="color:#c0c0c0">My Name (DJ Distortion Remix)</span></li>
</ol>
<p><span style="color:#c0c0c0">The eight featured in this review dominantly displays that iconic Classic Rock prowess that made us fall in love with Queen and Foreigner - pure power illustrated with majestic music arrangements and surgical vocalizations, but not too shy to blend and try something new. This is my interpretation.<strong> </strong></span></p>
<p><span style="color:#c0c0c0">The album opens with “<a href="https://open.spotify.com/track/1BpMp6vKzKyYIsMIxHs7Es" target="_blank" data-imported="1"><span style="color:#c0c0c0">How Much More? (Alternate Version)</span></a>” - an enigmatic track with beautiful soundscapes and mystical instrumentation. It is pulled-back and seductive. Mark Regula’s vocal melody hugs the instrumentation through every hill and valley. This goes on for both verses, and layers are surgically added when the tempo picks up and extra instrumentation is incorporated. Love being a mistake in the making is the storyline of this Classic, yet Modern, Rock track. It's almost fairytale lyrical premise blends well with the modern production of mixed tempo treatments. Regula’s vocals are like that of Steve Perry – powerfully mellow and in your face at the same time. The hook is kissed with harmonies and the guitars act like a third, fourth, or even fifth band member by being outspoken! This is a rich track that will never die and gives proof that both Regula and Novarro are masterminds on the strings – Slash-worthy, I might add. The song fades reminiscent of 1980s Classic Rock cuts. YESSS!!! I am in love!</span></p>
<p><span style="color:#c0c0c0">Remember the quote that Al Pacino’s character “Michael Corleone” said in the Godfather – Part II film, “Keep your friends close, and your enemies closer?” Well, Ivory Tower Project’s second track “<a href="https://open.spotify.com/track/3Q8pDQCw74AzC6j3z4xY2h" target="_blank" data-imported="1"><span style="color:#c0c0c0">The Ides of March (Et Tu Brute?) [Alt. Version)</span></a>” alludes to this very fact and highlights the importance of knowing fully who you surround yourself with in your lifetime. Regula sings: <em>so, I trusted in the friends I had and I found out way too late / but deep inside their smiles was jealousy and hate, but the Ides of March is the time I will be free / when I feel the wounds and I meet my destiny / and I thought that I’ve had something more to say / as my soul is laid to rest Et Tu Brute</em>.” Using both Latin terms within the song’s title romanticizes this splendid Rock track and places this harsh universal reality into the Millennium. The guitars are wailing, shouting, and talking in this theatrical track, and the dual playing of the guitars in harmony just sets the melodramatic storyline up top and just makes you replay the entire track. Another great asset is at the three minutes / 27 seconds mark when a guitar solo begins and plays on to the outro. WOW! I see why this song was the 2018 Nashville Universe Awards Song of the Year.<em> </em>A tragedy put to music – the curtain closes, and we move on to the third track.</span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/6Ugzw44FtymnNqo5eHyP9p" target="_blank" data-imported="1"><span style="color:#c0c0c0">Gotcha’ (Club Mix) (Alt. Version)</span></a>” starts off with classic 80s soundscapes and give a nod to bands like Cameo with its Pop Rock Funk blend. The bass on this song has such attitude and purpose. This track has limited vocals, but that’s alright, as the music is so welcoming and give you time to just think. Like old school songs that would have music breaks within the tracks. The brass section in the background and the electronic percussions also salute a time in music where the MUSIC was the most important factor. This trend has since been lost but now found thanks to Ivory Tower Project. That textured, layered sax-infused hook just plays on and on in your mind once the song stops with extra keys and drums. Just as the song’s premise states “now, I gotcha” – speaking in terms of the male character finally having his woman, symbolically, this song will have YOU at the initial pluck of the bass guitar! Ya’ll that hook is awesome. Give this a listen.</span></p>
<p><span style="color:#c0c0c0">The 2018 Nashville Universe Awards Music Video of the year went to Ivory Tower Project’s fourth track “Ring Around Rosie (Alt. Version)” and I see why. The video is excitingly modern with its illustrations and creative concept. It has everything to get across the message of the song: the character’s eyes meeting, humor, drama, tragedy, and a soundtrack that speaks about love, a never-dying emotion. The song itself features vocal modulations in the hook and a classic Pop Rock execution that opens with the guitar roaring which falls right into the lead which sings these words: <em>like a fairytale in a story book, you walked into my life and that’s all it took for me to love you / I’m gonna put a ring around Rosie tonight</em>. It’s a soft ballad with its melody, and a power ballad with its driving guitars. It simply closes with the traditional melody of “ring around the rosie” played by a guitar solo.</span></p>
<p><span style="color:#c0c0c0"><em><div class="video responsive"><div class="video-container"><div class="video responsive"><div class="video-container"><iframe frameborder="0" height="248" src="https://www.youtube.com/embed/eK4jUa5XQRg" style="display: block; margin-left: auto; margin-right: auto;" width="301" class="wrapped wrapped"></iframe></div></div></div></div> </em></span></p>
<p><span style="color:#c0c0c0">The most Progressive in its execution is the “<a href="https://open.spotify.com/track/78s7eropYQE5tTixeTHjjq" target="_blank" data-imported="1"><span style="color:#c0c0c0">Surf Song</span></a>” – an instrumental Pop Rock Punk track that at first sight you would think it is a remixed Beach Boys’ track, but nah son, this song may be influenced by bands such as the Beach Boys’ stylizations, but this track is so NOW with its tapestry of textures weaved in and out of melodies and tempos. The song’s instrumentation that builds this bombastic high-energy track are simple non-Rock instruments really – guitars, organ, drums, maraca, bongos (congas), tambourines, some keys, but, boy do they create a Pop Rock Punk track that is memorable. And it is not all over the place, it is sensible. Blending these non-traditional instruments in such a way that composes an instrumental like this is merciful on the ears and demonstrates skillful production and creativity. Still, that threading melody is driven by guitars, guitars, guitars and evolves from low tide to high tide in just two minutes and 59 seconds. </span></p>
<p><span style="color:#c0c0c0">A song for lovers is “<a href="https://open.spotify.com/track/1sy9vpvT1GhioUqTzivYPz" target="_blank" data-imported="1"><span style="color:#c0c0c0">You Can See It in My Eyes (Remix)</span></a>” with its heavy sax-driven foundation. This track offers a spotlight on more layered synthesizers and heavy distorted guitars all marrying to the subtle lead vocal that sings about being lost in love. The vocal harmony notes are a bit old school R&B with their modulating scales, but the entire song reads Soft Pop Rock and has wonderful 1980s styling, yet it is polished and modern. It’s been a while since I have heard an honest track where a man confesses his love. It was nice to hear and promises that true love still exists. And boy, oh boy, that saxophone solo is just impressive! This track has great commercial capacity. Hand-dance anyone?</span></p>
<p><span style="color:#c0c0c0">The thirteenth track “<a href="https://open.spotify.com/track/5wd8eJgcnYdQ6PDqVhHZDm" target="_blank" data-imported="1"><span style="color:#c0c0c0">Le Dare Un Anillo a Rosi</span></a>” is the wonderful Spanish version of the fourth track “Ring Around Rosie” and is more scaled back than its forerunner but will surely give you an escape to innocence!</span></p>
<p><span style="color:#c0c0c0">Which brings us to a concert opener – the final track “<a href="https://open.spotify.com/track/629YYbHHcxdFnnY02OgQCU" target="_blank" data-imported="1"><span style="color:#c0c0c0">My Name (DJ Distortion Remix)</span></a>” an exhilarating EDM track with some Pop Rock elements that nicely concludes the EP. The track starts low and then rises to a fever pitch with soft synths, digital vocal FX, and light percussions; but, this track is driven. This ah-some drive is illustrated at the two minutes mark - here, additional percussions sneak in and adds layers and follows a melody that is trippy. The music pulls back at the two minutes / 45 seconds mark and is covered in an echo-effect that catapults you and keeps you stranded in Ivory Tower Project’s grasp. As the music rebuilds itself, it meanders between sci-fi-licious and Hip-Hop slamming and evolves into a new shape of eclecticism that just works. This instrumental monster is hypnotic and cleverly sexy. I see it as a nod to an artist’s brand as their name is a principle part of an artist’s brand. </span></p>
<p><span style="color:#c0c0c0">This is not the typical t-shirt and jeans type of Rock, it is a top-hat with tux and tails matched with Converses type of Rock. No gimmicks, over-excited FX, too much digital, or lazy vocals. Each track on this EP gives us the Ying and Yang that the listening audience craves daily – a perfect balance of music, passion, drive, and melody; and, this illustrates that there <strong><em>is</em></strong> a place for Classic Rock in the Millennium. Ivory Tower Project is justly named as it is as if they were placed on top in a tower by the Classic Rock gods. </span></p>
<p><span style="color:#c0c0c0">With mainstream music actually burning down the bridges that connects society to pure music by using artificial techniques to make music and sacrificing the music just to garner Instagram likes (LOL), Ivory Tower Project are rebuilding these musical bridges with guitar strings and solid melodies thus connecting all of us back to the real roots of classic Rock. </span></p>
<p><span style="color:#c0c0c0">Additional power players on this EP are: Ivan Elias (Bass – formerly of Patty Smyth & Scandal), Richie Cannata (tenor saxophone – formerly with Billy Joel), Michael Carbone, Tex Prothro, Joey Bruno, Zoe Grella, Tyrone Johnson, and DJ Distortion. </span></p>
<p><span style="color:#c0c0c0">This is music that is openminded, engraved, and complex. The gates are opened; welcome to the Tower!</span></p>
<p><span style="color:#c0c0c0">Download and listen to samples <a href="https://itunes.apple.com/us/album/how-much-more/1130591298" target="_blank" data-imported="1">here</a>!</span></p>
<p><span style="color:#ffffff"><a href="http://ivorytowerproject.com/" target="_blank" data-imported="1"><span style="color:#ffffff">Bandpage </span></a>| <a href="https://twitter.com/ITPMark" target="_blank" data-imported="1"><span style="color:#ffffff">Twitter </span></a>| <a href="https://www.facebook.com/IvoryTowerProject/" target="_blank" data-imported="1"><span style="color:#ffffff">Facebook</span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535742018-11-15T12:00:00-12:002018-11-15T19:36:39-12:00Old Vinyl Club “Homemade Recordings" EP
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/91491b46165fe4c764df32971eb8388cfd8f63b1/original/old-vinyl-club.jpg/!!/b%3AWyJyZXNpemU6NTIxeDUyMSJd.jpg" class="size_orig justify_inline border_" alt="" height="521" width="521" /></span></p>
<p><span style="color:#c0c0c0">Today, I have the music of Old Vinyl Club to share with my Indie Music loving family. Old Vinyl Club is a sparkplug-type of Indie Music duo from Malaga Spain. So, you are in for a real treat my friendssssss! </span></p>
<p><span style="color:#c0c0c0">Old Vinyl Club are Salvador Mangas Arias on guitars and vocals and Lara Arellano Romero on bass. Their latest EP “Homemade Recordings” combines the nostalgic sound of 1960’s Rock with modern Alternative Rock and creates a nice, fresh, groovy piece of music that is layered with hooks upon hooks. Their customized arrangements are evident on this latest 3-track EP. </span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/0zFcUBdYvLASniHR6eQgVj" target="_blank" data-imported="1"><span style="color:#c0c0c0">Dutch Beer</span></a>” starts the set with a mellow guitar ensemble and soon picks up the tempo with a distorted vocal lead effect. This arrangement keeps a soft sway to the beat as its core melody, and features less vocalizations allowing for the music to lead. It is a Friday evening-type of song that just lazily makes you hyper. What a hook!</span></p>
<p><span style="color:#c0c0c0">And, I simply love the way “<a href="https://open.spotify.com/track/45mBFgw4qOv7Sekk8YZ2w9" target="_blank" data-imported="1"><span style="color:#c0c0c0">Running Fast</span></a>” starts with that uneasy guitar riff that soon develops into an excited guitar solo with tambourines creating a synthetic dance pulse. This song about not looking back additionally features anxious guitars that sound as if they are running with a wonderful zipline riff, some simplistic percussions shuffling and stuttering, and a vocal melody that swings between medium octaves to drawing a high chorus. All of this makes for a sweet cut.</span></p>
<p><span style="color:#c0c0c0">The final track “<a href="https://open.spotify.com/track/1B0egALt5LebSvEFOjMo3n" target="_blank" data-imported="1"><span style="color:#c0c0c0">Something New</span></a>” starts like a warmup session in the music studio and quietly fades into a warm mid-tempo song where Salvador Mangas Arias somberly sings about starting over in life. Each chorus is filled with provoking vocal harmonies, a sumptuous lead guitar, and an agitated guitar solo that comes in as if it is climbing stairs – and this makes for an infectious hook that illustrates splendid writing and excites your senses at each listen.</span></p>
<p><span style="color:#c0c0c0">Old Vinyl Club has that commercial “it” factor that so many long for, and that is the ability to compose tracks that have memorable hooks AND instrumentation that complements those hooks. It’s a recipe that keeps fans coming back for more. And with the inclusion of Pablo Arellano Romero (drums) and Fernando Mangas Arias (keys), they have achieved a rechargeable stylization of playing the music. </span></p>
<p><span style="color:#c0c0c0">Sure, there are the basic guitars, drums, tambourines, and keys being played professionally as is the case with many bands and duos, but Old Vinyl Club has mastered the implementation of these instrument’s production – for instance, the playing in unison of the guitars without bleeding in sound, the off the cuff treatment of the tambourines, sprinkled synths, heavy / light methodological guitar playing, and good balance of resonance, attack, depth and control on the bass drum, hi-hats, and cymbals. </span></p>
<p><span style="color:#c0c0c0">With just three tracks contained on this EP, it is amazing how one receives a full musical experience and long to do playback after payback, but that is so true, because Old Vinyl Club knows how to pack a big punch in a small space. </span></p>
<p><span style="color:#c0c0c0">If Old Vinyl Club were an actual dive, I would join in a heartbeat to experience such creativity live in full effect daily. But until then, join me in following them on <a href="https://twitter.com/oldvinylclub" target="_blank" data-imported="1"><span style="color:#c0c0c0">Twitter</span></a>. </span></p>
Klef Notestag:klefnotes.com,2005:Post/60535732018-11-14T12:00:00-12:002018-11-14T19:51:00-12:00Kings and Castles “Daydream” (Rock) UK
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/46b45a6b7432505d48f798b102a990d4670d9187/original/kings-and-castles-new.jpg/!!/b%3AWyJyZXNpemU6NTEyeDUxMiJd.jpg" class="size_orig justify_inline border_" alt="" height="512" width="512" /></span></p>
<p><span style="color:#c0c0c0">Hey, my readers, are you looking for a song that will clear away the gray skies and make them BLUE? Well, the four-man Indie Rock band who gave us the EP “Numbers” this summer is back with “<a href="https://open.spotify.com/track/6BkZRlpDYwNaOEU8pE8kDX" target="_blank" data-imported="1"><span style="color:#c0c0c0">Daydream</span></a>” a Rock single that is sure to get you falling into Autumn the right way – BLISSFULLY!! </span></p>
<p><span style="color:#c0c0c0">That’s right! Ross (vocals/guitar), Aiden (lead guitar), Matt (percussions), and Louis (bass), the guys of Kings and Castles, are back! These Indie Rock heavy hitters are giving us all kinds of FRESH with “Daydream” – a light and expressive Rock track that features a storyline about how living in your head grasping positivity, or daydreaming, is all it takes sometimes to get through a whirlwind kind of relationship. </span></p>
<p><span style="color:#c0c0c0">The track has a welcoming less is more approach to its production with minimal FX but a wonderful medium to fast tempo that cleverly evokes that drink to forget feeling we get when we NEED to daydream to escape the norm. </span></p>
<p><span style="color:#c0c0c0">And in true Kings and Castles’ style, the bar is not closed when it comes to the instrumentation, as the head-banging percussions and electrifying guitars keep coming like shots of vodka. At the two minutes and seven seconds mark, the guitars reign with a solo that gives us 4th of July fireworks in Autumn. </span></p>
<p><span style="color:#c0c0c0">Moreover, Ross’ lead is free-spirited as always, excitingly thrilling the audience by effortlessly scaling and crawling along with real-word lyrics and motivating melodies. </span></p>
<p><span style="color:#c0c0c0">“Daydream” runs for about three minutes and definitely has a strut to its stride and is sure to be a concert staple! </span></p>
<p><span style="color:#c0c0c0">Download your copy <a href="https://itunes.apple.com/us/album/daydream/1437920258?i=1437920444&app=itunes&ign-mpt=uo%3D4" target="_blank" data-imported="1"><span style="color:#c0c0c0">here</span></a>!</span></p>
<p><span style="color:#ffffff"><a href="https://twitter.com/kingsandcastlez" target="_blank" data-imported="1"><span style="color:#ffffff">Twitter </span></a>| <a href="https://www.instagram.com/kings_and_castles/" target="_blank" data-imported="1"><span style="color:#ffffff">Instagram </span></a>| <a href="https://www.facebook.com/kingsandcastlesband/" target="_blank" data-imported="1"><span style="color:#ffffff">Facebook</span></a>| <a href="https://www.kingsandcastlesmusic.com/" target="_blank" data-imported="1"><span style="color:#ffffff">Bandpage</span></a>| <a href="https://soundcloud.com/kingsandcastles" target="_blank" data-imported="1"><span style="color:#ffffff">Soundcloud </span></a>| <a href="https://www.snapchat.com/add/kandcmusic" target="_blank" data-imported="1"><span style="color:#ffffff">Snapchat </span></a> | <a href="https://www.youtube.com/channel/UCtAzR7VhRMtrd86G3BBoXWg" target="_blank" data-imported="1"><span style="color:#ffffff">Youtube</span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535722018-11-11T12:00:00-12:002018-11-11T23:39:27-12:00Barbara Borgelin “I Need More of You” (Soft-Rock) Denmark
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/ea23feebf01b6fc737ac0eac850d4519fbe9d5b5/original/barbara-borgelin-2.png/!!/b%3AWyJyZXNpemU6NDc1eDQ3NiJd.png" class="size_orig justify_inline border_" alt="" height="476" width="475" /></span></p>
<p><span style="color:#c0c0c0">To rephrase a quote from the 1996 movie <em>Jerry Maguire</em> where Tom Cruise said, “you had me at hello,” I would gladly say that this song ‘had me at one riff.” Yes, that is all it took for me to be hooked. That opening guitar riff. </span></p>
<p><span style="color:#c0c0c0">Just <a href="https://open.spotify.com/track/42VpbMbGoNshIQrWlYqDWy" target="_blank" data-imported="1"><span style="color:#c0c0c0">listen</span></a>!</span></p>
<p><span style="color:#c0c0c0">What you just heard is “I Need You More of You” – a modest ballad by Barbara Borgelin – the wonderful Soft-Rock chanteuse who just delivered “This is the Moment” to us. Borgelin’s latest single features stretched vocalizations and Soft Rock phrasing making it a pleasing intimate track to be shared by lovers and seekers of love. </span></p>
<p><span style="color:#c0c0c0">P<span style="color:#c0c0c0">roducer and arranger Johnny B C furnished "I Need More of You" with a </span>Modern retro/Doo Wop time signature - a technique that allows a Soft Rock track to crossover into Country, Pop, Jazz, and Doo Wop easily.<em> </em></span></p>
<p><span style="color:#c0c0c0">Additionally, Jakob Goldman Jensen’s solo guitar wailing softly towards the outro just mellows you out and fills the mind with imagery of dancehall hand-dancers. Furthermore, Carsten Pedersen on bass, Jonas Smidt on drums, and Ulrik Lindgren on keys aids this lyrical Cadillac in hugging the streets of music softly. </span></p>
<p><span style="color:#c0c0c0">And Borgelin’s vocals once again leaves noting left for chance, she flawlessly glides through the track effortlessly displaying angst and anticipation in her delivery. </span></p>
<p><span style="color:#c0c0c0">To put it plainly, this is a love song where a woman celebrates her need for her lover. And even though this song will be a great addition to Indie radio station’s rotation on Valentine’s Day, what is perfect about “I Need More of You” is that it has no TREND-borders. It openly gives of itself organically and traditionally all year long by universally supplying us with romance in the same way that Johnny Mathis’ “Hold Me, Thrill Me, Kiss Me<strong>*</strong>” did in 1977. The world needs this right now! So, make sure to download your copy <a href="https://itunes.apple.com/dk/album/i-need-more-of-you-single/1439459341" target="_blank" data-imported="1">here </a> and keep up with Barbara Borgelin by visiting her social media platforms. </span></p>
<p><span style="color:#c0c0c0">Website: <a href="http://barbaraborgelin.com/%20" target="_blank" data-imported="1"><span style="color:#c0c0c0">http://barbaraborgelin.com/ </span></a></span></p>
<p><span style="color:#c0c0c0">Twitter: <a href="https://twitter.com/barbaraborgelin" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://twitter.com/barbaraborgelin</span></a></span></p>
<p><span style="color:#c0c0c0">Facebook: <a href="https://www.facebook.com/BARBARAOFFICIALPAGE/" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.facebook.com/BARBARAOFFICIALPAGE/</span></a></span></p>
<p><span style="color:#c0c0c0">Instagram: <a href="https://www.instagram.com/barbaraborgelin/" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.instagram.com/barbaraborgelin/</span></a></span></p>
<p><span style="color:#c0c0c0">YouTube: <a href="https://www.youtube.com/channel/UCheBKUdkSCw1eVXr7nuVP9w" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.youtube.com/channel/UCheBKUdkSCw1eVXr7nuVP9w</span></a></span></p>
<p><span style="color:#c0c0c0"> </span></p>
<p><span style="color:#c0c0c0"><strong>*</strong>originally released by Karen Chandler in 1952 and covered by Mel Carter in 1965.</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535712018-11-08T12:00:00-12:002019-12-31T08:11:20-12:00John Kruth "Forever Ago"
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/d5ab47f49e9f4a407c37a209e67154b13c6ed929/original/john-kruth.jpg/!!/b%3AWyJyZXNpemU6NTE0eDUxNiJd.jpg" class="size_orig justify_inline border_" alt="" height="516" width="514" /></p>
<p><span style="color:#c0c0c0">There is so much digital media being utilized today that often one may get a bit bored and want to see things in print on paper. I do. </span></p>
<p><span style="color:#c0c0c0">So, the other day I was strolling down memory lane, so to speak, thumbing through my shelves of literature and was so wonderfully calm. It was that experience of engaging every sense you own that made me so calm. I was looking at the bounded covers, touching the textures of each book’s material, and hearing the crispness tap in my ears as I turned the pages. The only two senses that was a bit different were smell and taste. </span></p>
<p><span style="color:#c0c0c0">I did indeed take a sniff, or shall I say whiff, of the books and it takes me to some memory of college and doing research in the stacks. And the taste, well, I do not taste the books – ha, ha, no, instead, I always have a cup of coffee or tea next to me, or sometimes a glass of scotch to taste as I read and ponder. </span></p>
<p><span style="color:#c0c0c0">I know this may be reading as a journalist’s rant, but what I am getting at is how those non-digital books keeps us living – it keeps us engaged. And what makes those books so engaging are the words printed on the pages by the creative authors, playwrights, and poets that compose those collected storylines. Indie music does the same thing for the masses. </span></p>
<p><span style="color:#c0c0c0">My close friends and readers know that there are two things in the arts that really gets me pumped up or calmed out to a chill-mode, and those are books and music. Both aesthetics vibe off each other, but rarely do they meet within one artist’s volume of work. </span><span style="color:#c0c0c0">So, when I was introduced to John Kruth’s work, you know I was HAPPY! </span></p>
<p><span style="color:#c0c0c0">Here is a man who is not only an established poet and author of many books and poems/prose, but also a singer/songwriter/multi-instrumentalist – a man who can honestly demand centerstage at a smoke-filled poetry reading in the Village, a seminar, or concert arena. </span></p>
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/d80a3733e85b93d60cff6ceebdc4fba5d21e208a/original/john-kruth-2.jpg/!!/b%3AWyJyZXNpemU6Mzk0eDUyNCJd.jpg" class="size_orig justify_inline border_" alt="" height="524" style="display: block; margin-left: auto; margin-right: auto;" width="394" /></span></p>
<p><span style="color:#c0c0c0">In this review, I will be exploring the music of John Kruth, in particular, his latest “Forever Ago.” </span></p>
<p><span style="color:#c0c0c0">When I listen to “Forever Ago,” I hear Folk music that is Modern and infused with elements of many genres. "Forever Ago" explores the theme of life's experiences being the actual journey with the destination being wherever you are now. </span></p>
<p><span style="color:#c0c0c0">Fourteen tracks build this collection: </span></p>
<ol>
<li><span style="color:#c0c0c0">Picnic in the Sun</span></li>
<li><span style="color:#c0c0c0">Goodnight Sylvia</span></li>
<li><span style="color:#c0c0c0">Forever Ago</span></li>
<li><span style="color:#c0c0c0">Waiting by the Window</span></li>
<li><span style="color:#c0c0c0">The Wild Birds of Heaven</span></li>
<li><span style="color:#c0c0c0">Mr. Crow</span></li>
<li><span style="color:#c0c0c0">Vacation</span></li>
<li><span style="color:#c0c0c0">Drivin'</span></li>
<li><span style="color:#c0c0c0">Share the Failure / The Grinning Reaper</span></li>
<li><span style="color:#c0c0c0">Checkers with My Cat</span></li>
<li><span style="color:#c0c0c0">Christmas Eve</span></li>
<li><span style="color:#c0c0c0">Blonde</span></li>
<li><span style="color:#c0c0c0">The Old Communist</span></li>
<li><span style="color:#c0c0c0">Hunting for Water </span></li>
</ol>
<p><span style="color:#c0c0c0">While each track is like a chapter within the artist’s journal, I wanted to focus on just seven tracks to share Kruth’s theme within the music. </span></p>
<p><span style="color:#c0c0c0">Let’s begin with the opening track “Picnic in the Sun.”<strong> </strong></span></p>
<p><span style="color:#c0c0c0">Very clever to open with <strong>“</strong><a href="https://youtu.be/ADMDAiQgl80" target="_blank" data-imported="1"><span style="color:#c0c0c0">Picnic in the Sun</span></a>” as this track is very animated with symbolism. The lyrics speaks about making good with what you have even when the situation is not so good – like a failed relationship or a breakup. Kruth’s Soft-Rock vocals subtly carries this track and sings: <em>I wish I could do likewise and erase you from my mind / picnic in the sun / no shade to be found / table for one for a lonely fool from out of town</em>. Lacing the track with an accordion, mellow guitars, and mandolins sets a scene of tranquility no matter the backdrop (or circumstance) of the listener. Using mind art is a great songwriting tool to show how practicality and positivity keeps the globe turning. </span></p>
<p><span style="color:#c0c0c0">The second track “<a href="https://youtu.be/725-crJcLPE" target="_blank" data-imported="1"><span style="color:#c0c0c0">Goodnight Sylvia</span></a>” is light in its instrumentation but dark in its lyrical story. Giving a snapshot of the suicide of Sylvia Path (Poet) focuses the listeners on the reality of depression and paranoia. Like a musical farewell note to a fellow writer, this track is universal with its topic and illustrates how sadly sometimes life’s journey ends at a detour of despair.</span></p>
<p><span style="color:#c0c0c0">One of the most beautiful tracks is “<a href="https://youtu.be/Xgc2o_ne1FQ" target="_blank" data-imported="1"><span style="color:#c0c0c0">Forever Ago</span></a>.” The balance between honesty and reality is reflected in the pure soft melodies enveloped with simplistic lyrics and instruments. Once again, less is more. The title track ties up and highlights the entire collection’s theme of one’s journey in life showing how life is not worth living if you have no one to share it with. Kruth sings “what good is Picasso . . . when you’re an ocean away / well, I wanna know, where does the time go, cause it feels like forever, forever ago.” This track is so fleeting and pleasurable with the slow tempo and mandolins tickling the emotions. And the way the hook was produced really does make you ponder on time and how you are spending that time. The addition of the Italian spoken word just highlights the ‘sands in the hourglass’ imagery.</span></p>
<p><span style="color:#c0c0c0">The track with the most texture and soul is “<a href="https://youtu.be/TczFF401NR4" target="_blank" data-imported="1"><span style="color:#c0c0c0">Waiting by the Windo</span></a>w” which feature a mandolin played in Gypsy riff. The lyrics depict how one may wait for love and contemplates the thought of a person continuously looking back in life – consciously apprehensive and stuck in a pattern that seems unmovable. The hook “we keep marching in time’s parade,” is a wonderful metaphor and becomes a mood-setter. Loved the climb up and trail down of the melodies. </span></p>
<p><span style="color:#c0c0c0">Next, is the track that stirs the most mystery – the sixth track, “Mr. Crow.” </span></p>
<p><span style="color:#c0c0c0"><strong>“</strong><a href="https://youtu.be/Yuwv2RXuoZk" target="_blank" data-imported="1"><span style="color:#c0c0c0">Mr. Crow</span></a>” twists things into another musical direction as it incorporates harmonicas and handclaps merging Folk music to an interesting Dirty South Soul track. The harmonica is very reminiscent of Little Walter’s style of harmonica playing with such Bluesy passion. Another nice twist is Kruth’s more raspy vocal delivery which gives the overall track more swagger and attitude, he sings: <em>big black crow / way up in a tree / hey Mr. crow, tell me what you see / could be my baby flying home to me</em>. Choosing to feature the crow as the principle character for the sixth track was brilliant! Very much like Edgar Allen Poe’s “The Raven,” on this track, the “crow” is seen as a sort of instructor whom the character asks questions and seeks answers. This metaphorical songwriting treatment drives home Kruth's threading theme showing how seeking to have life’s questions answered takes up a lot of time within the journey of life. And on a side note, in pop culture and literature, the crow is one of the most misunderstood birds – some say it symbolizes death, while others feel it symbolizes life. Then, there are some who see them as pests, and others who see them as figures of power. To me, the crow symbolizes the life of an artist – the weary traveler with wisdom, integrity, and solitude seeking a place to rest. And even though a person’s depiction of the crow could be as varied as they come, one thing for sure is the bird’s hearty way of life and fighting spirit. Great choice for a song as this metaphor is far-reaching and everyone and anyone can grab a concept from this one track. </span></p>
<p><span style="color:#c0c0c0">And when you listen to the lyrics of “<a href="https://youtu.be/UYVzNICUwg8" target="_blank" data-imported="1"><span style="color:#c0c0c0">The Old Communist</span></a>,” and you place your ear on the mandolin, you are instantly transported to the Mediterranean seeing this story played out. More conversational in his vocal delivery, Kruth sets the mood of the track with these lyrics: <em>Stalin used to be his god / but now he’s taken up the Christ / and dressing like a British fop, but every man must have his vice</em>. As an English Writing grad, I could not help but see the parallel between the message of this track and how it compliments Victorian author, playwright, poet, Oscar Wilde’s quote “The only difference between the saint and the sinner is that every saint has a past, and every sinner has a future.” The 13<sup>th</sup> track on “Forever Ago” musically exudes such realism and compassion and shows how life’s experiences can change a person, thus reshaping their expected trajectory, and therefore altering the person. I call it ‘natural irony,’ and Kruth illustrates this so well on this track. </span></p>
<p><span style="color:#c0c0c0">The concluding track “<a href="https://youtu.be/38Uvl9RUbmo" target="_blank" data-imported="1"><span style="color:#c0c0c0">Hunting for Water</span></a>” feature a Synth Pop introduction and spills into a nice infused Folk track that cleverly sews up the music. Kruth’s mellow second tenor / baritone vocal quietly hugs the lyrics that tell the story of a man in search of himself: <em>he went hunting for water / although it was all around him / he went hunting for water / although it was inside him / he sailed his boat around the world hunting for water / he went hunting for water</em>. Varied guitars enhance Kruth’s signature mandolin and adds a euphoric listening experience. The eclectic backing adlibs, world soundscapes, and flute easily becomes the skeletal system to this track. The final track melodically depicts how sometimes we must get lost in order to be found.</span></p>
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/c310bb820bb3b993c81ebd3b3e950f1d6cfec11b/original/john-kruth-4.jpg/!!/b%3AWyJyZXNpemU6NDI2eDMyMCJd.jpg" class="size_orig justify_inline border_" alt="" height="320" style="display: block; margin-left: auto; margin-right: auto;" width="426" /></span></p>
<p><span style="color:#c0c0c0">What makes a book believable are its facts and the writer’s ability to display the victories and defeats, the joys and pains, the beauty and horrid – Kruth’s music is done in such a creative, honest, way that he was able to illustrate the roads traveled often by touching on topics like: love, pain, starting over, etc., as well as those roads less traveled with topics such as depression and suicide. </span></p>
<p><span style="color:#c0c0c0">After listening to this collection of music, you are left asking yourself “how many songwriter/musicians can tout that they are in both <em>Rolling Stone</em> as a musician and the <em>New York Times</em> as an author? Come on now! Here is a man that has explored many corners of our globe and can teach it to the masses as a professor and put it to music that is understood, modern, and thought provoking. Here is a talent that needs a spotlight! </span></p>
<p><span style="color:#c0c0c0">John Kruth is a polished, learned, artist with a well-rounded assortment of music. This is accomplished by standing in his truth and incorporating different elements into the music. He actually takes you on the journey with him – from the South to the North, East and West. <em>W</em>ith his music, like life, it is not about the destination being sought after but the journey itself that is paramount, and this soundtrack is instrumented by mandolins, banjos, harmonicas, flutes, guitars, keys, percussions, and little to no synths. </span></p>
<p><span style="color:#c0c0c0">In contrast to some Folk albums where the artists just write about different moods or issues that can become quite boring, one-sided, and more era-driven, “Forever Ago” is full of surprises. There is no dullness with this music – no forcing of hooks or vocal melodies, no clichés put to music, and it is not dry in its composition (musical or lyrical). It is Conceptual and focuses on the message allowing the music to be the vehicle to drive that message home. </span></p>
<p><span style="color:#c0c0c0">Kruth’s music is cathartic and universally accepting – it is one source of music that allows the audience to broaden their minds while listening to great music and <span style="color:#c0c0c0">complements LIVING!</span></span></p>
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/6024c0ede3edb07bf69711cf850751fcdb9dbbb7/original/john-kruth-3.jpg/!!/b%3AWyJyZXNpemU6NDAweDUzMyJd.jpg" class="size_orig justify_inline border_" alt="" height="533" style="display: block; margin-left: auto; margin-right: auto;" width="400" /></span></p>
<p> </p>
<p><span style="text-decoration:underline"><br></span><strong><span style="color:#c0c0c0">Visit John Kruth's <a href="https://en.wikipedia.org/wiki/John_Kruth" target="_blank" data-imported="1"><span style="color:#c0c0c0">Wikipedia </span></a>Page for more info.</span></strong></p>
<p><strong><span style="text-decoration:underline; color:#c0c0c0"><a href="https://en.wikipedia.org/wiki/John_Kruth" target="_blank" data-imported="1"><span style="color:#c0c0c0; text-decoration:underline"> </span></a></span></strong></p>
<p> </p>
Klef Notestag:klefnotes.com,2005:Post/60535702018-11-08T12:00:00-12:002018-11-08T20:15:06-12:00DAVI "You Got Me Wantin You" EP
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/8a84bb916b36ee4ff59357500bac14594af1f100/original/davi.jpg/!!/b%3AWyJyZXNpemU6NDc2eDQ3NiJd.jpg" class="size_orig justify_inline border_" alt="" height="476" width="476" /></span></p>
<p><span style="color:#c0c0c0">DAVI is a singer/songwriter/musician who is anything but boring. His latest EP, “You Got Me Wantin You,” is a capsule EP with only three tracks that packs a big PUNCH!! The music contained within this miniature eclectic concert can be enjoyed by anyone and everyone. Each track was composed and produced with a clear-cut, no-frills, honest, artistic, approach. Honestly, there is something for everyone right here. </span></p>
<p><span style="color:#c0c0c0">So, I wanted to share the music of this talented brother with my readers and I invite you to add it to your music library. Let’s jump right into this review by starting with the title track “You Got Me Wantin You.” </span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/daviuniversalmusic/you-got-me-wantin-you?in=daviuniversalmusic/sets/you-got-me-wantin-you" target="_blank" data-imported="1"><span style="color:#c0c0c0">You Got Me Wantin You</span></a>” is a heavily synthed Pop Alternative track with Post-Punk notes. Those strict guitars blended with a driving drumline, a minimally FX treated dry vocal, and frenetic melody brings spontaneity to this EP. Every element adds anticipation to the ear in the very same way that longing for passion does for the human condition.</span></p>
<p><span style="color:#c0c0c0">Now if you are in a New Jack Swing type of mood, then put “<a href="https://soundcloud.com/daviuniversalmusic/rumor-is?in=daviuniversalmusic/sets/you-got-me-wantin-you" target="_blank" data-imported="1"><span style="color:#c0c0c0">Rumor Is</span></a>” on blast and repeat. A nice spin on the colloquial saying “the word on the street is,” this track tells the story of a man vying for the truth from his lover. This Contemporary R&B cut is superb in its smoky vocal execution and in your face emotion. The nostalgic hand claps, electric violins, bass guitar, and “talk-box” vocal effect adds some Electro-Funk and just makes it ear-candy.</span></p>
<p><span style="color:#c0c0c0">And the EP closes with the seductive “<a href="https://soundcloud.com/daviuniversalmusic/till-then?in=daviuniversalmusic/sets/you-got-me-wantin-you" target="_blank" data-imported="1"><span style="color:#c0c0c0">Till Then</span></a>” that features a female vocalist adlibbing to add sugar to DAVI’s spice. This Pop-Soul track sews up the EP wonderfully by quieting the roar of the previous tracks and allowing the listener to simmer a bit before they replay the entire EP. The storyline is about waiting for the right opportunity to show the one you love just how much they really mean to you. It is passionately sung by DAVI and the accompanying music quietly plays along with the scene. This is a fairytale put to music.</span></p>
<p><span style="color:#c0c0c0">In finding his own path to creativity, DAVI’s starting point was much like many Indie artists – doing what you do best for others, finding your own calling card, tapping into your secret talent, getting that push to display that talent from the right person, and then discovering and conquering YOUR arena. It takes time, effort, and hard work, but it pays off. </span></p>
<p><span style="color:#c0c0c0">DAVI started his career by writing songs for local and national artists, then he transitioned into writing and producing for himself, and now he has become a mainstay performing songwriter on Internet and Independent radio in the USA, Canada, and the UK. In addition, he has signed with <a href="https://www.mondotunes.com/" target="_blank" data-imported="1">Mondotunes</a> label an extension of Universal Music. DAVI is proof that dreams do come true with hard work. </span></p>
<p><span style="color:#c0c0c0">So, if a sketched drawing was able to be placed next to the term “creativity,” DAVI’s cover art would suffice as it represents what “creativity” in the world of music stands for: it is a bit weird, tremendously Avant Garde, a whole lot of interesting originality, and an industrious artist spearheading the entire journey. </span></p>
<p><span style="color:#c0c0c0">“You Got Me Wantin You” is an escape from the norm that proves that less is more when it comes to truly creating your own piece of art.<em> </em></span></p>
<p><span style="background-color:#000000; color:#ff9900"><strong><a href="https://twitter.com/DAVI93569153" target="_blank" data-imported="1"><span style="background-color:#000000; color:#ff9900">Twitter</span></a> / <a href="https://www.reverbnation.com/davi67" target="_blank" data-imported="1"><span style="background-color:#000000; color:#ff9900">Reverbnation</span></a></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535692018-11-06T12:00:00-12:002018-11-06T21:40:40-12:00The Million Reasons “Battle of Sound” (Rock) Chicago, Illinois USA
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/1a2bd7df06ad4634ece17e7f431c0e8ae27b128d/original/tmr-battle-cover.jpg/!!/b%3AWyJyZXNpemU6NDczeDQ3MyJd.jpg" class="size_orig justify_inline border_" alt="" height="473" width="473" /></p>
<p><span style="color:#c0c0c0">What would happen if you were to blend Maroon 5 with Aerosmith on one track? You would get a nice modern Rock-Pop track that has some Soulful elements and a lot of heat. </span><span style="color:#c0c0c0">That is similar to what The Million Reasons (TMR) has accomplished with their newest single “</span><span style="color:#c0c0c0"><a href="http://themillionreasons.bandcamp.com/track/battle-of-sound" target="_blank" data-imported="1">Battle of Sound</a>.</span><span style="color:#c0c0c0">” </span></p>
<p><span style="color:#c0c0c0">With this cut, they have taken a concept and gave it life!!</span></p>
<p><span style="color:#c0c0c0">First, we are smacked with killer drums, cursing guitars, and a guitar riff that becomes the hook and threads through the entire piece. </span></p>
<p><span style="color:#c0c0c0">Additional elevation is introduced by the front-man’s peppery vocals and that classic TMR texture of sound highlighted at the one minute / eleven seconds mark where the song displays its layers, drops, and rises again like a phoenix with a solo guitar screaming and kissing those magnetic percussions that I know left sparks. </span></p>
<p><span style="color:#c0c0c0">Then, at the one minute / thirty-three seconds mark an anthemic “who do you think kicks the power back on?” is shouted and the track gets heated up with a major guitar-growl before the track’s pilot light blows out. </span></p>
<p><span style="color:#c0c0c0"><strong>Bam! </strong></span></p>
<p><span style="color:#c0c0c0">And that's just the track by itself. </span></p>
<p><span style="color:#c0c0c0">Now, I am going to ask another question: What would happen if you were to give an Indie music band the control of <em>Carpool Karaoke</em>? Oh, it will be lit and on fire! </span></p>
<p><span style="color:#c0c0c0">Case in point: the “Battle of Sound” <a href="https://www.youtube.com/watch?v=2kGf8mwJJmE" target="_blank" data-imported="1"><span style="color:#c0c0c0">official video</span></a> was released on YouTube on November 2nd and spoofs the reality of playing live in an automobile with a fun battle of sound. Contrasting the unrealistic method of <em>Carpool Karaoke</em> where guests and the host smoothly sing to the pre-recorded tracks of the visiting celebrities with ease, this Indie Music band places their grasp on this LIVE concept and shares the honest results - an actual battle of sounds where every turn, stop, and jerk of the vehicle alters the band's position but never effects the sound. And even though this has a reality show feel to it, there is nothing bloated about its concept or production. </span></p>
<p><span style="color:#c0c0c0">After listening to this track that I was gifted with by one of my favorite USA Indie Rock bands, I stepped away from my desk and gave a virtual mic drop! This fast-paced single is definitely a ROCK-worthy modern hit. </span></p>
<p><span style="color:#c0c0c0"><strong>If you are in the Chi-Town area today (11/07/18), why not step into the Beat Kitchen to see the boys in action.</strong></span></p>
<p><span style="color:#c0c0c0"><strong><span style="background-color:#ffff00; color:#000000"><a href="https://twitter.com/TheMilReasons" target="_blank" data-imported="1"><span style="color:#000000; background-color:#ffff00">Twitter</span></a></span> </strong>/ <strong><span style="background-color:#ffff00"><a href="https://www.facebook.com/themillionreasons/" target="_blank" data-imported="1"><span style="color:#c0c0c0; background-color:#ffff00"><span style="color:#000000">Facebook</span> </span></a></span></strong>/ <strong><span style="background-color:#ffff00; color:#000000"><a href="https://www.instagram.com/themillionreasons/" target="_blank" data-imported="1"><span style="color:#000000; background-color:#ffff00">Instagram</span></a></span></strong><strong><span style="background-color:#ffff00; color:#000000"><a href="https://www.instagram.com/themillionreasons/" target="_blank" data-imported="1"><span style="color:#000000; background-color:#ffff00"> </span></a></span></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535682018-11-01T12:00:00-12:002021-07-09T03:56:35-12:00Jambrains "Faded Dreams"
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/a69155d86d882835da6153fef713ed051ba810b4/original/jambrains-faded-dreams-coverart.jpg/!!/b%3AWyJyZXNpemU6NTU5eDU1OSJd.jpg" class="size_orig justify_inline border_" alt="" height="559" width="559" /></span></p>
<p><span style="color:#c0c0c0">Right now, it is November, the month where Autumn is in its prime and Winter is right around the corner. Right now, in the USA and the UK, we are seeing faded leaves, crisper daybreaks, and cooler twilights. And since autumn is the season that invites change, I thought it would be a splendid time to introduce my friend Jambrains’ newest EP “Faded Dreams” as his musical concept coincides with what we all are experiencing right now – transitions, change, starting anew. </span></p>
<p><span style="color:#c0c0c0">I have had the honor in reviewing Jambrains (Johan Alms) before and he never ceases to amaze me and my readers. The Swedish multi-instrumentalist and songwriter always infuses his Folk music with powerful guitars, thought-provoking soundscapes, real-life lyrics, and strong melodies. </span></p>
<p><span style="color:#c0c0c0">“Faded Dreams” was released August 31<sup>st</sup> of this year and is a Rock Folk EP that includes five tracks: </span></p>
<ol>
<li><span style="color:#c0c0c0">Without You</span></li>
<li><span style="color:#c0c0c0">Fade -</span></li>
<li><span style="color:#c0c0c0">4<sup>th</sup> of July</span></li>
<li><span style="color:#c0c0c0">I Can Change</span></li>
<li><span style="color:#c0c0c0">Others </span></li>
</ol>
<p><span style="color:#c0c0c0">Each track creatively houses the theme of change and inspires its listeners to grasp and accept those defining moments in life along with the transformation. </span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/jambrains/without-you?in=jambrains/sets/ep3" target="_blank" data-imported="1"><span style="color:#c0c0c0">Without You</span></a>” starts the EP off on a high note with electric guitars, ukuleles, accordion, and a nice bass bottom. It doesn’t matter if you are in India, England, or the ATL, everyone can relate to this track that impressively evoke youthful memories, the lyrics sing: <em>I can still recall the playground </em></span><em style="color: #c0c0c0; font-size: medium;">by the Wal-Mart parking lot / a browned-eyed girl with freckles / hand in mine in our secret spot / we used to share a Mars bar / when it was all we could afford / this town was all we knew about / the world not yet explored / now the ships are sailing as the tide is turning but I just can not leave not without you / without you / a Greyhound ticket in my back pocket but I just can not leave not without you / without you</em><span style="color:#c0c0c0">. The practical lyrics are so rich and vivid. This Rock Folk track follows in the tradition of artists like Bruce Springsteen and Billie Joel and holds a nice American Heartland Rock style of music – the working man’s music, and it is great!</span></p>
<p><span style="color:#c0c0c0">And every time I hear the first chords of the second track, “Fade,” I just melt. It doesn’t matter where I am at the moment, I just STOP. Seriously, this song is so memorable with its soul-pacifying melodies and meditating lyrics. </span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/jambrains/fade?in=jambrains/sets/ep3" target="_blank" data-imported="1"><span style="color:#c0c0c0">Fade</span></a>” was released as a single in early 2018 and received much recognition. It fulfills the EP’s demonstrative structure so well in keeping with the theme of change. Taking an excerpt from my Klef Notes’ review of Jambrains’ “<a href="http://www.klefnotes.com/music_reviews/jambrains:_life_love__lies_sweden" target="_blank" data-imported="1"><span style="color:#c0c0c0">Life, Love & Lies</span></a>” EP, “Fade is a lyrical letter depicting how fairytale dreams and aspirations can fade . . . if they are not played out to their fullest colors. The subtle modulation in the verses and the melodic changes in this cut set your mind to thinking of life and its decisions whether good or bad and how to piece together the remaining parts before they turn to gray.” </span></p>
<p><span style="color:#c0c0c0">The quiet vocals, soft piano chords, mellow percussions just vibing, and the finger-picked guitar is very introspective on “Fade,” and it’s very much ‘unplugged’ in its overall production and it works, works, works. Jambrains sings: <em>she said, get us out of here, the fireworks have started and I can't stand another year let's burn all of the bridges that connect us to the past / so it won't come back to haunt us until, at last we slowly fade to gray / we slowly fade to gray / to gray / their dreams were sold to them on the glossy pages of multi-color lifestyle magazines / but our dreams lie beyond the city's border where life is unpredictable and cannot be foreseen</em>. And, that guitar solo at the two minutes 32 seconds mark still tingles the spine. </span></p>
<p><span style="color:#c0c0c0">I have been living with this track since my first penning the original review of “Life, Love & Lies,” and I can still say that this track is so ah-mazing. It is simply beautiful. Life fades, but this song does not grow old. </span></p>
<p><span style="color:#c0c0c0">A rawer vocal is displayed on “<a href="https://soundcloud.com/jambrains/4th-of-july-1?in=jambrains/sets/ep3" target="_blank" data-imported="1"><span style="color:#c0c0c0">4<sup>th</sup> of July</span></a>” and plays well with the feathery piano chord that stirs the foundation of the third track. Jambrains’ quiet raspy 2<sup>nd</sup> tenor is so balanced and stays a bit behind the music but justly so, as this anthemic mid-temp track deserves the music to be in your face. A nice addition to the track is the harmony notes that build as the bridge introduces itself with a sweet acoustic guitar. Massive guitars scale back, and a highlighted acoustic pushes the bar, soon a cymbal closes the gap as a subtle piano chord closes this celebratory song.</span></p>
<p><span style="color:#c0c0c0">The track that features the most elements of pure Pop would be “<a href="https://soundcloud.com/jambrains/i-can-change?in=jambrains/sets/ep3" target="_blank" data-imported="1"><span style="color:#c0c0c0">I Can Change</span></a>” with its length (3:23), mainstream vocal melody, electric guitar chord progressions, and the catchy hook that contrasts rhythmically with the melody of the verses. Moreover, this track provides a wonderful backdrop to the premise of CHANGE within the entire EP with its title. Lyrically, Jambrains explains how even humans have to change within our lives to be a better person, he sings: <em>I'll try to do less o</em><em>f all the things I do that make you sad </em><em>/ a</em><em>nd I do understand</em><em> t</em><em>hat being with me sometimes drives you mad</em><em> / t</em><em>here's still time to change direction</em><em> / </em><em>still time to change my ways</em><em> / </em><em>still time to be forgiven</em><em>and still time to make amends</em><em> / </em><em>I can change</em><em> / </em><em>I'll do it just for you</em><em> / </em><em>I can change</em><em> / </em><em>I will push on through</em><em> / </em><em>I can change my ways</em><em> / </em><em>I'll bend, I'll shake</em><em>to be a better man</em><em> / y</em><em>es I can change</em>. With a witty Pop Folk musical direction, this track splendidly shows how it is not always the weather, seasons, days, nights, universal elements, life or death that exhibits change, no, sometimes the thing that requires the most change in a human’s life is their own behavior or personality. </span></p>
<p><span style="color:#c0c0c0">And last, but certainly not the least, the final track brings home the Rock with its massive instrumental sound and amplified guitar distortion! The shortest track in the collection, “<a href="https://soundcloud.com/jambrains/others?in=jambrains/sets/ep3" target="_blank" data-imported="1"><span style="color:#c0c0c0">Others</span></a>” opens with a spine-tingling guitar riff that sleekly introduces Jambrains’ rugged lead and accompanying hi-hats, bass drum, and ukuleles. “Others” closes with lyrics that present the word “dreams” which superbly connects the dots of the entire music collection. Jambrains’ lyrics are: <em>Every day like every other / passing one by one by one / you want to change our future / but the past can't be undone / so we dream of others for the lack of better dreams/ so we dream of others while we're stuck in our routines / so we dream of others in a lonely double bed / so we dream of others and wish each other dead</em>. Acting as a floating metaphor (a wonderful songwriting technique by the way), this hook highlights a human’s need for change, and in this case, it is by way of dreams – an escape from the monotonous affairs of daily life.</span></p>
<p><span style="color:#c0c0c0">“Faded Dreams” is a great piece of music. The title alone suggests change and metaphorically illustrates how dreams fade when you awaken, or shall we say, how life changes when we finally realize things more clearly and step into reality. Each track alludes to change being an inevitable, yet integral, part of living, and how acceptance of change (in any way, shape, or form) assists in growth. We see this as the sun sets when we no longer need it and with our scars (whether literal or physical) and how they vanish when we allow ourselves to heal. </span></p>
<p><span style="color:#c0c0c0">Jambrains really is skilled when it comes to storytelling, composing the songs, and executing its production. Every word and note are well thought-out and placed together like a jigsaw puzzle. It is songwriting like this that separates Jambrains from many artists today – the ability to build songs traditionally with storylines, melodies, and instrumentation while staying current with some modern aspects of the industry when it comes to production. </span></p>
<p><span style="color:#c0c0c0">Unlike some artists today who receive bragging rights for blending genres in music, Jambrains truly does deserve accolades due to his expert treatment of his production skills. He makes sure to keep a pure dominant genre as the spine of his songs, in this case Folk Music, while implementing elements of other genres to add highlights, texture, or layers within the music. Never will you listen to a Jambrains’ cut and think, “has he switched genres, because his music does not sound the same.” Throughout his musical journey, laid out in his albums, Jambrains’ songs all have the ever-present Folk Music core and then you will hear other modern or classic instruments surgically laid within the music – that takes talent. </span></p>
<p><span style="color:#c0c0c0">So, you have to download or purchase this EP to experience what I call the “Jambrains’ Effect” – the feeling true music connoisseurs get when they listen to music and are hypnotically drawn in by the music and the message. Try it out and see if you are not pulled through the shades of black, white, and gray until you see technicolor. </span></p>
<p><span style="color:#c0c0c0">twitter: <a href="https://twitter.com/Jambrains" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://twitter.com/Jambrains</span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535672018-11-01T12:00:00-12:002019-12-31T08:11:18-12:00Tracy Colletto “Patmos” (Folk Pop) USA
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/2a56748dc981795e6f9d91ce82a216f45761c085/original/tcolletto-chc.jpg/!!/b%3AWyJyZXNpemU6NTA3eDUwNyJd.jpg" class="size_orig justify_inline border_" alt="" height="507" width="507" /></span></p>
<p><span style="color:#c0c0c0">It seems that as we get older, or shall I say, “aged for greatness,” we see how small the globe is when it comes to meeting new people and sampling new things. For me, one such place is Philadelphia Pennsylvania (Philly to us East Coast peeps). </span></p>
<p><span style="color:#c0c0c0">As an Indie Music journalist, I split my working time between London and Maryland USA. I know, it sounds weird, but hey, we have the NYLONS (work in London and New York), so why not MERLONS (that sounds better for writers as Merlon is in literature). But I digress. </span></p>
<p><span style="color:#c0c0c0">Philadelphia PA is so close to my heart as I visited it often in my life. The natural attractions, nightlife, and music is uniquely East Coast affair. I had no idea that one of Indie Music’s beautiful, talented, artist was my neighbor. Tracy Colletto (singer, songwriter, keyboardist) recognized for her reflective music, resides in Philly. </span></p>
<p><span style="color:#c0c0c0">This multifaceted artist is reawakening the senses when it comes to Modern Folk Pop with songs that encircle you, encase you, and keep you pressed for more magic. This is evident on her latest single “Patmos” off of the “Chocolate Happy Cake” EP. </span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/6HaIKOZYmX7bE6jtVq1zrp" target="_blank" data-imported="1"><span style="color:#c0c0c0">Patmos</span></a>” is a ballad that highlights the feeling of euphoria and starts off like you are placing one foot into an ocean. Sure, Patmos is literally an island in the Aegean Sea, but metaphorically, one can find their inner PATMOS by finding peace within and finding the victories through the failures of life, and that is what Colletto’s lyrics show, she sings: <em>On this fairest day in history / Is when I found this peaceful mystery / I cannot believe it, oh I can’t believe . . . Everything that’s weary of this life, falls far behind me / Everything is seen in different light . . . I want to stay and never ever leave / I cannot believe it, oh I can’t believe / I want to stay and never ever leave</em>. </span></p>
<p><span style="color:#c0c0c0">Setting the mood is Colletto’s pleasant plainspoken soprano vocals that do not suppress the melody. There is less reverb on Colletto’s vocals which creates an intimate feeling. Moreover, the accompanying instruments ties everything together into one neat bow (easy guitars, stoic cello, forgiving piano, and lenient percussions). The dual vocal FX towards the outro adds a nice layering effect and texture to a serene track. </span></p>
<p><span style="color:#c0c0c0">If you enjoy this track, then you will LOVE the entire EP “Chocolate Happy Cake” – a twelve track collection that illustrates having your cake in life and eating it too by enjoying life’s journey, its revolutions, and living to tell YOUR story. So, make sure to check out “Patmos” and download the full EP “Chocolate Happy Cake” <a href="https://tracycollettomusic.com/music" target="_blank" data-imported="1"><span style="color:#c0c0c0">HERE</span></a>.</span></p>
<p style="text-align: center;"><span style="color:#c0c0c0"><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/d2ce7cee44b639bddb1e24fd643c757586646859/original/tc-patmos.png/!!/b%3AWyJyZXNpemU6NDU5eDMwMSJd.png" class="size_orig justify_inline border_" alt="" height="301" width="459" /></span></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535662018-11-01T12:00:00-12:002018-11-01T23:45:00-12:00Ghostly Beard “Wasted and Thrown” (Classic rock / Blues Rock waltz) Montreal, Canada
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/6cc069b4d7f782388e5e26636b332ddd5f042e38/original/ghostly-beard-wastedandthrown.jpg/!!/b%3AWyJyZXNpemU6NTA5eDUwOSJd.jpg" class="size_orig justify_inline border_" alt="" height="509" style="color: #c0c0c0; font-size: medium;" width="509" /></p>
<p><span style="color:#c0c0c0">One distinguishing factor within an artist’s repertoire that illustrates their talent is the ability to write songs that suggests and reminds just as much as written songs about bliss and romance. Ghostly Beard (Patrick Talbot) is one such artist who continues to amaze me, as he is unapologetic in showcasing reality whether it evokes happiness, sadness, or vexation – with this artist, it is all about the music’s interpretation and not the opinions of the masses. </span></p>
<p><span style="color:#c0c0c0">Ghostly Beard’s recent single “<a href="https://ghostlybeard.com/track/1550157/wasted-and-thrown" target="_blank" data-imported="1"><span style="color:#c0c0c0">Wasted and Thrown</span></a>” is such a song that makes you stop and think! It is somewhat dim in its subject matter, and subtle with its instrumentation, but it will perfectly fit into the lives of its listeners as it is practical in verse and welcoming with its modern Rock-Waltz melody.</span></p>
<p><span style="color:#c0c0c0">“Wasted and Thrown” is a mid-tempo ballad featuring soft percussions, quiet synths, and guitars. In it, Ghostly Beard describes the conclusion that all humans face, death, and how one considers how they will be remembered. The lyrics show how all the worries, differences, and similarities in life do not matter in the end – actually, despite one’s attempt to let their achievements trump their failures, often what’s left is things that are either “wasted” or “thrown.” The lyrics illustrates this theme: <em>you gotta be kidding me / this is no symphony / and no one will miss what I’ve done / and no matter how, you see / it's all but my life, I feel / that I will have / wasted and thrown / and however I regret / you can say it's kind of late / nobody cares when you're gone</em>. A contemplating guitar solo sneaks in at the three minutes / six seconds mark. </span></p>
<p><span style="color:#c0c0c0">Sung in that classic rich dual vocal that separates Ghostly Beard from his competitors, this song will quickly become a string within your musical tapestry – it is mild and stirring at the same time without being stifling with too many FX and fake ideas. </span></p>
<p><span style="color:#c0c0c0">“Wasted and Thrown” is a great example of good writing by an adaptable artist. Artists like Ghostly Beard are the ones who live on after the music stops playing because the message continues to recycle. </span></p>
<p><span style="color:#c0c0c0">Download your copy <a href="https://ghostlybeard.com/album/868450/wasted-and-thrown" target="_blank" data-imported="1"><span style="color:#c0c0c0">here</span></a>!</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535652018-10-24T12:00:00-12:002019-12-31T08:11:17-12:00No Fixed idENTITY “123 Come Play with Me” (Leeds, UK)
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/4e9cfc15ed476d9fd5e320805cb62f84691a3754/original/no-fixed-identity-artwork.jpg/!!/b%3AWyJyZXNpemU6NTE0eDUxNSJd.jpg" class="size_orig justify_inline border_" alt="" height="515" width="514" /></span></p>
<p><span style="color:#c0c0c0">What makes gift-giving so exciting? The absence of knowing what is inside of the box, or the gift. That curiosity, inquisition, and wonder makes that action so exhilarating. So, when I was introduced to an artist who brings that same feeling to the Indie Music realm, I was interested to hear more. </span></p>
<p><span style="color:#c0c0c0">No Fixed idENTITY comes out of Leeds, UK and is making the music stand out not the image – sort of like turning this image-driven music industry on its side and giving it a swift kick. According to No Fixed idENTITY, they’re “genreless, genderless, and boundaryless,” therefore, it is pure music and talent, and I love it! </span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/album/3rcdBWKKJ3e2WO1ySKs0zw" target="_blank" data-imported="1"><span style="color:#c0c0c0">123 Come Play with Me</span></a>” is their latest cut and it is about the freedom to love by being true to your heart – expressing and experiencing love that is boundless and lasting. The strong kick of the percussions mixed with the mellow brass gives this track a nice chill factor that is addicting in the same way REAL love is infectious. </span></p>
<p><span style="color:#c0c0c0">By bringing DIFFERENCE and utilizing a distinctive “borderless genre” technique (used by the writer and producer) and incorporating an eclectic mix of old skool New Jack Swing, modern Hip-Hop, and Pop Soul, No Fixed idENTITY definitely brings the swagger and bass into a music industry that has become rather stagnant. This was accomplished by using a diverse set of sounds, including 808s, pianos, synthesizers, brass instruments, and guitars within “123 Come Play with Me.” In addition, the lead vocalist sings and raps with spits that are unforced and unapologetic while the backing vocals accent the lead by using a treble melody. </span></p>
<p><span style="color:#c0c0c0">“123 Come Play with Me” dropped last week and is available on vinyl, so please go get your copy today <a href="https://cpwm.bandcamp.com/album/cpwm012" target="_blank" data-imported="1">right </a><span style="color:#c0c0c0"><a href="https://cpwm.bandcamp.com/album/cpwm012" target="_blank" data-imported="1">here</a> </span>and get a bonus track by Dead Naked Hippies called “Young Male Rage.” Also, make sure to check out No Fixed Identity at <a href="https://www.musicglue.com/cpwm/events/2018-11-03-herfest-sheffield-picture-house-social" target="_blank" data-imported="1">HER FEST</a> on November 3, 2018 if you are in or near Sheffield. </span></p>
Klef Notestag:klefnotes.com,2005:Post/60535642018-10-03T12:00:00-12:002019-12-31T08:11:17-12:00Barbara Borgelin “This is the Moment” (Soft-Rock / Soul) Denmark
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/aee3f7d3099b906fd6a724f94084397c3afbf08c/original/barbara-b.jpg/!!/b%3AWyJyZXNpemU6NDgweDQ4MCJd.jpg" class="size_orig justify_inline border_" alt="" height="480" width="480" /></span></p>
<p><span style="color:#c0c0c0">What many music lovers appreciated about the music of the 1970-1980s was the passion and real emotion that was given to the song by the artists in those decades. When we heard a sad ballad, we also heard chocked-up vocals and sniffs from the singer; a song of joy also had laughs included in the adlibs; and, love songs included sighs and deep breaths. In other words, the singer would sing their song but also impart life into the compositions. We saw this with Barbra Streisand, Liza Minnelli, and Diana Ross – female artists who embraced the frailty of a song, or the power of a song, and tempered it with so much emotion that it drove right into our hearts and took up residence. </span></p>
<p><span style="color:#c0c0c0">Today, we rarely get this magic mojo in the music from the females topping the charts, so I was overly excited when I was introduced to Barbara Borgelin. </span></p>
<p><span style="color:#c0c0c0">Growing up in a home full of music in Denmark, with a father who was a wonderful Jazz musician, Borgelin has music at her roots and in her core. Being influenced by The Beatles, Nina Simone, Ella Fitzgerald, and the late Queen of Soul Aretha Franklin, as a singer-songwriter, Borgelin has a cache of music to which she has created that is overflowing with elements of Jazz, Pop, Rock, and Soul. In addition, she has worked with many musicians and songwriters, so her latest single “<a href="https://open.spotify.com/track/6FsiSBelRd3ngOFSd4J3vF" target="_blank" data-imported="1"><span style="color:#c0c0c0">This is the Moment</span></a><strong>” </strong>is worth the wait, or shall I say it is worth its “weight” in gold. </span></p>
<p><span style="color:#c0c0c0">“This is the Moment” is a mid-tempo pensive ballad sung from the viewpoint of a woman in love – a woman who is willing to take a lifetime to solve the “mystery” of love if her lover is by her side. The illustrative lyrics depict true love: <em>this is the moment I’ve been waiting for / oh, my darling, this is only the start / I will never let you out of my heart / this is the moment that belongs to you and me / I’m overwhelmed by your love each time we touch / and it’s a mystery how I can love you more and more / you are the reason I love to live / this is the moment everyone dreams of / this moment is so filled with our love</em>.</span></p>
<p><span style="color:#c0c0c0">Featuring minimal instrumentation to highlight the artist’s pure vocals, which is a great production technique, this Soft Rock-Soul ballad also includes soft backing vocals and spicy adlibs. The classic treatment and execution of the cut is superb, moreover, the modern command to the beat gives that element of Pop that is enjoyed in today’s Top 40 music. But, the star of this track is Borgelin’s vocals – they take center stage! </span></p>
<p><span style="color:#c0c0c0">We hear the breaths, the vocal quivers, and the whispers – it is all here readers. Borgelin treats the fragile lyrics justly with vocals that are powerful, resonant, and effortless. Her natural phrasing and elegant delivery are mature, rich, and sweet – so much so, it pulls you in and keeps you there. </span></p>
<p><span style="color:#c0c0c0">What a well-written, wonderfully produced song. And while all vocals are Borgelin, a special shout-out goes to: Henrik Trolle (Bass), Johnny BC (Drums/Producer/Arrangement), Ulrik Lindgren (Piano), and Jakob Goldmann Jensen (Acoustic / Lead Guitars). </span></p>
<p><span style="color:#c0c0c0">It is refreshing to hear a woman today express her love and femininity without guilt or reluctance. And even more, this track gives evidence to how people want to hear songs about passion, love, and trust even more than songs about sex, lust, and fleeting moments of trivial pursuits. “This is the Moment” also shows how love is still out there, that people falling in love still exist, and that this pure emotion is not just in story books or fairytales. </span></p>
<p><span style="color:#c0c0c0">Lovers? let’s vow to make NOW our moment! Please get your hands on this track by going <a href="https://itunes.apple.com/dk/album/this-is-the-moment-single/1434072558" target="_blank" data-imported="1"><span style="color:#c0c0c0">HERE</span></a>!</span></p>
<p><span style="color:#c0c0c0"><a href="http://barbaraborgelin.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">http://barbaraborgelin.com/</span></a></span></p>
<p><span style="color:#c0c0c0"><a href="https://twitter.com/BarbaraBorgelin" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://twitter.com/BarbaraBorgelin</span></a></span></p>
<p><span style="color:#c0c0c0"><a href="https://www.facebook.com/BARBARAOFFICIALPAGE/" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.facebook.com/BARBARAOFFICIALPAGE/</span></a></span></p>
<p><span style="color:#c0c0c0"><a href="https://www.instagram.com/barbaraborgelin/" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.instagram.com/barbaraborgelin/</span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535632018-09-26T12:00:00-12:002018-09-26T22:33:00-12:00The Real Ink “Boi” (Funk, Punk, Rock, and Ska) Manchester
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/7a6e1d331c1a28e964b65118e1a95d184cb97dfe/original/the-real-ink.jpg/!!/b%3AWyJyZXNpemU6NTgxeDU4MSJd.jpg" class="size_orig justify_inline border_" alt="" height="581" width="581" /></p>
<p><span style="color:#c0c0c0">Wanna know how to add four distinct genres of music together and get the sum of something GREAT? Well, ask The Real Ink – a 5-piece Rock, Soul, Reggae, Alternative band from Manchester that has a monstrous hit on their hands. Their recent cut “<a href="https://open.spotify.com/track/5SAKk1fT6ymy4GOUUxLb22" target="_blank" data-imported="1"><span style="color:#c0c0c0">Boi</span></a>” creatively and successfully combines Funk, Punk, Ska, and Rock and brings splendid things to the world of Indie Music – it puts you in the groove, leaves you hanging, drops you, picks you back up again, and then circles you into a mad, wicked, trance of realness.</span></p>
<p><span style="color:#c0c0c0">“Boi” is a Modern realistic song that tells the story of a millennial girl and the way she digs being courted. It features sarcastic lyrics and features a huge ensemble of current, well-crafted, exceptional instrumentation. </span></p>
<p><span style="color:#c0c0c0">The musical lineup includes: Molly (front-woman), Aron (Percussions), Joseph (Saxophone), Fynn (Guitar), and Gabe (Bass). </span></p>
<p><span style="color:#c0c0c0">The front-woman starts the song with a pleasure pitched “oh” and the band begins to play adding texture, progressions, and levels that are smoking. I mean, it is not the typical modern instrumentation we are used to hearing on Top 40 radio which is full of overused electronics and trivial music lines blended with lazy scores, nah, it is a fully charged band in use here that pumps up the funk. Within 50 seconds into the song, that horn section just sounds off man! Then, the bass is plucked, and your core is moving. I simply loved the way the horn section builds steadily throughout the song.<strong> </strong></span></p>
<p><span style="color:#c0c0c0">And the way Molly uses her lead and adlibs is like liquid as they are so fluid. Very much like Cyndi Lauper with her vocal blend of confidence and quirkiness, but very much original and modern with her exaggerated poise and sustained feminine swag which makes her a power-player. </span></p>
<p><span style="color:#c0c0c0">It is no mystery that The Real Ink is a group of talented music creators. </span></p>
<p><span style="color:#c0c0c0">Staying true to the formula of four genres, on “Boi,” fans will get to taste the Funk by those crazy insane percussions; the Punk is felt with the front-woman’s electric vocals and brass knuckles swag; the Ska is felt with that standing bass, rhythmic Calypso undertones, and horn section; and, the Rock gets you with blazing guitars, keys, and tempo. To put it simply, it is as if a mad scientist took a risk and mixed George Clinton Parliament Funkadelic with No Doubt and Amy Winehouse, and then threw a little splash of Blondie and Green Day into the formula, and the final product was The Real Ink.<strong> </strong></span></p>
<p><span style="color:#c0c0c0">So, get ready to do a seat bounce carried over to a fully blown out dance routine when you hear this track, because like a tattoo put on your body with REAL INK, this band is here to stay and makes a statement from the first bass pluck to the final cymbal. Download this track and get your ink!</span></p>
<p><span style="color:#c0c0c0"> <strong><span style="text-decoration:underline">Social Media Links</span></strong>: </span></p>
<p><span style="color:#c0c0c0">Twitter: <span style="text-decoration:underline"><a href="https://twitter.com/TheREALINKband" target="_blank" data-imported="1"><span style="color:#c0c0c0; text-decoration:underline">https://twitter.com/TheREALINKband</span></a></span></span></p>
<p><span style="color:#c0c0c0">Facebook: <span style="text-decoration:underline"><a href="https://www.facebook.com/ink.officiall/" target="_blank" data-imported="1"><span style="color:#c0c0c0; text-decoration:underline">https://www.facebook.com/ink.officiall/</span></a></span></span></p>
<p><span style="color:#c0c0c0">Insta: <span style="text-decoration:underline"><a href="https://www.instagram.com/the.real.ink/" target="_blank" data-imported="1"><span style="color:#c0c0c0; text-decoration:underline">https://www.instagram.com/the.real.ink/</span></a></span></span></p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/c13413e1a02025a3e15efc2c6c980ad57f2378a3/original/the-real-ink-2.jpg/!!/b%3AWyJyZXNpemU6NTYyeDM3NCJd.jpg" class="size_orig justify_inline border_" alt="" height="374" style="display: block; margin-left: auto; margin-right: auto;" width="562" /></p>
Klef Notestag:klefnotes.com,2005:Post/60535622018-09-26T12:00:00-12:002018-09-26T22:28:51-12:00Sunflower Thieves “Two Halves” (Folk-Pop) UK
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/beda89a9b48a7511dc4dd756977eab7b0a5999f7/original/sunflower-thieve.jpg/!!/b%3AWyJyZXNpemU6NTIzeDUyMyJd.jpg" class="size_orig justify_inline border_" alt="" height="523" width="523" /></span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/user-497232891/sunflower-thieves-two-halves-master" target="_blank" data-imported="1"><span style="color:#c0c0c0">Two Halves</span></a>” is a song by the UK female-fronted Folk-Pop band Sunflower Thieves and it places the human-touch back into Modern Folk-Pop music.</span></p>
<p><span style="color:#c0c0c0">The inspiring track tells the tale about the basic flexibility between true friendships where two people who are now in two different places in their lives can still cautiously make room for one or the other and their circumstances. The catchy hook sings, “let's sit and watch the sunset and think about the concept, cause I don't wanna be a threat to you” placing an emphasis on the song’s theme. This treats this subject matter more optimistically instead of solemnly like many 'conversational' songs where there is less anticipation and more sadness. A great contrast and songwriting technique. </span></p>
<p><span style="color:#c0c0c0">In addition, Sunflower Thieves display their vocal and musical talents on their latest track. </span></p>
<p><span style="color:#c0c0c0">The quiet blend of modern contralto and soprano vocals marry well with the riveting instrumentation and keeps in formation of the song’s confidence. And as the slight highs and lows of the music suggests a sort of Zen mood that keeps you in calm state, the main musical foundation keeps a mid-up-tempo beat and an underlying kick that keeps the overall track hopeful. It has a nice ‘unplugged’ foundation which merits the band’s Folk roots and makes for a very authentic track. </span></p>
<p><span style="color:#c0c0c0">Moreover, the way that the two vocalists chose to individually take a lead and blend for the pre-chorus and hooks creates a chilled-out emotion that fits the track nicely. Melodically, it’s like when friends share a drink and pass it amongst each other to bond or keep a bond – very personable, peaceful, and endearing. </span></p>
<p><span style="color:#c0c0c0">In short, Sunflower Thieves newest track is a wonderful musical formula that sketches the positive possibilities of two halves always making one whole no matter the circumstance when it comes to friends. </span></p>
<p><span style="color:#c0c0c0">The song is already jumping up the iTunes Singer/Songwriter chart and securing live sessions for the Sunflower Thieves up and down the UK, so please <a href="https://open.spotify.com/track/0EM3bY4Y0VKjglKTGsxNWT" target="_blank" data-imported="1"><span style="color:#c0c0c0">DOWNLOAD</span></a> your copy today so that you do not miss this fast-moving, inspiring track. Also follow the band on <a href="https://twitter.com/sunthievesmusic" target="_blank" data-imported="1"><span style="color:#c0c0c0">Twitter</span></a> and <a href="https://www.instagram.com/sunflowerthieves/" target="_blank" data-imported="1"><span style="color:#c0c0c0">Instagram</span></a>! </span></p>
<p><span style="color:#c0c0c0">Enjoy their live video!!</span></p>
<p></p>
<div class="video responsive"><div class="video-container"><div class="video responsive"><div class="video-container"><iframe frameborder="0" height="350" src="https://www.youtube.com/embed/S9xGu8yIg4k" style="display: block; margin-left: auto; margin-right: auto;" width="425" class="wrapped wrapped"></iframe></div></div></div></div>
Klef Notestag:klefnotes.com,2005:Post/60535612018-09-26T12:00:00-12:002019-12-31T08:11:15-12:00MoonDreams Music “Tropical Breeze” (Ambient Pop) USA
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/f7d73786599bb926b958b906218c270e505908cc/original/moon-dreams-jpg-large.jpg/!!/b%3AWyJyZXNpemU6NTM1eDU2MCJd.jpg" class="size_orig justify_inline border_" alt="" height="560" width="535" /></span></p>
<p><span style="color:#c0c0c0">If ever there was a single that places life on “CHILL-Mode” for 2018, it would be “<a href="https://open.spotify.com/track/7uAaCWOiKYBrb14oi6q5wu?si=c43p_YfSR6-5ez2meTIM9w" target="_blank" data-imported="1"><span style="color:#c0c0c0">Tropical Breeze</span></a>” by Folk-Rock artist MoonDreams Music.</span></p>
<p><span style="color:#c0c0c0">Particularly for this single, award-winning singer/songwriter Susan Moss (aka MoonDreams Music) chose to dive into another genre to further expose her tremendous writing and music skills, not to mention her beautifully skilled voice. So, this Ambient Pop track is nothing but superb. </span></p>
<p><span style="color:#c0c0c0">Once you listen to this Modern cut, you will quickly hear the layers upon layers of instrumentation and you will be caught in MoonDreams Music’s net. </span></p>
<p><span style="color:#c0c0c0">“Tropical Breeze” opens with seaside effects whirling while the Synth-Pop music awakens your senses – this is all driven right into a Pop infused musical foundation fueled by Caribbean and Southwestern instrumentation. Furthermore, the musical modulations between the verses and hook adds texture. And, the way the bass guitar just plucks along that bottom and holds the song together like a sea floor, just vibrates the soul. Not to mention that seductive guitar solo in the bridge at the two minutes and 33 seconds mark that is so flirtatious. </span></p>
<p><span style="color:#c0c0c0">This musical foundation is highlighted by Moss’ pleasant, passionate, soprano leads and backing vocals that climb and crawl the melodic hills and valleys that are supported by ambient soundscapes. </span></p>
<p><span style="color:#c0c0c0">Beaconing island imagery, this track is so in the NOW as its fused musical makeup broadens the scope for MoonDreams Music’s fans as it appeals to lovers of Jazz, Pop, Synth, and Latin music. </span></p>
<p><span style="color:#c0c0c0">The metaphorical lyrics recount a story of the female character seeing her lover’s touch like a tropical breeze – contagious and enchanting. </span></p>
<p><span style="color:#c0c0c0">A wonderful production. “Tropical Breeze” is rebelliously romantic, and like a sea breeze, this song brushes up against your ears and remains until you must revisit it – NICE! </span></p>
<p><span style="color:#c0c0c0"><a href="http://www.moondreamsmusic.com/index/" target="_blank" data-imported="1"><span style="color:#c0c0c0">http://www.moondreamsmusic.com/index/</span></a></span></p>
<p><span style="color:#c0c0c0"><a href="https://twitter.com/moondreamsmusic" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://twitter.com/moondreamsmusic</span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535602018-09-26T12:00:00-12:002018-10-05T22:59:36-12:00Verity White “Fade Away - Ian's Song” (Rock) UK
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/2a65525ac47b6f6119ffffb01e5a16c56c81293b/original/verity-white-fade-away.png/!!/b%3AWyJyZXNpemU6NTAyeDUwMiJd.png" class="size_orig justify_inline border_" alt="" height="502" width="502" /></span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/verity-smith-1/fade-away-ians-song" target="_blank" data-imported="1">Fade Away</a>” is a song by British Rock artist Verity White. </span></p>
<p><span style="color:#c0c0c0">No stranger to the Indie Music world, White is known for her sassy style, rock solid hooks, power-driven instrumentation, and hard-as-nails persona laced with sexiness – this gives her an edge that makes fans keep coming back for more and more. </span></p>
<p><span style="color:#c0c0c0">Almost catharsis in its approach, White’s newest release “<span style="color:#c0c0c0">Fade Away</span>” is a track about loss and how that experience leaves the mourning lost for words, answers, and feelings – it is numbing and only becomes felt once it is fully grasped. </span></p>
<p><span style="color:#c0c0c0">From the start of the track, you are drawn in and captivated by White’s raw, yet passionate, vocal stamina that continues to be impressionable throughout the entire track. The powerful melody helps move this Classic Rock ballad forward at a pace similar to that of Def Leppard and Sting’s more rich tracks enabling White’s true-to-form edgy style to be reflected on the cut. In addition, the thought-provoking, true, lyrics give the track structure and heft to support the guitar riffs, wild synths, and hot percussions, including hi-hats and cymbals. </span></p>
<p><span style="color:#c0c0c0"> <img src="//d10j3mvrs1suex.cloudfront.net/u/393930/b4f52138c1654dde810fd6743e3f63550e40b853/original/verity-white-new-pix.jpg/!!/b%3AWyJyZXNpemU6NTY3eDM3OCJd.jpg" class="size_orig justify_inline border_" alt="" height="378" style="display: block; margin-left: auto; margin-right: auto;" width="567" /></span></p>
<p><span style="color:#c0c0c0">On this track, I’d like to say there are two sides – a great production technique mirroring the torn emotions of a person in grief. There is the east side (verse one and two) where the artist is more melancholy and perplexed and her vocals support this by being more soft and desolate, and then there is the west side (outro), so to speak, the other side, where the artist is more aggressive and awakened by the reality of the ordeal – her vocals support this emotion by being more rigid and flashy. The dual vocalized bridge at the 2 minutes / 22 seconds mark connects these two sides perfectly by drawing back some on the instrumentation and adding harmony notes bouncing off of each other highlighting that dual effect which soon expels leading to the song’s faded conclusion. </span></p>
<p><span style="color:#c0c0c0">On all counts, “Fade Away” connects us all in learning how to cope with loss and accept the dimness that comes along with grief before the brightness of clarity sets in – sharing helps us to heal. </span></p>
<p><span style="color:#c0c0c0">Only Verity White can accomplish a song that reaches so deep and helps the listener feel less alone in the end. </span></p>
<p><span style="color:#c0c0c0">“Fade Away” released on October 6<sup>th</sup>, make sure to get your copy <a href="https://itunes.apple.com/gb/album/fade-away/1435518585?i=1435518851" target="_blank" data-imported="1">here </a> and ENJOY the video! Please comment below :)</span></p>
<p><span style="color:#c0c0c0"><div class="video responsive"><div class="video-container"><div class="video responsive"><div class="video-container"><iframe frameborder="0" height="350" src="https://www.youtube.com/embed/o-q_Ug1UzCQ" style="display: block; margin-left: auto; margin-right: auto;" width="425" class="wrapped wrapped"></iframe></div></div></div></div>
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<p><span style="color:#c0c0c0"> </span></p>
Klef Notestag:klefnotes.com,2005:Post/60535592018-09-19T12:00:00-12:002019-12-31T08:11:15-12:00Hans and Danise "Prologue"
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/d8264b312ac6669ad4fcc8d7a3d3c24bff9b290b/original/hd.jpg/!!/b%3AWyJyZXNpemU6NTUzeDU1MyJd.jpg" class="size_orig justify_inline border_" alt="" height="553" width="553" /></p>
<p><span style="color:#c0c0c0">A Contemporary Pop singer-songwriter duo from San Diego, California (USA) has just released a spell-bounding 3-track EP this July and it is already setting emotions on HIGH! It is called “Prologue” and the artist’s name is Hans and Danise. </span></p>
<p><span style="color:#c0c0c0">What makes this EP so emotionally-charged is the storytelling that sits right between practicality and dreams – it is that magic little pill of music that heals all social, mental, or emotional wounds in just 3 takes. </span></p>
<p><span style="color:#c0c0c0">So, let’s jump right in and start with the opening track “Moments.” </span></p>
<p><span style="color:#c0c0c0">“<a href="https://www.youtube.com/watch?v=73E1trKRWQc&index=2&list=PLN0knYKujI2nRTgxuzR6Xz2odpRVt7_N8&t=0s" target="_blank" data-imported="1"><span style="color:#c0c0c0">Moments</span></a>” opens with a soft acoustic guitar strum and introduces Danise’s warm, soprano vocal that floats above the music supporting Hans’ raspy, classic, Rock vocal. The song is about how true love can weather any moment within life’s unpredictable cycle, and how getting lost in your own private moment together affectionately makes the fireworks stay lit within a relationship. With less instrumentation, the truly honest storyline and happy melody can be heard and accepted, while the inclusion of mellow backing vocals introduced midway into the hook adds some layers. This song is reminiscent of the Bee Gees’ 1983 track “Islands in the Stream” sung by Kenny Rogers and Dolly Parton as it has that nice, smooth, infectious melody that rides the entire track and both artist’s identity shines through, but collaboratively, the singers have a rawness that gets across that ‘real love’ appeal. In addition, the modern note-ending trills and the simplistic instrumentation makes for an airy, light-feeling, track. This track can connect with anyone today who has ever been lost in the moment.</span></p>
<p><span style="color:#c0c0c0">Hans starts off “<a href="https://www.youtube.com/watch?v=YIyyaYoGHKQ&list=PLN0knYKujI2nRTgxuzR6Xz2odpRVt7_N8&index=2" target="_blank" data-imported="1"><span style="color:#c0c0c0">Chase Me</span></a>” - a chilled-out track about being that ride or die partner. Danise wonderfully laces Hans’ Pop vocal and then takes the reins showing the softer side of the heart. This track has the most bounce out of the three songs and features a sort of ebb and flow melody line that is highlighted by electric guitars and panned percussions. In addition, the overall feeling of this track gives way to an adult-like nursery rhyme and it works.</span></p>
<p><span style="color:#c0c0c0">The final track “<a href="https://www.youtube.com/watch?v=iWnFW76Tu7c&list=PLN0knYKujI2nRTgxuzR6Xz2odpRVt7_N8&index=3" target="_blank" data-imported="1"><span style="color:#c0c0c0">Warfare and Aftermath</span></a>” illustrates the bitter-sweet points of a relationship. What is a great facet of this track is that while the storyline is about how the smallest fight can ignite into a war that leaves an aftermath where both mates are left picking up the pieces of the battle and their hearts, the hook shows how forgiveness is the only solution. Wonderful writing brought to us by both Hans and Danise. “Warfare and Aftermath” is a beautiful Soft-Rock/Pop ballad that encompasses all the elements that places songs like this atop the charts: quiet power, passion, lyrics made of steel, an infectious hook, and a driven-piano that keeps the tempo of the entire track afloat. Moreover, the vocal battling between the two artists forces both of their best vocal features to show and helps the track to excel – Danise starts the track low, Hans takes the track to another level of subtly, and then they both soar on to the outro. It is honestly a beautiful, endearing, song that would be a great addition to mainstream radio.</span></p>
<p><span style="color:#c0c0c0">From writing, to vocally recording, to instrumental orchestrating, to mastering, the entire project was produced by Hans and Danise – a pair within music that definitely keeps your attention.</span></p>
<p><span style="color:#c0c0c0">They have that sort of John Lennon and Yoko Ono vibe with their true artistry and organic love of life all wrapped up in their look and aura. This surely makes evident that their partnership in life fuels the partnership in music, which in turn makes such storylines and events so appealing, honest, and livable; but, it is the original, off-the-cuff, stylizations of their individual talents within this craft that makes this music so memorable – those melodies and hooks are splendid with Hans on the strings and Danise on the keys and their joint talents exploding in all directions to create “Prologue.”</span></p>
<p><span style="color:#c0c0c0">So, there could not have been a better title for this 3-track EP as it is the introduction for more to come from this headlining duo. Hans and Danise are blending elements that made music so great prior to the 1990s – that eclectic, real-world, ambiance fitted with modern reality, vocal trills, and harmonies.</span></p>
<p><span style="color:#c0c0c0">It all feels natural!</span></p>
<p><span style="color:#c0c0c0">“Prologue” is available for purchase at <a href="https://store.cdbaby.com/cd/hansanddanise" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://store.cdbaby.com/cd/hansanddanise</span></a>.</span></p>
<p><span style="color:#c0c0c0">And, make sure to keep up with Hans and Danise on their social media:</span></p>
<p><span style="color:#c0c0c0"><a href="https://www.facebook.com/HansAndDanise/" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.facebook.com/HansAndDanise/</span></a></span></p>
<p><span style="color:#c0c0c0"><a href="https://www.instagram.com/hansanddanise/" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.instagram.com/hansanddanise/</span></a></span></p>
<p><span style="color:#c0c0c0"><a href="https://twitter.com/hansanddanise" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://twitter.com/hansanddanise</span></a></span></p>
<p><span style="color:#c0c0c0"><span style="color:#c0c0c0"><a href="https://www.youtube.com/channel/UCJpoj7OVm_2tFuiAAC1_oiw" target="_blank" data-imported="1">https://www.youtube.com/channel/UCJpoj7OVm_2tFuiAAC1_oiw</a></span></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535582018-09-19T12:00:00-12:002018-09-19T20:26:43-12:00Peter Kleinhans "Something’s Not Right"
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/9cccdf386cf0384e8d62bd7a1ff0ecdec9ef54e6/original/ph.jpg/!!/b%3AWyJyZXNpemU6NDg5eDQ5MiJd.jpg" class="size_orig justify_inline border_" alt="" height="492" width="489" /></p>
<p><span style="color:#c0c0c0">Coming out of the Big Apple is Peter Kleinhans, an American Alternative artist who is taking a bite out of the Indie Music World with panache, reverence, and stability. Engaging his fans with wonderfully animated lyrics that support mature themes of practical life, he has the look, talent, style and muscle to push the “refresh” button on the world of Modern Music! </span></p>
<p><span style="color:#c0c0c0">Kleinhans is quickly identified as a pure Rock artist, but he is more of a fusion artist as his music incorporates elements of Rock, Blues, and some Country. “Something’s Not Right” is a refreshing collection of pure Alternative music set to reawaken old memories and create new stories. </span></p>
<p><span style="color:#c0c0c0">Each track’s title is sort of a sub-title to the book of the artist’s life, eleven in all: </span></p>
<ol>
<li><span style="color:#c0c0c0">3,000,000 Years</span></li>
<li><span style="color:#c0c0c0">A Separate Time</span></li>
<li><span style="color:#c0c0c0">Leaving Home</span></li>
<li><span style="color:#c0c0c0">To Hell and Back</span></li>
<li><span style="color:#c0c0c0">Something’s Not Right</span></li>
<li><span style="color:#c0c0c0">Falling Apart</span></li>
<li><span style="color:#c0c0c0">Sky Blue</span></li>
<li><span style="color:#c0c0c0">‘Til The Music Stops</span></li>
<li><span style="color:#c0c0c0">Turn the Tide</span></li>
<li><span style="color:#c0c0c0">Waltz into The Darkness</span></li>
<li><span style="color:#c0c0c0">Halifax Harbor </span></li>
</ol>
<p><span style="color:#c0c0c0">While each track touches on real life issues, the six tracks included in this review fully highlights the reality of life and its milestones like existence, pain, love, and change by seasoning them with humor or aggression or just good old vocals, a melody, and music. </span></p>
<p><span style="color:#c0c0c0">We will start with the opening track “<a href="https://soundcloud.com/peterkleinhansmusic/01-3-000-000-years?in=peterkleinhansmusic/sets/somethings-not-right" target="_blank" data-imported="1"><span style="color:#c0c0c0">3,000,000 Years</span></a>” – a kind of quasi-existence story that lyrically explains the way humans have adapted and settled into living. </span></p>
<p><span style="color:#c0c0c0">The track is almost satirical in that it adds humor to a true and kind of brutal account within human history – the lyrics speak on topics of death, pain, creation, and prevailing: <em>we made it through an ice age and we made it through drought we built civilizations, and we wiped ‘em out / we died in plagues and we died at war / but one thing we always knew we wanted was more more more / there’s never been another moment like this / there’s never been another moment like this / so swing low and come on in for the kiss / ‘cause there’s never ever been another moment, a moment like this / 3,000,000 years, 3,000,000 years</em>. And throughout the entire track, the melody is kept light and fun. Wonderful technique to engage fans. Kleinhans adds to this technique by incorporating hi-hats, cymbals, and light-hearted harmonies.</span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/1Gw2KlUAXItM3VozzUaCEw" target="_blank" data-imported="1"><span style="color:#c0c0c0">To Hell and Back</span></a>” is that classic ride or die track that tells the story of living life to the extreme and taking chances with a partner by your side. The lyrics tell this story: <em>cut me with your words, heal me with your song / whip a perfect night from a day gone wrong / spread your sunshine, then unleash your squall / if I don’t fall I’ll be back to love you before too long / come take a ride with me on this train to hell and back / lock your lips with mine as we jump the track / your my passion, my poison, you’re my blessing, you’re my curse / but your better’s so much better than your worse is worse</em>. The classic Big Band sound with a horn section and classic piano heightens the energy of the track. Kleinhans adds soft female vocal adlibs to drive the hook while he cleverly scales the track with a second tenor vocal that sounds light but seductive like a card player keeping his hand to his chest. The horn section closing the track adds texture and flair – it has the night club feel combined with a juke joint appeal.</span></p>
<p><span style="color:#c0c0c0">I simply love, love, love the layers of instrumentation on the title track “<a href="https://open.spotify.com/track/4ll34Iu8HE11xVcCGhPhWs" target="_blank" data-imported="1"><span style="color:#c0c0c0">Something’s Not Right</span></a>” – the song starts with fiddles / violins swinging and then the six strings and four strings come in crawling and standing in modulation and pull backs – it just adds mystery and a nice bounce. In addition, Kleinhans sings a bit different on this track – it is almost conversational, rapping in its mood, and it works. Moreover, the vocal technique supports the theme of “Something’s Not Right” as it is about when a person feels that something is going wrong, or things are not quite as they seem, but you go with the flow anyway – he sings: <em>t</em><em>he party’s over, everybody’s gone / there’s an uneasy feeling keeping me stirring </em><em>my girlfriend’s dreaming the night away / I kind of want to wake her but I don’t know what I’d say / maybe I’ll go out and take a drive / let the wind rush by me remind me I’m alive / see the moon, get a midnight snack / it’s not that far to Walmart and back / another day and how I spent it / wish I could live as if I meant it / it’s not so bad, bit by bit / but can it really be that this is it / something’s not right / something’s not right / something’s not right, the way it looks from here</em>. This fifth track gives a refreshing twist to the EP as it is more like 1960s in its lyrical melody but modern in its production with the musical scales and backing vocals. In addition, the song is written in a more classic formation where there is a first and second verse, but after the hook and a small bridge, another verse comes in and reintroduces that smokin instrumental bounce of guitars that have swag. This treatment of writing is often missed today in music – glad to hear it here.</span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/peterkleinhansmusic/07-sky-blue?in=peterkleinhansmusic/sets/somethings-not-right" target="_blank" data-imported="1"><span style="color:#c0c0c0">Sky Blue</span></a>” has the airy, Bluesy, everything is gonna be alright vibe that we love about Dave Matthews’ musical style. It is a reflective piece of music that resonates with many as it is honest but not soft like a fairytale. It is the way life really is for many of us. This metaphorical track uses imagery to fully emphasize the downhearted state of the narrator who is in search of some sunshine to which he finds in the eyes of his love.</span></p>
<p><span style="color:#c0c0c0">And, I wanted to include a track from this collection that further displays Kleinhans’ writing skills. <strong>“‘</strong><a href="https://open.spotify.com/track/1OS0AL3qVlOgXfvL7dZiK0" target="_blank" data-imported="1"><span style="color:#c0c0c0">Til The Music Stops</span></a>” features Vera Marino of the New Jersey band “The One and Nines” as the lead and she delivers a vocal that is passionately seductive and strong – like a blend of Stevie Nicks meets Olivia Newton-John. Kleinhans wrote a track that was able to hug the varied vocal style of Marino as well as used lyrics and melodies that are universally unisex that can support a female or male vocalist. It takes talent to be flexible enough to write for yourself and others without repeating the same melodies, pitches, and storylines. “Til the Music Stops” tells the story of a woman who rises like a phoenix in the face of difference and/or adversity even when it comes to raising children:<em> when he came it couldn't have rained on a drier spot /and when he left, it took everything I’ve got / just to get back up and do what needed done / but I had no choice because I love my son / and I’ve taught my eyes to see each streetlight as a star / to ignore each chance that's lost with every passing car / I know I’ve been left behind / but the rhythm's powerful; gonna keep on dancing 'til the music stops / and the dark is colorful; there's a rainbow floating on the face of every tear that drops / and my baby's beautiful; I’ll do anything to keep a roof over that boy's head / a pillow on his bed / the rhythm's powerful / the dark is colorful / my baby's beautiful</em>. And the Classic Rock instrumentation featuring guitars, tambourines, and an organ supports the organic feel of the real-world track.</span></p>
<p><span style="color:#c0c0c0">We close with the smooth “<a href="https://soundcloud.com/peterkleinhansmusic/09-turn-the-tide?in=peterkleinhansmusic/sets/somethings-not-right" target="_blank" data-imported="1"><span style="color:#c0c0c0">Turn the Tide</span></a>” – the Modern Country/Rock track that has a mid-to-up-tempo and features a steady drumbeat, synthesizer, and guitar, with a lyrical message about making changes to a life that have become stagnated. The inventive lyrics illustrate this theme<em>: it’s time to let our eyes adjust to darkness so they remember how to see / it’s time to turn the tide, time to trim the tree / time to become something different from who we’d have thought we’d ever be / and who says we’re not just getting started on this crazy roller coaster ride / it’s time to trim the tree, time to turn the tide / take the heights from the mountains, take the depths from the sea</em>. This is the type of songs that led changes in communities and societies back in the day, and it is time to hear this type of protest-like songs today as it makes people think and react positively. The female and male backing vocals added to Kleinhans’ adlibs give a good blending effect and alludes to the universal coming together of people, ideas, and change. The guitar is played by Kleinhans himself and his technique of strumming, riffs, and some fingerpicking is splendid – it is the lifeline of this meditative track.</span></p>
<p><span style="color:#c0c0c0">One thing I love about Indie Music is the infinite process of creativity – the music and the story behind the music that gives way to stories set to music. That rare insight of the creative force that composed and produced such soundtracks for the fans. And in Indie Music there are no limits to the stories – real people becoming Rock artists, selling out stadiums, making their dreams come true without the aid of a corporate backing, a major label, or a huge name. It is the blood, sweat, tears, and personal investment that makes their stories so relatable. </span></p>
<p><span style="color:#c0c0c0">It is no different with Peter Kleinhans’ story – his is the story that would be similar to that of Don Johnson (when it comes to acting) or Mike Tyson (when it comes to boxing). </span></p>
<p><span style="color:#c0c0c0">It all started when a racetrack announcer (Kleinhans) sought out to find his creative side and soon began training world champion horses – thoroughbreds Enough Talk and Lavec Dream. This sojourn led Kleinhans to take guitar lessons, that spearheaded into songwriting, that leads us to this wonderful collection of music. You see, a typical guy became a Rock Star! </span></p>
<p><span style="color:#c0c0c0">After listening to this entire collection, it is clear to see the talent of Peter Kleinhans. As I stated earlier, each track touches on real life issues and presents the common man’s point of view of life’s realities be it existence, pain, love, and/or change. As Kleinhans stated, his songs “portray an empathy for all the people being lost and forgotten in what has been a unique and disheartening millennium thus far." </span></p>
<p><span style="color:#c0c0c0">And to fully translate his stories to music, Kleinhans worked with Tony Conniff (acclaimed producer, bassist and composer) on “Something’s Not Right.” In addition, Kleinhans wrote, sang, and played guitar on each of the songs (except for “A Separate Time”, which is based on a poem by Stephen Dobyns). The entire production illustrates Kleinhans’ story – he is artistic and does not limit his creativity by over-focusing on the boundaries set by radio stations and/or labels. He follows the pattern of artists who write “<strong>No Rules Music</strong>” like Neil Young and Zeppelin and is experimental like Glenn Frey. He is a great addition to the Indie Music realm. </span></p>
<p><span style="color:#c0c0c0">His technical and songwriting writing skills, as well as his talent as a musician and vocalist, is proven on this EP, and his real-life passion and serenity will continue to rake in fans. </span></p>
<p><span style="color:#c0c0c0">Kleinhans’ next performance is on September 25th at 7 PM at The Bitter End on 147 Bleeker St, New York, New York 10012. For the event listing, go <a href="https://www.facebook.com/events/543522476094691/" target="_blank" data-imported="1"><span style="color:#c0c0c0">here</span></a>. </span></p>
<p><span style="color:#c0c0c0"><strong>Artist's Page: <a href="http://hyperurl.co/SomethingsNotRightPK" target="_blank" data-imported="1"><span style="color:#c0c0c0">http://hyperurl.co/SomethingsNotRightPK</span></a></strong></span></p>
<p><span style="color:#c0c0c0"><strong>Facebook: PeterKleinhansMusic</strong></span></p>
<p><span style="color:#c0c0c0"><strong>Instagram: @PeterKleinhans_Music</strong></span></p>
<p><span style="color:#c0c0c0"><strong>Twitter: @PKleinhansMusic</strong></span></p>
<p><span style="color:#c0c0c0"><strong><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/6b47bbe3d1111cad39eea4997c28a0b345c57287/original/ph2.jpg/!!/b%3AWyJyZXNpemU6NTUyeDM2OCJd.jpg" class="size_orig justify_inline border_" alt="" height="368" style="display: block; margin-left: auto; margin-right: auto;" width="552" /></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535572018-09-13T12:00:00-12:002019-12-31T08:11:13-12:00Bianca Gerald "Feelings"
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/7d6b15d2df0a5ca478897e89243c7f26916e8878/original/bianca-gerald-2.jpg/!!/b%3AWyJyZXNpemU6NTQ1eDU0NSJd.jpg" class="size_orig justify_inline border_" alt="" height="545" width="545" /></span></p>
<p><span style="color:#c0c0c0">Ladies and gentlemen meet Bianca Gerald – a true diva who strikes the right balance of Beyoncé classy sexiness, Rhianna raw power, and Erykah Badu’s soul-stirring reality. Coming from Leeds, UK, this singer/songwriter is giving us attitude, regal swag, and pulsating passion that ignites four genres in one – Jazz, R&B, Soul, and Pop. I call her the “Royal Flyness” of Indie Music and she does not disappoint in proving my words right on her newest EP “Feelings.” </span></p>
<p><span style="color:#c0c0c0">Six songs build the melodic formation on this EP:</span></p>
<ol>
<li><span style="color:#c0c0c0">#GoddessMode</span></li>
<li><span style="color:#c0c0c0">Wondering</span></li>
<li><span style="color:#c0c0c0">Some Typa Beauty</span></li>
<li><span style="color:#c0c0c0">Chill</span></li>
<li><span style="color:#c0c0c0">Oh Boy</span></li>
<li><span style="color:#c0c0c0">Feelings </span></li>
</ol>
<p><span style="color:#c0c0c0">This is my interpretation of “Feelings” – a fully loaded EP that explores the feminine side of the human experience by way of her feelings, be it her mood, her frame of mind, her strength, the way she loves, her questions, or her requests and demands. <strong> </strong></span></p>
<p><span style="color:#c0c0c0">The hit <strong>“#GoddessMode” </strong>starts off this lyrical excursion with a bang and sets up the overall mood of the EP. This track holds one of the best rhythm patterns I have heard in a while – staying true to Gerald’s fingerprint of style, talent, and fierceness. Please read my single song review of this dynamic track <a href="http://www.klefnotes.com/music_reviews/bianca_gerald_goddessmode_rb_leeds_uk/" target="_blank" data-imported="1"><span style="color:#c0c0c0">here</span></a>! </span></p>
<p><span style="color:#c0c0c0">Moving on to the second track, we come across a track that is heightened with emotion and released by vivid R&B instrumentation. “<a href="https://www.youtube.com/watch?v=2SXVIh7BMN4" target="_blank" data-imported="1"><span style="color:#c0c0c0">Wondering</span></a>” starts off with a moody synthed-piano chord and crisp piano notes. It has a nice swing-low vibe to it and layers of vocal techniques that keeps the track moving through to the end unlike most ballads. The premise of the track closely follows Gerald’s theme of a female’s human condition in that the female muse is asking and contemplating the next step in affirming love or lust. Her lyrics illustrate this theme: <em>Let’s talk about last night and the way you looked at me was so right . . . really gave me some insight into you and your mind / a gem like surely hard to find / I’m laying here wondering / boy you got me stumbling / is this a possibility / are we even meant to be, yes you and me. </em> Gerald’s soft vocal is laced with the easy seductive structure of a classic R&B track with modern FX and vocal lines. At the two minutes / 20 seconds mark, Gerald takes her vocal register higher into a full soprano and flutters above the chords and adlibs to show the emotional high of the song’s character. This is the satin pillow of the collection. The sultry adlibs create word-pictures on the mind while the melody just whisks you away into the artist’s frame of mind.</span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/biancagerald/some-typa-beauty" target="_blank" data-imported="1"><span style="color:#c0c0c0">Some Typa Beauty</span></a>” not only shows its street-cred and urban-awareness by its flip-the-script spelled title, but also in its message of inner beauty and the major independence within a woman’s strength. In typical Bianca Gerald style, she keeps with her signature end-vocal flutters letting her fans know that it is she on this track, but she kicks up the individuality by tweaking her vocal register on this cut making it sound almost like a synth-effect which is a technique used by an artist who has knowledge of her artistry. Choosing to sing in a lower register vocally, Gerald soon dances with a lighter vocal and rolls into a bit of an attitude which hits right on the that urban grind and swag pulling this song from the middle of the track list to the top. </span></p>
<p><span style="color:#c0c0c0">The track with the most variety in the form of vocals and instrumentation is “<a href="https://open.spotify.com/track/5D899LXriRHBdbBgqwSwXJ" target="_blank" data-imported="1"><span style="color:#c0c0c0">Chill</span></a>” – a song about longing and being unapologetic about being in love, and sensually powerful while being devotedly weak. This track is an impressionable passionate song that is both experimental in its production and distinctive in its result – a hit full of expression ready to climb the charts. It connects all of the dots and creates a picture of a woman’s comfort zone where she is in her element. From the airy euphoric adlibbed opening to the raw lyrics onto the ignited outro where Gerald scales her octaves to a fever-pitched close. This track truly places you on CHILL-mode for three minutes. </span></p>
<p><span style="color:#c0c0c0"> “<a href="https://open.spotify.com/track/1RKVL0YA3KnMPeMHrfinBA" target="_blank" data-imported="1"><span style="color:#c0c0c0">Oh Boy</span></a>” introduces a different side to the “Royal Flyness” of Indie Music where she is depicted almost euphoric as her vocal is bit more animated and more rap inspired in its movement and the music is more electronic, but she keeps her original lyrical flow which gives the track texture. In addition, the fifth track feature classic Hip-Hop synths and electronic percussions that gives the track a mellow punch. The overall playing with fire vibe of the track is highlighted by Gerald’s millennial word-play like “a call to Congress,” “we got that good stuff,” “there’s no pleasure without pain” “they got rules, but we got laws” and an infectious hook. As she states on this track, she’s “flying” on this quasi-ballad of reciprocation.</span></p>
<p><span style="color:#c0c0c0">The title track closes the EP and does so with a BANG! This EDM-Pop track about retribution is anything but NORMAL and that is what fans love about Bianca Gerald. “<a href="https://soundcloud.com/biancagerald/feelings" target="_blank" data-imported="1"><span style="color:#c0c0c0">Feelings</span></a>” is like Gerald’s stamp of recognition where she demonstrates her broad vocal and musical appeal. The balance between soft soundscapes and powerful percussions is amazing, and the way Gerald introduces her lyrical message of retribution is wonderful – she sings: “you got me all up in my feelings / he loves me not, he loves me, he loves me not, does he love me? / you should not have tried to break me, now you will not escape me, you will see me, you’ll feel me, feelings . . . baby you the meanest and I cannot believe this, I need to release this!” A muted hook makes this track standalone but gain recognition – it is well-crafted and projects female empowerment. </span></p>
<p><span style="color:#c0c0c0">It is no secret that a woman’s feelings is often the first and last thing that resonates her strength, and after exploring “Feelings,” it is as if you just opened a book and musically saw illustrations after illustrations of how it is to be a Modern woman today – one who is equipped to deal with all of life’s wonderment, twists, and turns all through the eyes and feelings of a woman.</span></p>
<p><span style="color:#c0c0c0">Bianca Gerald gives us what we need in a female artist today: one who is true to artist form in that she is razor sharp, personal, confident, loving, commanding, and approachable inside and outside of the music. </span></p>
<p><span style="color:#c0c0c0">Produced by Dave-O, Gerald penned each track on this EP and her Mezzo-Soprano voice is impressive as she harnesses a heck of a range reaching down to low lows and scaling high to soar. She has her own way of doing things and we simply LOVE it. </span></p>
<p><span style="color:#c0c0c0">“Feelings” gets you out of your own feelings and shows how the artist is creative enough to shine a light on what it means to be in #GoddessMode, where a woman understands her power, yet she is not too powerful or prideful that she shies away from being loved or showing love. Gerald accomplishes this technique by utilizing lyrics and storylines that are full of honesty, passion, poise, and a welcoming spirit. She knows how to creatively balance the scales. This gave way to a collection of music that is both liberating and empowering to females across the globe.</span></p>
<p><span style="color:#c0c0c0">And while some may grab this concept as being overly proud or simply a big ego, do not get it twisted. Listen to the honesty in the lyrics and the power in the melodies – celebrate the confidence and see it as it is supposed to be seen – a woman wearing a much-deserved crown. When “Feelings” is purchased or downloaded, it is going to spread much-needed awareness about the power and beauty of women, because so many fall through the cracks by way of depression, feeling less than or unworthy, or by allowing society to dictate how they should live. Yes, each female listener will take away their own memo after listening to “Feelings” and others will follow suit. </span></p>
<p><span style="color:#c0c0c0">Gerald is set to become critically acclaimed and an idol for young ethnic females globally, but anyone can identify with her. And even though her style resonates to her musical peers, this will be difficult to match or mimic because Gerald in comparison is sexy but refuses to be a sex-symbol; she takes risks but is not risky; in other words, she owns her right to be beautiful while demanding respect. She is wielding female empowerment to be sultrier and more beautiful versus bitter and obnoxious. </span></p>
<p><span style="color:#c0c0c0">She’s the “Royal Flyness” of Indie Music, who better to illustrate the beauty and power of diversity be it ethnicity or femininity. </span></p>
<p><span style="color:#c0c0c0">“Feelings” dropped the seventh of this month, go <a href="https://itunes.apple.com/gb/album/feelings-ep/1388484879" target="_blank" data-imported="1">here </a>to download it today!<em> </em></span></p>
<p><span style="color:#c0c0c0"><strong><em></em></strong><strong><em>*UK Promotional Tour TBA and commencing September 2018*</em></strong><em> </em></span></p>
<p><span style="color:#c0c0c0">Check out Bianca Gerald’s Social Media pages below: </span></p>
<p><span style="color:#c0c0c0"><a href="https://www.facebook.com/BiancaGerald123/" target="_blank" data-imported="1"><span style="color:#c0c0c0">FACEBOOK </span></a><a href="https://twitter.com/BiancaGerald123" target="_blank" data-imported="1"><span style="color:#c0c0c0">TWITTER </span></a><a href="https://www.instagram.com/biancagerald/" target="_blank" data-imported="1"><span style="color:#c0c0c0">INSTAGRAM </span></a><a href="https://soundcloud.com/biancagerald" target="_blank" data-imported="1"><span style="color:#c0c0c0">SOUNDCLOUD</span></a></span></p>
<p><span style="color:#c0c0c0"><span style="color:#c0c0c0"><span style="color:#c0c0c0">#BlackGirlsRock! #MeToo</span></span></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535562018-09-13T12:00:00-12:002019-12-31T08:11:13-12:00Cynthia Brando "The Treehouse Trio Sessions"
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/073cdb30adda0c590f918c1d866dc845164e341d/original/cynthia-brando.jpg/!!/b%3AWyJyZXNpemU6NDYzeDQ2MyJd.jpg" class="size_orig justify_inline border_" alt="" height="463" width="463" /></span></p>
<p><span style="color:#c0c0c0">Hey my beautiful readers. Today, I’d like to introduce to you the music of Cynthia Brando – an American Indie Folk singer/songwriter/musician based in exciting Los Angeles whose music incorporates elements of Folk and a bit of Alternative. Her music flows passionately and powerfully in the same way that a river ebbs and flows – it holds you tight but allows for escape. </span></p>
<p><span style="color:#c0c0c0">This is vividly seen on her most recent piece of work entitled “The Treehouse Trio Sessions” a soul inspiring EP that basically places a practical frame around the complex life of a woman – her loves, her mystery, and her life. </span></p>
<p><span style="color:#c0c0c0">The EP has 11 tracks: </span></p>
<ol>
<li><span style="color:#c0c0c0">Sparkle</span></li>
<li><span style="color:#c0c0c0">Afterthought</span></li>
<li><span style="color:#c0c0c0">California Song</span></li>
<li><span style="color:#c0c0c0">Take Me Back to That Place</span></li>
<li><span style="color:#c0c0c0">Do You Know What to Do</span></li>
<li><span style="color:#c0c0c0">Isn’t It True</span></li>
<li><span style="color:#c0c0c0">I’ve Got A Love</span></li>
<li><span style="color:#c0c0c0">The Changing Skies of My Life</span></li>
<li><span style="color:#c0c0c0">End of The World</span></li>
<li><span style="color:#c0c0c0">Wildest Dreams</span></li>
<li><span style="color:#c0c0c0">All the Things in Your Room </span></li>
</ol>
<p><span style="color:#c0c0c0">This is a capsule review of “The Treehouse Trio Sessions” where I place an emphasis only on the tracks that I feel highlight the EP’s premise in its entirety: four were chosen by Brando herself “Afterthought,” “California Song,” “Take Me Back to That Place,” and “End of the World,” as well as two that I chose, “Do You Know What to Do” and “Wildest Dreams.” </span></p>
<p><span style="color:#c0c0c0">We start this review with the second track “<a href="https://cynthiabrando.com/track/1494002/afterthought" target="_blank" data-imported="1"><span style="color:#c0c0c0">Afterthought</span></a>” a song about the reality of how some relationships end quicker than they begin – kind of like a missed phone call. There is a first meeting, a short journey of dialog and love, and then it is gone. Brando sings “it’s clear that I am just an afterthought, you’re moving like the wind before this song begins.” Using basic instrumentation and mild vocals, Brando was able to create a wonderful song that is laid back and traditional with its folk arrangement and melody, yet modernly practical in its production and execution – it’s almost like a Soft Rock Folk marriage of the best pieces.</span></p>
<p><span style="color:#c0c0c0">When you first see the title of “<a href="http://cynthiabrando.bandcamp.com/track/california-song" target="_blank" data-imported="1"><span style="color:#c0c0c0">California Song</span></a>,” you immediately think, “this is a song only about California – the beaches, sand, jeeps, that overall chilled, relaxed atmosphere of the state itself” and sure it is, but only to an extent. This track is more about uprooting and making a new life in a bigger place than where you come from. That is what Brando did when she left her small town, and on her own, drove to California and started all over – this took ambition, courage, and willpower. Brando sings “299 to the ocean shore / redwoods reaching to the sun / this is my California song / a wild heart moved into my soul.” One aspect of women, that many may not know, is that we can adapt and change in many situations – we are almost like chameleons in that way – we are more like to bend instead of break, and it is wonderful that Brando paints this beautiful female power so poetically in this song. The best thing about this song is that it displays accomplishment. A small-town girl moves and embraces her wild heart – her true self. Brando’s airy melodies and those spontaneous happy Southwestern chord progressions played magnificently on the guitar are so pleasing. A musical diary entry.</span></p>
<p><span style="color:#c0c0c0">The way the fourth song starts with those guitar chords, it is like your emotions are trilling down steps to invite in calm – that is just what this track does, it invites tranquility. One of the most inviting and emotionally receiving tracks is “<a href="http://cynthiabrando.bandcamp.com/track/take-me-back-to-that-place" target="_blank" data-imported="1"><span style="color:#c0c0c0">Take Me Back to That Place</span></a>.” On this track, Brando is still easy on the vocals but strong enough to execute the longing effect of the song’s storyline – only a storyteller can accomplish this effect and make it workable. Canvasing the picture of longing, the lyrics sing: “life’s illusions, love’s confusions, hearts on fire, filled with desire, take me back to that place, the dessert full of grace, a wonderer inside has nowhere left to hide.” The easy ridging acoustic guitars and lead are transforming and tranquil - this is the comfort zone of the entire collection.</span></p>
<p><span style="color:#c0c0c0">A few bass chords, and you are set for some easy listening. “<a href="https://cynthiabrando.com/track/1494016/do-you-know-what-to-do" target="_blank" data-imported="1"><span style="color:#c0c0c0">Do You Know What to Do</span></a>” is that perfectly fused Folk track that embraces some Country in its melody and tempo. On this track, Brando allows the music to really set the pace from a steady pace to a slow strut – this technique serves a dual purpose: one, it allows for the listener to fully grasp the lyrical interpretation of a woman pondering on life’s unexpected mysterious turns, and two, it allows for meditation which keeps you wanting more.</span></p>
<p><span style="color:#c0c0c0">The layers of guitar chords and riffs on <strong>“</strong><a href="http://cynthiabrando.bandcamp.com/track/end-of-the-world" target="_blank" data-imported="1"><span style="color:#c0c0c0">End of The World</span></a><strong>”</strong> sets up a track that is textured and quietly paced. In the same manner that Jane Austen’s <em>Sense and Sensibility </em>helped the modern world in her time to see the importance of living life to its fullest in the form of a novel, Brando’s “End of the World” does basically the same thing in the indie music world. Practically and effortlessly, Brando lyrically spells out a path of life recognition musically. True, in Austen’s book, there are other principle themes that have nothing to do with Brando’s track (i.e. – gender, wealth, or class issues) but I could not help to see how such a modern piece of music could identify with a classic novel by its practical message of don’t wait to make a change, just do it, and if something needs to be changed, change it – nothing is set in stone! Moreover, the guitar skills on this track is nothing short of experienced-genius. It fully wraps itself around the concept of the track. In short, “End of the World” has a sort of shared journey of the human experience.</span></p>
<p><span style="color:#c0c0c0">What caught my ear on<strong> “</strong><a href="https://cynthiabrando.com/track/1494023/wildest-dreams" target="_blank" data-imported="1"><span style="color:#c0c0c0">Wildest Dreams</span></a><strong>” </strong>first was that introduction, that spine tingling lead acoustic guitar spearheading a provoking melody.<strong> </strong>“Wildest Dreams” is a perfect song for artists and creative minds to pay attention to as it drives home the honest truth of how your best self is already within you, you just have to recognize it and use it. Brando sings “you’ve made it so far without knowing who you are and it shows through when you play a tune in the dark / a voice calls out loud and clear, stop clinging to all those empty fears from many years / you strum a chord and sing your song, time stands still . . . . beyond your wildest dreams.”</span></p>
<p><span style="color:#c0c0c0">Brando is an avid storyteller and her audience can fully grasp and understand her journey. Her music is the type that gives the same effect musically that finding money releases in a person: excitement first, inquisition next, and then pure sublimity because it encompasses that wild at heart and borderless perfection that never goes out of style – it just keeps recycling from decades to decades as it is that magnet that connects us humans to accept each other and live life to the fullest. </span></p>
<p><span style="color:#c0c0c0">Even with the constant influx of mainstream music dominating the airwaves with trivial music topics, such classic artistry like Brando is so well accepted today, because artists like Brando know how to tell a story and make it relatable with the right use of vocal, lyric, melody, music, and tempo. And she vividly paints a practical picture with her lyrics that makes her audience ponder and see things in a different light. That is what made us love Stevie Nicks, Sheryl Crow, Janice Joplin, and Kim Carnes. </span></p>
<p><span style="color:#c0c0c0">A special musical shout-out goes to music engineer Ed Tree and Bassist Dickie Chandle for their talents on this EP. </span></p>
<div>
<p><span style="color:#c0c0c0">This Indie Music “wonder woman” is touring either right now or very soon, so make sure to keep up with her on <a href="https://twitter.com/CBrandoMusic" target="_blank" data-imported="1"><span style="color:#c0c0c0">Twitter</span></a> and <a href="https://www.facebook.com/cynthiabrandomusic" target="_blank" data-imported="1"><span style="color:#c0c0c0">Facebook </span></a>to catch her live when she is in a city near you! And please download the EP and see for yourself the effect of genuine musical clarity.</span></p>
</div>
Klef Notestag:klefnotes.com,2005:Post/60535552018-09-06T12:00:00-12:002019-12-31T08:11:12-12:00Big Bus Dreams “Jesters of Xmas Town”
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/29edf3d88b8e55082198bc3fb2be23db3a89cc5f/original/michael-shannon.jpg/!!/b%3AWyJyZXNpemU6NTA1eDM2NyJd.jpg" class="size_orig justify_inline border_" alt="" height="367" width="505" /></p>
<p><span style="color:#c0c0c0">Upon release, “Jesters of Xmas Town” topped several European music charts as well as being featured in MTV's <em>Pimp My Ride</em>. Why? Because it was just what the music listening audience was in need for – a trip away from the norm. </span></p>
<p><span style="color:#c0c0c0">“Jesters of Xmas Town” is the 2018 release from Big Bus Dream an Alternative Pop Rock band hailing from North Carolina USA and it has great shock appeal. </span></p>
<p><span style="color:#c0c0c0">At first reading the title, one may think that this is a holiday album, but not at all – the title comes from a town familiar to the band and is a perfect illustrative backdrop for the musical lineup of the EP. </span></p>
<p><span style="color:#c0c0c0">Knowing exactly how to piece together music that sets your senses on a journey of practicality rather than unrealistic mumbo-jumbo, Big Bus Dream’s front man, Michael Shannon has brought us a 13-track musical composition that is full of instrumentation and storylines that are memorable. Including great melodies spinning tales in a similar manner to Paul McCartney, “Jesters of Xmas Town” is mellow with lyrical variations, harmonies, and simplistic instruments spelling out the band’s vision. It is as if you are on a bus looking out the window being a spectator into the lives of everyday people just enjoying and exploring life. </span></p>
<p><span style="color:#c0c0c0">This album features 13 tracks: </span></p>
<ol>
<li><span style="color:#c0c0c0">Another Me</span></li>
<li><span style="color:#c0c0c0">Echoes of Blue</span></li>
<li><span style="color:#c0c0c0">Mary Has Spoken</span></li>
<li><span style="color:#c0c0c0">Money Trumps Everything</span></li>
<li><span style="color:#c0c0c0">My Parade</span></li>
<li><span style="color:#c0c0c0">Tremble at Your Feet</span></li>
<li><span style="color:#c0c0c0">Sweet Sorrow</span></li>
<li><span style="color:#c0c0c0">I’d Die for You</span></li>
<li><span style="color:#c0c0c0">Already Gone</span></li>
<li><span style="color:#c0c0c0">Since You Left</span></li>
<li><span style="color:#c0c0c0">Can’t Count the Pain</span></li>
<li><span style="color:#c0c0c0">Another Me – Reprise</span></li>
<li><span style="color:#c0c0c0">Since You Left </span></li>
</ol>
<p><span style="color:#c0c0c0">The premise of this album illustrates how life is like a trip where you meet up with the chaotic and the well-ordered - be it in the form of pain, sanity, death of a relationship, escape, or love, and how your achievements or failures do not depend on the destination, or where you wind up, but how you change through each encounter throughout the travel. </span></p>
<p><span style="color:#c0c0c0">This is a capsule review of “Jesters of Xmas Town” where I place a focus only on the tracks that I feel fully execute the album’s overall theme: four were chosen by Shannon himself (single releases), “Another Me,” “Echoes of Blue,” “Mary Has Spoken,” and “My Parade,” as well as two that I chose, “I’d Die for You” and “Can’t Count the Pain.” </span></p>
<p><span style="color:#c0c0c0">Now, it is your turn to hop on the bus and experience living! </span></p>
<p><span style="color:#c0c0c0">The opening song, <strong>“</strong><a href="http://bigbusdream1.bandcamp.com/track/another-me" target="_blank" data-imported="1"><span style="color:#c0c0c0">Another Me</span></a><strong>” </strong>touches on a topic that sadly is too familiar today, divorce. The lyrics illustrate how even though one partner may leave in hopes of finding a better lot in life, sometimes, that is not the case. For example, once can leave due to what they think is boredom and wind up in a spider’s web. Shannon sings “she packed her things for christmas town / she said my news like good blues got her down / well she can change her name, fly and call it free / they'll never be / another me / now she lives with gifts and clowns / she got a brand new name, the jesters of xmas town / got a call from my ex-wife / it seems her brand new jester's married to his pipe / he loves to rant and rave and hit her without a bruise / she can fly but she's not free / she'll always be a part of me / is anybody really free / another me.” I wanted to cite both verses to show the cause and effect of such a decision and how Shannon was able to temper the harsh reality of this topic by choosing words that evoke imagery and are not complicated. </span></p>
<p><span style="color:#c0c0c0"><em>Echos of blue, how do you do / your voice, your smell, i ache / i knew i was staring death right in the face / so even though I tend to put things in their place / echos of blue, how do you do / my life is nothing without you / echo[e]s of you, echo[e]s of blue</em>. Those are the opening words to a musical prose that is delicate and not forced. <strong>“</strong><a href="http://bigbusdream1.bandcamp.com/track/echoes-of-blue" target="_blank" data-imported="1"><span style="color:#c0c0c0">Echoes of Blue</span></a>” is that highly passionate piece of music that dives right in and starts the emotions going. After listening to this track repeatedly, the lyrics kept one word in my mind, “L-O-V-E.” Like music from the Mama’s and the Papa’s, this track from start to finish touches on all the points of a love song regardless of the tempo and it stays fresh – vocal enunciations, impactful instrumentation, bits of harmony notes, and the expression of a feeling that only the artist can define. Shannon sings in a register of frankness and influence – with a musical foundation of basically guitars and light percussions, this song will sit light on your heart but leave an impression.</span></p>
<p><span style="color:#c0c0c0">The third track<strong> “</strong><a href="http://bigbusdream1.bandcamp.com/track/mary-has-spoken" target="_blank" data-imported="1"><span style="color:#c0c0c0">Mary Has Spoken</span></a><strong>” </strong>sits right between Pop Rock and Folk and it is a beautiful track that plays like a random acoustic set – very realistic and honest. The song is about opposites attracting and devotion being the glue that balances the scales – the lyrics paints the picture<em>: </em><em>I never got the hang of life on a rope choosing short straws... dealing for whores / she's not diggin' this artsy scene / she' s very well bred, early to bed and I’m this incident waiting to be no one gets off or rides free.</em> Both perfect and slant rhyme is utilized by the artist. The rhyme scheme is like Dylan in that it touches on the rhymes slightly enabling the storytelling to be highlighted – this technique of rhyme makes the message memorable and not monotonous. </span></p>
<p><span style="color:#c0c0c0">A wonderful mix of brass, percussions, and strings greet the fans on the intro of <strong>“</strong><a href="http://bigbusdream1.bandcamp.com/track/my-parade" target="_blank" data-imported="1"><span style="color:#c0c0c0">My Parade</span></a><strong>” </strong>the fifth track in this collection of 13. “My Parade” has a refreshing classic 1980s Rock feel to it playing much like the musical lovechild of Bob Seger and Eric Clapton and I dig it. With that acoustic bass conception, raw lyrics that speak on honest topics, and a vocal that is rugged and smooth at the same time, this track is ready to climb the Rock charts. The lyrics express the narrator’s realization of his reality by saying “welcome to my parade / screwed right from the start / so I go rain on my parade / I don't know how to stop / I fell in my room / this gin-infested room / I think I’m barely kickin' / will I know when I stop kickin' / I never fit in!” It is a road that is turned upside down, but it is his to own, and he is okay with that fact. The song has a nice layered instrumental bridge loaded with a crazy hot brass section and ends almost celebratory in that the vocals are in unison and highlighted with modulated FX, and why not, it is his world – welcome to it!</span></p>
<p><span style="color:#c0c0c0">Trying to find a track today about <em>eternal</em> love is hard, unless you get your hands on Big Bus Dream’s eighth track “<a href="http://bigbusdream1.bandcamp.com/track/id-die-for-you" target="_blank" data-imported="1"><span style="color:#c0c0c0">I’d Die for You</span></a><strong>.</strong>” In this piece, the love that is felt by the muse is clearly defined. No need to try and connect dots with monotonous melodies or complicated lyrics, no, this tune plays basic and real, Shannon sings “you’re in my head, so I’m a part of you / I’d lie for you, it’s true, yeah, you, I’d die for you, always be with you.” Almost Beatle-like with its smooth guitar progressions between the bass and the lead, as well as the pleasant melody modulations and straight lyrical lines, this modern romantic track is a #mustlisten. I also loved the rhyme scheme on this piece, so openhearted and not complicated.</span></p>
<p><span style="color:#c0c0c0">And, I simply LOVE the way “<a href="http://bigbusdream1.bandcamp.com/track/cant-count-the-pain" target="_blank" data-imported="1"><span style="color:#c0c0c0">Can’t Count the Pain</span></a>” begins – so evocative and wonderfully euphoric. The way that the hook of “can’t count the pain” sings along with harmonies in a lower register from the music, and how the backing vocals hugs that chord is infectious. The way Shannon implements this treatment makes the cut a perfect example of Alternative music showcasing a blend of Pop-Rock and Blues-Rock – kind of smoky and dark but not dreadful. The lyrics sing<em>: met an old friend at the train today, she said I look good, I said I feel fine, you should see me on the inside, don’t get me started, I’d be up on charges, can’t count the pain, can’t count the pain</em>. This track is very metaphoric with pain being illustrated as being so numerous in life that it can be counted (i.e. rain drops) - and, it is counted as one is trying to keep their sanity. But just like when someone attempts to count rain, it’s impossible. The guitars on this cut is absolutely ah-mazing from the acoustic riffs throughout on to the resonant electric six string that closes this ear-gripping track.</span></p>
<p><span style="color:#c0c0c0">Big Bus Dream’s Michael Shannon stated that “Music should only be about passion, heart [and] a unique voice” and this latest album “Jesters of Xmas Town” brings those words to life. If ever there were an album that encompasses a true journey of musical imagination, it is “Jesters of Xmas Town.” </span></p>
<p><span style="color:#c0c0c0">Sometimes less is more, and when you can accomplish that in music today without sacrificing the music, you are a giant among mice. I mean, how often do you hear songs on the radio that are so unpretentious that it places your mind at rest and allows for you to dream? Let’s be frank here: not everything needs to be overproduced and donned with bells and whistles to be considered a “hit.” </span></p>
<p><span style="color:#c0c0c0">And while the acoustic guitar flourishes on this production, I enjoyed the fascinating sounds of additional instruments incorporated which made for an exciting difference adding texture, like Bongos, East Asian instrumentation (i.e. Lute), eclectic percussions and keys, along with tambourines, violins, and bells to name a few. </span></p>
<p><span style="color:#c0c0c0">The way the songs were written, composed, implemented, and produced by Michael Shannon made complex ideas less rigid and less weighty giving more purpose to the Pop Rock musical genre as it can often lack originality and personality. And with the inclusion of the talents from Chick Tsikouras, Henry Parr, Ray Henderson, and Andrew Shannon, the audio and visual came to life on “Jesters of Xmas Town.” </span></p>
<p><span style="color:#c0c0c0">Please make sure to also check out the additional seven tracks to complete your musical journey and check out Big Bus Dreams <a href="https://twitter.com/bigbusdream" target="_blank" data-imported="1"><span style="color:#c0c0c0">Twitter</span></a> and <a href="http://www.bigbusdream.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">music page</span></a>.</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535542018-09-06T12:00:00-12:002018-09-06T20:21:57-12:00NORPHLET “Brand New” (Alternative Rock) Texas/California USA
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/43504aedf278f9adb9e79e2c5dda1740a9fecf94/original/norphlet-ep.jpg/!!/b%3AWyJyZXNpemU6NDg5eDQ4OSJd.jpg" class="size_orig justify_inline border_" alt="" height="489" width="489" /></p>
<p><span style="color:#c0c0c0">When a song starts like an anthem, you know you are already set for a righteous awakening brought to you by MUSIC. NORPHLET’s “<a href="https://open.spotify.com/track/2LS3OKKS2JRfZa0zCwnIcs?si=_fpy8M_sRKW4O3xpBV6Xfw" target="_blank" data-imported="1"><span style="color:#c0c0c0">Brand New</span></a>” is the type of music that pulls on every string of your Alternative Rock tapestry.</span></p>
<p><span style="color:#c0c0c0">This ah-some Alternative Rock track comes out of the minds of Cody Brown and Taylor Devorsky aka NORPHLET, a genius outfit based in Waco, TX and Los Angeles, CA. who happen to share a mutual love for real Alternative Rock! And this duo is not only making it rain with splendid songwriting staying true to the genre, they are also bringing the thunder with layers upon layers of tricked-out guitars, drums that hammer and kick, and lyrics that support a strong storyline. </span></p>
<p><span style="color:#c0c0c0">And with a storyline about the mystery of death and the realization that we all must face, music with muscle and a vocalist who houses pipes are needed to give the overall aura of this topic its due justice. And, Norphlet does not disappoint - vocalist Cody Brown dives right in with a sweet vocal crowd-dive. </span></p>
<p><span style="color:#c0c0c0">Now the music? What else can be said but, OMG!<em> </em></span></p>
<p><span style="color:#c0c0c0">The guitars on this track are so HUGE they need their own zip code – I was like “YAZZZ” a highlight that shines throughout the ENTIRE track. </span></p>
<p><span style="color:#c0c0c0">Brown’s guitar shuddered riff at the three-minute seven seconds mark is the instrumental stairstep needed to walk the fans on to the outro – it adds texture as it rides with the heavy based-out percussions of Devorsky. Now, Devorsky’s percussions are streamlined when needed, and they can blow you away at the right time. Devorsky is a craftsman on the percussions manipulating every variation of that broad instrumental technique. As the backbone of the entire song, that percussive musical spine is strong and unbreakable. </span></p>
<p><span style="color:#c0c0c0">Moreover, that bridge with the vocal being nicely touched by some FX is so inviting! </span></p>
<p><span style="color:#c0c0c0">And to say the song ended on a good note, is limiting the impact of this single, no, this track comes in swinging and closes while layering out the instruments all down to a silent fade – the way Rock songs back in the day would end on the radio, making you beg for more. </span></p>
<p><span style="color:#c0c0c0">To know that two guys, not an entire band, did this is absolutely a defining point in music. “Brand New” is complete talent illustrated on all levels. </span></p>
<p><span style="color:#c0c0c0">If you sleep, eat, breathe, and go rockin haywire over spine tingling guitars, sexy vocals, and pulsating, heart pounding percussions, then you are going to go MAD over this duo called NORPHLET! </span></p>
<p><span style="color:#c0c0c0">Virtual crowd dive! </span></p>
<p><span style="text-decoration:underline; color:#c0c0c0"><strong>Check out additional music and social media sites of NORPHLET: </strong></span></p>
<p><span style="color:#c0c0c0">Spotify - <em><a href="https://open.spotify.com/artist/6NO8NMltpOOm2jkH7AZCQR" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://open.spotify.com/artist/6NO8NMltpOOm2jkH7AZCQR</span></a></em></span></p>
<p><span style="color:#c0c0c0">Instagram – <em><a href="https://www.instagram.com/norphletband" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.instagram.com/norphletband</span></a></em></span></p>
<p><span style="color:#c0c0c0">Facebook – <em><a href="http://www.facebook.com/norphletband" target="_blank" data-imported="1"><span style="color:#c0c0c0">http://www.facebook.com/norphletband</span></a></em></span></p>
<p><span style="color:#c0c0c0">Twitter – <em><a href="http://www.twitter.com/norphletband" target="_blank" data-imported="1"><span style="color:#c0c0c0">http://www.twitter.com/norphletband</span></a></em></span></p>
<p><span style="color:#c0c0c0">Bandcamp – <em><a href="http://www.norphlet.bandcamp.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">http://www.norphlet.bandcamp.com</span></a></em></span></p>
<p><span style="color:#c0c0c0">Soundcloud – <em><a href="http://www.soundcloud.com/norphletband" target="_blank" data-imported="1"><span style="color:#c0c0c0">http://www.soundcloud.com/norphletband</span></a></em></span></p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/1bbbadedfee9448946accbf5347899870b84da31/original/norphlet-57.jpg/!!/b%3AWyJyZXNpemU6NTI5eDc5NCJd.jpg" class="size_orig justify_inline border_" alt="" height="794" style="display: block; margin-left: auto; margin-right: auto;" width="529" /></p>
Klef Notestag:klefnotes.com,2005:Post/60535532018-08-30T12:00:00-12:002018-08-30T17:21:06-12:00Faith & Harry “Just Be There” (Pop/Soul) UK/USA
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/966e0b03c7c3b0e4cd9e050430f272b5ccff7eca/original/faith-and-harry-just-be-there-pic.jpeg/!!/b%3AWyJyZXNpemU6NTU5eDU1OSJd.jpg" class="size_orig justify_inline border_" alt="" height="559" width="559" /></p>
<p><span style="color:#c0c0c0">A duo in the indie music community that keeps climbing with track after track throwing fist pumps tunefully into this barren musical climate in 2018 is Faith & Harry. Audiences raved in June when the duo showcased their growing talents on “My BFF’s and Me,” and the fanbase grew even stronger when they dropped their hit ““Happy Birthday” a Post Punk vibe-vacious track. Now, fresh off the reel-to-reel is “<a href="/files/516598/just-be-there-mastered.mp3" target="_blank" data-imported="1"><span style="color:#c0c0c0">Just Be There</span></a>” a Pop-Soul track that has a chill-factor appeal. </span><span style="color:#c0c0c0">Written by Faith and tempered with Harry’s instrumental skills, this track is sure to be another crowd favorite!</span></p>
<p><span style="color:#c0c0c0">With lyrics that are more raw and real, </span><span style="color:#c0c0c0">“Just Be There” is different than the duo’s previous tracks showing that these are not just teenagers singing a song crafted by a producer or songwriter, no, this is a practical song written by a young adult and performed by two artists. The lyrics illustrate this fact: </span><em style="color: #c0c0c0; font-size: medium;">That weary suitcase in the hall, this lonely picture says it all, memory of when we were young, hidden dreams waiting to be sung, how could you give this all away, just for day dreams of a new day</em><span style="color:#c0c0c0">. </span></p>
<p><span style="color:#c0c0c0">Faith’s approach to the track vocally is honest and a bit rough which perfectly showcases the reality of the emotion that spearheaded the track’s lyrical development when she put pen to paper. In addition, Faith’s voice is very soulful in its melodic execution very much like a young Selena Quintanilla – it has that tearing emotional prowess and those anguished-laced trills. Moreover, at the two minutes / 22 seconds mark, a layered bridge is accomplished which takes the track over the top – Faith laces the bridge poetically with a youthful yearning vocal riff followed by a kind of spit rhyme that climbs on to the outro – flawless!<strong> </strong><strong> </strong></span></p>
<p><span style="color:#c0c0c0">Those facets, along with Harry’s musical inclusions, like Jazz piano,eclectic instrumentation, upright bass, and additional FX, highlights the universal appeal of this end of the summer track.<strong> </strong></span></p>
<p><span style="color:#c0c0c0">With Faith & Harry, it is a double package that houses a millennial brand that shows NO signs in slowing down. Their competitors just better keep up or drop off. </span></p>
<p><span style="color:#c0c0c0">The track drops TODAY so make sure to get yours! Go to <a href="https://faithandharry.com" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://faithandharry.com</span></a> and their <a href="https://twitter.com/faithandharry" target="_blank" data-imported="1"><span style="color:#c0c0c0">Twitter </span></a>page to find out more!</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535522018-08-29T12:00:00-12:002018-08-30T00:36:57-12:00Little Mister “Our Days” (House Music) Sheffield, United Kingdom
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/50fdf92eee9b4b30afc6ddda5c1fa99d71ff2210/original/little-misters.jpeg/!!/b%3AWyJyZXNpemU6NTI4eDUyMSJd.jpg" class="size_orig justify_inline border_" alt="" height="521" width="528" /></span></p>
<p><span style="color:#c0c0c0">Are you ready to get up and dance? Well, okay, let's get right into this!</span></p>
<p><span style="color:#c0c0c0">Guys, I have something for my YOLO readers and then some, it's a fresh new cut called “<a href="https://youtu.be/N_1otoatRVo" target="_blank" data-imported="1"><span style="color:#c0c0c0">Our Days</span></a>” by Little Mister – a House Music band from Sheffield, UK. And, L</span><span style="color:#c0c0c0">ittle Mister know what they are doing here! </span><span style="color:#c0c0c0">Their video was filmed in its entirety at Teide National Park, Tenerife, and the track’s integral message of living life out loud and to the fullest is established by combining the classic with the modern within House Music. </span></p>
<p><span style="color:#c0c0c0">It’s like a mutation of classic U2 meets Midnight Oil fused with One Republic’s modern confidence and it works! </span></p>
<p><span style="color:#c0c0c0">So, guys, when I say I kept this track on repeat when I was introduced to it, I mean, I kept it on repeat – it was that plucking bass, sick six strings vibing, and those sultry, sunny, vocal FX mixed with handclaps that got me started. Then came those working synths and jump-off-the-bridge anthemic hooks that set it up right. </span></p>
<p><span style="color:#c0c0c0">Rob Dickinson (front-man/guitarist) made sure to push and pull his vocals to establish a monster jam cut that is sure to climb the charts and get comfy on top. Moreover, Andy Mills (bass, vocals), Matt Grayling (keyboards, synths), and Emma Smith (percussion, keyboard) made sure to bring the noise – a pleasure trove of danceable instrumentation and backing vocals. </span></p>
<p><span style="color:#c0c0c0">And perfectly placed, the 2 minutes and 59 seconds mark welcomes the inclusion of Sarah Jay Hawley. Hawley is a professional vocalist based in Sheffield who is also known for collaborating with Massive Attack on their award-winning album “Mezzanine.” Hawley’s voice crawls and climbs and adds a nice Soulful vibe to this soon to be cult classic – it’s like the kiss that sealed the envelope. </span></p>
<p><span style="color:#c0c0c0">“Our Days” is fun, infectious, and funky just like a summer back in 1999. Make sure to download/purchase your copy on <a href="http://itunes.apple.com/album/id1409009219?ls=1&app=itunes" target="_blank" data-imported="1"><span style="color:#c0c0c0">iTunes</span></a> and keep in touch with the band on their <a href="https://twitter.com/littlemister1" target="_blank" data-imported="1"><span style="color:#c0c0c0">Twitter page</span></a>.</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535512018-08-29T12:00:00-12:002021-07-15T08:25:55-12:00Rick Pisano “It Comes and It Goes” (Blues/Rock) Boston, Massachusetts/USA
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/623db6f6c619849e20c34329ebf3e708fea17aeb/original/rick-pasano.jpg/!!/b%3AWyJyZXNpemU6NTI0eDUyNCJd.jpg" class="size_orig justify_inline border_" alt="" height="524" width="524" /></span></p>
<p><span style="color:#c0c0c0">Remember when Joe Cocker released “Up Where We Belong” in 1982 with Jennifer Warnes for <em>An Officer and a Gentleman</em> soundtrack and it became an international hit winning a spot-on <em>Billboard’s</em> Hot 100 and gaining a Grammy Award? Sure, it was from the emotional delivery of both artists, coupled with the movie’s emotional storyline and finale, but in Cocker’s honor, I feel that it was Cocker’s voice that set that song on fire! </span></p>
<p><span style="color:#c0c0c0">It was that rough around the edges baritone that the audience really dug into – the type of voice that could make any song a tear jerker or a knee slapper, a theme song or an anthem. In the tradition of that vocal prowess comes an Indie Music artist named Rick Pisano – a hard as nails singer, songwriter, guitarist, and arranger/producer from Boston, Massachusetts USA. </span></p>
<p><span style="color:#c0c0c0">As a vocalist, Pisano has that gritty, raspy, voice that can mesh into any genre and make any ole tune a hit just by adding those steel pipes. His abilities on the guitar serves up the emotional foundation needed to bring such practical, yet fiery lyrics to life. And his songwriting is unpretentious serving the audience their musical dose of reality. </span></p>
<p><span style="color:#c0c0c0">These musical artistic factors are illustrated on his track “<a href="https://www.reverbnation.com/rickpisano/song/8192259-it-comes-and-it-goes" target="_blank" data-imported="1"><span style="color:#c0c0c0">It Comes and it Goes</span></a>” – a Blues Rock track the burns and mellows at the same time as a shot of Jack Daniels. </span></p>
<p><span style="color:#c0c0c0">Featuring a nice Dirty South musical vibe that brings the imagery of Juke Joints and smoky rooms, this track includes a Muddy Waters mix of classic Blues married to modern Soul like John Mayer. This Blues/Soul fusion all comes together with that amplified harmonica in homage of Little Walter paired with a heavy bass section, guitars, banging piano, and soul backing vocalists. </span></p>
<p><span style="color:#c0c0c0">Singing about how love in all of its radical forms come and goes like a river, Pisano’s track pumps the breaks in all the right places being raw and real, and it is all tempered with his voice and guitar. </span></p>
<p><span style="color:#c0c0c0">This track is featured on Pisano’s album “Dawn of a Waking Man;” download your copy today on <a href="https://itunes.apple.com/us/album/dawn-of-a-waking-man/id300404727" target="_blank" data-imported="1"><span style="color:#c0c0c0">iTunes</span></a>!</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535502018-08-20T12:00:00-12:002021-07-06T05:49:16-12:00PJ “Kingpin” Wilson “Keep It Moving” (Soul/Hip-Hop) Canada
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/2f4778434fec4dba57e51d33a4c04909c930be7f/original/pj-kingpin-wilson.jpg/!!/b%3AWyJyZXNpemU6NDMyeDQzMiJd.jpg" class="size_orig justify_inline border_" alt="" height="432" width="432" /></span></p>
<p><span style="color:#c0c0c0">To be labeled a “kingpin,” you must be a mover, shaker, and a trailblazer all in one. This individual is essential in making whatever organization or project succeed. I have been introduced to such an individual, and his name is PJ “Kingpin” Wilson. </span></p>
<p><span style="color:#c0c0c0">Housed within the Canadian Indie Music realm, PJ “Kingpin” Wilson has the talent to write and produce songs that encompasses a trifecta of genres – Soul, R&B, and Hip-Hop. And this is all executed with surgical precision. </span></p>
<p><span style="color:#c0c0c0">Kingpin’s latest track “<a href="https://www.youtube.com/watch?v=wr7jzNFIyFo&feature=youtu.be" target="_blank" data-imported="1"><span style="color:#c0c0c0">Keep It Moving</span></a>” features a heavy bass section, old school midi FX, modern synths, and a second tenor/baritone vocal that is trained and poised.</span></p>
<p><span style="color:#c0c0c0">Kingpin’s vocal has a natural 'hiss' resonance that lightly tickles the ear and stays there – think Billy Ocean’s “Suddenly” and you will see what I mean. That organic vocal quality can land into three genres without sacrificing a pure voice – it’s emotional and has crossover appeal. </span></p>
<p><span style="color:#c0c0c0">On this track, Kingpin sings “keep moving, stress be gone” lyrically spelling out how seduction can spearhead the night keeping you in “party-mode.” In addition, he drops tags like “throw your glass up high,” “two-step,” and “all night crowd” to get the listeners into that celebratory mode. </span></p>
<p><span style="color:#c0c0c0">And even though the cemented command on the beat of this cut is already in motion and dominating, as is the hook, at the two minutes and ten seconds mark, Kingpin shifts gears and comes in smoothly with a Nelly-esque spit that just adds such texture and flavor to the track. This freestyle method adds a great Hip-Hop effortless nod to the verses. </span></p>
<p><span style="color:#c0c0c0">“Keep It Moving” is a wonderful fusion of Soul, R&B, and Hip-Hop that gets you grooving and keep you moving. </span></p>
<p><span style="color:#c0c0c0">To put it plainly, one of my favorite kingpin-like rappers, <a href="https://twitter.com/THEREALSWIZZZ?lang=en%20" target="_blank" data-imported="1"><span style="color:#c0c0c0">Swizz Beatz</span></a>, said something back in 2013 that I feel suits the journey of PJ “Kingpin” Wilson and that is the “sky's not the limits, it's just the view.” For this original Indie Music “Kingpin,” no other words could be truer. So, make sure to clear your iPods and digital music platforms, because something spicy and soulful is coming out of Ontario with sights on going global in true kingpin formation! </span></p>
<p><span style="color:#c0c0c0">Check him out and let me know what you think readers! </span></p>
<p><span style="color:#c0c0c0"><a href="https://twitter.com/THEREALSWIZZZ?lang=en" data-imported="1"><span style="color:#c0c0c0"></span></a><a href="http://www.pjwilson.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">www.pjwilson.com</span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535492018-08-16T12:00:00-12:002021-07-01T05:03:50-12:00Dark Smoke Signal “The Big Stage” – Art Rock/SynthWave/SynthPop (Bristol)
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/a5be2dfe7ca81d4ffcd6b22da51ae8f9f3b5edeb/original/dark-smoke-signal.jpg/!!/b%3AWyJyZXNpemU6NTMxeDUzMSJd.jpg" class="size_orig justify_inline border_" alt="" height="531" width="531" /></span></p>
<p><span style="color:#c0c0c0">Ahhh! The wonderful, hypnotic, energy that comes from an outstanding Alternative Pop track. When Pop is set within the "Alternative" space, it becomes a whole other form of music - it can be more Rock, Soul, Synth, or even a bit of Country. That mystery makes it thrilling and seducing, and it is what made those "different" Pop cult classics like “Eyes Without A Face” (Idol), “Hazy Shades of Winter” (The Bangles), and “Take on Me” (A-ha) so infectious and chart-toppers back in the 1980s. </span></p>
<p><span style="color:#c0c0c0">Today, there are still artists pushing out songs that harken those listen-worthy days of Pop music. One such artist comes out of Bristol, England and his name is Dark Smoke Signal (producer Alex Pope). His moniker is so fitting because his music truly does SIGNAL a time when music was MUSIC and it modernly excites the Synth senses in true music aficionados. </span></p>
<p><span style="color:#c0c0c0">Dark Smoke Signal’s latest cut is “<a href="https://open.spotify.com/album/4GQtgoWCBzHkUbyltzgXKi" target="_blank" data-imported="1"><span style="color:#c0c0c0">The Big Stage</span></a>” – a genre fused track that encompasses elements of Art Rock, SynthWave, and SynthPop. The drama of the music is heard in the Art Rock with its Avant Garde classical chord progressions. SynthWave adds the action with its bright synths building layers in the hook. And finally, the SynthPop elements: the virtual instruments, including synthesizers and drum patterns, being the meat of the melody. This entire musical marriage supports Dark Smoke Signal’s breathy voice. </span></p>
<p><span style="color:#c0c0c0">The overall tone of the piece is playful and electronically crystal in its production. This track moves at a quick pace but you never get lost while the infectious hook keeps you holding on. And, like Synth tracks from the 80s, the song builds and adds an element of surprise around every musical corner. </span></p>
<p><span style="color:#c0c0c0">The storyline is about the challenges faced by many youths who are at the cusp of being the most talented and how there is promise in being successful. The way the choruses climb with the instrumentation parallel to it makes for a hit. It is like Dark Smoke Signal is building a bridge of positivity using music, FX, and euphoric vocals as his only tools – it works on so many levels – being encouraging and anthemic in its approach. “Can you see my name in neon lights?” – what an inspiring message! </span></p>
<p><span style="color:#c0c0c0">Here’s an artist who respects and supports original music and the youth who will soon be new creators of this wonderful craft called MUSIC. All proceeds from the sale of this single goes to <a href="http://www.youthmusic.org.uk/" target="_blank" data-imported="1"><span style="color:#c0c0c0">www.youthmusic.org.uk</span></a> – individuals who invest in youth music projects. To get your copy, go to: <a href="https://darksmokesignal.com/store/" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://darksmokesignal.com/store/</span></a>. </span></p>
<p><span style="color:#c0c0c0">And, keep up with Dark Smoke Signal on his social media platforms as there will be more to come!</span></p>
<p><span style="color:#c0c0c0"><a href="https://twitter.com/darksmokesignal" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://twitter.com/darksmokesignal</span></a></span></p>
<p><span style="color:#c0c0c0"><a href="https://www.instagram.com/darksmokesignal" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.instagram.com/darksmokesignal</span></a></span></p>
<p><span style="color:#c0c0c0"><a href="https://www.facebook.com/darksmokesignal" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.facebook.com/darksmokesignal</span></a></span></p>
<p><span style="color:#c0c0c0"><a href="https://www.youtube.com/channel/UCvZ4aeJivruo-PVetDMivRw" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.youtube.com/channel/UCvZ4aeJivruo-PVetDMivRw</span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535482018-08-09T12:00:00-12:002022-05-06T08:40:08-12:00LJ Howard “Piece of Me” (Soul/R&B) Essex, UK<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/56f3260ec9328317d4f7fb6c5a8d8bd5f6a8a311/original/lj-howard.jpg/!!/b%3AWyJyZXNpemU6NDk4eDQ5OCJd.jpg" class="size_orig justify_left border_" alt="" height="498" width="498" /></p>
<p> </p>
<p><span style="color:#c0c0c0">When you think of passion, you think of a storm that is suppressed by emotion. In retrospect, pure R&B/Soul induces that in its listeners – that calm before the storm, that suppressed erotic balance of salty and sweet that needs to escape but remains to play. It places the pause button on life and allows you to just chill and see things differently. Such Soul/R&B hits from the likes of Marvin Gaye, Seal, Johnny Gill, PJ Morton, and even Maxwell gave us memories to cherish. </span></p>
<p><span style="color:#c0c0c0">A recent single that came across my ears evokes that same appeal and passion – it is called “<a data-imported="1" data-link-label="" data-link-type="url" href="https://open.spotify.com/track/4DfLGLdeJxnmhHpeCyrxaE?si=a4d443493bbd4c44" target="_blank">Piece of Me</a>” by LJ Howard – a Soul/R&B singer/songwriter from Essex UK. </span></p>
<p><span style="color:#c0c0c0">The storyline is about how differences in life may be obvious between two people, but how the playing field is leveled by a common ground; yet when indifferences creep in, be it infidelity, lies, secrets, or just emotional exhaustion, that may be the major factor in causing a break-up. This complex storyline is balanced with smooth instrumentation and a vocal that will set up the dance floor. </span></p>
<p><span style="color:#c0c0c0">Playing much like a ballad, but giving off vibes of a smooth EDM track with its heavy bass bottom, “Piece of Me” starts off like a quiet alarm clock setting the tempo of a song that shapes layers and layers of mystery. Starting with scaled back vocal adlibs, then building up to mellow percussions bouncing off eclectic synths and a crisp piano, onto the inclusion of some FX minimally embracing the lead, and alluring electric guitars that play around with each other, this track has all of the musical ingredients to fit side by side with the artists I mentioned at the opening of this review. </span></p>
<p><span style="color:#c0c0c0">In addition, LJ Howard’s vocals are up front and personal from the intro to the outro. You hear his second tenor/baritone prowess scale and whip from note to note and transform from lead, to background, to adlibs, to highlights, and all with precision. His voice is soothing and powerful; you want to listen to it all day. Its vocal rhythm and style is very much Soul, but LJ Howard is skilled enough to shift his voice to fit the musical tapestry of R&B, Funk, and Rock as well as match the overall atmosphere of any written cut. </span></p>
<p><span style="color:#c0c0c0">In other words, LJ Howard's music fits any individual's taste like a tailored suit!</span></p>
<p><span style="color:#c0c0c0">Give this track a try and see how it fits into your life! It’s SMOKIN! Better yet, watch the video below and download your copy today from <span style="color:#c0c0c0"><a data-imported="1" href="https://open.spotify.com/artist/71UbZUSslgB4uEAhBlj1kv?si=f-RmnAhZRTG94PgudIJ_hg" target="_blank">Spotify</a>. You'll thank me later!</span></span></p>
<p style="text-align: center;"><strong><span style="color:#c0c0c0"><span style="color:#c0c0c0"><a contents="Instagram " data-link-label="" data-link-type="url" href="https://www.instagram.com/ljhowardmusic1/" target="_blank">Instagram </a>| <a contents="FB " data-link-label="" data-link-type="url" href="https://www.facebook.com/ljhowardmusic/" target="_blank">FB </a>| <a contents="Twitter " data-link-label="" data-link-type="url" href="https://twitter.com/LJHoward_" target="_blank">Twitter </a></span></span></strong></p>
<p> </p>
<div class="video responsive"><div class="video-container"><div class="video responsive"><div class="video-container" style="text-align: center;"><iframe class="wrapped wrapped" frameborder="0" height="350" src="https://www.youtube.com/embed/W1AQPVVlPoI" style="display: block; margin-left: auto; margin-right: auto;" width="425"></iframe></div></div></div></div>
<p> </p>Klef Notestag:klefnotes.com,2005:Post/60535472018-08-09T12:00:00-12:002019-12-31T08:11:10-12:00Georgia Fearn “Perfect on Paper”
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/f0aee401a41ca1d1a6306a12ba7bd4b86591472f/original/georgia-fearn-perfect-on-paper.jpg/!!/b%3AWyJyZXNpemU6NDY4eDQ2OCJd.jpg" class="size_orig justify_inline border_" alt="" height="468" width="468" /></span></p>
<p><span style="color:#c0c0c0">As an Indie Music journalist, I love when I am introduced to bone-breaking, take no prisoners, female artists who choose to settle into thier own skin instead of bowing to the masses. One that writes music that illustrates her personal comfort and courage. Earlier this year, I got the opportunity to digitally meet Georgia Fearn. </span></p>
<p><span style="color:#c0c0c0">Georgia Fearn is an Indie Music singer/songwriter/musician from Carmarthen, UK who began writing songs at the age of nine. Through the years, she has developed into a talent that is set to explode and become a mainstay on the charts with her eclectic blend of Electro-Alternative-Pop/Folk music. </span></p>
<p><span style="color:#c0c0c0">Recorded at Studio49 in Narberth, “Perfect on Paper” is her newest release and it holds 12 tracks of music that play like tiny documentaries inviting listeners into a world where things are perfectly imperfect: </span></p>
<ol>
<li><span style="color:#c0c0c0">L’Amour</span></li>
<li><span style="color:#c0c0c0">Catch Me When You can</span></li>
<li><span style="color:#c0c0c0">Misty Mae</span></li>
<li><span style="color:#c0c0c0">Be Careful What You Wish For</span></li>
<li><span style="color:#c0c0c0">Does It Ever Make You Wonder</span></li>
<li><span style="color:#c0c0c0">Sharp Objects</span></li>
<li><span style="color:#c0c0c0">Perfect on Paper</span></li>
<li><span style="color:#c0c0c0">Master of Jazz -</span></li>
<li><span style="color:#c0c0c0">Emptiness</span></li>
<li><span style="color:#c0c0c0">No Need to Hide</span></li>
<li><span style="color:#c0c0c0">Always Be Yours</span></li>
<li><span style="color:#c0c0c0">You Wouldn’t Do This If You Did </span></li>
</ol>
<p><span style="color:#c0c0c0">This will be a Capsule Review of “Perfect on Paper” where I will highlight the top tracks. So, let’s just jump right into the music, shall we?<strong> </strong></span></p>
<p><span style="color:#c0c0c0">We start with “<a href="https://open.spotify.com/track/19Fb9NM5dvjuK9RWI0TN3S" target="_blank" data-imported="1"><span style="color:#c0c0c0">L’Amour</span></a>,” the first single off the EP. “L’Amour” is an up-tempo Electro-Pop track that has a nice Hip-Hop bounce to it. The premise of the track illustrates how something that is considered a bad habit like smoking may not be the worst habit – broken love may be the habit to break – Fearn sings “You told me you were leaving cause I smoke too many cigarettes / I broke the bad habit and I drove straight to your address / I saw you pressing your lips to someone new / my walk home was lonely, didn’t know what to do / It’s time to break my other bad habit: You.” Adding some romantic French language to the mix brings more insight to the contrasting idea of this love, where it is supposed to be romantic, is just another bad habit to break, Fearn further sings: “stay close everyday, don’t tell me what to do / I drink too much and I tend to smoke a lot, too / I’m high, on love / document the world like you’ve never seen it before / Je de déteste va te faire voir (<em>I hate you, I’ll make you see</em>) / I’m high, sur l’amour.” Then, at the two minutes / eight seconds mark, there is a nice musical texturizer with the incorporation of a dual vocal and an eclectic, yet frenzy accordion played in the tune that is usually illustrated by a calliope. This adds a nice dark tone to the track. It is not a revenge song, but more of a “this is me” track where the artist owns who she is and advertises it to the one who misunderstood her.</span></p>
<p><span style="color:#c0c0c0">The title track “<a href="https://open.spotify.com/track/2YrMEVbuzQ6g53JkR3AL7g" target="_blank" data-imported="1"><span style="color:#c0c0c0">Perfect on Paper</span></a>” starts like a modern-day fairytale and it mutates into a Pop, Folk, R&B clip that has a bass guitar that is sick – it just sits low and bounces. Moreover, the guitars on this track are just rudely ah-mazing, they are loud, in your face, melodic, and wonderful. On this cut, Fearn sings of how a relationship may be devious, i.e. where first the man appears “perfect on paper,” but then his true nature shows up – she sings “I know he never loved me, he just loved the thought / he thought there was a girl out there who’d do what he wants / she’d smile in loving manner to her man perfect on paper / not knowing soon she’d see every awful, heartbreaking, sickening, ugly thing he could be.” The overall rhythm of this track is so welcoming, and what I love about Fearn’s music is that she makes sure to incorporate nice changes to the music to eliminate music monotony - a sad common fixture in mainstream music. This track is not like that! This is texture and music tightness personified. </span></p>
<p><span style="color:#c0c0c0">Following “Perfect on Paper” is “<a href="https://open.spotify.com/track/7nn6NTDU4iAykSB29iycut" target="_blank" data-imported="1"><span style="color:#c0c0c0">Master of Jazz</span></a>.” On this clip, Fearn scales back some and rides the track more Soulful instead of Pop and it gives a nice variety to the EP. The storyline of the track is about a man that sings and brings such passion to the femme fatale, but when he’s gone, so is the passion that was felt. The lyrics illustrate this point: <em>He’s the Master of Jazz / when he sings you come alive and when he hits the chorus you feel something inside / and when the song is over you feel like you’ve died</em>. The title of the track and its message is a great play on words as this premise is metaphorically illustrating the reliance of someone else to awaken your soul. Fearn’s range is appealing and softly strong. She does not sacrifice her style at all, she still displays her organic scatting riffs, and she brings the house down with the Jazz instrumentation – the brass section, piano, bass, rhythm section, and percussions. The eighth track also feature backing vocals by Elaina Hoss and has a nice bar-room aura to it. Hoss’ vocals add a touch of sugar and spice and makes the track oh, so nice. This is for my Modern Jazz devotees.</span></p>
<p><span style="color:#c0c0c0">The final track is “<a href="https://open.spotify.com/track/5GxvjPdEksWOCdwVt8jiSc" target="_blank" data-imported="1"><span style="color:#c0c0c0">You Wouldn’t Do This If You Did</span></a>” a track about broken promises and unmet expectations. The 12<sup>th</sup> song in the collection wastes no time in getting into the meat of the music. Much different than many of the tracks, “You Wouldn’t Do This if You Did” has a Dance-Pop feel with Latin influences where there’s some Salsa instrumentation riding the higher chords and some Samba creating the rhythm. Featuring a lighter kick and composition, Fearn alters her typical Mezzo-Soprano and sings in a lighter Soprano register showcasing her varied singing ability. The overall melody of this track has a captivating hook contributed to by both Fearn and Elaina Hoss. The track starts out mellow and then evolves into a spontaneous feel-good cut.</span></p>
<p><span style="color:#c0c0c0">It is evident once you hear the music of Georgia Fearn that there’s no limit to where she goes or what she does in music. Her music feature themes found in modern Pop culture and it stays raw and unrestrained. It is that wild vibe of the music that just draws you in. </span></p>
<p><span style="color:#c0c0c0">Like Lorde, Fearn delves down deep into her own feelings and do not apologize for the reality of the lyrics. She is both cryptic and classy, conflicted yet powerful, and that combination gives her that “IT” factor that will catapult her further than the trajectory that many may have predicted. </span></p>
<p><span style="color:#c0c0c0">And even though there may be some comparison to Lorde, Fearn is staying true to herself continuing to build songs that have strong foundations that will be mainstays instead of one-hit wonders. Also, she keeps a tight grip on her original vocal shape where she bends it to where it sounds like she’s spitting (as rappers do) and blending it to classic lyrical flow. It is a great organic mix and it is infectious. You would typically hear this type of singing on an R&B track (i.e. Beyoncé) but it is quite refreshing to hear it in the mixed genre of Electro-Alternative-Pop/Folk music. </span></p>
<p><span style="color:#c0c0c0">And that is just her voice! </span></p>
<p><span style="color:#c0c0c0">Georgia Fearn’s music will strike a chord with both female and male fans telling the story of living with common sense. Fearn plays the guitar on every one of her tracks, and within “Perfect on Paper,” you will also hear instrumentation pulled from Hip-Hop, R&B, and Rock. So, there is an ever-present bassline that rides on many of her tracks giving them a bounce and swag, yet, there are infectious strings blended with traditional Folk instrumentation to add a unique shape to Fearn’s overall musical shape. </span></p>
<p><span style="color:#c0c0c0">So, get ready for music that will easily become the salt on the rim of your Tequila glass. </span></p>
<p><span style="color:#c0c0c0">Fearn will be playing at the Big Cwtch Festival August 31<sup>st</sup> through September 1<sup>st</sup> of this year guys – make sure to check her out. In the meantime, head on over to her social media platforms to keep up with this Rock Star!</span></p>
<p><span style="color:#c0c0c0">Twitter: <a href="https://twitter.com/GgFearnMusic" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://twitter.com/GgFearnMusic</span></a></span><br><span style="color:#c0c0c0"> Facebook: <a href="https://www.facebook.com/georgiafearnmusic/" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.facebook.com/georgiafearnmusic/</span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535462018-08-02T12:00:00-12:002018-08-02T21:45:00-12:00Lillias Hobson “Where You Left Me” (Acoustic Pop) Glasgow, UK
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/40f4f6a03751f9d9a2074a3e84773d8612de1558/original/lillias-hobson.jpg/!!/b%3AWyJyZXNpemU6NDk2eDQ5MCJd.jpg" class="size_orig justify_inline border_" alt="" height="490" width="496" /></span></p>
<p><span style="color:#c0c0c0">Have you ever experienced heartbreak for the first time and could not put it into words? Well, let the newest track from Lillias Hobson be your words. </span></p>
<p><span style="color:#c0c0c0">Hobson is a singer/songwriter from Glasgow; and, “<a href="https://soundcloud.com/illiasobson/where-you-left-me" target="_blank" data-imported="1"><span style="color:#c0c0c0">Where You Left Me</span></a>” is pleasantly quiet and passionate in its execution with minimal FX and truth-bearing emotion.</span></p>
<p><span style="color:#c0c0c0">Written by Hobson with such honesty about waiting for love to return, the track’s production plays like a love letter being placed at your heart. </span></p>
<p><span style="color:#c0c0c0">Much like a modern combination of Lee Ann Rimes, Adele, and Taylor Swift, Hobson makes sure her emotional expression is felt on this track by allowing her vocals to fall gently but powerful. These passionate powerful vocals are met with modest guitars and bells illustrating the anguish, anxiety, and sadness usually felt when love has gone and one is determined to gain it back. </span></p>
<p><span style="color:#c0c0c0">In contrast to Rimes, Adele, and Swift, Hobson has more swag to her vibrato and a sort of pleasant attitude in her trills - it's almost R&B in its approach which is very pleasant to hear and adds more texture to the Acoustic Pop track. </span></p>
<p><span style="color:#c0c0c0">Produced, mixed, and mastered by Gregor McPhie (Glasgow HQ), the texture of the track is like small hills and valleys that keeps your interest and is almost meditative. </span></p>
<p><span style="color:#c0c0c0">This is a secret you will want to share, so make sure to get your copy!</span></p>
<p><span style="color:#c0c0c0"><a href="https://www.facebook.com/lilliasmakesmusic/?ref=bookmarks%20" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>https://www.facebook.com/lilliasmakesmusic/?ref=bookmarks</strong><strong> </strong></span></a></span></p>
<p><span style="color:#c0c0c0"><a href="https://soundcloud.com/illiasobson%20" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>https://soundcloud.com/illiasobson</strong><strong> </strong></span></a></span></p>
<p><span style="color:#c0c0c0"><strong><a href="https://www.instagram.com/lilliasmakesmusic/" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.instagram.com/lilliasmakesmusic/</span></a></strong></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535452018-08-02T12:00:00-12:002018-08-02T21:37:46-12:00The Million Reasons “Dizzy” (Rock) Chicago, Illinois USA
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/285d3c950412ac915b2b3ff459a122c29eaf3d8f/original/the-million-reasons-dizzy-photo.jpg/!!/b%3AWyJyZXNpemU6NDkxeDQ5MSJd.jpg" class="size_orig justify_inline border_" alt="" height="491" width="491" /></p>
<p><span style="color:#c0c0c0">A song that has been gaining recognition this summer in the Indie Music community is “Dizzy” by The Million Reasons. I wanted to share this track with you as I know this will rapidly become one of your favorite Rock cuts. </span></p>
<p><span style="color:#c0c0c0">A turn away from their previous EP “The Runaround,” “<a href="http://themillionreasons.bandcamp.com/track/dizzy" target="_blank" data-imported="1"><span style="color:#c0c0c0">Dizzy</span></a>” is softer in its approach and plays like an early Rock ballad blended with modern technical artistry. </span></p>
<p><span style="color:#c0c0c0">“Dizzy” sits on the median strip of the road between Hard Rock and Soft Rock and features a vulnerable narrative that speaks on the topic of compulsive and impulsive affection between two people. The musical skeletal system of the cut sounds very much like it was written in a modern-like Dorian mode as the opening guitar riff sets up a wonderfully minor musical scale foundation that easily resembles the off-note feeling of being unsteady in love or lust. </span></p>
<p><span style="color:#c0c0c0">At the three-minute twenty-six seconds mark, the song lays down a bit musically as the instruments scale back, then it slowly begins to crawl, then climb, then with extra layers of drums and guitar modulation, the track goes into a straight up walk. </span></p>
<p><span style="color:#c0c0c0">As usual, The Million Reasons do not hesitate when it comes to jamming out on the guitars and they make sure the 6 and 4 strings have a major part in the music textile – the guitars are on fire and you quickly think, “wait a minute, this is not a ballad,” but it is – it’s The Million Reasons’ rock ballad and it is unpredictable and musically hypnotic. </span></p>
<p><span style="color:#c0c0c0">Enjoy the video and this will become your guilty pleasure too. </span></p>
<p><span style="color:#c0c0c0">To purchase or download your copy, go here:</span></p>
<p><span style="color:#c0c0c0"><a href="https://themillionreasons.bandcamp.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://themillionreasons.bandcamp.com/</span></a></span></p>
<p><span style="color:#c0c0c0"><div class="video responsive"><div class="video-container"><div class="video responsive"><div class="video-container"><iframe frameborder="0" height="290" src="https://www.youtube.com/embed/zVlYakHeAJA" style="display: block; margin-left: auto; margin-right: auto;" width="352" class="wrapped wrapped"></iframe></div></div></div></div></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535442018-08-01T12:00:00-12:002018-08-01T20:36:40-12:00Miranda Arieh “Impossible” (Chamber Pop) UK
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/d3547d3216a8dfaf5ef02fa58976cba42dcf56f1/original/miranda-arieh.jpg/!!/b%3AWyJyZXNpemU6NDk4eDQ5OCJd.jpg" class="size_orig justify_inline border_" alt="" height="498" width="498" /></p>
<p><span style="color:#c0c0c0">Blending the Avant Garde with normalcy makes for an ah-some track, but few in the game of music today have the talent and tools to do this and make a HIT. Some have tried to change the normalcy in music but have fell short by not really knowing where to begin, and sometimes, where to end. There are some who have misunderstood creative as being quirky and their music got BORING; and then we have some who thought that having a difference in the music meant to be the odd ball and their music fell short of challenging themes. But, then you have artists who can take on the challenge of difference and still have the talent to be creative – those who stay in the game and usually change the game. </span></p>
<p><span style="color:#c0c0c0">One such artist who has tackled this feat and have come out on the other end successful is Miranda Arieh. </span></p>
<p><span style="color:#c0c0c0">Coming from Leeds UK, Arieh has spun a twist on monotony and have created music that is unique, unusual, and strikingly adaptable. She has the chops to blend the Avant Garde with normalcy and be able to do it with panache, difference, and appeal. </span></p>
<p><span style="color:#c0c0c0">Her latest track “<strong>Impossible</strong>” illustrates her candor and creativity by being a tasty bit of Chamber Pop combining both complex instrumental textures with broad-ranging simplistic melodies and a strong vocal. Below, check out the ah-mazing video made in collaboration with Tristan Haley and his camera team, from ”<a href="https://www.netflix.com/title/70264888" target="_blank" data-imported="1">Black Mirror</a>.”</span></p>
<p><span style="color:#c0c0c0">This up-tempo command to the beat infused track speaks about building new bridges in life instead of revisiting old burnt bridges of the past – enjoying life in the present with no regrets. </span></p>
<p><span style="color:#c0c0c0">This song is fully loaded and charged with hypnotic synths, keys, flutes, strings, and layered percussions. Featuring an electric harpsichord on this track is nothing short of BRILLIANT adding to the full scope of living a larger than life way of life. </span></p>
<p><span style="color:#c0c0c0">Unlike her Pop colleagues, Arieh does not sacrifice the vocals while displaying the artistry more; what Arieh does is combine strong vocals with artistry and wonderful songwriting to make interesting music. Arieh’s contralto voice shatters the track and puts it back together again. I enjoyed the excitement and passion in her voice, adlibs, and backing vocal FX. </span></p>
<p><span style="color:#c0c0c0">Like her contemporaries, she enjoys turning the tables and making others see a different point of view. She encompasses a sort of quasi mix of Bowie, Lennox, and Gaga all in one. Her look is fully Glam Rock, but she plays in the Chamber Pop playground all day. She is not your average Pop star and I am so glad. </span></p>
<p><span style="color:#c0c0c0">No wonder she’s been recognized by the <em>Leeds Music Video Awards</em> and the <em>People's Choice Award</em> as well as receiving a prestigious<em>, Inspiring Women Changemakers</em> 'Social Impact Star' Award. </span></p>
<p><span style="color:#c0c0c0">She’s the reinvention of normal music and she has the artistry to make it happen by not being afraid to experiment while liberating. </span></p>
<p><span style="color:#c0c0c0">Check out this track and thank me later. Also, go to <a href="https://www.mirandaarieh.com/music" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.mirandaarieh.com/music</span></a> to listen to her Alternative Pop track “Soul Price.”</span></p>
<p><span style="color:#c0c0c0"><div class="video responsive"><div class="video-container"><div class="video responsive"><div class="video-container"><iframe frameborder="0" height="350" src="https://www.youtube.com/embed/ZzGNfAxy9eM" style="display: block; margin-left: auto; margin-right: auto;" width="425" class="wrapped wrapped"></iframe></div></div></div></div></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535432018-08-01T12:00:00-12:002018-08-01T20:25:42-12:00Forest Robots "SuperMoon Moonlight Part One"
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/5337b4fcf6f382db738959351e669ddca9c88e50/original/forest-robots-music-review.jpg/!!/b%3AWyJyZXNpemU6NDk4eDQ5OCJd.jpg" class="size_orig justify_inline border_" alt="" height="498" width="498" /></p>
<p><span style="color:#c0c0c0">When does music transform from just being artistic to art? Well, one can say after listening to a track or album where the music, artist’s vocals, and/or instrumental direction is creative or inventive, and that makes the piece artistic. But for music to be considered ART, its creativity or inventiveness must be from a place so deep from inside of the artist’s core that it is as if the artist’s fingerprint is placed on the entire project – it becomes personal and unique. It should be as if you are spying through a looking glass. You can hear how the work is not only trendy or impressive, but it is special – then, it is art. </span></p>
<p><span style="color:#c0c0c0">So, I’d like to introduce my readers and music aficionados to Forest Robots’ music. His music is art containing 75% character and 25% music. </span></p>
<p><span style="color:#c0c0c0">Forest Robots (known as Fran Dominquez) is a music composer who resides in Los Angeles who has gifted the Indie Music community with his art. His music is passionate and visual, and it allows for you to journey through his mind and moments while deeply pondering your very own life. </span></p>
<p><span style="color:#c0c0c0">His recent release is titled “SuperMoon Moonlight Part One” and is a two-part musical series that he composed to teach his beautiful daughter about the world around her – its natural beginnings, its vitality, and to gain an appreciation of our marvelous planet’s surroundings. </span></p>
<p><span style="color:#c0c0c0">Ten tracks are included on “SuperMoon Moonlight Part One”:</span></p>
<ol>
<li><span style="color:#c0c0c0">A Path Among the Woods</span></li>
<li><span style="color:#c0c0c0">Times When I Know You Will Watch the Sky</span></li>
<li><span style="color:#c0c0c0">Shapes Shift in The Distant Shadows</span></li>
<li><span style="color:#c0c0c0">Last Silvers of Moonlight</span></li>
<li><span style="color:#c0c0c0">Silhouettes Follow the Echoes</span></li>
<li><span style="color:#c0c0c0">Then the Spiders Turned into Clouds</span></li>
<li><span style="color:#c0c0c0">Mandelbrots In Winter</span></li>
<li><span style="color:#c0c0c0">While Birds Dream of Dawn and Wind</span></li>
<li><span style="color:#c0c0c0">By the Stillness of The Lake</span></li>
<li><span style="color:#c0c0c0">Follow the Towers to The Moon </span></li>
</ol>
<p><span style="color:#c0c0c0">While each track houses an amazing musical narrative, I will focus on the five tracks that held the premise so tightly that the musical narrative’s emotion and drive is felt first hand time you set your ear to this collection. </span></p>
<p><span style="color:#c0c0c0">Since this EP is a “love letter” to his daughter “about the wonders of nature,” it is only fitting that Forest Robots awakens your insight and clear your ears so to speak with the opening track “<a href="https://forestrobots.bandcamp.com/track/a-path-among-the-woods" target="_blank" data-imported="1"><span style="color:#c0c0c0">A Path Among the Woods</span></a>.” More Synth-Pop in feel, this track kicks off the EP by unveiling the hidden narrative with its title. When you stumble across a path made in the woods, the first thought is “who made this?” Then, you think, “where does it lead?” right? And that is exactly what Forest Robots has done with his opening track’s title – with this title, he wonderfully excites the imagination even before the music begins. But when the music filled with ambiance does begin, it is as if the light gets brighter and brighter. Forest Robots achieves this illuminating effect by layering synths at the right tempo and at the right sections on the track while leaving that muted monstrous 808 crawling at the bottom treading the entire track. The mystery and curiosity!</span></p>
<p><span style="color:#c0c0c0"><strong>“</strong><a href="https://www.youtube.com/watch?v=RfvIRkmknvU&list=UUnjXzOLpFN-5qDZLrUZafVw" target="_blank" data-imported="1"><span style="color:#c0c0c0">Times When I Know You Will Watch the Sky</span></a><strong>” </strong>opens sublimely with a euphoric synth melody that plays like a child’s jewelry box when it opens, and it instrumentally gives off that feeling one gets when they are star gazing and pondering over the many wonders of the sky. It is thought-provoking the way Forest Robots builds the track’s Electronic R&B foundation from a small synth to the booming bass, followed by the rushing bassline like the cosmos. This is musical phenom of wonder and fantasy all wrapped in one.</span></p>
<p><span style="color:#c0c0c0">One chord, and “<a href="http://forestrobots.bandcamp.com/track/last-silvers-of-moonlight" target="_blank" data-imported="1"><span style="color:#c0c0c0">Last Silvers of Moonlight</span></a>” will captivate you! If Beethoven was composing today, I think this track would be a part of his symphony – it’s that manic piano dancing electrically with quiet synths so organized and smooth. The same way the woods captivate its visitors, this track will leave you breathless and spellbound. Meandering through the entire piece is that hypnotic piano played by Forest Robots just draws you in. Never shortchanged by the Classical harmonic vocal-effect synths, the piano is wonderfully following its lead. This track has texture, balance, illusion, and spontaneity. Seriously, it is quite impressive!</span></p>
<p><span style="color:#c0c0c0">In the typical way that art translates differently from one viewer to the next, great instrumental music does the same thing when composed correctly, and Forest Robots nailed it on his eighth track<strong> “</strong><a href="http://forestrobots.bandcamp.com/track/while-birds-dream-of-dawn-and-wind" target="_blank" data-imported="1"><span style="color:#c0c0c0">While Birds Dream of Dawn and Wind</span></a>.” For me, there is only one word that describes Forest Robots’ eighth track, and that is CHILDHOOD. By using the technique of incorporating nostalgic sound FX with soft instrumentation, Forest Robots was able to pen an impressionable piece of music. It’s the distant children speaking in the background effect spliced with the pounding ethos-like distorted synth that progresses, that humble bassline, and the wonder-evoking bells that makes this track just give off an evolving vibe. And what better symbol of evolving than to grow up. Growing up is a part of life that brings pains, joys, mystery, excitement, and exploration, and it echoes that new horizon, journey, and/or path for both the child and the parent. This is what “While Birds Dream of Dawn and Wind” established musically for me. It is like maturation set to music – this imagery so clear.</span></p>
<p><span style="color:#c0c0c0"><strong>“</strong><a href="http://forestrobots.bandcamp.com/track/follow-the-towers-to-the-moon-2" target="_blank" data-imported="1"><span style="color:#c0c0c0">Follow the Towers to the Moon</span></a><strong>” </strong>to me is like saying “follow your dreams no matter where they lead – live your life as yourself and be free.” And in that case, what a way to close your letter to your child. And let’s talk about the synthesizers on this clip: when that one beat hits and then pauses allowing for the synths to speak, and then the beat builds into a nostalgic-like rhythmic old school Hip-Hop track, it is as if the journey will continue. The echo-effect laced onto the background rhythm synths is almost conversational. And those hand-claps showcase the artist’s ability to mesh both the classic with the modern. In addition, that bass gives off a Techno-Funk vibe that makes this track one of the most danceable in the collection. Great to end on a high-note. If you love classic Dance instrumentation that was heard in the 1980s combined with modern command to the beat, then you will LOVE “Follow the Towers to the Moon.” Synthesizers revel in this clip! </span></p>
<p><span style="color:#c0c0c0">First off, I’d like to say that I think it is ah-some that a father loves his little girl so much that he composed such a collection of beautiful music. To set out and achieve a musical piece of art like this takes passion, skill, time, understanding of the world, and love. Every beat, timed-sustain, stroke, blend, pull back, climb, and finale all comes from the artist’s core making it ART, and this type of art is priceless. </span></p>
<p><span style="color:#c0c0c0">The five tracks that I touched on in this review jumps out at you when you first listen and quickly sets up the imagery of Forest Robots’ narrative so that the artwork is clearly seen. These tracks allow for the narrative to be seen and understood without needing any vocals. </span></p>
<p><span style="color:#c0c0c0">Please also take a listen to the remaining six tracks so you get the full picture and artist’s scope. </span></p>
<p><span style="color:#c0c0c0">It is no mystery that Forest Robots is a genius when it comes to enveloping his listeners into the music and pulling them waist-deep into his music and passion, so we can see the world around us and gain a real appreciation. When listening to “SuperMoon Moonlight Part One” it is as if you can vicariously explore nature and appreciate the difference and allure. </span></p>
<p><span style="color:#c0c0c0">To be frank, if one were to say that “SuperMoon Moonlight Part One” is just another instrumental album, well, “Crouching Tiger, Hidden Dragon” must be just another film. Neither is “just another” anything, they are ART. In comparison to “Crouching Tiger, Hidden Dragon, both are revolutionary and sublime at the same time. “Crouching Tiger, Hidden Dragon” introduced the masses to an entirely different take on cinematography and I feel like Forest Robots is going to achieve that same feat within the Instrumental Music realm – he is changing a concept and direction, and this is spearheaded with “SuperMoon Moonlight Part One.” </span></p>
<p><span style="color:#c0c0c0">To push the envelope is one thing, but to make sure that envelope goes off the table and make a change is quite another – it is daring and so appreciated. <em> </em></span></p>
<p><span style="color:#c0c0c0">To learn more about Forest Robots, go to <a href="https://www.forestrobots.com" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.forestrobots.com</span></a>. </span></p>
Klef Notestag:klefnotes.com,2005:Post/60535422018-07-25T12:00:00-12:002018-07-25T19:11:04-12:00This Human Condition “Living for The Summertime” (Electronic Punk) Bristol UK
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/ddabc73c6424552affd50bf98d1d3f4296d6a129/original/this-human-condition.jpg/!!/b%3AWyJyZXNpemU6NTA0eDUwNCJd.jpg" class="size_orig justify_inline border_" alt="" height="504" width="504" /></span></p>
<p><span style="color:#c0c0c0">One thing that early Electronic music gave to the masses was experimentation! The DJs and musicians back in the day had a sort of unapologetic vibe about themselves where they would create, blend, and produce some of the most in your face beats and melodies that very few other genre-specific engineers would even think about. </span></p>
<p><span style="color:#c0c0c0">To accomplish this feat today, Electronic music should be able to share elements of the past, modern, and future all by utilizing the right instruments, melody, techniques, tools, and concept. This Human Condition prides themselves in valuing Electronic music that is accurately on point, and their newest release “Living for the Summertime” does not disappoint. </span></p>
<p><span style="color:#c0c0c0">Released June 21<sup>st</sup>, “<a href="https://soundcloud.com/this-human-condition/living-for-the-summertime" target="_blank" data-imported="1">Living for the Summertime</a>” lyrically illustrates living the easy life – the type of living that is sought after by the millions – that type of escape to the beach, the farm, or the hills just to jibe, vibe, and chill. The track even alludes to the “golden ticket” from Willy Wonka’s Chocolate Factory which gives it more nostalgic treatments. It has that easy approach that powerfully hits the core of the human condition containing a nice warm Synth Pop foundation. </span></p>
<p><span style="color:#c0c0c0">This Modern Electronic Punk track wonderfully blends Modern Punk surreal melodies with Classic Electronic instrumentation that feature a funky bassline, progressive synth chords, and magnetic electric drums. This fusion keeps the power surged without any monotony settling into the track. Jamie Jamal leads the track vocally strong with a nice forgiving effect that allows his voice to ebb while Mister-Minchie supports the track’s fancy-free effect with his artfully backing vocals. </span></p>
<p><span style="color:#c0c0c0">If you love Depeche Mode, Pet Shop Boys, Talking Heads, and Coldplay, then you’ll love This Human Condition, and you’ll dig their track “Living for the Summertime – it’s a whole other type of otherworldly that has adventure and idealism written all over it.<strong> </strong></span></p>
<p><span style="color:#c0c0c0"><strong>Website: </strong><a href="http://www.thishumancondition.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>http://www.thishumancondition.com</strong></span></a></span></p>
<p><span style="color:#c0c0c0"><strong>Twitter: </strong><a href="https://twitter.com/ConditionThis" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>https://twitter.com/ConditionThis</strong></span></a></span></p>
<p><span style="color:#c0c0c0"><strong>Facebook: </strong><a href="https://www.facebook.com/ConditionThis" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>https://www.facebook.com/ConditionThis</strong></span></a></span></p>
<p><span style="color:#c0c0c0"><strong>Instagram: </strong><a href="https://www.instagram.com/thishumancondition" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>https://www.instagram.com/thishumancondition</strong></span></a></span></p>
<p><span style="color:#c0c0c0"><strong>Youtube: </strong><a href="https://www.youtube.com/c/thishumancondition" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>https://www.youtube.com/c/thishumancondition</strong></span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535412018-07-25T12:00:00-12:002018-07-25T19:11:35-12:00Soulful Fox “Hypnotize" (EDM) Liverpool, UK
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/dfcd66cb2f28624bad6d4a9b28c76cdf9c93897c/original/soulful-fox.jpg/!!/b%3AWyJyZXNpemU6NDkyeDQ5MiJd.jpg" class="size_orig justify_inline border_" alt="" height="492" width="492" /></span></p>
<p><span style="color:#c0c0c0">If anyone is an enigma today in music, it would be Soulful Fox – she is anything but ordinary. This Electronic Music beauty started out as a music teacher, studied to become an EDM DJ, and now creates music that feature dubsteps, downtempo, euphoric FX, and powerful synths. She’s a Millennial woman in every aspect of the term, and a universal artist that is soon to be a household name and a frequent-club music supplier. </span></p>
<p><span style="color:#c0c0c0">Soulful Fox’ latest track “<a href="https://soundcloud.com/soulfulfox/hypnotize" target="_blank" data-imported="1"><span style="color:#c0c0c0">Hypnotize</span></a>” does just that, it hypnotizes you from the first beat’s command onto its conclusion – it keeps you in a seductive trance for three minutes and 13 seconds. “Hypnotize” is a wonderful mysterious EDM track that plays like your last exhale of that cigarette or that first breath after a kiss . . . yes, it is that ah-mazing! </span></p>
<p><span style="color:#c0c0c0">The alluring female vocal sample on this track cooperates with the music well, and the music pull backs are placed in the right spots giving way to mystery. The odd pure tones of the synths, and the stick and jab effects of the percussions, makes for a driving track. </span></p>
<p><span style="color:#c0c0c0">Every riff, sample, arrangement of MIDI, synth loop, and composed instrumentation was all done by Soulful Fox with pristine, power, and poise. If you have not heard of her, then you are missing out on one of Indie Music’s best sought after artists. </span></p>
<p><span style="color:#c0c0c0">True to her name, Soulful Fox can swiftly and cleverly maneuver music and overlay EDM tracks with a soulful bounce. </span></p>
<p><span style="color:#c0c0c0">There is more to come from the FOX – keep your ears and eyes on her <a href="https://twitter.com/soulfulfox1" target="_blank" data-imported="1"><span style="color:#c0c0c0">Twitter page</span></a>.</span></p>
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/de7b7851cd7119dfb017c167614ee01cb362bd1f/original/soulful-fox-2.jpg/!!/b%3AWyJyZXNpemU6NDE0eDM2OSJd.jpg" class="size_orig justify_inline border_" alt="" height="369" style="display: block; margin-left: auto; margin-right: auto;" width="414" /></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535402018-07-19T12:00:00-12:002018-07-22T23:53:01-12:00IAMWARFACE “Closer” (Rock) London / Brighton
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/8bc26335e108b6616d64f351532d19a9b38fb21c/original/i-am-warface.jpeg/!!/b%3AWyJyZXNpemU6NTI1eDUxNiJd.jpg" class="size_orig justify_inline border_" alt="" height="516" width="525" /></p>
<p><span style="color:#c0c0c0">If Del Leppard, Depeche Mode, and Radiohead were chemically mixed in the most smokin music lab on the planet, you’d get a close clone of what could possibly pass in being IAMWARFACE, but IAMWARFACE is more than that still – these cats are one of the best Rock musicians I have heard in a minute. </span></p>
<p><span style="color:#c0c0c0">An Electro Rock band coming out of England, IAMWARFACE consists of Matt Warneford as vocalist/songwriter, Adam Stanley on percussions, Lou Matthews on 6-strings, Mike Smith on bass, and Tom Howe mastering the DJ synths. These Electro Rock studs are waxing the streets with their approach to music called “Rocktronica” (Eddy Temple Morris) and you would have to walk in some BIG boots to follow the musical footprints of IAMWARFACE’s newest clip “<a href="https://open.spotify.com/album/2oLv3SyJICE0Htm1xW87Dg" target="_blank" data-imported="1"><span style="color:#c0c0c0">Closer</span></a>.” </span></p>
<p><span style="color:#c0c0c0">“Closer” is a heavy mesh-up of mystical synths, booming bass lines, sticky-fingers strings, and riffs of synths that tingle the spine. Listen to the intro and tell me your hair does not stand on end? Yeah, right. Starts like a Modern Rock ballad and then at the two minutes / three seconds mark, the song progresses into this ferocious anthemic righteous Rock cut that can turn rocks to diamonds. </span></p>
<p><span style="color:#c0c0c0">The song’s theme is about ending a soul-shattered romance to begin again, Warneford sings “who, who am I? / I’m just living to die / I don’t know what I’ll do / cause I used to have a soul, I just lost control, and I’ll move, move closer / yes, I’ll move, move closer to you / every day’s just like the last / feel I’m walking on shattered glass / this romance just has to end to … begin again / so those words that you say cut like a thousand razor blades.” </span></p>
<p><span style="color:#c0c0c0">The composition of this track is ah-mazing: the intro synths are nothing short of monstrous – I mean, it is in your face where you can feel the sweat and see the anguish. And when I say this song builds, do not get it twisted, it BUILDS – from a dark room crawl into a fully illuminated stage of synths and guitars and powerful drums. Moreover, there’s something sexy about the front-man’s vocal execution – I think it is the pleasure for pain trill of his vocals and the way he leans right into the mic not sacrificing the emotion. Then, after the second verse, the music pulls back for a subtle bridge, and then at the three minutes / twenty-two seconds mark, there is this jam-like session of guitars slashing and whining, hi-hats, and synths that electrically moves you to the outro. </span></p>
<p><span style="color:#c0c0c0">I literally could not put this song down! </span></p>
<p><span style="color:#c0c0c0">The only way to get any closer would be to be the skin of the artists. I was an addict at the first note; I needed to get “closer.” </span></p>
<p><span style="color:#c0c0c0">Rush, don’t move slow, to download your copy of this track NOW. And keep an eye out for the video that is set to drop on 7/27<sup>th</sup> – it is sure to go viral! </span></p>
<p><span style="color:#c0c0c0">In addition, IAMWARFACE will be performing towards the end of this month here:</span></p>
<p><span style="color:#c0c0c0"><strong>Saturday 7/21 Cricketers, Kingston</strong></span></p>
<p><span style="color:#c0c0c0"><strong>Sunday 7/29 Crown’s, Brighton</strong></span></p>
<p><span style="color:#c0c0c0"><strong>Tuesday 7/31 Live Acoustic Session</strong> </span></p>
<p><span style="color:#c0c0c0">Go to <a href="http://www.iamwarface.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">www.IAMWARFACE.com</span></a> for more dates, info., and social platforms.</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535392018-07-19T12:00:00-12:002018-07-19T23:11:50-12:00Easy Wanderings “As Written in the Stars”
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/e298e9e7c0cf25598a1d8869cd331b8c74b53940/original/the-wanderlings.jpg/!!/b%3AWyJyZXNpemU6NTE2eDUxNiJd.jpg" class="size_orig justify_inline border_" alt="" height="516" width="516" /></span></p>
<p><span style="color:#c0c0c0">If you could explore the entire globe by just listening to one EP, wouldn’t that be Ah-mazing!? I mean, think about it – this would take virtual reality to a whole other level. You would just sit back, place the earplugs into your ears, close your eyes, and be transported LITERALLY! </span></p>
<p><span style="color:#c0c0c0">Well, this is possible. I experienced this very thing when I listened to “As Written in the Stars” by Easy Wanderings – a Soul Pop band from Pune, India who has toured the globe, performed in cafes and stadiums, and pride themselves in writing and producing music that touches every part of your being. </span></p>
<p><span style="color:#c0c0c0">The eight track EP is so pleasing and euphoric that it sets your emotions up for travel or escape – these are the songs: </span></p>
<ol>
<li><span style="color:#c0c0c0">Dream to Keep Us Going</span></li>
<li><span style="color:#c0c0c0">Ode to A Bristlecone</span></li>
<li><span style="color:#c0c0c0">Here’s to You</span></li>
<li><span style="color:#c0c0c0">Summer Is Away</span></li>
<li><span style="color:#c0c0c0">I For Little Things</span></li>
<li><span style="color:#c0c0c0">Enjoy It While It Lasts</span></li>
<li><span style="color:#c0c0c0">Faces</span></li>
<li><span style="color:#c0c0c0">Going Easy </span></li>
</ol>
<p><span style="color:#c0c0c0">From the first track to the closing track, its composition allows for mental serenity, and it keeps you engaged from the very first chord on to the last note. </span></p>
<p><span style="color:#c0c0c0">This is a capsule review of “As Written in the Stars,” where I pull out five of the eight tracks to illustrate Easy Wanderlings’ main theme of not taking life too serious and “enjoying it while it lasts.” </span></p>
<p><span style="color:#c0c0c0">We start with the opening track “<a href="https://soundcloud.com/easy-wanderlings/dream-to-keep-us-going-1?in=easy-wanderlings/sets/as-written-in-the-stars" target="_blank" data-imported="1"><span style="color:#c0c0c0">Dream to Keep us Going</span></a><strong>” – </strong>a mellow duet that is the quiet storm of the EP. Sitting at the top of the track list is the best place for this song as it subtly strokes your hair with its air-like acoustic guitar and pleasant harmonies. The hidden surprise of the first track is its layers of instrumentation – it starts off soft and builds a little to be firm but not harsh. It stays light and playful and easy. It’s like a lyrical 2-step that keeps your head bobbing and weaving as it meanders in melody and lyric. Parmarth Rai and Pratika Gopinath complement each other’s voice on this track wonderfully. “Dream to Keep Us Going” is a 25% Country, 25% Rock, and 50% Pop and it plays light on the palate like Iced Tea mixed with Lemonade.</span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/easy-wanderlings/ode-to-a-bristlecone-1?in=easy-wanderlings/sets/as-written-in-the-stars" target="_blank" data-imported="1"><span style="color:#c0c0c0">Ode to a Bristlecone</span></a>” is a lyrical story set to music that describes the power of things in life that mistakenly is underestimated, like love and all its imperfections. This Jazz Pop track is wonderfully built and stands tall on the EP like a Bristlecone Pine tree. With Pratika Gopinath sounding very much like the child of Christina Aguilera and Amy Winehouse, she effortlessly floats through the song and pierces your heart with love and power. She is singing about how love should not change a person but allow for the lovers to grow along love and life. A bit of history: A Bristlecone is a pine tree that does poorly on so many levels, but where it rules is in soil that kills other plant life. Yes, it flourishes in the rockiest of terrains where there is little rainfall and thrives for years. Isn’t true love like that? Ahhh!</span></p>
<p><span style="color:#c0c0c0">This brings me to the fifth song “<a href="https://soundcloud.com/easy-wanderlings/i-for-little-things-2?in=easy-wanderlings/sets/as-written-in-the-stars" target="_blank" data-imported="1"><span style="color:#c0c0c0">I For the Little Things</span></a>.” Opening with classic acoustic guitars and synths, this track has a Classic 1980s Soft Rock approach married to Modern Pop and it introduces Sanyanth Naroth as a vocalist – his tenor/second tenor vocal is low and sensual and twists around your heart and just hangs there. His vocal execution is so nonchalant, and it works – it is care-free and stoic at the same time. The varied harmonies in the background and the textured adlibs helps to connect all the dots of the premise by delivering a sort of “feel-good” attitude. The premise of this song is about stopping to pay attention to the little things, AND, enjoying them. Moreover, the quick step to the beat on this track is amazing. The strong percussions and the brass adds a euphoric feel to the track like “Summers in Bogotá” and making memories. </span></p>
<p><span style="color:#c0c0c0"><strong>“</strong><a href="https://www.youtube.com/watch?v=kPyzCPztkQw" target="_blank" data-imported="1"><span style="color:#c0c0c0">Enjoy it While it Lasts</span></a><strong>” </strong>is the stay in the bed when it rains type of song – it has that chill-factor tied up and it is laced with vocal whispers and nostalgic promises. The mournful tone that Pratika Gopinath adds to her vocal register adds a quiet spark. Sounding much like a lounge singer on this track, which is pleasurable, you can see Gopinath’s grimaces, glances, frowns, and eye-lifts in her vocals as she sings this beautiful Pop/Jazz ballad so affectionately and real. The piano and guitar roll along with Gopinath as vocal harmonies highlight the notes just enough. Elongating the word “lasts,” just adds the final touch to the longing and desperation of the songwriter’s plea to enjoy it while it lasts – whatever “it” may be for anyone listening – enjoy it!</span></p>
<p><span style="color:#c0c0c0">“Could you tell me where I can find a new face to put on?” are the lyrics that starts the seventh track called “<a href="https://soundcloud.com/easy-wanderlings/faces-3?in=easy-wanderlings/sets/as-written-in-the-stars" target="_blank" data-imported="1"><span style="color:#c0c0c0">Faces</span></a>.” The lyrics tell the story of how one can just be a face in the crowd, lost in the everyday, and how the possibility of hypothetically changing your face can allow for a difference that is often needed – in other words, a change of your mindset. The track starts with synth FX and then it scales back to a noiseless second to give off the feeling of when a person comes into their quiet place after coming in from outside of a bustling city – perfect metaphorical use of instrumentation and FX. Parmarth Rai nails it vocally on this track and he’s easy with it! His full lyric tenor suits this track so well. Like a true Jazz vocalist, Rai dips, drops, trails high, and twists his vocals to be the twin of the music. And at the two minutes – 43 seconds mark, a trumpet swoons and is joined by cellos, guitars, and adlibs that keeps the mood mellowed-chill. This track does not need much to give off its effect of serenity and change. The minimal approach works!</span></p>
<p><span style="color:#c0c0c0">There is a reason <strong><em>Rolling Stone </em></strong>called this EP “story-centric and emphatic,” and why <strong><em>Red Bull</em></strong> called Easy Wanderlings one of the “Top 10 Indie artists to watch in 2018,” and that is the cosmic hold that the band has on storytelling and their use of the right vocalizations and instrumentation to support the story. Their songs and blended voices can be utilized on an EP, film score, television, or Broadway as it really supports the human condition and life. Their music does what music is supposed to do, and that is be the soundtrack to life.<strong> </strong></span></p>
<p><span style="color:#c0c0c0">To some today, writing about romance, love, affection, nature’s beauty, change, and/or practical topics is a bit cheesy, but to Easy Wanderlings credit, I have to say that to be able write about such topics show the scale of an artist or bands creativity – these are deep topics. To be able to weld different genres and melodies together to stick to the lyrics and tell a story about something that has been present inside of the human condition for eons of time, and keep it fresh and exciting, is TALENT! It is easy to tell the story of an experience one summer or inside of a club or party, but to delve down deep and find words to express sorrow, love, a torn heart, mental anguish, or even infatuation, takes skill. So, hats off to this band.<strong> </strong></span></p>
<p><span style="color:#c0c0c0">Even the track listing tells a story as it opens with a “dream to keep us going” and it closes with “going easy” - a salutation and goodbye set to music.<strong> </strong></span></p>
<p><span style="color:#c0c0c0">I’d call Easy Wanderlings’ music “Emotional-based Pop Soul.” More than just a touring band, Easy Wanderlings’ eclectic look and music will inspire and encourage you to live life and soak in all of its beauty wherever you are on the planet.<strong> </strong></span></p>
<p><span style="color:#c0c0c0">And even though Easy Wanderlings is a self-contained unit when it comes to their music, vocals, and production, guest artists/musicians on the album include: Siya Ragade, Vilhelm Juhler Kjær, Sameer S Sapre, Shardul Bapat, Sakshi Krish, Asif Afzal, and Shiuli Maji.<strong> </strong></span></p>
<p><span style="color:#c0c0c0">Like music back in the day with Sam Cook, Stevie Wonder, and Billie Joel (to name three), Easy Wanderlings’ songs have a standard appeal in how the music makes you pause and reflect – from the first chord to the last note, it makes you keep it. It is not a backdrop or background music where you hear it but do not listen, no, it is the soundtrack, it stays with you through life. </span></p>
<p><span style="color:#c0c0c0">As the EP’s title alludes, how to live life to the fullest is already written out for us, we just have to LOOK! </span></p>
<p><span style="color:#c0c0c0">Visit Easy Wanderlings’ <a href="https://easywanderlings.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">music page</span></a> as well as their <a href="https://twitter.com/EasyWanderlings" target="_blank" data-imported="1"><span style="color:#c0c0c0">Twitter page</span></a> to keep up with their musical journey.</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535382018-07-19T12:00:00-12:002019-12-31T08:11:06-12:00Gozer Goodspeed “Impossible to Pick Up”
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/7514d753670896da26ba111a724f47ff0c8ffee4/original/gozer-goodspeed.jpg/!!/b%3AWyJyZXNpemU6NDc1eDQ3NSJd.jpg" class="size_orig justify_inline border_" alt="" height="475" width="475" /></span></p>
<p><span style="color:#c0c0c0">I was gifted with an EP called “Impossible to Pick Up” by Gozer Goodspeed and his music is far from predictable. Hailing from Plymouth, UK, Goodspeed prides himself in writing music that is adaptable in that it contains Folk music that grasps elements from every genre and blends with stylings of modern music. His music has been recognized and appreciated by BBC Introducing, international radio stations, as well as a growing fan base that includes Folk music aficionados. He’s played 75 gigs last year and have played over 700 gigs to fans in West and Southwest England to date. </span></p>
<p><span style="color:#c0c0c0">With a music CV as such, Gozer’s music must have something special that engages the listeners or it must invite an experience, right? So, I was curious as to the reason why people will come out in droves to see him perform his tracks repeatedly. What is the “IT” factor that makes Gozer “Impossible” to ignore as an artist? </span></p>
<p><span style="color:#c0c0c0">To get my answer, read on! </span></p>
<p><span style="color:#c0c0c0">Let’s start with the opening <a href="https://soundcloud.com/gozer-goodspeed/impossible-to-pick-up?in=gozer-goodspeed/sets/impossible-to-pick-up-ep" target="_blank" data-imported="1"><span style="color:#c0c0c0">title track</span></a> that alludes to those things in life that are hard to grasp or hold onto – be it vices, beating addictions, finding love, or fighting day in and day out trying to get through life and how that lifeline or life raft seems impossible to grasp when you need it, Goodspeed sings “some things are impossible to pick up / some things you let go and something else steps in the breach / give me something I can see / give something I can feel and believe / give me something I can hold in my hands / give me something I can still understand / some things feel impossible to give up / but you quit them after one last blast / some things are impossible to drop.” Goodspeed ebbs between aggressive vocalizations and mellow executions which plays well with the textured instrumentation of the track. </span></p>
<p><span style="color:#c0c0c0">“Impossible to Pick Up” places you in deep thought. From the first opening bar, you hear that traditional Folk music just dripping, dripping, with subtlety and practicality, but those changes within the song that gives it such texture are those synths, hand drums, and acoustic guitars descending and modulating so beautifully. It gives off that same Symphonic Rock-Progressive musical effect that the Moody Blues’ music did in the 1960s. That hook stays with you man – honestly – that yearning, questioning, appeal of Goodspeed’s singing lingers. </span></p>
<p><span style="color:#c0c0c0">I like to call the second track “<a href="https://soundcloud.com/gozer-goodspeed/survivor-by-habit?in=gozer-goodspeed/sets/impossible-to-pick-up-ep" target="_blank" data-imported="1"><span style="color:#c0c0c0">Survivor by Habit</span></a>” the mamba of the four tracks as it sneaks up on you mellowly and then strikes with a musical bite that stings. It is quite dark in its musical chords and tempo, but it is not death dealing as it mysteriously rides light and is bright with melody. A galloping guitar and bass drum opens the track, and Goodspeed sets up his verses to slowly build telling the story of a man who defies the laws of life just by being a survivor by habit. In the musical solo at point 2 minutes / 19 seconds, it sounds as if the artist’s fingers are actually climbing up the six strings and that is met with the bass and organ – spectacular! This track is Folk music laced with Blues and Rock. And as quickly as it meets you, the track slivers away.</span></p>
<p><span style="color:#c0c0c0">The most Psychedelic-Folk track of the four is “<a href="https://soundcloud.com/gozer-goodspeed/the-key-broke-off-clean-in-the-lock?in=gozer-goodspeed/sets/impossible-to-pick-up-ep" target="_blank" data-imported="1"><span style="color:#c0c0c0">The Key Broke Off Clean in the Lock</span></a>” with its almost Bob Dylan implementation. The metaphorical track plays like a narrative with trippy synth effects and a harmonic hook. Goodspeed elevates the hook and verses by adding in snippets of vocal euphoric interludes that scale and disappear. This track is infectious with its tight structure and chill-appeal.</span></p>
<p><span style="color:#c0c0c0">The final track is “<a href="https://soundcloud.com/gozer-goodspeed/keep-your-expectations-low?in=gozer-goodspeed/sets/impossible-to-pick-up-ep" target="_blank" data-imported="1"><span style="color:#c0c0c0">Keep Your Expectations Low</span></a>” and it clearly tells a tale of living life to the fullest – Goodspeed sings “Keep your mind alive and your powder dry and your wits sharp.” What’s additionally great about this track is that although it exhibits the most Folk, it has a bit of Funk layering with the bass guitar establishing a rhythm line that grooves, and the bass drum setting the musical foundation. This track is written well and is proof to never underrate the appeal of a traditional track and its power to pull in listeners. It was great to close the EP with this track sewing up the mouths of people who turn up their nose to acoustic music.</span></p>
<p><span style="color:#c0c0c0">Which brings us to my conclusion. </span></p>
<p><span style="color:#c0c0c0">Remember I posed a question at the outset of this review regarding why people continuously go to see Goodspeed perform and why this man has accumulated so many fans and attention from TV and radio? Well, I’ve listened and found the “IT” factor that makes Gozer “Impossible” to ignore as an artist and that is his music, it transports you – it gives an experience, and that is what the listening audience craves – an escape from their world, even if it is just for an hour or two at a live performance or just sixteen minutes of music on an EP. </span></p>
<p><span style="color:#c0c0c0">Something should happen when you put on a song – you should be either transported mentally, seduced, driven mad, warped back into time, or even just plunged into deep thought. Regardless, a good track, album, concert, or EP should leave you feeling different after you listen than how you felt before listening – it should be more of an experience versus a listen. That is what the best songs do, they involve their listeners and that is what Goodspeed embraces. </span></p>
<p><span style="color:#c0c0c0">And to involve an audience, every element of the artist’s creation should feature points and highlights to enhance the listener’s experience. It shouldn’t just be the music; it should not only be the voice or its production – it should encompass ALL. </span></p>
<p><span style="color:#c0c0c0">After listening to the four tracks of this EP, one can see that Goodspeed has a certain attitude that stays with you. His vocal swag is seductive and real. He does not shortchange himself or his listeners by sinking back into the musical tapestry and being soft, he is in your face in vocally painting the reality of his tracks – his life. The way he angles his tone, breaks his pitches, and elongates his vocal rhythms is ah-some. </span></p>
<p><span style="color:#c0c0c0">Musically, “Impossible to Pick Up” is a collaborative effort of Goodspeed, Josiah Manning (a producer in the UK who also splits his time up as being a member of the Kris Barras Band), and Davey Dodds (former front-man of the Progressive Rock band called Red Jasper). On this EP, Manning contributes to its rich music textile by lending his skills on the keys, bass, and percussions. Moreover, Dodds contributes with his mastery over the mandolin (he cannot be overlooked on the track “The Key Broke off Clean in the Lock”).<em> </em> </span></p>
<p><span style="color:#c0c0c0">On another note, many who know Goodspeed knows that he does not enjoy labeling his music (as does many Indie artists) because the creativity feels a bit pigeonholed and caged once the music is labeled. Yet, when I listened to “Impossible to Pick Up” that Progressive, psychedelically layered modern Folk music jumped out. It is hard to ignore. So, I am going to push the envelope, as Goodspeed loves to do, and label this EP’s style as Progressive Folk. </span></p>
<p><span style="color:#c0c0c0">This will not cage the artistic approach of the artist as this is just an interpretation of <em>this</em> EP, in the same manner as Coldplay’s “A Head full of Dreams” was more Progressive than their “Ghost Stories” that was more Electronic / Synth Pop. </span></p>
<p><span style="color:#c0c0c0">Goodspeed is a Modern Folk artist to watch. He’s unpredictable, and that’s the feather in his fedora that will keep his music being “impossible” to PASS up. </span></p>
<p><span style="color:#c0c0c0">“Impossible to Pick Up” was released June of this year, so go to <a href="http://www.gozergoodspeed.co.uk/" target="_blank" data-imported="1"><span style="color:#c0c0c0">www.gozergoodspeed.co.uk</span></a> and get your copy.</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535372018-07-12T12:00:00-12:002018-07-12T21:21:46-12:00“Ashley Woodruff” (self-titled EP)
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/caa176293b7190f0c14fedf573e9e759cd44ba3a/original/ashley-woodruff.jpg/!!/b%3AWyJyZXNpemU6NTAweDUwMCJd.jpg" class="size_orig justify_inline border_" alt="" height="500" width="500" /></p>
<p><span style="color:#c0c0c0">Every now and again, the world of music is graced with a star that contains etches from the past and a voice of the NOW that makes an artist that truly shines. <em>The VOICE</em> has their Tessanne Chin (winner of Season 5) and <em>American Idol</em> has their Kelly Clarkson (winner of season 1), and Indie Music have our Ashley Woodruff.</span></p>
<p><span style="color:#c0c0c0">Like Tessanne Chin and Kelly Clarkson, Woodruff has powerful, belting, vocals and she holds a subtle, yet, commanding female empowering style and image that demands attention. She has the beauty and the brains, and her songwriting illustrates that fact as Woodruff writes songs from scratch and allows the genre to become alive as the music is made – this makes for an artist that is pitting for longevity and a spot on the charts, and her latest EP places her right there! </span></p>
<p><span style="color:#c0c0c0">This is a review of her self-titled EP “Ashley Woodruff.” Nine tracks fill this EP: </span></p>
<ol>
<li><span style="color:#c0c0c0">My Heart Always Does</span></li>
<li><span style="color:#c0c0c0">Where Did the Time Go? </span></li>
<li><span style="color:#c0c0c0">Make You Mine</span></li>
<li><span style="color:#c0c0c0">Without You</span></li>
<li><span style="color:#c0c0c0">So Long (Feat. Katrina Pomeroy)</span></li>
<li><span style="color:#c0c0c0">Please Tell Me</span></li>
<li><span style="color:#c0c0c0">More Than A Spark</span></li>
<li><span style="color:#c0c0c0">By My Side (Feat. Sherice Mccoshen)</span></li>
<li><span style="color:#c0c0c0">I’m In Control </span></li>
</ol>
<p><span style="color:#c0c0c0">Each track hits the heart in its center and is repeat-worthy, but in this review, I will highlight the six tracks that fully illustrate Woodruff’s lyrical theme of how nostalgic love is the only way to balance the scales of life. </span></p>
<p><span style="color:#c0c0c0">No better way to get an EP going than with a guitar/piano stirring stairstep melody, and that is what “<a href="https://open.spotify.com/track/4zOt55CHRt9vao0Xqb6BA3" target="_blank" data-imported="1"><span style="color:#c0c0c0">My Heart Always Does</span></a>” brings to the album. Complementing the music is Woodruff’s vocals which are crystal clear, and she is pitch perfect. Almost opera with her approach to scales, Woodruff presents an ice-strong, yet pillow-soft, voiced effect by staying in a high register throughout the piece but delving down during the verse end-note trills. The guitars and piano play hard on this Adult Contemporary track and spins a web that catches you in the clutches of a story about love and passion.</span></p>
<p><span style="color:#c0c0c0">Guitars playfully introduce the second track “<a href="https://open.spotify.com/track/1t8rsHHdovovTnK0s80GQw" target="_blank" data-imported="1"><span style="color:#c0c0c0">Where Did the Time Go</span></a>?” – a spirited mid-tempo Pop track that spurs memories of high school pep rallies and new weekend experiences. Woodruff does not disappoint vocally as she chose to utilize a more up close and personal vocal execution on this track which adds more emotion. The lyrics sing “we lived in the moment” and illustrates how love, although new, can be real and fleeting. Just acoustic guitars and a voice and we have a modern Pop track that is sure to wrap itself around you. </span></p>
<p><span style="color:#c0c0c0"><strong>“</strong><a href="https://open.spotify.com/track/4y8Y4Z9kEmSk6YaSvwyDXD" target="_blank" data-imported="1"><span style="color:#c0c0c0">Make You Mine</span></a><strong>” </strong>has a nice soulful bounce to it. Woodruff’s scales and trills are powerful and has a deep jazzy Soprano that resonates an equality to Brenda Russel (the voice behind the 1988 hit “Piano in the Dark”) in its flavor and cadence. A quick mid-tempo track that builds slowly and then soars vocally along with the inclusion of brass, adlibs, slant rhyme, and vocal effects, “Make You Mine” is unforgettable and seasoned.</span></p>
<p><span style="color:#c0c0c0">Sorry to sound cliché, but a love song never goes out of style, and if you are longing for one, then look no further, because “<a href="https://open.spotify.com/track/5ABEQJ4CK5isBaf7SzV17o" target="_blank" data-imported="1"><span style="color:#c0c0c0">Without You</span></a>” is that track. Featuring a timeless, powerful, melody along with soul-stirring piano chords that follow the lead of Woodruff’s vocals, this track sits on your heart and makes you think. A story about taking back your power after lost love, this Modern/Classic track is easy on the ears and awakening. Today in music, we rarely here an originally written song structured where there is a foundation, storyline, verse, chorus, bridge, and buildup to the outro, and it was ah-mazing hearing this from Woodruff.</span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/track/6BBtVhhbpyxhKhVyErN3WW" target="_blank" data-imported="1"><span style="color:#c0c0c0">More Than A Spark</span></a>” is a Pop Rock track with a nice Modern bounce to it – the synths lead this track and the bass bottom keeps the pace. The overall structure of this track is different than the other tracks on the EP as it rides low and scales back musically in the hook which adds texture to the EP and an urban-new wave vibe that is great. This track is a nice contemporary way to define true love and how love is the spark that lights up living life.</span></p>
<p><span style="color:#c0c0c0">And for my Hip-Hop fans, check out “<a href="https://open.spotify.com/track/2uMfBA5gzP7Pc3qqydNEuj" target="_blank" data-imported="1"><span style="color:#c0c0c0">By My Side</span></a>” which features Sherice Mccoshen. The command to the beat on the eighth track offers another approach to Adult Contemporary music as it marries Hip-Hop to AC/Pop delicately. Mccoshen’s spits and rhymes fused with Woodruff’s delicate verses, added to a sort of Modern/quasi music box meets classical instrumentation, makes for a GREAT clip on so many levels. A great track to lyrically explain how having a ride or die partner in life makes life so worth living.</span></p>
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/c29a70df7b3b22f79562586d78c97c8b966ca7dd/original/ashley-woodruff-2.jpg/!!/b%3AWyJyZXNpemU6NTc0eDM4MiJd.jpg" class="size_orig justify_inline border_" alt="" height="382" style="display: block; margin-left: auto; margin-right: auto;" width="574" /></span></p>
<p><span style="color:#c0c0c0"></span></p>
<p><span style="color:#c0c0c0">This Pop / AC singer/songwriter from Ontario, Canada has climbed the ladder of music rung by rung to develop artistry, passion, and a voice. This started by singing and writing songs from her youth on to classical vocal training. Woodruff then began performing through recitals and school talent shows to go on to major in Vocal Music at Sudbury Secondary School. To polish her talent, Ashley started competing at festivals and releasing cover songs online. This all spun her into performing at many different venues and events, and now with experience, chops, and drive, Woodruff has released her self-titled EP “Ashley Woodruff,” and aren’t we so glad to have this musical jewel? </span></p>
<p><span style="color:#c0c0c0">It is no secret that Ashley Woodruff is a star ready to explode and we have just heard the prelude to her music voyage. Yoking practical storylines with skilled vocals and mixing that with varied genres that speak musically to so many cultures will make Woodruff a household name like Tessanne Chin, Kelly Clarkson, and OneRepublic. </span></p>
<p><span style="color:#c0c0c0">By listening to her latest music, we see that Woodruff can be sweet or rough; she can soar, and she can dig down into the soul; she can vibe vocally with Hip-Hop, Rap, and Rock, and she can just chill with Pop, AC, or Classical, and that makes her a force, better yet, a VOICE to be reckoned with as there will be no stopping her. Ashely Woodruff has spirit and talent and she is here to stay. Please keep up with the artist by going to</span> <a href="https://ashleywoodruff.com" target="_blank" data-imported="1">her page</a> or on <a href="https://twitter.com/AWMusic2017" target="_blank" data-imported="1">Twitter</a>!</p>
Klef Notestag:klefnotes.com,2005:Post/60535362018-07-11T12:00:00-12:002018-07-11T19:35:04-12:00VAVO “No Friend Zone” (EDM) New York USA
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/e9c6f55ece01e27af8e9d024b7838f1105b46f93/original/vavo-photo.jpg/!!/b%3AWyJyZXNpemU6NjE3eDM0MyJd.jpg" class="size_orig justify_inline border_" alt="" height="343" style="display: block; margin-left: auto; margin-right: auto;" width="617" /></p>
<p><span style="color:#c0c0c0">If you are looking to break free from music monotony, then exhale and pin your ears onto “No Friend Zone” by VAVO – one of the best EDM duos existing right now who are having fun breaking through traditional walls and building new ones with Modern frames within EDM. Evidence of this is heard on their newest cut “<a href="https://www.youtube.com/watch?v=HTeAp-3iRqU" target="_blank" data-imported="1"><span style="color:#c0c0c0">No Friend Zone</span></a>.”</span></p>
<p><span style="color:#c0c0c0">Trailing off the heels of their <strong><em>Billboard</em></strong> charting track “Sleeping Alone,” “No Friend Zone” is an EDM track that borrows from classic Electronic Dance Music with its Trance instrumentation and stays prevalently Modern with its Progressive House production and arrangement. </span></p>
<p><span style="color:#c0c0c0">This unconventional music production is established by the duo utilizing vocal FX fused with an emphasis on basslines, kick drum, kickdown drum, snares, and some mellowed-down Calypso rhythm in the case of its bpm and melody. The track opens by crawling steadily and then building progressively into a music crowd-dive at the 47 second mark. The storyline uses the title of the track as a warning sign of a relationship showing signs of affection gone adrift. In other words, when things fall into the “No Friend Zone,” it’s best to walk away. </span></p>
<p><span style="color:#c0c0c0">Both Alden Martin and Jesse Fischer share verse space that feature subtle lyrical executions that swiftly build into the infectious hook that rides the song to its end. In addition, with a length of three minutes and twenty-one seconds, VAVO’s latest track features a shorter length which allows for the audience to WANT to come back for a re-visit versus older EDM tracks that feature longer lengths that may bring on boredom or overall redundancy. </span></p>
<p><span style="color:#c0c0c0">The only missing element on this EDM track is the typical clutter and lack of free-space that many mainstream EDM tracks incorporate to replace creativity. With VAVO’s “No Friend Zone” the invitation to imagine and vibe is limitless. </span></p>
<p><span style="color:#c0c0c0">I’d call this single a musical low-rider as it is heavy in its bottom, mellow in its lyrical drag (force), and light in its treatment. Smokin! </span></p>
<p><span style="color:#c0c0c0">This new single dropped on June 29 and has not shown any signs of slowing down. </span></p>
<p><span style="color:#c0c0c0">VAVO is at the cusp of exploding in both Indie and Mainstream as they are already being featured in <em>Billboard</em>, <em>This Song Slaps</em>, <em>I Want EDM</em>, <em>We Rave You</em>, <em>Music Existence</em>, and on social media/online promo platforms. And, there is no better way to keep up with the dual’s fever pitch than to get your hands on this new track by going to <a href="https://kessrecords.ffm.to/nofriendzone" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://kessrecords.ffm.to/nofriendzone</span></a>. Additionally, keep up with VAVO at their official <a href="http://www.facebook.com/vavomusic" target="_blank" data-imported="1"><span style="color:#c0c0c0">Facebook page</span></a> and <a href="https://twitter.com/Vavomusic" target="_blank" data-imported="1"><span style="color:#c0c0c0">Twitter</span></a>.</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535352018-07-04T12:00:00-12:002019-12-31T08:11:04-12:00Guy Paul Thibault “Day Drinking” (Country/Rock) Nova Scotia
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/04038433dbb23939d563f5b82f9a8ee6743704eb/original/guy-paul-thibault-day-drinking.jpg/!!/b%3AWyJyZXNpemU6NDIxeDQyMSJd.jpg" class="size_orig justify_inline border_" alt="" height="421" width="421" /></p>
<p><span style="color:#c0c0c0">One of our favorite Rockers, Guy Paul Thibault, is back with a new track called “<a href="https://open.spotify.com/album/3Z8wNTwlE3JtphRhLHXfKF" target="_blank" data-imported="1">Day Drinking</a>” and it is an instant favorite. </span></p>
<p><span style="color:#c0c0c0">First finding his way to our eyes and ears with his EP “It’s About Time” last year, today he is still bringing that “put up or shut up” appeal to the music and he is not stopping there. </span></p>
<p><span style="color:#c0c0c0">“Day Drinking” is an up-tempo track that starts slowly with a sort of muted drum kick and quickly builds into a full rock track that has that nice American Country Rock vibe to it that sets the summer off right. The announcer in the intro sets you up for the wild ride, and the fully-charged melodic verses coupled with Rock choruses keeps you glued to the music. </span></p>
<p><span style="color:#c0c0c0">Telling the story of how it’s okay to reminisce only if you are willing to try something new, “Day Drinking” is an incredible single that is stockpiled with varied guitars blazing, harmonica, percussions waxed on, and tambourines that tickle us with a little Pop to ignite. It is bringing the nightlife to the AM and showing how to live to celebrate life. </span></p>
<p><span style="color:#c0c0c0">Once more, Thibault is still surgical, not mechanical, with his guitar and he displays this craft by inserting a spirited guitar solo set as the bridge that just lifts the track up texturally and builds a mental picture of a hometown where practical people make life livable. </span></p>
<p><span style="color:#c0c0c0">In addition, we are graced with Thibault’s powerful baritone that never settles it just keeps on, keeping on carving the way for a hit. </span></p>
<p><span style="color:#c0c0c0">And while it features many niche specific instrumentation, this track is not cliched as it encompasses a modern command to its beat and millennial textures that climb when the verses are ready to showcase, and modulate at the entrance of the hook. </span></p>
<p><span style="color:#c0c0c0">The dust never settles with this track. It has that walk into a room and brawl classic Rock effect mixed with today’s Country that puts us over the edge in excitement. So make sure to dig this track on <span style="color:#c0c0c0"><a href="https://itunes.apple.com/ca/album/day-drinking-single/1403627320?app=itunes" target="_blank" data-imported="1">iTunes</a> and</span> <span style="color:#c0c0c0"><a href="https://www.amazon.com/Day-Drinking-Guy-Paul-Thibault/dp/B07F1KPG2F/ref=sr_1_1?s=dmusic&ie=UTF8&qid=1530360297&sr=1-1-mp3-albums-bar-strip-0&keywords=Guy+Paul+Thibault&tag=smarturl-20" target="_blank" data-imported="1">Amazon</a> </span>NOW!</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535342018-07-04T12:00:00-12:002019-12-31T08:11:04-12:00Faith & Harry “My BFFs and Me” (Pop) UK
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/c983eb7cb0aa6b73b4f6eada98e185ec01ff5961/original/my-bffs-and-me-single-art-work-preview.jpeg/!!/b%3AWyJyZXNpemU6NTExeDUxMSJd.jpg" class="size_orig justify_inline border_" alt="" height="511" width="511" /></p>
<p><span style="color:#c0c0c0">The sister/brother Pop duo known as Faith & Harry consists of Faith Rowan (13) and Harry Rowan (11) and they are like quiet storms in their niche of music. The power and passion that is reflected in their music is a refreshing twist to Millennial Pop today that is normally filled with emotionless jibes and tales of clubs and fleeting moments. Never shortchanging their fans, “<a href="https://play.google.com/store/music/album?id=Bgxtvhke6l2zg7iqqdb6pkv3cda&tid=song-T6vg4i5ysuxb5uxb5bltrbhinsu" target="_blank" data-imported="1"><span style="color:#c0c0c0">My BFFs and Me</span></a>” is their latest track written by Faith and it displays the duo’s strong suits of storylines, layers, and personality. And, the driving element behind “My BFFs and Me” is that practical storytelling that made Taylor Swift a household name where the message is universal, and it does not get lost in the music. </span></p>
<p><span style="color:#c0c0c0">Alluding to a typical day in the life of a teen, “My BFFs and Me” contains a nice bounce to it that is a result of that heavy Pop/R&B bottom beat that keeps its momentum as the song ebbs. The steady tempo of the instrumentation, including sustained guitars, tambourines, and keys, keeps the groove leveled. Faith’s sweet soprano hugs the music tight but remains airy to evoke that euphoric feeling that is felt on a sunny day. In short, it’s a lot of Pop and a little bit of New Wave and it works! </span></p>
<p><span style="color:#c0c0c0">This radio-friendly track is mainstream-worthy and a must hear. And even though it is teen in spirit, it has a practical scenario that any age can relate to – it is about real people, real emotions, and real life. </span></p>
<p><span style="color:#c0c0c0">So, you see how Faith & Harry is not your Disney type of duo. These two are more like MTV-worthy ARTISTS who just happen to be tweens/teens. Just like the adult indie artists who pride themselves in mastering the music and the muse, so do these two. So, do not underestimate the age, because the true artist formation is clear, and they are not playing. As songwriters, musicians, and singers, the music of Faith & Harry has that “IT” factor, and that is melody, message, and experiences set to music. </span></p>
<p><span style="color:#c0c0c0">Proof? </span></p>
<p><span style="color:#c0c0c0">Faith & Harry are nominated for double Josie Music Awards (the largest indie music show in the world). This takes place on September 8th, 2018 at Dollywood in Tennessee. In addition, their music is not caged into one genre of music, it follows their muse and it lands into any genre or subgenre strong enough to hold it. This makes Faith & Harry varied and interesting and gives them staying power. </span></p>
<p><span style="color:#c0c0c0">So, make sure to check out this track as well as their cover of “<a href="https://play.google.com/store/music/album?id=Bwekmjggvyblagpdnqkd7qrgzyi&tid=song-Ttgfrixidbxqficzcwsbw4haate" target="_blank" data-imported="1"><span style="color:#c0c0c0">Happy Birthday</span></a>” - a Post Punk vibe-vacious track that is sure to climb the charts. </span></p>
<p><span style="color:#c0c0c0">To hear more from the duo, go to: <a href="http://www.faithandharry.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">www.faithandharry.com</span></a>, and stay tuned as more music is in the making.</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535332018-07-04T12:00:00-12:002019-12-31T08:11:04-12:00Jon Magnusson "Acoustic Dreams"
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/0191ba5e83e4d60b4ad22e9626b26750107506db/original/jon-magnusson-acoustic-dreams-ep.jpg/!!/b%3AWyJyZXNpemU6NDY2eDQ2NiJd.jpg" class="size_orig justify_inline border_" alt="" height="466" width="466" /></p>
<p><span style="color:#c0c0c0">As I stated before, <a href="https://twitter.com/jonmagnussonof" target="_blank" data-imported="1">Jon Magnusson</a> personifies the Avant-Garde of the Indie Music realm because he straddles that line between Traditional and Contempo so smoothly cranking out music that is approachable and hazardous (but balanced) at the same time. It is that dual image of the artist at work that makes us adore the music of Jon Magnusson, and now he’s back with “<strong>Acoustic Dreams</strong>” a five track EP set to release on July 15th. </span></p>
<p><span style="color:#c0c0c0">Written, arranged, and composed by Magnusson, and co-produced, mixed, and mastered by Toby Davis (The Mixologist of Indie Music) “Acoustic Dreams” is a composition that connects emotions to stories. And where “Always a Rebel” was more Progressive Rock, now you get to hear the opposite side of that musical coin with all electronic instrumentation being scaled back placing acoustic guitars and orchestral arrangements up front which makes for a marriage of Folk and Synth – an EP that’s interesting and refreshing. </span></p>
<p><span style="color:#c0c0c0">To put it plainly, imagine if your dreams could be in soft audible surround sound where you would be able to relive the journey with mind-cinema-surrealism. Wouldn’t that be ah-some? That is what Jon Magnusson has done with “Acoustic Dreams.” </span></p>
<p><span style="color:#c0c0c0">The five tracks of the EP tell a personal, yet universal, vivid story of an artist’s life experiences:</span></p>
<ol>
<li><span style="color:#c0c0c0">The Street Where I Was Born</span></li>
<li><span style="color:#c0c0c0">Sweetest Thing</span></li>
<li><span style="color:#c0c0c0">Lust for Life</span></li>
<li><span style="color:#c0c0c0">Growing Old Disgracefully</span></li>
<li><span style="color:#c0c0c0">Your Dreams </span></li>
</ol>
<p><span style="color:#c0c0c0">I will focus on “Sweetest Thing” and “Lust for Life” in this review.</span></p>
<p><span style="color:#c0c0c0">“<strong>The Sweetest Thing</strong>” features a story of love and its practical yet powerful effect on its hosts. This adaptation of “The Sweetest Thing” is literally the sweetest thing to hear today in music because a lot of music now crowds the tracks with too many textures, too many fillers, too many effects, and not enough emotion. Magnusson’s cover of <em>Almost Honey’s</em> track offers soft soundscapes combined with an acoustic guitar and a majestic melody that awakens your subconscious. This is just music and vocals balanced with melody. More Simon and Garfunkel in its execution with a conversational approach and a storyteller’s vibe. Once you finish riding along with the indirect lyrical journey, in classic Magnusson experimental style, he leaves you open-ended with his cliffhanging conclusion leaving you wanting more of his musical tastes. And this brings us to “Lust for Life.” </span></p>
<p><span style="color:#c0c0c0">“<strong>Lust for Life</strong>” has such a beautiful euphoric, almost fairytale, introduction that it quickly and easily puts you in a mellowed mood. Magnusson’s cover of <em>Gamma Ray’s</em> same track features a dual musical effect - where it has a quiet energy in its lyrical execution but also a vigorous persona with its instrumentation and melody. This rendition steps right up to you from the first second and introduces itself to you. More musical score in its approach, this track shows Magnusson as a composer and a musician. “Live life easy everyday” is its message and it fits the song’s structure musically and lyrically with its eloquent yet energetic guitars and soft synths. It is a symphonic, folkloric, and modernly practical anthem spearheading us to not sweat the small stuff in life that tries to get you down. </span></p>
<p><span style="color:#c0c0c0">Jon Magnusson is still the rebel, and “Acoustic Dreams” invites his listeners to still march to the beat of your own drum even if it is softer steps set to music. And keep in mind, that although it is softer, it is not easier, it is quietly complex and secretly promising. Sweet dreams! </span></p>
<p><span style="color:#c0c0c0">Pre-Save your copy of 'Acoustic Dreams' in advance <a href="https://distrokid.com/hyperfollow/jonmagnusson/drNR" target="_blank" data-imported="1"><span style="color:#c0c0c0">here</span></a>!</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535322018-07-04T12:00:00-12:002018-07-04T20:38:45-12:00Austin Colon "The Path Ahead"
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/d3165ae1aac3ef1c437b8d5fdfa236ea9c9045f2/original/austin-colon-the-path-ahead.jpg/!!/b%3AWyJyZXNpemU6NDU5eDQ1OSJd.jpg" class="size_orig justify_inline border_" alt="" height="459" width="459" /></span></p>
<p><span style="color:#c0c0c0">You know I am always in search of new interesting music to live with, vibe to, and introduce to my readers, and the Indie Music world never disappoints. </span><span style="color:#c0c0c0">Today, I would like to introduce Austin Colon to you – a straight-forward, no rules, Alternative-Progressive solo artist who resides in the “City that never sleeps” – New York (NYC)! </span></p>
<p><span style="color:#c0c0c0">One to make his own path in a world of music where streets are lined with mimics, Colon made sure his most recent album called “The Path Ahead” embodied his true mark of an artist and that is songs that are considered worthy due to their creativity, originality, message and musical/vocal scope instead of songs that are limited in those items just to make it commercially-ready. He did not compromise the talent, inspiration, or honesty – and that is what makes music that achieves longevity. </span></p>
<p><span style="color:#c0c0c0">“The Path Ahead” feature eleven tracks that hold onto the threading theme of meditation on life’s complex ideals: loss, sorrow, joy, and optimism, and how one should never lose sight of the path ahead: </span></p>
<ol>
<li><span style="color:#c0c0c0">Alone (Again?)</span></li>
<li><span style="color:#c0c0c0">Perfect Moments</span></li>
<li><span style="color:#c0c0c0">10 (a Poem)</span></li>
<li><span style="color:#c0c0c0">Little Pieces</span></li>
<li><span style="color:#c0c0c0">Perspective</span></li>
<li><span style="color:#c0c0c0">Silence is Dangerous</span></li>
<li><span style="color:#c0c0c0">Fall Back into Place</span></li>
<li><span style="color:#c0c0c0">I See Right Through Myself</span></li>
<li><span style="color:#c0c0c0">Anagnorisis</span></li>
<li><span style="color:#c0c0c0">Love, Frail</span></li>
<li><span style="color:#c0c0c0">The Path Ahead </span></li>
</ol>
<p><span style="color:#c0c0c0">This is a capsule review of “The Path Ahead” where I will pull out the tracks to which I feel highlights the overall theme. </span></p>
<p><span style="color:#c0c0c0">We start with the first track “<a href="https://austincolonmusic.bandcamp.com/track/alone-again-2" target="_blank" data-imported="1"><span style="color:#c0c0c0">Alone (Again?)</span></a>” a dark song that speaks about death and its ultimate realization. Colon gently sings “and you will die alone, it's what you've known / since the day you were born you were forlorn / and all your dreams are left unseen and let to be.” And in keeping with the Alternative-Progressive style, Colon marries a forlorn organ with crisp cymbals to a kind of upbeat rhythm. And although this song touches on a topic that many of us hate to discuss, Colon weaves in some nice, soul-hypnotizing guitar solos that just makes the entire premise feel alright – it’s okay. This is the same technique that the Wallflowers utilize on many of their tracks – that dual emotional skill of adding light to dark with instrumentation, vocals, and FX. This track is high on its emotion, intense in its core, and overall qausi-inspirational.</span></p>
<p><span style="color:#c0c0c0">“<a href="https://austincolonmusic.bandcamp.com/track/perspective" target="_blank" data-imported="1"><span style="color:#c0c0c0">Perspective</span></a>” is sort of an inspirational interlude on the album and it gives us that little moment to take a step back from delving deep into the music, take a breath, meditate a little on what we have just heard, and contemplate what we are about to hear. Being the fifth track sets it right in the middle of the album and positions it right where it needs to be. It is instrumental and effective.</span></p>
<p><span style="color:#c0c0c0">“Silence is Dangerous” is the sixth track of the collection and it clearly holds onto that meditative premise by being a thought-provoking track. Even though both verses of the song hit hard, I wanted to transcribe the lyrics of the first verse as it allows the song to open with impact, the lyrics sing: A young black body lies on the ground, a crimson halo 'round his head / his mother's screams echo in the night distilled through all the tears they've shed / an alabaster face thrust upon your screen saying no there's nothing wrong / a heartless voice in a soulless choir, singing loud their hateful song / let's stand against fear, and make our voices heard. Love conquers hate.” “Silence is Dangerous” shows how being silent can be just as dangerous (if not more so) than the tragic issue itself, because silencing the pain, hurt, terror, or antagonizing element mutes the avenue to healing and awareness – it erases the warning. I enjoyed Colon’s subtle approach to the vocal and the minimal instrumentation to heighten the premise. At first listen, one might think that the medium to slow tempos work against each other, but the altering tempos really work well as it illustrates the emotional rollercoaster that connects with the heroes depicted in this song. This track alludes to what Peter Gabriel prides himself in – songs about humanity and that lost element of society that goes overlooked but is so important. </span><span style="color:#c0c0c0"> </span></p>
<p><span style="color:#c0c0c0">Finally, we have the title track “<a href="https://austincolonmusic.bandcamp.com/track/the-path-ahead" target="_blank" data-imported="1"><span style="color:#c0c0c0">The Path Ahead</span></a>” that opens with a strong piano chord and Colon adding a bit of an experimental element by way of synth-vocalizing effects. Spearheading lyrics that drive home the premise encircles this piece, for example: “The path ahead, so ill defined, it winds itself in to a gentle sigh / the vision lost, among the chaos, thats broken down, it seeps into the ground / and we're waiting on that sunlit train to takes us home / the darkness that surrounds I know you feel alone but I never waited long, I never felt so free.” The lyrics speak of optimism in the form of freedom and the slant rhyme allows for the track to stay with you after listening and makes it memorable. In addition, this track does put you on that mental state of pondering on life, its choices, and the journey ahead. </span></p>
<p><span style="color:#c0c0c0">Even though I did not review the entire track list, trust me, there is something for everyone on this album, so please give an ear to the <a href="https://austincolonmusic.bandcamp.com/album/the-path-ahead" target="_blank" data-imported="1"><span style="color:#c0c0c0">remaining collection</span></a>: Perfect Moments, 10 (a Poem), Little Pieces, Fall Back into Place, I See Right Through Myself, Anagnorisis, and Love, Frail.</span></p>
<p><span style="color:#c0c0c0">As a well-rounded Alternative-Progressive artist, Colon chose to make his own rules and chose not to settle within the norm when it comes to the typical restraints placed on an artist’s creativity. He allowed for the message of real-life elements to be the muse and for the music to be its avenue. And even though many of the tracks on this album is a bit somber (but not dark) referring to aspects of rational thinking, loss, and existentialism, this album is promising and introspective balancing a metaphorical mix of rain and blue skies along with dark rooms and sunny days. </span></p>
<p><span style="color:#c0c0c0">Taking the road less traveled, Colon took hold of the reigns for the entire project vocally, instrumentally, production-wise, and artistically (cover art), showing that creativity should never be sacrificed, and the message should never get lost in the music. </span></p>
<p><span style="color:#c0c0c0">This is Progressive-Alternative music done right in the same manner as Joy Division, Radiohead, R.E.M. and Neil Young. “The Path Ahead” is music that I call “No Rules” music where the artist respects the work that precedes them but also has the chops to evolve that music onto a different path, one that reflects the artist’s core and gives the audience what they need. In short, he is bending the musical scope to reveal the reality that’s under the surface, but it never breaks!</span></p>
<p><span style="color:#c0c0c0">If you want to experience more of Austin Colon, go to: <a href="https://www.reverbnation.com/austincolonmusic" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.reverbnation.com/austincolonmusic</span></a> or follow him on <a href="https://twitter.com/austincolonband" target="_blank" data-imported="1"><span style="color:#c0c0c0">Twitter</span></a>!</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535312018-06-27T12:00:00-12:002021-07-07T06:28:33-12:00PERK “Something’s Gotta Give” Pop Rock (Finland)
<p class="textbox"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/393ae1bff1e4af38668b0c5d017749afe2e62273/original/perk.jpg/!!/b%3AWyJyZXNpemU6NDc4eDQ3OCJd.jpg" class="size_orig justify_inline border_" alt="" height="478" width="478" /></p>
<p class="textbox"><span style="color:#c0c0c0">Something has got to give for the power coming off the tracks of PERK to be felt, because this Pop Rock duo is delivering muscle and magic with melodies and lyrics that ignite and entertain while quickly becoming a mainstay in the Indie Music realm. So, make some room! </span></p>
<p class="textbox"><span style="color:#c0c0c0">I was introduced to PERK by way of producer <a href="https://twitter.com/producedbytobi" target="_blank" data-imported="1"><span style="color:#c0c0c0">Toby Davis</span></a> (the Mixologist of Indie Music). The duo consists of Anders Borgius (song writer, singer, artist) and Nalle Ahlstedt (song writer, producer, artist). As a songwriting team, Ahlstedt and Borgius are synonymous for writing songs for artists around the globe (Celine Dion and Clay Aiken to name two), but since joining forces to become performing artists PERK, what they have recently laid in our laps is a soft grenade that is about to explode named “<a href="https://open.spotify.com/album/1yGhQrk8cPIyYdPKS0RwCw" target="_blank" data-imported="1"><span style="color:#c0c0c0">Something’s Gotta Give</span></a>.” </span></p>
<p class="textbox"><span style="color:#c0c0c0">This cut releases power to a mid-tempo track like no other track I’ve heard within this genre in recent months, so I must celebrate the production, lyrics, music, and vocals. </span></p>
<p><span style="color:#c0c0c0">In short: the track opens mellow and evolves into a power ballad that whips synths into formation, grips brash guitars, and unleashes backing vocals that fill up your ears – nothing’s in the red guys – just layers upon layers of surgically selected instruments. The music pulls back some at the three minutes, sixteen seconds mark and the song reaches its outro. </span></p>
<p><span style="color:#c0c0c0">In depth: the melodic layers on this cut is nothing short of splendid! </span></p>
<p><span style="color:#c0c0c0">Featuring a masculine vibe and powerful instrumentation, “Something’s Gotta Give” has a soft ride and heavy bounce which comes from blending classic Pop-Rock into a workable mix of Synth-Pop and Electro-Rock. </span></p>
<p><span style="color:#c0c0c0">The meaning of the track reflects that phoenix rising approach to life’s knock-outs (i.e. love’s misunderstandings) and how to come up swinging, the lyrics illustrate this theme: “you never cared for who I am / you never cared to see the man / I’m not about to quit again / you just left footprints in the sand / I’m gonna fight now / so watch your back now / something’s gotta give now.” </span></p>
<p><span style="color:#c0c0c0">A facet that significantly elevates the track’s premise is that Dubstep approach to this Pop-Rock cut – that modern tight syncopated percussive rhythm adds the most instrumental weight to the track. This technique shows the genius of PERK as writers/producers, because this genre-merge makes the cut stimulatingly-mobile. It <em>is</em> that footprints in the sand effect, but instead of feet it is boots with heavy soles. </span></p>
<p><span style="color:#c0c0c0">Moreover, that driving hook features the Electro-Rock inclusion of guitars, violins, piano, plus electronic and traditional drums that pulls you in. A bonus to the hook are those polyphonic harmonies making for a deep, rich, arena sound while the acoustic guitar licks brings it home. </span></p>
<p><span style="color:#c0c0c0">Borgius’ rough as nails, but smooth as steel vocals just covers the entire track and crawls into your ears while sinking right into your core. He knows how to control his sound and let it rip when ready. He has the vocal texture of Brian Adams combined with Jon Bon Jovi which equals the sum of greater things ya’ll – sex appeal, power, and Rock prowess. </span></p>
<p><span style="color:#c0c0c0">This track is proof to never underestimate the fusing of elements. When it is done right, it automatically hits the refresh button in music and produces a hit! </span></p>
<p><span style="color:#c0c0c0">PERK’s tight grip on mystery, melody, artistry, and reality is displayed on “Something’s Gotta Give” and it is set to be a commercial success on both digital and mainstream charts. The highlight of Summer 2018! </span></p>
<p><span style="color:#c0c0c0">“Something’s Gotta Give” dropped yesterday, so no need to wait, check it out <a href="https://open.spotify.com/album/1yGhQrk8cPIyYdPKS0RwCw" target="_blank" data-imported="1"><span style="color:#c0c0c0">NOW</span></a>! I cannot WAIT to hear more from PERK!!!!</span></p>
<p><span style="color:#c0c0c0"><span style="text-decoration:underline">Additional Links</span>: <a href="https://twitter.com/perkband" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://twitter.com/perkband</span></a> & <a href="https://d8musicfinland.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://d8musicfinland.com/</span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535302018-06-27T12:00:00-12:002018-06-27T22:02:47-12:00Bianca Gerald “#GoddessMode” R&B (Leeds, UK)
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/7b25110e42e5f2fa19d655b3e052928232ba1297/original/bianca-gerald.png/!!/b%3AWyJyZXNpemU6NDYzeDQ2MSJd.png" class="size_orig justify_inline border_" alt="" height="461" width="463" /></p>
<p><span style="color:#c0c0c0">Coming out of Leeds is a force to be reckoned with and her name is Bianca Gerald a singer/songwriter who says what she means and shows how she feels. This candid approach to music is actual and has garnered her recognition – over 500k views on YouTube, airplay on Radio One and Radio 1xtra, and an appearance on Sofar Sounds London. Now, she’s in formation and setting her sights globally with her newest single “<a href="https://soundcloud.com/biancagerald/goddessmode" target="_blank" data-imported="1"><span style="color:#c0c0c0">#GoddessMode</span></a>.”<strong> </strong></span></p>
<p><span style="color:#c0c0c0">“#GoddessMode” comes off the shoulders of her music debut “The Butterfly EP” and is an anthem-worthy track produced by Dave-O. This mid-tempo track is a great combo of Experimental R&B fused with Dance Pop and Hip-Hop incorporating a heavy, varied, percussion section, modern synth effects in the form of vocal effects mixed with sampling, and live instrumentation. The command to the beat on this cut is serious and allows for a continues bounce and musical swagger. </span></p>
<p><span style="color:#c0c0c0">More than a singer, Gerald as a writer displays her skills on this track. With lyrics that read: “we are building pyramids, this is deadly serious, this is no game, we don’t play now / they took your beauty tried to sell it back to you / focus on your goals you’ve got nothing to lose / conjure up that magic / don’t you know you’re magic / and they cannot handle it,” #GoddessMode is self-expressive and carries the subject matter of the African female being in control of her life, her ideas, and her ambitions – she’s a goddess and her power is trending, thus the hashtag. It identifies with women of African descent culturally and globally, yet every race of female can identify with the theme and feel the pride within their own lives as the lyrics are practical and empowering. </span></p>
<p><span style="color:#c0c0c0">In addition, this track has dual capabilities – radio and film. One such example is how this modern ode could have been perfect for the new all-female cast, heist film, <em>Ocean’s 8. </em>The vivid lyrics of "#GoddessMode" brings the grit, grind, and gasoline that a movie as such needs to fuel its power! </span></p>
<p><span style="color:#c0c0c0">Gerald’s artistry is comparable to Erykah Badu in that she is real and unapologetic in her tone and writing. She can transition between Jazz, Soul, and R&B giving attitude and bringing royal inventiveness. She serves up her Mezzo-Soprano vocals with flutters, raps, and soul scales, and she’s smooth with it! On one hand, she may be more conversational in her vocal execution, but on the other hand, she delves into verse with soulful belts and riffs adding layers with her notes and melody. </span></p>
<p><span style="color:#c0c0c0">“#GoddessMode” is the preview of what Bianca Gerald will give to the masses – an eclectic musical style and direction that is capable to handle the balance of Experimental, Pop, Jazz, Soul, or Hip-Hop. Regardless of the genre, or mix thereof, best believe that it will be effortless and expressive. </span></p>
<p><span style="color:#c0c0c0">She’s the “Royal Flyness” of Indie Music and her upcoming EP “Feelings” is set to drop September 7<sup>th</sup> of this year. Check out the video to the track <a href="https://www.youtube.com/watch?v=1elf6WV3yzY&feature=youtu.be" target="_blank" data-imported="1"><span style="color:#c0c0c0">here</span></a> in the meantime and keep your eyes on the artist on her <a href="http://www.twitter.com/biancagerald123" target="_blank" data-imported="1"><span style="color:#c0c0c0">Twitter page</span></a>.</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535292018-06-20T12:00:00-12:002018-06-20T22:13:38-12:00Skylights: “YRA” (Indie Rock) UK
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/2138def62a092273cbc4183938d43d5fe8ef1add/original/skylights-image-2.jpg/!!/b%3AWyJyZXNpemU6NDI5eDQyOSJd.jpg" class="size_orig justify_inline border_" alt="" height="429" width="429" /></p>
<p><span style="color:#c0c0c0">Rock music is alive and thriving in England in 2018 and we have the Skylights to thank for this. Just being together for three months, this band of brothers (vocalist - Rob Scarisbrick / drummer - Myles Soley / guitarist - Turnbull Smith / and bassist - Jonny Scarisbrick) have thrown a musical curve ball right into the catcher’s mitt of the listening audience and what an impact! </span></p>
<p><span style="color:#c0c0c0">Just like a curve ball, the band’s newest release “<a href="https://soundcloud.com/skylights2018/yra-streaming-master" target="_blank" data-imported="1"><span style="color:#c0c0c0">YRA</span></a>” has a musical grip all its own with a driving trajectory that is sure to put a spin on Indie Rock Music. By placing their own fingerprint on basic Rock music's overused riffs, bass plucks, licks, EQ, percussions, and compression, the guys have kicked <strong>BASIC</strong> up to <strong>ACID</strong> with smoking guitar riffs, balanced instrumentation, tight rhythms, and big vocals. </span></p>
<p><span style="color:#c0c0c0">From that guitar riff at the 30-38 second mark that is mind-blowing, to that spine tingling lead at the 48-51 second mark which is mind numbing but righteous, on to that pulling hook that sings “can you feel it, can you feel it, it’s YRA?” this track has aspects of Rock, Punk, and Dance rhythms making it a versatile and aggressive piece of music. This is so refreshing to the ears of varied listeners especially with the matter-of-fact lyrics. </span></p>
<p><span style="color:#c0c0c0">It’s a youthful up-tempo track full of energy and it has all the best elements we loved from bands like the Sex Pistols, Wham!, Erasure, and U2 - a hook that's infectious, fever-pitched tempo, and an overall Modern Rock swagger set to become a new standard in cult classics. </span></p>
<p><span style="color:#c0c0c0">This is not your child’s Rock Music, it is your Father’s Rock music kissed with 2018 aggressiveness.</span></p>
<p><span style="color:#c0c0c0">The Skylights has given an audio-anthem to the Y2K generation and those coming before and after them with "YRA" so make sure to follow </span><span style="color:#c0c0c0">these guys on </span><a style="font-size: medium;" href="https://twitter.com/Skylights2018" target="_blank" data-imported="1"><span style="color:#c0c0c0">Twitter</span></a><span style="color:#c0c0c0"> and check out their page </span><span style="color:#c0c0c0"><a style="font-size: medium;" href="http://skylights2018.co.uk/" target="_blank" data-imported="1">http://skylights2018.co.uk</a> to keep an eye on what comes NEXT!</span><span style="color:#c0c0c0"> </span></p>
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/498d933e866756f91c0289908a09fee997bf239a/original/skylights-image.jpeg/!!/b%3AWyJyZXNpemU6NzA5eDM5OSJd.jpg" class="size_orig justify_inline border_" alt="" height="399" style="display: block; margin-left: auto; margin-right: auto;" width="709" /></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535282018-06-20T12:00:00-12:002018-06-20T21:37:46-12:00Kings & Castles "Numbers"
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/6f3b32ef45e856de0de806be2a42e0903d66bd54/original/kings-and-castles-numbers-ep.jpg/!!/b%3AWyJyZXNpemU6NTAweDUwMCJd.jpg" class="size_orig justify_inline border_" alt="" height="500" width="500" /></p>
<p><span style="color:#c0c0c0">The most common mistake made in music by a band or artist is letting go of that independent pride once they sign with a label. Forgotten is the fact that it was that recognizable independent spirit that drove the eyes of label reps and fans to the artist/band in the first place. Often once a contract is signed, some become whatever that label expects of them, or sadly, they become some other type of artist. </span></p>
<p><span style="color:#c0c0c0">This rarely happens in Indie music as it is that leader, rebel, driven persona that we pride ourselves in, so much so, that we keep it with us always as a piece of the music. </span></p>
<p><span style="color:#c0c0c0">One such band that has stayed true to themselves is Kings & Castles – a four-man Indie Rock band hailing from the UK. The line-up consists of: Ross (vocals/guitar), Aiden (lead guitar), Matt (percussions), and Louis on Bass. </span></p>
<p><span style="color:#c0c0c0">Being based in Hampshire, England, the guys recorded their first single "Love is the Word" at Old Blacksmiths Recording Studio in Portsmouth. This production lead to the release of their second single "Nowhere Left to Hide." </span></p>
<p><span style="color:#c0c0c0">With an ever-growing fan base, recognition from BBC Introducing, and selling out their first summer show at Portsmouth Wedgewood Rooms, Kings & Castles were picked up by an A&R manager at Tonotopic Records. </span></p>
<p><span style="color:#c0c0c0">After signing a record deal, Kings & Castles released their most recent EP entitled “Numbers.” </span></p>
<p><span style="color:#c0c0c0">This is a review of “Numbers,” a five-track collection of songs that ebb along with life’s most interesting facets: Love, Understanding, and Friday Nights! </span></p>
<p><span style="color:#c0c0c0">And while Aiden Redshawn is the newest member of the band, on “Numbers” it is Potter who you will hear on lead guitar.</span></p>
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/f0f3ccc5958c760bbe865b7f13ffd642543f13b2/original/kings-and-castles-ii.jpg/!!/b%3AWyJyZXNpemU6NTU4eDM3MiJd.jpg" class="size_orig justify_inline border_" alt="" height="372" style="display: block; margin-left: auto; margin-right: auto;" width="558" /></span></p>
<p><span style="color:#c0c0c0">Let’s storm the castle and see what musical treasures the Kings have, shall we? </span></p>
<p><span style="color:#c0c0c0">We first stumble across the opening track “<a href="https://soundcloud.com/kingsandcastles/friday-nights" target="_blank" data-imported="1"><span style="color:#c0c0c0">Friday Nights</span></a>.” Those electrifying guitars and sizzling percussions greet us with eyes wide open. “Friday Nights” nostalgically reminds anyone listening to the track about those days when the only thing on your mind from Sunday onward was what you will do once Friday arrives finally – the music scene, the plans with friends, the late nights. The lyrics sing “Friday Nights don’t last long, singing out to your favorite song, shout it out / sing it loud, these are the moments that life’s about.” The anthemic hook lends itself as a cheerleader to the entire track. The numerical telling of the week’s events leading up to Friday was a clever writing approach of Kings & Castles as it mentally draws a picture of that angst involved in waiting for Friday Night! Opening the EP with this track is so fitting – the over the top, sing and yell, vibe of the track just takes you to Friday. The longing way that Ross concludes the track sparks the true “aw, why did it go away so fast” feeling of Friday’s escape into Saturday. What would life be like without Friday Nights? </span></p>
<p><span style="color:#c0c0c0">The second track “<a href="https://soundcloud.com/kingsandcastles/love-is-the-word" target="_blank" data-imported="1"><span style="color:#c0c0c0">Love Is the Word</span></a>” became an instant hit for the band and was picked up by the BBC Introducing, and we see why – a wakeup call introduction that is wonderfully combined with the vocal manipulation that Ross accomplishes on this track all blended with the lyrical message of how love truly is the word that connects every emotion in life. Ross sings “if today is the last day that I see you, I want to say that I love you.” The song refers to love and lost and how saying “I love you” makes all the difference in being loved and KNOWING that you ARE loved. The guitar solo accompanied by sonorous percussions at the two minutes nine second mark easily becomes the heartbeat and blood of this Modern Rock love song. </span></p>
<p><span style="color:#c0c0c0">With conversational lyrics like: <em>I saw you looking over, I saw you staring at me like we should be / can’t waist another moment, my time should be spent with you, like we used to / wish you were mine / that girl, tattoos and looking cool, that girl, she’s the one for me / that girl, smiling with those red lips, she’s the one for me</em>, “<a href="https://soundcloud.com/kingsandcastles/that-girl" target="_blank" data-imported="1"><span style="color:#c0c0c0">That Girl</span></a>” will quickly jump from adult contemporary to Top-40 and onto Alternative radio with its memorable storyline and perfect hook. Moreover, those bright sustained guitars are so sexy and strong, and this is only accentuated with the frenetic lead that echoes into a muted guitar ensemble at the two minutes and forty-one second mark. The track scales back and then rebuilds itself with layers of instrumentation on to the outro. To be that girl would be a dream of many females.</span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/kingsandcastles/nowhere-left-to-hide" target="_blank" data-imported="1"><span style="color:#c0c0c0">Nowhere Left to Hide</span></a>” is the fourth track on “Numbers” and it has that quiet passion that makes us fall in love with Alternative Rock ballads – it is heard in the longing lead guitar and kissing cymbals that are up front and personally in your face (and ears). Like Matchbox Twenty’s’ methodology in music, Kings & Castles was able to incorporate a message involving the serious emotion of being overwhelmed with easy melodies, laid back leads, and a catchy hook. The command to the beat is amazingly soft but powerful. The track’s outro is nothing short of genius in that it stokes your mind and leaves you quietly.</span></p>
<p><span style="color:#c0c0c0">The EP closes with “<a href="https://open.spotify.com/track/5wvbeK8mrpvWS57SDrSZMP" target="_blank" data-imported="1"><span style="color:#c0c0c0">Keep on Running from You</span></a>” a track that includes emotions, emotions, emotions. I love the way this track starts so gently and organically, and then ends in high voltage like a montage of memories. You can hear Ross’ breaths and longing in his vocal execution – an honest and organic technique that shows up rarely in music nowadays. This is a welcoming sound and reveals the heart of the band. Adding to the emotional prowess of the track is the practical narrative of boy meets girl, memories made, and love being misplaced. This is the song that will close out the arenas for the band with fans placing their hands in the air, standing on their feet, and cheering.</span></p>
<p><span style="color:#c0c0c0">In keeping with that lead and never follow mantra, it is obvious that Kings & Castles have the right technique and approach when it comes to Alternative Rock. Much like the Alternative Rock bands we grew to love: Dishwalla, U2, and Foo Fighters (to name several), Kings & Castles make sure to feature not only the message but also the music; and, they never compromise or sacrifice their originality for fame, and that dominance resonates through their writing and you can hear it in their music – they are Kings. </span></p>
<p><span style="color:#c0c0c0">And, what I have noticed in listening to the entire collection of “Numbers” more than once is that Kings & Castles are skilled in making the MUSIC have emotions – the music talks, whispers, and holler; the guitars can cry and become the second vocalist; the drums can kick and tip-toe; and the synths can smack, but also console. The music is a part of the foreground versus it just being a part of the backdrop and it is splendid. </span></p>
<p><span style="color:#c0c0c0">So, it is no mystery that the guys of Kings & Castles can jam! From the tiniest synth, to the loudest riff, to the drumline, to the percussions, and every instrument in between – each bandmember is musically equipped for every turn, twist, mutation, odd pure lyric, scale-back, build-up, and/or texture. Seriously, every dot is connected instrumentally and there is nothing left for chance. And THAT is what makes the MUSIC rebellious and real. And interlocking with that music are the vocals. </span></p>
<p><span style="color:#c0c0c0">Ross’ vocal range, style, and execution is a key element in the success of the band. His is the voice you hear on the entire EP seducing, alerting, and explaining the band’s inner most thoughts. It’s professionally called a “Light Lyric Tenor” and it was no NICE to hear this range in Rock again. This type of voice is not overproduced and that is what I love about it. </span></p>
<p><span style="color:#c0c0c0">Ross’ voice is polished and solid and stands true to being himself. His passionate realness and rawness salutes the music and lyrics that deal with real-life things that people connect with. He is pouring out his soul into the music and the songs crafted for Kings and Castles are strong enough to allow it and follow suit. It is what will keep the band’s music enlightened for years to come. </span></p>
<p><span style="color:#c0c0c0">It is that heart, soul, honesty, and reality that easily sets Kings & Castles notches above their competitors. </span></p>
<p><span style="color:#c0c0c0">“Numbers” is set to achieve heavy rotation in 2018 and beyond. Kings & Castles have plenty to say and breathtaking ways in letting the listening audience hear what they have to say – believe me, our ears will stay engaged with this band. </span></p>
<p><span style="color:#c0c0c0">To keep up with the Kings, go to <a href="http://www.kingsandcastlesmusic.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">www.kingsandcastlesmusic.com</span></a> and make sure to check out all their social platforms and events.</span></p>
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/4c7aa44caf36ef1985f3d7dc78de015b283d8cd4/original/kings-and-castles.jpg/!!/b%3AWyJyZXNpemU6NTEyeDM0MSJd.jpg" class="size_orig justify_inline border_" alt="" height="341" style="display: block; margin-left: auto; margin-right: auto;" width="512" /></span></p>
<p><span style="color:#c0c0c0"> </span></p>
Klef Notestag:klefnotes.com,2005:Post/60535272018-06-13T12:00:00-12:002018-06-13T21:04:50-12:00M.I. “Euphoria” – feat. Akin (Alternative R&B) UK
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/9f5975fae9497843fc1b5b8ec89ab9b64dabd6bc/original/m-i-euphoria.jpg/!!/b%3AWyJyZXNpemU6NDc1eDQ3NSJd.jpg" class="size_orig justify_inline border_" alt="" height="475" width="475" /></p>
<p><span style="color:#c0c0c0">If Willow Smith and Jill Scott were chemically mixed in a lab, the final product would be M.I., because like those artists, M.I. harnesses power and she brings a difference that demands eyes. Always making sure her fingerprint is stamped on each song released, M.I. never gets lost in the mix – she stands out the way that a red lip stick print becomes the calling card of its wearer. </span></p>
<p><span style="color:#c0c0c0">This blend of power and individuality is felt and heard on “<a href="https://soundcloud.com/unofficial_mi/euphoria-ft-akin" target="_blank" data-imported="1"><span style="color:#c0c0c0">Euphoria</span></a>” her latest track. The premise of the cut expresses how a lover can be the natural high one needs to reach that place of euphoria – only REAL love can have this effect. The track holds traditional solid R&B tones and tempos featuring nice soft Soulful melodies. Plus, Akin placing his spin on production and adding his voice to the backing vocals, along with additional wide-ranging vocal FX with a wonderful deep riding hook makes for an addicting track. So good to hear an R&B track with muscle, flavor, and texture. </span></p>
<p><span style="color:#c0c0c0">M.I.’s voice is ah-mazing. This femme fatale can ride low and belt out bottom-heavy notes as well as fly high soaring the top with notes that can cut diamonds. And with that willed talent, her vocals also have that urban-edge that lovers of R&B look for in a track and she play between soprano and alto scales and trills the way Muhammad Ali made boxing techniques seem effortless. It takes skill and chops to pull this off – no amateur can master this talent. This cannot be faked. </span></p>
<p><span style="color:#c0c0c0">The modulating of verses with the music is euphoric and sexy and it brings the smoke and passion and leaves you breathless. And the production of this track must be touched on as the entire track is balanced and truly does excite the senses all with music – no need for a physical touch. Not to mention the writing of this track which follows the classic R&B song structure with verses, hooks, bridge, adlibs, and instrumentation. It is a breath of fresh air to hear this treatment of music – a homage to real songwriters. No need for fillers, autotune, or sampling. </span></p>
<p><span style="color:#c0c0c0">As M.I. sings, “reality is on repeat” with this track, so my Soul and R&B devotees, <strong>RUN</strong>, do not walk, to get this track. And if “Euphoria” is the hors d'oeuvres, I cannot wait to taste the entrée with the full album. Her music is a wonderful source of escapism and I want more. </span></p>
<p><span style="color:#c0c0c0">Follow M.I. on <a href="https://twitter.com/Unofficial_MI" target="_blank" data-imported="1"><span style="color:#c0c0c0">Twitter </span></a>to keep up with this powerhouse!</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535262018-06-13T12:00:00-12:002018-06-13T20:52:39-12:00Liv Hudson “The 9:30 Club (Sorry)” Alternative (Maryland/USA)
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/9b2e4f48cdca29eefa73e435887cbbee8b9dc872/original/live-hudson.jpg/!!/b%3AWyJyZXNpemU6MzY1eDM2NSJd.jpg" class="size_orig justify_inline border_" alt="" height="365" width="365" /></p>
<p><span style="color:#c0c0c0">Liv Hudson is nothing but ordinary when it comes to her look and sound and that makes for an interesting artist. Donning big hair, natural accents, warm chocolate skin kissed with eclectic makeup, and a bohemian fashion sense, her vibe is just so chill, and her music is set to be a smash – it’s like lemonade – that sweetness and acid exciting combo. </span></p>
<p><span style="color:#c0c0c0">A wonderful mix of Sheryl Crow and Indie Arie, Hudson gives us everyday lyrics explaining real-life moments fused with simplicity, quiet power, passion, and a grass roots drive. The lead single off the debut album set to release this fall is titled “<a href="https://open.spotify.com/album/4ZD0RHY70u00BGaEsDdn2I?si=WsAfJh52RcWsmygr5pSyTQ" target="_blank" data-imported="1"><span style="color:#c0c0c0">The 9:30 Club (Sorry)</span></a>” and it displays her variance in music. </span></p>
<p><span style="color:#c0c0c0">Perfectly illustrating that “oh, it’s just a thought now” type of attitude that becomes commonplace once a recent encounter transcends into just a moment in time, “The 9:30 Club (Sorry)” is a mellow rational song where Hudson sings in a more conversational tone highlighting bits and pieces of the track with unison and harmony. Hudson chose to play the ukulele on the track with the addition of an acoustic guitar (played by Jungheim) to expand the dialed-back ambiance of the track, and it works! </span></p>
<p><span style="color:#c0c0c0">Being an Alternative artist allows for this natural diva’s music to incorporate elements of Rock, Folk, Soul, or whatever genre suits her mood and muse, thus keeping Liv Hudson's free-spirited persona inside of the music giving it life. </span></p>
<p><span style="color:#c0c0c0">She’s our wildflower with strong passionate roots alternating in any direction the MUSIC takes them, and I cannot wait to hear what else she has in store. </span></p>
<p><span style="color:#c0c0c0">Keep up with Live Hudson on <a href="https://twitter.com/livhudsonmusic" target="_blank" data-imported="1"><span style="color:#c0c0c0">Twitter</span></a> and check out her <a href="https://vimeo.com/270571300" target="_blank" data-imported="1"><span style="color:#c0c0c0">video</span></a> to the single.</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535252018-06-13T12:00:00-12:002021-07-08T04:30:44-12:00Loux “Cool” (Alternative Pop) UK
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/b88f55bed3f9312282e1d785b5ec8b8e02c88b7a/original/loux-cool.jpg/!!/b%3AWyJyZXNpemU6NTEzeDUxMyJd.jpg" class="size_orig justify_inline border_" alt="" height="513" width="513" /></span></p>
<p><span style="color:#c0c0c0">Many bands can blend different genres on a cut and be successful, yeah, it is 2018 and we have seen these multiple times. But, how many bands can merge the styles of two decades into one track and make a hit? Loux out of the UK can make it happen, and they did just so on “<a href="https://soundcloud.com/louxband/cool" target="_blank" data-imported="1"><span style="color:#c0c0c0">Cool</span></a>,” the follow-up single to their 2017 “Meet Me Halfway.” </span></p>
<p><span style="color:#c0c0c0">Modern etching guitars and hallucinogenic synths are laced with a 1970s bassline and the track is a monster ready to become a mainstay on the charts. Empowering the track is a frontwoman who has a defining voice that captures the funk of 1970s disco and the punk of today’s Pop music, she layers saucy enunciations with soft harmonies and attitude. </span></p>
<p><span style="color:#c0c0c0">Produced by Loux’ Chris Milnes, you can connect the dots with the music and every instrument has a forefront and never bleeds into the back, thus giving the cut a strong musical spine. In turn, the way the ignited guitars, basement-bottom percussions, and shadowy synths were mixed gives texture and permits the realistic premise of the song to be heard. All of this brings the storyline to life alluding to the ever-present pondering of the “whys” and “what’s” of a relationship. </span></p>
<p><span style="color:#c0c0c0">Moreover, trailing off the hook’s final lyric “do” is the echoed effect of “ooh-ooh” which is cleaver and sparks that meditative effect of the track. </span></p>
<p><span style="color:#c0c0c0">The icing on the cake is how the track allows for the music to lead like the music we loved back in the day. This cut is a nice revisit to a time when songs would be playing, then the vocals paused, the music just spins, and the listeners are just grooving and swaying. Yeah - “Cool” gives that pause in the music, that wait, so the listener can just mesh with the music and then come back to the vocals. This technique adds curiosity and keep the audience interested. </span></p>
<p><span style="color:#c0c0c0">Nothing is rushed or overdone, and the layers are balanced, proof that the e</span><span style="color:#c0c0c0">ntire band has that “chill” factor on point and it crosses over into the music. </span></p>
<p><span style="color:#c0c0c0">After listening to “Cool” you will also feel the Loux chill factor and crave more, so keep up with the band on </span><a style="font-size: medium;" href="https://twitter.com/Louxband" target="_blank" data-imported="1"><span style="color:#c0c0c0">Twitter</span></a><span style="color:#c0c0c0">.</span></p>
<p><span style="color:#c0c0c0">Check this out guys.</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535242018-06-07T12:00:00-12:002018-06-07T19:58:00-12:00Verity White “Own Me” (Heavy Metal Rock) UK
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/e321e673b388c7c2f45461b5e8b7cdabca212490/original/verity-whites-own-me-cover-art-preview.jpeg/!!/b%3AWyJyZXNpemU6NDQ3eDQ0NyJd.jpg" class="size_orig justify_inline border_" alt="" height="447" width="447" /></p>
<p><span style="color:#c0c0c0">Unlike some women in Rock, Verity White does not settle, no she keeps working and ringing the alarm when it comes to female empowerment. Just in time, The Mistress of Rock is back, and she is slinging darts on her recent release “<a href="https://veritywhite.bandcamp.com/track/own-me" target="_blank" data-imported="1"><span style="color:#c0c0c0">Own Me</span></a>” – a wonderful mix of feminine rebelliousness (think 1980s Madonna) combined with Modern Heavy Metal. </span></p>
<p><span style="color:#c0c0c0">As usual, Verity’s vocal presence is visual and strong. With operative vocals and meticulous writing, the track’s premise is about standing up for your independence, being recognized as your TRUE self, and not sacrificing for nothing – not even for love. The details of the track are: “you don't own me /change your perception, of what you think your seeing / change my directions, oh man you must be kidding! / I do what I want / you do what I say / why can't it be that way? / so what you thinking, can't put me in a box? / holding me down and feeding me opinions while I choke on all your antiquated views of the past / sure I want some answers but this boy club is not what I thought it would be / why can't I do me?” </span></p>
<p><span style="color:#c0c0c0">The track have that distinctive straightforward verse-refrain structure that is reminiscent of classic Rock, but what elevates this track is its Heavy Metal musical foundation with organized thick guitars that are amped up and distorted, a forceful drumline, and synths which makes for a massive ah-mazing sound. In addition, Verity gives us some 1980s vibes with her background vocals that have that Rock tinged unison. </span></p>
<p><span style="color:#c0c0c0">At the two minute / eleven seconds mark, we are slapped with “welcome to the jungle” like guitars all slashing and clashing to Verity’s quick-paced rhythmic vocal scat, and then adding texture, the music pulls back at the two minute / 41 seconds point where the seductive bridge introduces itself. The hypnotic hook continues to the outro and what we are left with is nothing short of delicious power. </span></p>
<p><span style="color:#c0c0c0">That’s why I LOVE the Mistress of Rock because she is not afraid to mix things up like a righteous cocktail and throw it in the face of the masses. Verity is living her truth and is setting it to music. As she sings, “can’t put me in a box” – and you ain’t lying baby! </span></p>
<p><span style="color:#c0c0c0">So, make sure to buy the digital track now on Verity’s <a href="https://veritywhite.bandcamp.com/track/own-me" target="_blank" data-imported="1"><span style="color:#c0c0c0">Bandcamp page</span></a>. “Own Me” will be available for streaming on the 11<sup>th</sup> of this month. And since Verity has been marveling live audiences and fans, check out her preceding releases <a href="https://www.veritywhite.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">here</span></a> to make sure you build your collection of the Mistress of Rock.</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535232018-06-07T12:00:00-12:002018-06-07T19:40:29-12:00Zialand “Unbridled & Ablaze”
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/c5b21f872c5db8aa516d4332bdbb04e6e59b1554/original/zia-unbridled-and-ablaze.jpeg/!!/b%3AWyJyZXNpemU6NTM4eDUzOCJd.jpg" class="size_orig justify_inline border_" alt="" height="538" width="538" /></p>
<p><span style="color:#c0c0c0">If you are looking for an album full of sappy slow songs, empty emotion, or elevator music, STOP reading. DO NOT read any further – just step away because this collection of music isn’t for you. </span></p>
<p><span style="color:#c0c0c0">Now, if you are searching for a collection of music that has substance, sustenance, and soul, then keep reading. </span></p>
<p><span style="color:#c0c0c0">If you are craving music that is encased in mellow quick tempos of passion, pleasure, pain, and purpose set to eclectic instrumentation, spelled out in uncomplicated lyrics, and rhythmic vocals, then by all means, step up, get comfortable, and feel the wild slow burn of “Unbridled & Ablaze” from Zialand. </span></p>
<p><span style="color:#c0c0c0">Zialand (Zia) is a singer/songwriter/producer/mixer born in Norway. To capture her musical taste, she traveled and lived in Los Angeles (USA), India, and Australia. Now returning to her grass roots in Norway, she has completed her third EP of music titled “Unbridled & Ablaze” and she has labeled her personal style of music “Cinematic Soul Pop” a fitting self-genre since her music is like film scores matching her journey. </span></p>
<p><span style="color:#c0c0c0">“Unbridled & Ablaze” feature nine tracks: </span></p>
<ol>
<li><span style="color:#c0c0c0">Thunder</span></li>
<li><span style="color:#c0c0c0">Come Over</span></li>
<li><span style="color:#c0c0c0">Running Cold</span></li>
<li><span style="color:#c0c0c0">I Love You</span></li>
<li><span style="color:#c0c0c0">Fever</span></li>
<li><span style="color:#c0c0c0">Cleaved</span></li>
<li><span style="color:#c0c0c0">Shelter</span></li>
<li><span style="color:#c0c0c0">Don’t Look Down</span></li>
<li><span style="color:#c0c0c0">Landslide </span></li>
</ol>
<p><span style="color:#c0c0c0">And while the theme of living life uncaged and fully charged runs through the entire collection of Pop Soul, this is my interpretation of the seven tracks that highlight this theme. </span></p>
<p><span style="color:#c0c0c0">If there is smoke where there is fire, then “<a href="https://open.spotify.com/track/4HT8HhY0A8iulzrQR1bJvc" target="_blank" data-imported="1"><span style="color:#c0c0c0">Thunder</span></a>” is that for this album as this opening track brings the smoke to alert you to the blaze that you are about to feel included in the accompanying tracks. The texture of “Thunder” is R&B in feel but Pop in its instrumentation. And while it is slow to build, it wonderfully mutates and progresses with hills and valleys of vocal modulation and scale-backs. Moreover, Zialand delivers a soft assertive vocal that is a great blend of Toni Braxton meets Celine Dion. This track is already commercially ready to beat its mainstream Top 40 contemporaries in the same fashion that Anita Baker’s <em>Rapture</em> did in 1986. It is about time for another song like this – YAY!</span></p>
<p><span style="color:#c0c0c0">And the only way to soften sadness is to sing words so beautifully that the sadness fades to black to where the sadness may still be there, but it’s not has heavy. The soulful chanteuse gives us the gift of empathy set to words in her third track “<a href="https://soundcloud.com/zialand/running-cold" target="_blank" data-imported="1"><span style="color:#c0c0c0">Running Cold</span></a>” a track about losing a loved one and still living. The brass, cymbals, and grief-stricken synths attribute to the solemn, yet hopeful, track.</span></p>
<p><span style="color:#c0c0c0">By the time I got to the fourth track on “Unbridled & Ablaze,” my tissues were in my hand, but I was not crying, nah – I was raising up my hands, tissues in grasp, and I was waving those tissues so gently into the air saying “sang, girl, sang.” Yes, Zialand takes you to church on “<a href="https://open.spotify.com/track/7M6sIQ8bcgtm1thbADdaJu" target="_blank" data-imported="1"><span style="color:#c0c0c0">I Love You</span></a>” – a track about the unbreakable spirit of a woman scorned by her lover. The lyrics read: no I won’t let you have it / no you can’t take it back / walk out and hurry before it all turns to black / it’s what I will let you take away / from this thing we both called a wonder til you let in / cause I love you, I love you, I love you.” In admiration of the way Zialand executes the honesty and power of the track’s theme, I must say I enjoyed the contrasting elements of the track – on the one hand we have the traditional Gospel notes, Hammond organ, and bottom-riding bass that gave way to a heartfelt vibe, but never was the artist or music preachy; and on the other hand, we have the modern Blues aesthetic with the eclipsed synth effects, instrumental sustains, and Zialand’s modern harmonies and bending vocal riffs. These all steadily grasped on to Zialand’s pure, ungentle, lyrics. This is the bend but not break track.</span></p>
<p><span style="color:#c0c0c0">The unbridled passion is elevated in the fifth track“<a href="https://open.spotify.com/track/0kWAuPentWJ5o11ji39glM" target="_blank" data-imported="1"><span style="color:#c0c0c0">Fever</span></a>.” There are many elements that brings unbridled passion to the fore and makes this track so mesmerizing and playful to the eardrums: the soft riding vocals of Zialand coupled with the relentless sax, the non-compressed tribal drums, allusive piano, the guitar, and Zialand’s unorthodox (yet welcoming) enunciations of each syllable of the lyrics. I simply dug the way she swayed the pronunciation of the word “fever” as it gives that “ablazed” element to a track that sings about life’s un-expectedness that evokes that thrill to live and love “those little things.” In addition, the vocal harmonies add another freeing layer to an evolving song that builds up and then dives down.</span></p>
<p><span style="color:#c0c0c0">There is only one word that describes “<a href="https://open.spotify.com/track/5EI0CmN423TDyUC8F2yC3I" target="_blank" data-imported="1"><span style="color:#c0c0c0">Cleaved</span></a>” and that is WOW! Such soft power wrapped into three minutes and thirty-five seconds. Much like the other tracks of “Unbridled & Ablaze,” there is plenty of classic Soul instrumentation that builds this track, but on this cut I really hear Zialand’s vocal prowess highlighted. It is the way she can manipulate her voice to evoke and embrace real emotion – the emotion that she wants the listeners to feel. She alters in her vocal tones ebbing between harmonies, double unison, and a scaling range that is unbreakable. The track speaks about the bittersweet reality of love when one knows what they want to love, search for that love, and wait for that love – it’s beautiful, so pretty and timeless. She sings, “how the hell do I find you in the water / what is the port of call / how do I find you when it starts to pour / to each their own confession / to point you to my door I’ll be a better someone than I was before / the writing on the wall’s in letters much to hard to see / I’ve broken both my hands not letting up and staying cleaved / I’ve loved you all my life not knowing how or when I’d see you.” You will catch yourself in deep thought while listening to this track. And at the two-minute mark, Zialand hits some soft highs that showcase her style, technique, and range that would give Mariah a run for her throne. The way Zialand chose to tackle this tune is so invitingly fitting for the hope and a prayer theme of “Cleaved” and it is proof that Zialand is not a studio-made artist.</span></p>
<p><span style="color:#c0c0c0">The seventh song in this collection, “<strong>Shelter</strong>,” is easily one of my favorites as this was the track that introduced me to Zialand as an artist and as a friend. Please read my review of this track <a href="http://www.klefnotes.com/music_reviews/zialand:_shelter_oslo_norway_cinematic_soul_pop" target="_blank" data-imported="1"><span style="color:#c0c0c0">here</span></a>: </span></p>
<p><span style="color:#c0c0c0">Zialand concludes her album with the Soulful “<a href="https://soundcloud.com/zialand/landslide" target="_blank" data-imported="1"><span style="color:#c0c0c0">Landslide</span></a>.” This track starts like an EDM track and builds to a Soul/Pop stirring anthem exemplifying “GIRL POWER.” The internal message says I am bigger than your pain and Zialand emotionally sings “don’t think I’m pining / that you’re my silver lining / that I’m waiting for you / I don’t forget catching fire, or how I expired / how I made myself smaller to get through this / my love is, my love is, my love is greater than you.” Freeing isn’t it? And I just love, love, love the way the harmony marries and dances to the modulating synths at the two-minute mark and then climbs to the hook where Zialand introduces the title of the track. Talent and technique! What a way to close a collection – a song that just explodes gently in the same way a bomb sets off under water – you feel the impact, but it is muted just enough not to cause pain.<strong> </strong></span></p>
<p><span style="color:#c0c0c0">It is obvious at first listen, and after continuous listens, that this EP was not done on a whim – it took time to build such a masterpiece. Zialand stated once before that “with all these difficult years behind me, it is nice to finally have the freedom to create and share my music again.” Well, out of trying times comes a masterpiece; from tension comes taste; from lost comes love; and, from the freedom to create as she wanted, came an album full of tactfulness, skill, muscle, mystery, and talent! </span></p>
<p><span style="color:#c0c0c0">If I were to fully elucidate the full depth of Zialand’s music, it would fill pages, so the best way to briefly illustrate the scope of her artistry is for you to imagine this illustration: you just walked into The Metropolitan Museum of Art in New York City USA and you see exhibit after exhibit. You are surrounded by styles of art (classical, modern, and Avant-Gard). You notice many interpretations of art. Suddenly, the room that is roped off catches your eyes and you bend your neck just to gaze upon the one bust under a spot light inside of the roped-off room. You are intrigued to know more. </span></p>
<p><span style="color:#c0c0c0">So, you step up to the room and the guide lets you in. You peer at the art and walk around it to really see its history, beauty, and exquisiteness. Then after leaving the museum, after seeing so many other things, the only thing that stays with you is that rare, beautiful piece of art that you first caught sight of in that roped off room. Some might think that the rope imprisons the piece of art, but in reality, the rope protects it from the masses – it is too wealthy in its form and composition to be placed amongst the typical or usual. </span></p>
<p><span style="color:#c0c0c0">That is what Zialand’s musical style represents as she is an original artform surrounded by the mimics and artificial artists of many in modern mainstream Pop. As an indie artist, she automatically sets herself apart from the norm. </span></p>
<p><span style="color:#c0c0c0">“Unbridled & Ablaze” is nothing short of a piece of art with musical duplexity, complex vocals, and candid lyrics. It is music and emotion that is unrestrained and not controlled by any means. And, it is smoldering enough to give you that warm balance of peace. </span></p>
<p><span style="color:#c0c0c0">And it is great that the brutal honesty in Zialand’s lyrics are not trapped by the confines of mainstream media or mainstream production, so we get the heat of passion and the burning of anguish upfront and personal – her reality is not washed away. </span></p>
<p><span style="color:#c0c0c0">It is amazing! Zialand is an artist that we can say is 100% real and that is difficult to say in 2018. </span></p>
<p><span style="color:#c0c0c0">She stands alone but is viewed by all. </span></p>
<p><span style="color:#c0c0c0">Make sure to purchase your copy of “Unbridled & Ablaze" TODAY at <a href="http://www.zialand.net/" target="_blank" data-imported="1"><span style="color:#c0c0c0">www.Zialand.net</span></a>.</span></p>
<p><span style="color:#c0c0c0"><div class="video responsive"><div class="video-container"><div class="video responsive"><div class="video-container"><iframe frameborder="0" height="350" src="https://www.youtube.com/embed/3heIH4EU8Ug" style="display: block; margin-left: auto; margin-right: auto;" width="425" class="wrapped wrapped"></iframe></div></div></div></div></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535222018-05-31T12:00:00-12:002018-05-31T20:32:57-12:00The Gear “TV Screens” Rock (Liverpool, England)
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/50b04bb6a512961c15cacd9f778f74f154308ac5/original/the-gear-tv-screens.jpg/!!/b%3AWyJyZXNpemU6NTg4eDM1MCJd.jpg" class="size_orig justify_inline border_" alt="" height="350" width="588" /></span></p>
<p><span style="color:#c0c0c0">What would happen if four Rockers from Uni got together to make a track? Well, it would go viral! And that’s exactly what’s happening for The Gear on their very first track called “<a href="https://soundcloud.com/user-317514113/tv-screens" target="_blank" data-imported="1"><span style="color:#c0c0c0">TV Screens</span></a>” – a Billboard-ready Rock song about reality meeting psychosis. </span></p>
<p><span style="color:#c0c0c0">The Gear consists of four college guys who like Boyz II Men have that collegiate Varsity appeal blended with a contrasting musical sound. In the case of The Gear, theirs is that explosive Rock music that’ll get you going. The lineup includes: Callum Thompson (Vocals & Guitar), Ben Harper (Lead Guitar), Jack Crone (Bass), and Ben Wall (Percussions).<em> </em></span></p>
<p><span style="color:#c0c0c0">The classic Rock structure of “TV Screens” does the genre justice with its classic guitar riffs and percussion lines, but it is that modern mutating factor of the track’s melody combined with vocal manipulation and tempo variation that makes it so addicting. This musical evolution becomes more evident with the mellowed-out bridge at the three minute / 21 seconds mark where the track becomes almost Psychedelic in execution and so welcoming. Then the track layers itself up to a jam session followed by the hook. </span></p>
<p><span style="color:#c0c0c0">Moreover, the guitars on this track is nothing short of amazing – the stutters, slides, riffs, scratches, chord progressions, and plucking all etch their way onto your nervous system. </span></p>
<p><span style="color:#c0c0c0">“TV Screens” have that classic foundation of Rock evolving into a hybrid of Alternative Grunge in the same manner as Nirvana’s "Smells Like Teen Spirit" from their 1991 release “Nevermind.” In addition, Thompson’s vocal execution is similar to Cobain’s delivery as it has that “I’m here but don’t really care” swagger to its sound which is a great addition to 2018’s roster of new Rock front-men. </span></p>
<p><span style="color:#c0c0c0">This is the type of music making that establishes artists, and The Gear have a hit on their hands with “TV Screens.” In short, it’s the type of playing that makes legends in the Rock world. </span></p>
<p><span style="color:#c0c0c0">The Gear have more musical gear dropping in June, so make sure to keep track of these guys by following them on <a href="https://twitter.com/TheGearBand" target="_blank" data-imported="1"><span style="color:#c0c0c0">Twitter</span></a>, <a href="https://www.instagram.com/thegearband/" target="_blank" data-imported="1"><span style="color:#c0c0c0">Instagram</span></a>, or <a href="http://www.facebook.com/thegearbanduk/" target="_blank" data-imported="1"><span style="color:#c0c0c0">Facebook</span></a>.</span></p>
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/c561617968423823c425fae3a8297cdb052f2c3e/original/the-gear.jpg/!!/b%3AWyJyZXNpemU6NjEzeDQ2MCJd.jpg" class="size_orig justify_inline border_" alt="" height="460" style="display: block; margin-left: auto; margin-right: auto;" width="613" /></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535212018-05-31T12:00:00-12:002018-05-31T20:25:55-12:00Etnostation “Ty swoją drogą” World Music (Poland)
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/b5510901f4527b53fdbde0c25165f935cfea04fd/original/etnostation.jpg/!!/b%3AWyJyZXNpemU6NTIyeDM3MSJd.jpg" class="size_orig justify_inline border_" alt="" height="371" width="522" /></span></p>
<p><span style="color:#c0c0c0">If you are a lover of all things eclectic and globally cultural, then you will definitely dig the sounds of Etnostation – a five-man World Music band who are as diverse as their music. Incorporating sounds from every continent, Etnostation has music that feature violins, bagpipes, gaita gallega, global percussions, bombarde, accordion, and bass lutes to name a few traditional World Music instruments, but these guys also bring the NOW to their music by way of its arrangement and tempo as well as some keys and synths. It is an unorthodox blend of sounds that touches the traditionally rooted cultural pride in all of us. </span></p>
<p><span style="color:#c0c0c0">They recently released three singles that display this type of varied Global music appeal to which Etnostation calls New Trad Music: </span></p>
<ol>
<li><span style="color:#c0c0c0">Breton</span></li>
<li><span style="color:#c0c0c0">Gdy Sen Odchodzi</span></li>
<li><span style="color:#c0c0c0">Ty swoją drogą </span></li>
</ol>
<p><span style="color:#c0c0c0">I will focus on the final single “<strong>T</strong><a href="https://soundcloud.com/etnostation/ty-swoja-droga" target="_blank" data-imported="1"><span style="color:#c0c0c0">y swoją drogą</span></a>” as it wonderfully combines the styles of its forerunners.</span></p>
<p><span style="color:#c0c0c0">“Ty swoją drogą” translates to “Go Your Own Way” in Polish and its title is fitting as it really does set you on your own path. </span></p>
<p><span style="color:#c0c0c0">An instrumental track, “Ty swoją drogą” gets you going from the intro with that Romani violin riff that sizzles into excitement with the bagpipes, flute, accordion, and percussions. And let me tell you, that percussion section is ah-some – the drum rolls, that bass drum pounding out the heartbeat of anyone’s global calling, and those fire hot cymbals all signaling the human condition with instruments – a talent of Etnostation. </span></p>
<p><span style="color:#c0c0c0">In true Pop formation, the drums set the stage for the music and the additional instruments follow suit. It is wild how these guys can wield these instruments to tell a story without lyrics, and it really does set your heart ablaze and beckons our ancestry – an ancestry that is more shared than some of us even know. </span></p>
<p><span style="color:#c0c0c0">And then at the two minute four seconds mark the sustained flute draws back, the bridge enters with an aggressive violin and flute dually following each other, and then the music drops to a subdued violin that climbs and explodes back into the hook. </span></p>
<p><span style="color:#c0c0c0">This is traditional Folk music upgraded with Etnostation allowing for the traditional instruments to play well with modern melody, arrangement, tempo, and style. In addition, the quick pulse of each instrument is balanced with cultural rhythms – I heard some Asian, African, Celtic, and American influence in this track – or it may be just my mixed heritage of those cultures awakening inside of me because of the music. In either case, this New Trad Music has energy that’s on point and set to detonate. </span></p>
<p><span style="color:#c0c0c0">Please take a listen and keep an eye on <a href="https://www.etnostation.pl/" target="_blank" data-imported="1"><span style="color:#c0c0c0">Etnostation </span></a>as they are about to bring us more music like this soon. </span></p>
Klef Notestag:klefnotes.com,2005:Post/60535202018-05-31T12:00:00-12:002021-06-29T04:31:33-12:00Becky Bowe “That’s How Love Works” R&B/Soul/Blues (UK)
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/25731223f5ffe0f8f4e3d269aa87450c4e5f1a04/original/becky-bowe-ii.jpg/!!/b%3AWyJyZXNpemU6NDgweDQ4MCJd.jpg" class="size_orig justify_inline border_" alt="" height="480" width="480" /></p>
<p><span style="color:#c0c0c0">Boy, it has been a minute since a single came across my desk that has that stomping thump of the pure Soul ethos – a cut that overflows with that awesome mix of Soul, R&B, Blues, and some Gospel. Until now!! </span></p>
<p><span style="color:#c0c0c0">Let me introduce you to the lovely Becky Bowe, a singer/songwriter from the UK who just reached number nine on the Singer/Songwriter iTunes charts with her newest track “T<a href="https://soundcloud.com/becky-bowe/thats-how-love-works-becky-bowe%20" target="_blank" data-imported="1"><span style="color:#c0c0c0">hat’s How Love Works</span></a>” – a gripping, honest, song that describes how love is supposed to work better than any therapist could do in just two minutes. </span></p>
<p><span style="color:#c0c0c0">This new spin on the classic love song spells out its message simply without using too many modern effects or buildup, it's just practical words and honest emotions combined with a soul-stirring vocal, a great classic R&B bassline, a Soulful rhythm section, Blues vocal progressions, and Gospel harmonies. </span></p>
<p><span style="color:#c0c0c0">On “That’s How Love Works” we get to hear a realistic artist who is singing and not talking. Bowe’s natural Soulful vocal register is mellow, sexy, and real. Her vocals echo an early Aretha Franklin vibe and it climbs while crawling to reach your soul. It is music that needs to be heard and adored by Soul, R&B, and Blues aficionados. </span></p>
<p><span style="color:#c0c0c0">I think this track is a teaser to what Bowe will release next, and I cannot wait! So, here’s a promise, after you listen to this track, you <em>will</em> have to pick up your jaw, because this is the way a song is supposed to be sang to define love and how it is supposed to work, and boy it has been a while. </span></p>
<p><span style="color:#c0c0c0">To keep up with Becky Bowe, follow her on <a href="https://twitter.com/becksbowe" target="_blank" data-imported="1"><span style="color:#c0c0c0">Twitter</span></a>!</span></p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/172c539cffcabe24f67ecb375ea37eb76b2add00/original/becky-bowe.jpg/!!/b%3AWyJyZXNpemU6MzcweDU1NiJd.jpg" class="size_orig justify_inline border_" alt="" height="556" style="display: block; margin-left: auto; margin-right: auto;" width="370" /></p>
Klef Notestag:klefnotes.com,2005:Post/60535192018-05-24T12:00:00-12:002018-05-24T17:20:19-12:00GJART & Deggsy “Nightbirds” (Electro Glam Synth)
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/baa6d309533b848d41357c6f3aed6f732947215d/original/gjart-nightbirds.jpg/!!/b%3AWyJyZXNpemU6NTQ1eDU0NSJd.jpg" class="size_orig justify_inline border_" alt="" height="545" width="545" /></p>
<p><span style="color:#c0c0c0">When Retro synths combine with Millennium beats there can only be one thing … an instant Summer cult hit. GJART’s “Nightbirds” brings that to us guys. </span></p>
<p><span style="color:#c0c0c0">Teaming up with fellow musician, producer, collaborator Deggsy, “Nightbirds” feature lyrics that draw a picture-perfect painting of how we look forward to shredding the layers of everyday life to really come to life in the club – a place where everything is lit and enjoyable and how the vibe created inside of that space, and the memories made there, waits for us until the next time around. It is that “what happens in Vegas, stays in Vegas” mentality set to music and it is sure to be a summertime “re-invent yourself” type of track. </span></p>
<p><span style="color:#c0c0c0">The track starts out mellow and builds on quiet synths and percussions, then it gradually mutates into a heightened energy that is harnessed so that it does not escape your groove. In addition, the two-step command on the beat, light elemental lyrics, and angst FX all mesh to create a musical personality that wonderfully illustrates that YOLO vibe. Not to mention those rhythm-continual vocals that keeps up with the evolving synths making a track that is both nostalgic and trendy. The rolling vocal effects brings you to the outro and gives a reminder of who we are – Nightbirds “tearing up the dancefloor.” </span></p>
<p><span style="color:#c0c0c0">GJART is reawakening a part of music that was beginning to soften and that is the serious Electro Synth musician. His take on trance beats, fused synths, and monster hooks (which he calls Electro Glam Synth) is what made us love Depeche Mode, Petshop Boys, and others who spearheaded the New Wave Synth era back in the day. Those artists who took the Electronic music seriously and left nothing to chance. </span></p>
<p><span style="color:#c0c0c0">“Nightbirds” was made for the night and the spotlight. For my readers who are beach-bums, beach-babes, club hoppers, and trail blazers, this song is for you. Make sure to get your copy on June 1<sup>st</sup>!</span></p>
<p><span style="color:#c0c0c0">Here’s your Spotify Pre-Save Link: <a href="https://distrokid.com/hyperfollow/gjart/driq" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://distrokid.com/hyperfollow/gjart/driq</span></a>!</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535182018-05-24T12:00:00-12:002019-12-31T08:10:58-12:00Jerry Hull "Strange Afternoons"
<div class="WordSection1">
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/eea8ccae7035d0753431f4be68a5aee8460206e8/original/jerry-hull-strange-afternoon.jpg/!!/b%3AWyJyZXNpemU6NDc2eDQ3NiJd.jpg" class="size_orig justify_inline border_" alt="" height="476" width="476" /></span></p>
<p><span style="color:#c0c0c0">The Mozart of the Millennium is back with a reflective experimental collection of music called “Strange Afternoons.” A follow-up to “Celebrate in the Sunshine,” “Strange Afternoons” is a thematically varied collection of music that is primarily set in the British 1960’s Psychedelic era. But in typical Jerry Hull method, there is no limit as to the direction of the album as it features songs that fans of nearly every genre of music can vibe to: Soul, Pop, Gospel, Rock, R&B, Delta Blues, Jazz, Americana, Orchestral, Ragtime, and some subgenres. </span></p>
<p><span style="color:#c0c0c0">“Strange Afternoons” was released on the 18<sup>th</sup> of this month and feature sixteen tracks:</span></p>
</div>
<div class="WordSection2"><ol>
<li><span style="color:#c0c0c0">Supercharged Chassis</span></li>
<li><span style="color:#c0c0c0">All You’ve Been Looking For</span></li>
<li><span style="color:#c0c0c0">Periscope Down</span></li>
<li><span style="color:#c0c0c0">The Rolling Clouds</span></li>
<li><span style="color:#c0c0c0">Springtime Is Near (Song on Awakening)</span></li>
<li><span style="color:#c0c0c0">Dreamscape’s Like Magic</span></li>
<li><span style="color:#c0c0c0">You Are the One</span></li>
<li><span style="color:#c0c0c0">Strange Afternoons</span></li>
<li><span style="color:#c0c0c0">My Mind’s on You</span></li>
<li><span style="color:#c0c0c0">Mulholland Drive</span></li>
<li><span style="color:#c0c0c0">Call of Spring</span></li>
<li><span style="color:#c0c0c0">Foreign Agent Lover</span></li>
<li><span style="color:#c0c0c0">Our Love Means More</span></li>
<li><span style="color:#c0c0c0">Want to Be Your Lover</span></li>
<li><span style="color:#c0c0c0">Flight of The Wistful Dreamer (Movement In G)</span></li>
<li><span style="color:#c0c0c0">Can’t Get You Out of My Head </span></li>
</ol></div>
<p><span style="color:#c0c0c0">In this review, I will place a spotlight on four tracks - one which is a released single and three possible releases from "Strange Afternoons":</span></p>
<p><span style="color:#c0c0c0">“<a href="https://www.reverbnation.com/jerryhull/song/29530213-supercharged-chassis2018-by-jerry?source=artistProfile" target="_blank" data-imported="1"><span style="color:#c0c0c0">Supercharged Chassis</span></a>” is that elevated classic Rock cut that tears you up and pulls you back together with R&B Bluesy chord progressions, licking guitars, and keys, keys, keys just jetting throughout the entire track. The lovely chord and vocal melody descension is nothing short of genius as it gives off the same effect as the peddle being put to the metal descending before it revs up. And once again, Hull does not let us down with flavor, texture, and tuned-up melodies. “Supercharged Chassis” is a double number one hit on two radio stations and growing in momentum! </span></p>
<p><span style="color:#c0c0c0">The second track “<a href="https://www.amazon.co.uk/dp/B07D3JDBZB/ref=dm_ws_tlw_trk2" target="_blank" data-imported="1"><span style="color:#c0c0c0">All You’ve Been Looking For</span></a>” opens with a flamboyant electric guitar and a stuttered guitar effect revealing an eclectic Pop Rock track that includes tambourines and yellow-hot percussions! The bumping bass guitar also has a semi-solo before Hull lets into the bridge with a wonderful musical solo. A nice twist from the norm (as only the Mozart of the Millennium would do) is the way Hull lets the music lead the track as he plays second place to the music with his lyrics melodically telling the story of soul-searching. I also enjoyed the way the track goes into the outro with Hull doing multiple harmony lines that adds a dream like Beach Boys vibe. </span></p>
<p><span style="color:#c0c0c0">Sound FX of the sea greets you with “<a href="https://www.amazon.co.uk/dp/B07D3H54F9/ref=dm_ws_tlw_trk3" target="_blank" data-imported="1"><span style="color:#c0c0c0">Periscope Down</span></a>” – a happy Psychedelic track that plays very much like a McCartney meets Bowie cut. Hull does wonders with technique on this track to bring to life his experience with Captain Tea on a submarine “into the deep blue green sea.” One such example of technique is the fluctuating of each varying effect between verse and chorus thus bringing so much imagery to the track. I additionally enjoyed the echo as well as the brass and piano just taking the texture of the track up 2-3 levels of RIGHT! This track really is an adventure! </span></p>
<p><span style="color:#c0c0c0">And the last single is “<a href="https://www.amazon.co.uk/dp/B07D3HK89J/ref=dm_ws_tlw_trk12" target="_blank" data-imported="1"><span style="color:#c0c0c0">Foreign Agent Lover</span></a>” – a Pop meets Boogie Woogie song that tells the story of Hull’s encounter with a female spy and the consequences that ensue. It is 007 set to music and Jerry Hull is the central character making moves, bobbing and weaving, and living life on the edge. Blending experimental and standard synth effects brings more life to the orchestrated picture. From tickling the keys to setting fire to the drums, the details contained in this cut is so magnificent. It is worth a listen or two or three – just place it on replay! </span></p>
<p><span style="color:#c0c0c0">Today in music, we rarely hear tracks that really are about true-life experiences. Often, we hear songs that are set to moments or just ideas – lost is the human experience when it comes to music in some musical forums. But in Indie Music, we still get to hear the reality instead of the fiction – and that is what Jerry Hull has given us in his most recent album. </span></p>
<p><span style="color:#c0c0c0">In keeping with the typical formula of his music, Hull again has masterfully brought his memories to life by way of music and lyrical imagery. Within the songs written in this collection we get to witness daring experiences, one-night stands, love for love’s sake, pain, and the consequences of life in general. So please, also give an ear to these tracks: Dreamscape’s Like Magic, Strange Afternoons (title track), Want to Be Your Lover, Mulholland Drive, Call of Spring, Can’t Get You Out of My Head, and the epic track Flight of The Wistful Dreamer (movement in G). </span></p>
<p><span style="color:#c0c0c0">In many ways “Strange Afternoons” is like a Broadway show contained on one disc. The way Hull produced this collection, it really does take the listener through the chapters and some subheadings of an artist’s life – the colors of experiences, enchantment, drama, pain, startling energy, subdued noise, and the emotional highs and lows. Isn’t that what theater is all about? Memories and experiences brought to life by the art and the artist on a big stage? Well, that concept is contained within this sixteen-track musical collection by Jerry Hull. It is as if he has brought the stage to your audio player.</span></p>
<p><span style="color:#c0c0c0">And that is why I dubbed Hull “The Mozart of the Millennium” because he composes quality music from the viewpoint of a Classical artist leaving nothing to chance – if it is in the album, I guarantee he wanted it there. </span></p>
<p><span style="color:#c0c0c0">Much like the composers of lore, Hull contemplates, compose, edits, records, mix, and masters every track as if it were his sole single making sure each track feature a compelling storyline and his Midas touch. And in keeping up with the modern, Hull continues to push the envelope much like Elton John as he envelops some trends and new techniques within his style music.</span></p>
<p><span style="color:#c0c0c0">“Strange Afternoons” is available digitally in over 150 stores and in over 78 countries worldwide including iTunes, <a href="https://open.spotify.com/album/14yOsOY9UnPPjopxPA9X2L" target="_blank" data-imported="1">Spotify</a>, Deezer, Amazon, Googleplay and <a href="https://www.iheart.com/artist/jerry-hull-30919019/albums/strange-afternoons-57197549/" target="_blank" data-imported="1">iHeartRadio</a>. Do not waste time in getting your hands on this album – it is a musical cinematic experience that you will not want to miss. </span></p>
<p><span style="color:#c0c0c0"><a href="https://www.reverbnation.com/jerryhull" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.reverbnation.com/jerryhull</span></a></span></p>
<p><span style="color:#c0c0c0"><a href="https://twitter.com/jerryhullsinger" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://twitter.com/jerryhullsinger</span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535172018-05-17T12:00:00-12:002018-05-17T23:48:20-12:00Katie Ellen “Yours” Pop (UK)
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/1b01508ed2fbaead7a250223cec930289cc9031c/original/katie-ellen-yours.jpg/!!/b%3AWyJyZXNpemU6NjQ3eDM2MyJd.jpg" class="size_orig justify_inline border_" alt="" height="363" width="647" /></p>
<p><span style="color:#c0c0c0">“Yours” is the newest release by one of Indie Music’s favorite artists Katie Ellen. Notable for her approachable melodies, honest lyrics, and subtle but strong Mezzo-Soprano vocals, Katie just keeps getting better and better. She is like a diamond that keeps getting brighter and brighter while her musical presence, talent, and writing keeps up with her glow. </span></p>
<p><span style="color:#c0c0c0">The track starts with two piano chords that set the mood for a wonderfully crafted Pop ballad with lyrics describing unquestionable love and the sacrifices it takes to keep that love afloat. </span></p>
<p><span style="color:#c0c0c0">There is not much instrumentation in “Yours” but that is what makes it so tempting – it is that less is more technique that keeps us engaged and lets us see the personable approach of the artist. </span></p>
<p><span style="color:#c0c0c0">It is equally pleasant how the vocal melody and the music continuously progress in the same manner that emotions react when we fall in love – it is up, up, up, but slowly and mellow. The harmony within the hook adds to the personality of this practical, honest, ballad. And at the two minute and 12 seconds mark, there’s an added subdued vocal FX that is laid on the lead vocal that allows for a reflective moment like when a person sees themself in a mirror and the image pulls back – creatively, Katie has achieved that same effect with that one technique. </span></p>
<p><span style="color:#c0c0c0">Known within the Indie Music Country scene with hits like “Can’t We Just Be Friends,” Katie Ellen displays her varied writing style with “Yours” giving us a softly energized Pop soulful ballad that will be a great addition to any summer wedding track list. </span></p>
<p><span style="color:#c0c0c0">Moreover, “Yours” is a track like the ones that Adele tackles as it is a great platform to showcase the artist’s growth, stamina, and prowess. And aren’t we glad that Katie Ellen has never lost the human touch factor when it comes to her music? That is why we love her! Katie Ellen is an artist that keeps the fans coming back for more. </span></p>
<p><span style="color:#c0c0c0">“Yours” was mixed and mastered by a producer whom I call “The Mixologist of Indie Music” (<a href="https://twitter.com/producedbytobi" target="_blank" data-imported="1"><span style="color:#c0c0c0">Toby Davis</span></a>) and it is due to release on June 15<sup>th</sup>, so make sure to mark your calendars so you can download your copy. </span></p>
<p><span style="color:#c0c0c0"><a href="https://katieellenmusic.com" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://katieellenmusic.com</span></a></span></p>
<p><span style="color:#c0c0c0"><a href="https://twitter.com/katieellenmusic" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://twitter.com/katieellenmusic</span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535162018-05-17T12:00:00-12:002018-05-17T23:38:02-12:00CuriousHour “Yield” – London, England (Rock / Soul)
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/0c67f02d44d2e24788db578fd68a608dd42ca1e2/original/curioushour.jpg/!!/b%3AWyJyZXNpemU6NjY2eDMyOSJd.jpg" class="size_orig justify_inline border_" alt="" height="329" width="666" /></p>
<p><span style="color:#c0c0c0">Who’s bringing the noise? CuriousHour, and they are etching a musical path that resonates so loud that it is recognized, embraced, and remembered. </span></p>
<p><span style="color:#c0c0c0">CuriousHour comes out of London and are quickly gaining attention from South England, the rest of the UK, Europe, and now the USA. This smashing Rock Soul ensemble consists of Andy Grazebrook (Lead Guitar), Aaron McIntosh (Bass), Emily Grazebrook (Lead Vocals), and Waldemar Srankiewicz (Drums). </span></p>
<p><span style="color:#c0c0c0">But what makes them so special that you should direct your attention to this? Well, these guys are bringing the noise in all its realness. Not to mention, these guys have what mainstream music needs to go back to and what the listening audience is dying to hear again, and that is music that is roots-deep in genuineness, passion, personality, depth, and flavor. </span></p>
<p><span style="color:#c0c0c0">One such track that is a great example of this very observation is “Yield” off of the “Explore” album. “Yield’s” storyline speaks of eternal love from the perspective of a lover who loves hard and real (no filters) in the classic way of turning tables and rearranging mountains to keep their lover by their side – all they need is love reciprocated. That message alone is timeless. </span></p>
<p><span style="color:#c0c0c0">Featuring a laidback musical bottom with the bass and bass drum that equally supports the thrilling electric guitar riffs and licks, varied percussions, and heart throbbing vocals, this track will crawl on you and stay. One dominant aspect of this track is the lead vocal tumbling off the lips of the front-woman Emily Grazebrook. This girl is throwing Soul and she ain’t playing. Emily is reawakening a style of vocalizing that was reborn with Tina Turner and that has been sleep since Nina Simone. I was SO GLAD to hear this saucy vocal on this track. She sings in high register except for her descending cadences with background adlibs that are equally spicy, salty, and sweet underneath. </span></p>
<p><span style="color:#c0c0c0">CuriousHour call their brand of music Rock and Soul and that is so suitable as it follows the classic skeletal system of Rock and Smoky Soul. But the bonus of “Yield” is the little kiss of Blues and 1960s Funk and Folk – an ah-some eclectic track that will keep everyone engaged and interested.</span></p>
<p><span style="color:#c0c0c0">CuriousHour has that “IT” factor that is going to make them a Billboard mainstay and that is difference, talent, and a revival of classically loved music that made babies, spun tales, and started marches – music that moves! </span></p>
<p><span style="color:#c0c0c0">To hear a sample of “Yield” go to the band’s page. If you purchase the track, you will be able to hear the full effect of the cut. Plus, make sure to keep up with the band by visiting their Twitter page. </span></p>
<p><span style="color:#c0c0c0"><a href="https://www.curioushour.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.curioushour.com/</span></a></span></p>
<p><span style="color:#c0c0c0"><a href="https://twitter.com/CuriousHour" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://twitter.com/CuriousHour</span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535152018-05-10T12:00:00-12:002018-05-10T22:12:09-12:00Collateral “Midnight Queen” (Country Rock) UK
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/9e285be68cc23a22830a2a0030f4bc956504869b/original/collateral.jpg/!!/b%3AWyJyZXNpemU6NjAweDYwMCJd.jpg" class="size_orig justify_inline border_" alt="" height="600" width="600" /></p>
<p><span style="color:#c0c0c0">It is no secret, Americans love their Rock music. And, we do not care if it is coming from our roots here in the USA or from our sister country England, if that Rock Music puts the metal to the blood, we will give a hoo-rah! </span></p>
<p><span style="color:#c0c0c0">Well, guys, here’s a Hoo-rah!!! </span></p>
<p><span style="color:#c0c0c0">I have been treated with that type of Rock music by a band hailing from the UK called Collateral (formally The Angelo Tristan Band). They are giving us music that elevates, expands, and blows your mind. </span></p>
<p><span style="color:#c0c0c0">Collateral’s newest release off Roulette Media is entitled “Midnight Queen” and it’s a little bit of Country and a whole lot of Rock and I love it! </span></p>
<p><span style="color:#c0c0c0">The lyrical theme of “Midnight Queen” speaks about a femme fatal that makes an impression on her male observer with her “slow motion walk” and teasing tresses – and that is not all the gifts she’s got – this woman rules the midnight with pride, rebelliousness, and sex appeal making her a “Midnight Queen.” </span></p>
<p><span style="color:#c0c0c0">And while the serious lyrics that spell out this theme alone makes for a song that will be a well-received Global hit, it’s Collateral’s execution and music expertise that is setting “Midnight Queen” up to become a mainstream chart fixture. </span></p>
<p><span style="color:#c0c0c0">Collectively, this track holds wild guitars, weighty drums, and a Jon Bon Jovi meets Steven Tyler vocal prowess. And if that is not enough, at the two minute / forty-five second mark (three minute / four second mark on video), get ready for a metallic spinal tap from a Slash-worthy guitar solo that leads into the outro with the front-man killing it with those drop dead gorgeous vocals. </span></p>
<p><span style="color:#c0c0c0">Mastered by Grammy nominee Robin Shmittz, “Midnight Queen” drops today 5/11/18. </span></p>
<p><span style="color:#c0c0c0">So, guys? Guys? I am serious, you do not want to miss this train – stop staring and come aboard! </span></p>
<p><span style="color:#c0c0c0">And as a bonus, you may get to see the guys perform live as they are headlining at “Nightclub Kolis” (The Lounge) in Camden on May 12<sup>th</sup>, so you can check the guys out – just promise not to fall in love!<strong> </strong></span></p>
<p><span style="color:#c0c0c0"><strong>“Lights out” guys!</strong></span></p>
<p> </p>
<div class="video responsive"><div class="video-container"><div class="video responsive"><div class="video-container"><iframe frameborder="0" height="350" src="https://www.youtube.com/embed/_c02NumWhow" width="425" class="wrapped wrapped"></iframe></div></div></div></div>
<p><span style="color:#c0c0c0"><a href="https://www.roulettemedia.uk/collateral" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.roulettemedia.uk/collateral</span></a></span></p>
<p><span style="color:#c0c0c0"><a href="http://www.roulettemedia.uk" target="_blank" data-imported="1"><span style="color:#c0c0c0">www.roulettemedia.uk</span></a></span></p>
<p><span style="color:#c0c0c0"><a href="https://twitter.com/collateralrocks" target="_blank" data-imported="1"><span style="color:#c0c0c0">@collateralrocks</span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535142018-05-10T12:00:00-12:002018-05-10T21:52:18-12:00Pierre Laurendeau's "A Friendly Call from Outer Space"
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/fa157b8b2cb484037d708f90597f8a48c3a9f02c/original/pierre-laurendeau.png/!!/b%3AWyJyZXNpemU6NTA0eDUwNCJd.png" class="size_orig justify_inline border_" alt="" height="504" width="504" /></p>
<p><span style="color:#c0c0c0">Have you seen the movie “Alien: Covenant (2017)?” Well, this movie is one of the Alien prequel series directed by Ridley Scott. Within the movie, there is a scene in which Michael Fassbender’s character (David) sits in an all-white room playing “Entry of the Gods into Valhalla” (Wagner/Liszt - Walhall aus Der Ring des Nibelungen) on the piano with only Guy Pearce’s character (Pete Weyland) as his audience. This scene is so intense because it introduces the viewing audience to the premise of the entire movie, and that is what the best Electronic Instrumental music should evoke in its listeners – that kind of awe and richness that keeps you glued to the earphones or music source. </span></p>
<p><span style="color:#c0c0c0">Like a director of a movie, experienced composers of Electronic Instrumental music know how to treat each note and facet of the music for their listeners to greatly anticipate what’s coming next in the installment without the aid of lyrics. Pierre Laurendeau is a composer as such, and when he set pen to paper or fingers to instrument to compose “A Friendly Call from Outer Space” the end result was nothing short of cinematic. </span></p>
<p><span style="color:#c0c0c0">Pierre Laurendeau is a composer, multi-instrumentalist from Quebec, Canada who holds a very impressive musical resume. </span></p>
<p><span style="color:#c0c0c0">Notable for his varied artistic contributions, Laurendeau is also a harpsichord maker, keyboardist, and was formerly with a rock band. He is active on the Quebec music scene composing television productions and is director of music for studio recording artists. In addition, Laurendeau has worked for more than a decade with Debra Brown (choreographer at Cirque du Soleil). </span></p>
<p><span style="color:#c0c0c0">His musical career spans over 25 years attributing to hundreds of composed melodies and many projects. In May of 2017, Laurendeau finally released his own EP. December of that year, Laurendeau released “A Friendly Call from Outer Space.” <em> </em></span></p>
<p><span style="color:#c0c0c0">This is my interpretation of “A Friendly Call from Outer Space” – a five-track instrumental EP that features colorfully blended notes of Alternative Progressive Electronic Dance Music cosmically aligned with skilled technique, tempos, and taste that is sure to set the mood for the movie of your life anytime or place. </span></p>
<p><span style="color:#c0c0c0">The <a href="https://soundcloud.com/pierrelaurendeau/a-friendly-call-from-outer?in=pierrelaurendeau/sets/a-friendly-call-from-outer" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>title track</strong></span></a> rushes in and then simmers to play like a welcome note left by the musical conductor inviting his audience into his world. “A Friendly Call from Outer Space” features ambient-styled instrumentation that includes musical stutters and chord qualities all alluding to the experiences usually set within mental travel. The evolution of the audio climbs and then waits, climbs and then surprises, and then moves on to awaken and remind us to just chill.</span></p>
<p><span style="color:#c0c0c0">And if you are looking for an Electronic Dance cut that delves deep down into your core allowing any and everything inside to be set free, then “<a href="https://soundcloud.com/pierrelaurendeau/get-deep?in=pierrelaurendeau/sets/a-friendly-call-from-outer" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Get Deep</strong></span></a>” is that track. And it does get deep guys. This is the “I am here” track of the collection that has you moving in your seat and on to the floor with its command to the beat from the first note to the last second. In addition, the human voice FX adds depth and character to an instrumental track. Here is a surprise gift that expertly mutates as it progresses which adds flavor and makes “Get Deep” so enlightening and euphoric. Finally, a track that gives lovers of multiple genres something to smoothly vibe to. Fans of Trap, Tribal, House, Trance, and Techno, will enjoy “Get Deep.” This smooth-driving track places itself on your pulse and will not let go until you have musically elevated to 100%.</span></p>
<p><span style="color:#c0c0c0">Where the title track is more complex like the subconscious, “<a href="https://soundcloud.com/pierrelaurendeau/silence-within-turbulence?in=pierrelaurendeau/sets/a-friendly-call-from-outer" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Silence within Turbulence</strong></span></a>” is more conscious in that it deliberately illustrates by way of its allegorical title and poignant music how there is peace within disturbance. We experience this when we are sucked into the unpredictable ways of life where all is thrown upside down and we are thrown off balance, so we shut out the madness and experience a calm – it is weird but healing. That is the message of this track transpired by virtual and terrestrial synths that gives your entire audible senses a wonder-moment.</span></p>
<p><span style="color:#c0c0c0">“<strong>Break Loose</strong>” is a quick-paced rhythmic track that brings the noise with electronic energy by way of instrumental vocalizations, muted chords, hand claps, synthesizers, and in-your-face digital percussions. I also enjoyed the video that accompanies this track that shows multiple landscapes of the digital, underwater, human, terrestrial, and extraterrestrial planes. These different landscapes all come to life and break loose with mood-setting soundscapes. Where one scene looks like you are walking on the moon, another one shows a full club where the nightlife is on and popping. In addition, we see the artistry in the streets and beyond Earth – that same artistry is also translated in the music with that WOW factor of non-disposable instrumentation. The longest track is the arena pleaser! </span></p>
<p><span style="color:#c0c0c0"><a href="https://www.youtube.com/watch?v=-56QVXTsseQ" data-imported="1"><span style="color:#c0c0c0"><div class="video responsive"><div class="video-container"><div class="video responsive"><div class="video-container"><iframe frameborder="0" height="298" src="https://www.youtube.com/embed/-56QVXTsseQ" style="display: block; margin-left: auto; margin-right: auto;" width="362" class="wrapped wrapped"></iframe></div></div></div></div></span></a></span></p>
<p><span style="color:#c0c0c0">The final track “<a href="https://soundcloud.com/pierrelaurendeau/possible?in=pierrelaurendeau/sets/a-friendly-call-from-outer" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Possible</strong></span></a>” introduces itself and then says farewell within one minute and ten seconds. The shortest track on the EP features a gentle dialing-up FX in its introduction, a mellow introduction of cosmic and eclectic synths, and then it slowly scales back and dials down, leaving it open-ended and wonderfully setting up anticipation of what’s next from the composer. Everything within “Possible” is done on purpose; it is not forced in its evolution by any means. The way Laurendeau composed and executed this track production-wise shows a music logic. It’s a continuum! </span></p>
<p><span style="color:#c0c0c0">A listener with a skilled ear can distinguish between a novice of instrumental music and an expert. </span></p>
<p><span style="color:#c0c0c0">With a novice, you will hear nothing but trends in their technique; in contrast, with an expert you will hear <em>some</em> trending elements, but you will primarily hear textures, classic and modern techniques, and emotion. </span></p>
<p><span style="color:#c0c0c0">In addition, one might think that instrumental music does not contain a message that flows throughout the composition drawing a mental picture of what the artist is evoking, yet unpredictably, there is a message in the music. It may not be in the form of a “lyrical” message, but when instrumental music is composed correctly, the entire collection exposes a message or conversation between the music, the melody, your mind, and your ears. </span></p>
<p><span style="color:#c0c0c0">So, let me tell you what you <strong>WILL NOT</strong> hear in Laurendeau’s “A Friendly Call from Outer Space:”</span></p>
<ul>
<li><span style="color:#c0c0c0">you <strong>will not</strong> hear a mush of music all jammed up in your ear with no space or originality</span></li>
<li><span style="color:#c0c0c0">you <strong>will not</strong> hear music only in your left ear, or maybe only in your right ear</span></li>
<li><span style="color:#c0c0c0">you <strong>will not</strong> hear the dreaded hissing or fuzz due to the lack of experimentation within this genre</span></li>
<li><span style="color:#c0c0c0">you <strong>will not</strong> hear standardized trends of modern music only</span></li>
<li><span style="color:#c0c0c0">you <strong>will not</strong> hear dated electronic melodies </span></li>
</ul>
<p><span style="color:#c0c0c0">What you <strong>will hear</strong> in Laurendeau’s music is an equal balance of high and low frequencies. You <strong>will hear</strong> mellow pitches and compression. You <strong>will hear</strong> altering effects in groove and cadence. You will hear a difference, something in the music that makes you think. You will hear the fusion of two totally opposite musical emotions by way of contrasting tempos that gives off a feeling of ambiance or euphoria. In other words, you will hear an artist skilled in their genre of expertise who has a great assortment of talent. </span></p>
<p><span style="color:#c0c0c0">Laurendeau musically draws outside of the lines but he never goes outside of the parameters to where your ears are hurting from bleed-ins, redundancy, or distortion. In addition, he features many organic sounds blended so surgical with synthetic instrumentation that you come away with an <strong>experience</strong> not just a listen-in. Further, each track varies in length, instrumentation chosen, as well as temperament. </span></p>
<p><span style="color:#c0c0c0">And I know there are many instrumentalists and musicians who use this technique in crafting their music, but the way Laurendeau fashions and completes his Electronic Instrumental compositions make each song illustrate its very own musical microcosm that wildly agrees with each other – each track, while different in some form, balance Laurendeau’s overall theme or message of that “friendly call from outer space” saying “welcome to my spot.” This type of musical skill allows for that wonderful netherworld musical experience.</span></p>
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/52ed8f748c22af84d0133693748e2c073ebd311f/original/pierre-laurendeau-en-studio.jpg/!!/b%3AWyJyZXNpemU6NTc1eDQzMiJd.jpg" class="size_orig justify_inline border_" alt="" height="432" style="display: block; margin-left: auto; margin-right: auto;" width="575" /></span></p>
<p><span style="color:#c0c0c0">The overall production of this piece of music is powerful but smooth giving your ears a real treat. The way this EP was mixed, it is as if both of your ears are at a concert. Some sounds are equally heard in your ear, while some may tickle your left as the other bounces on your right inner ear collectively making up the entire picture framed. Musical hooks splendidly attach themselves to your nerves and keep you stoked through the entire EP while the tonal consistencies and rhythmic complements of aptitude makes you re-visit it time and time again. </span></p>
<p><span style="color:#c0c0c0">What we have here is a fully sourced package of ah-some Electronic Instrumental music which welcomes fans of House, EDM, Alternative, Cinematic music and their subgenres. </span></p>
<p><span style="color:#c0c0c0">The beacon is sounding off in your musical mother-ship . . . answer the call! </span></p>
<p><span style="color:#c0c0c0">To keep up with Pierre Laurendeau, please go to: <a href="http://www.pierrelaurendeau.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">http://www.pierrelaurendeau.com</span></a> and follow him on Twitter <a href="https://twitter.com/pplaurendeau" target="_blank" data-imported="1"><span style="color:#c0c0c0">@pplaurendeau</span></a>. </span></p>
<p><span style="color:#c0c0c0">Also, check out his music on <a href="https://www.youtube.com/channel/UC9c0uni7E4TBX1cf0iTlLUA" target="_blank" data-imported="1"><span style="color:#c0c0c0">YouTube </span></a>and <a href="https://open.spotify.com/artist/3pR2o9ONt3Ta1bXVzBGS1z" target="_blank" data-imported="1"><span style="color:#c0c0c0">Spotify </span></a>as well as his <a href="https://fr.wikipedia.org/wiki/Pierre_Laurendeau_(compositeur)" target="_blank" data-imported="1"><span style="color:#c0c0c0">Wikipedia page</span></a>. </span></p>
Klef Notestag:klefnotes.com,2005:Post/60535132018-05-07T12:00:00-12:002018-05-07T20:39:04-12:00Jenn DeSantis “Someone Else” – Pennsylvania (ROCK)
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/9ec93cc9b8f75e961676095467ded1fedeab9b63/original/jenn-desantis-cover-art.jpg/!!/b%3AWyJyZXNpemU6NDc3eDQ3NCJd.jpg" class="size_orig justify_inline border_" alt="" height="474" width="477" /></p>
<p><span style="color:#c0c0c0">Have you ever loved so hard that you often get lost in the mix, so you had to let it go? Well, Jenn DeSantis’ newest track “Someone Else” speaks on that reality. The song’s concept illustrates how with love, many times it is the lessons learned while being in love that becomes the important factor, not so much the relationship. Coming out on the other side of love knowing more and understanding the true YOU on both sides is what’s vital. </span></p>
<p><span style="color:#c0c0c0">DeSantis’ emotion-driven vocal register and expressive lightweight contralto voice delivers this message with passion. The raw, yet refreshing, lyrics to this Rock ballad sing “Your eyes are beautiful without any makeup on / your hair is gorgeous when it is natural, so let it down / your lips, don’t think I never miss kissing them / my heart says to love, but it also says, ‘say goodbye’ / our love can’t continue / someone else will love you with a love better than mine.” To love with no regrets is the best kind of love. </span></p>
<p><span style="color:#c0c0c0">A piano, some percussions, and violins set the stage for this wonderful, expressive, Rock track. A great departure from the fluff of mainstream music where the emotion and message gets lost in the translation of FX, autotune, and digital manipulation. It is ah-some to hear music in its purest form matching how pure love is without preservatives and fillers. </span></p>
<p><span style="color:#c0c0c0">If you enjoy music that has a real melody that naturally ebbs and flows to the rhythm of life’s ups and down, and if you vibe with lyrics that spell out emotions like they were written on a lost love letter that was found in a bottle, then “Someone Else” is your tune and Jenn DeSantis is your artist/musician. So glad we have an artist in Indie Music that falls into the category of upfront warriors like India Arie, Erika Badu, Nora Jones, and Melissa Ethridge. </span></p>
<p><span style="color:#c0c0c0">Many in the Bushwick Brooklyn NY area can catch a glimpse of this Indie Music chanteuse as she will be performing at Rubulad on May 11th. It is going to be lit, so RSVP for the address at <a href="mailto:Rubulad@outlook.com" target="_blank" data-imported="1"><span style="color:#c0c0c0">Rubulad@outlook.com</span></a>. And make sure to follow Jenn DeSantis on <a href="https://twitter.com/JennDMusic" target="_blank" data-imported="1"><span style="color:#c0c0c0">Twitter</span></a>. </span></p>
<p><span style="color:#c0c0c0">The MTV / BET<em>her</em> worthy video illustrates the storyline wonderfully!</span></p>
<p><span style="color:#c0c0c0"><div class="video responsive"><div class="video-container"><div class="video responsive"><div class="video-container"><iframe frameborder="0" height="350" src="https://www.youtube.com/embed/rSWAVS2IWvk" style="display: block; margin-left: auto; margin-right: auto;" width="425" class="wrapped wrapped"></iframe></div></div></div></div></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535122018-05-02T12:00:00-12:002018-05-02T18:31:46-12:00Jon Magnusson "Always A Rebel"
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/c4ce75210130b9f5b8abd281eca6319c7e9657fc/original/jon-magnusson.jpeg/!!/b%3AWyJyZXNpemU6NTExeDUxMSJd.jpg" class="size_orig justify_inline border_" alt="" height="511" width="511" /></span></p>
<p><span style="color:#c0c0c0">Within the Indie Music community, we have the power to elevate, evolve, and inspire with our music. What makes this happen are the three types of artists that thrive in this FREE music space: </span></p>
<ul>
<li><span style="color:#c0c0c0">Traditional – artists who stay true to the genre of their type – keeping it simple yet polished</span></li>
<li><span style="color:#c0c0c0">Contemporary (Contempo) – artists who respect their genre’s type but pushes the envelope to begin another tradition</span></li>
<li><span style="color:#c0c0c0">Avant-Garde – artists who are right in the middle of both Traditional and Contempo who kind of evolves the two into a new genre of <em>sorts</em></span></li>
</ul>
<p><span style="color:#c0c0c0">From the very start of seeing and listening to Jon Magnusson, he personifies the Avant-Garde of the Indie Music realm. Exuding the same panache as similar Rockers Peter Gabriel, Eric Clapton, and Freddie Mercury. That quiet-power persona that reads: cool, calm, capable, egoless, and progressive. </span></p>
<p><span style="color:#c0c0c0">Singer, songwriter, musician, audio engineer, and producer Jon Magnusson hale from Stockholm, Sweden. Like most artists, Magnusson grew into the music. </span></p>
<p><span style="color:#c0c0c0">Magnusson began playing guitar at the age of 14 and wrote his first song at age 16 entitled “Sagan om den fattiga pojken och den rika flickan” (The Tale of the Poor Boy and the Rich Girl). By 2012, he bought some new equipment to rock out to and began experimenting with songwriting and flexing his musical muscles on the guitar, first acoustic and then electric. This took him to a new level of skills onto his personal taste in music to which he released his first single “Psalm for Syndare” and an EP “Dina drömmar” in 2015. </span></p>
<p><span style="color:#c0c0c0">Now, he has released his second EP entitled “Always a Rebel” a capsule collection of Progressive Rock music. This is my interpretation of those five tracks that deliver a diverse range of Rock. </span></p>
<p class="textbox"><span style="color:#c0c0c0">The EP opens with “Rely on Me” – a quirky track that touches on how reliance and mutual trust is what makes life so worth living. Opening with a heavily percussed introduction, this track sets you up for a ride of Pure Rock blended with Americana. The song is built around a guitar hook that is reminiscent of surf music which is that wonderful Blues progression using only three chords that we love. </span></p>
<p class="textbox"><span style="color:#c0c0c0">The second cut “I’m Not the Only One” appropriately fly’s – it’s that marriage of 1980s Pop infused with New Wave that ignites such blissful psychedelic vibes. Equally inviting are the unison vocals riding the hook adding such sweet texture. A song about how when you think or feel that worst has come to worst, you are not the only one. This song just makes you bounce in your seat! </span></p>
<p class="textbox"><span style="color:#c0c0c0">The EP reaches its pinnacle by the third track because it spotlights Magnusson’s true avant-garde approach to music. Featuring a distorted glockenspiel, “Set Me on Fire” is an irreligious track written and sang from the artist’s point of view. Magnusson pushes the envelope with “Set Me on Fire.” </span></p>
<p class="textbox"><span style="color:#c0c0c0">Magnusson appropriately concludes the EP with the title track “Always a Rebel,” a song about how being the odd ball in society’s eyes is “A-Okay.” Magnusson chose to include a Hammond organ on this cut and it plays so well with the inclusion of varied guitars and synths. The EP also features the alternate mix of this track.</span></p>
<p class="textbox"><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/f1eeccb371a89dd60bad1dde8fb22a9cef575dc6/original/jon-magnusson-ii.jpeg/!!/b%3AWyJyZXNpemU6NTA5eDMzOSJd.jpg" class="size_orig justify_inline border_" alt="" height="339" style="display: block; margin-left: auto; margin-right: auto;" width="509" /></span></p>
<p class="textbox"><span style="color:#c0c0c0">Sure, we know that it takes heart to make music; it takes patience to record music; and, it takes humility to perform your creation. But, it takes chops to pull it off and be successful; and, “Always a Rebel” is just that – a Rock infused accomplishment. </span></p>
<p><span style="color:#c0c0c0">There is no apologizing, clarifying, or overly explaining the music that comes from the creative mind of Jon Magnusson – a true Avant-Garde type. His music needs no explanation just a listen and digestion. </span></p>
<p><span style="color:#c0c0c0">“Always a Rebel” in its entirety musically shows how to bring out your inner rebel by being vocal in your <strong><em>own</em></strong> way. The basic instrumental elements layered with practical storytelling speaks to everyone on every level of the human condition. </span></p>
<p><span style="color:#c0c0c0">Co-producing with Ruben Engzell set the bar high and “Always a Rebel” is a nice departure from the norm that is sure to evolve Indie Music as we know it. </span></p>
<p><span style="color:#c0c0c0">There is no “If” or “when” as to the career path of Jon Magnusson, it is only “what’s next?” and “where can I get it?” </span></p>
<p><span style="color:#c0c0c0">To listen to these tracks and to find out more, click <a href="http://www.jonmagnusson.se/always-a-rebel-ep/" target="_blank" data-imported="1">here </a>or follow him on <a href="https://twitter.com/jonmagnussonof" target="_blank" data-imported="1">Twitter</a>.</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535112018-05-02T12:00:00-12:002020-04-06T06:44:57-12:00Mosaics: “Vices” (Electronic Rock / San Francisco, CA)
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/df2d54fc71a08fc8a9cec77be9f63052790c1626/original/mosaics-vices-single.jpg/!!/b%3AWyJyZXNpemU6NDgyeDQ4MiJd.jpg" class="size_orig justify_inline border_" alt="" height="482" width="482" /></p>
<p><span style="color:#c0c0c0">Bands today may pitch songs that tout guitars, snares, synths, and a little bit of this and that and try to pose it as an Electronic Rock clip, but to be a true Electronic Rock cut, there must be some POWER pushing that track – vocally, musically, and lyrically, and this track right here called “<a href="https://soundcloud.com/wearemosaics/vices-keith_v2" target="_blank" data-imported="1"><span style="color:#c0c0c0">Vices</span></a>” from Mosaics has the POWER!</span></p>
<p><span style="color:#c0c0c0">Mosaics is an Alternative Electro Indie music band from Frisco featuring Tyler Hill (producer/instrumentalist), Devon Kelts (vocalist/guitarist), and vocalist Maryam Sadeghian. Their newest single “Vices” comes at the right time as the listening audience has so missed music that cuts and heal – true Rock kissed with electrolysis. </span></p>
<p><span style="color:#c0c0c0">“Vices’” feature an explosive hook, edgy lyrics, and a storyline that illustrates the reality of one getting caught under the spell of another’s iniquities and how it can be so good that it becomes so bad. </span></p>
<p><span style="color:#c0c0c0">The track has multiple elements that gives it that power needed: Sadeghian’s lead equaling to a combo of Gwen Stefani mixed with Pat Benatar giving a tenacious vocal attitude kissed with a sweet girl from next door brash alto. Then you have that definitive Electro Rock instrumentation bleeding out of Hill and Kelts’ strings, percussions, euphoric synths and muted FX. Lastly, “Vices” mutates and progresses which adds depth and flavor.</span></p>
<p><span style="color:#c0c0c0">Every element of power pumping off this track establishes “Vices” as a genuine Electronic Rock track. </span></p>
<p><span style="color:#c0c0c0">Mosaics is quickly becoming a Rock band that has no equal. </span></p>
<p><span style="color:#c0c0c0">Better check em out. </span></p>
<p><span style="color:#c0c0c0">The official video due to drop soon!</span></p>
<p><span style="color:#c0c0c0"><a href="http://mosaics.band/" target="_blank" data-imported="1"><span style="color:#c0c0c0">http://mosaics.band/</span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535102018-04-26T12:00:00-12:002019-12-31T08:10:55-12:00Ghostly Beard "Inward"
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/10ba3f56b8a83b1cdc1102b53844ad44d6cc4d3b/original/ghostly-beard-inward.jpg/!!/b%3AWyJyZXNpemU6NTUweDU1MCJd.jpg" class="size_orig justify_inline border_" alt="" height="550" style="display: block; margin-left: auto; margin-right: auto;" width="550" /></span></p>
<p><span style="color:#c0c0c0">We’ve heard of the phrase “re-invent the wheel” right? Well, what that basically means is making an exact model of something that has already been mastered by someone and has been in existence for some time. </span></p>
<p><span style="color:#c0c0c0">So, let’s use this phrase metaphorically for music’s sake – okay? </span></p>
<p><span style="color:#c0c0c0">Now think of this: how many songs in mainstream commercial radio rotation (and streaming services) have the same hooks, command to the beat, and topics? Many, right? Well, isn’t it like they are <strong>trying</strong> to re-invent the wheel? I mean, Honestly, they should give it up because they never quite get it right. Right? </span></p>
<p><span style="color:#c0c0c0">History and modern day mainstream music has taught us that one cannot re-invent the wheel – it’s shape or its purpose, but one CAN <strong><em>improve</em></strong> it! Still, how many artists can attempt this refining technique and REALLY come out in the end with a fresh take or mastered effect? Not many! </span></p>
<p><span style="color:#c0c0c0">Ghostly Beard (Patrick Talbot) is such an artist who has redefined music but has stayed true to his sound and style. And like wine, he just keeps on getting better and better and better …. </span></p>
<p><span style="color:#c0c0c0">As an artist who knows HOW TO acclimatize his work, his sound is mastered; his technique has been perfected; and, his musical identity is etched and enjoyed – this is featured on “Inward” his newest album. </span></p>
<p><span style="color:#c0c0c0"> Ten songs grace the binding of this collection: </span></p>
<p><span style="color:#c0c0c0">1) How Does It Feel</span></p>
<p><span style="color:#c0c0c0">2) The Love in Your Eyes</span></p>
<p><span style="color:#c0c0c0">3) Gone</span></p>
<p><span style="color:#c0c0c0">4) Autumn Blues</span></p>
<p><span style="color:#c0c0c0">5) Night Train</span></p>
<p><span style="color:#c0c0c0">6) Let Go</span></p>
<p><span style="color:#c0c0c0">7) It Doesn’t Matter</span></p>
<p><span style="color:#c0c0c0">8) 9 to 5 (Barely Alive)</span></p>
<p><span style="color:#c0c0c0">9) Let it Rain</span></p>
<p><span style="color:#c0c0c0">10) Going Away </span></p>
<p><span style="color:#c0c0c0">The six featured in this review dominantly display the artist’s interior – this is my interpretation.<strong> </strong></span></p>
<p><span style="color:#c0c0c0">The album opens with a question in the form of a song – a wonderful technique that engages the listener’s ears and mind instantly! “<strong>How Does It Feel</strong>” has a relatively straightforward arrangement with the artist’s vocals and warm musical accompaniment: an organ, percussions and guitars. The lyrics express the reality of feeling lost within humanity and poses a general question: w<em>hen you're out there in the streets and no one sees you stumbling on your feet / when you're bleeding off the walls and your beating heart is out of control / how does it feel? / to be less than real... how does it feel? </em>And even though this song is easy listening, Ghostly Beard once again wakes up your senses with his soul wrenching guitar skills. I think “How Does It Feel” is set to become a popular song on AC radio with its easy like honey vocal execution and rhythms. </span></p>
<p><span style="color:#c0c0c0">“<strong>The Love in Your Eyes”</strong> is the second track and sets the stage for an emotional, yet non-daunting, track. This is easily one of my favorites from “Inward.” The best way to site the artistry of this rich track is for you to read my review of this track <a href="http://www.klefnotes.com/music_reviews/ghostly_beard:_the_love_in_your_eyes_quebec_canada" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong><span style="text-decoration:underline">here</span></strong></span></a>.</span></p>
<p><span style="color:#c0c0c0">The fourth track just lies there in between its 9 accompanying tracks and just simmers – it’s called “<strong>Autumn Blues</strong>.” This instrumental piece of Jazz/Blues starts with a bluesy guitar just whining a melody that threads the entire track. This is pure Music Row from Canada that reflects the depth of Ghostly Beard’s composing talent and skills. Within the hook, the dual guitar chords/riffs descend to make an excellent emotional rollercoaster of evenness and balance that just plucks at your romantic strings. Its guitar licks crawl along and makes a delightful melody of hills and valleys adding such texture like George Benson’s “Masquerade.” This is the Gin and smoky room song of the collection and I love it!! It is stirring, sexy, and sumptuous all rolled up in three minutes and ten seconds. </span></p>
<p><span style="color:#c0c0c0">Following “Autumn Blues” is “<strong>Night Train</strong>” a surreal track featuring guest vocalist <a href="https://soundcloud.com/emma-caiman" target="_blank" data-imported="1"><span style="color:#c0c0c0">Emma Caiman</span></a>. The fifth track on “Inward” lyrically implies a dream of sorts where two strangers’ lives connect spontaneously on their train ride home. The vocalists sing: <em>taking the night train / riding the long way home / we never spoke, and never will / it all happened in a dream / during that fleeting moment / and the world had passed away / we leave so little trace / but a memory in the dark</em>. The song starts with light guitar strums and innocent synths and it builds into a fleeting, magical song whose melody and timing induce that abstruse feeling that dreams evoke. “Night Train” stays pretty much soft and unhurried in its execution throughout the initial minute, and then at the two minute / forty-five second mark, Ghostly Beard strikes the chords of his electric guitar and it gives an instant java rush. It is as if the train sped up. Ghostly Beard’s guitar just talks man. “Night Train” is a great musical surprise that includes wonderfully utilized writing and production techniques which in turn allows for the visual interpretation to be fulfilled by the listener. As the track begins, you instantly envision passengers on a train with non-recognizant expressions on their faces sitting in assigned seats (if you will) and as the track concludes, it is as if the passengers rearrange their seats and the train disappears leaving no evidence as to the encounters there upon. Flawless! </span></p>
<p class="Default"><span style="color:#c0c0c0"> The lyrics of “<strong>Let it Rain</strong>” read like an entry in a diary and suggests how one’s world can just crumble down due to heartbreak and the heartbreakers reluctance to care – <em>You never had to break my heart / you never had to tear me the way you did / I'll never trust another one / I need some time to be the same again / my whole being out of hand / entire world just turned to sand</em>. Following a similar lyrical foundation as The Temptations’ track “I Wish It Would Rain,” both tracks traditionally set rain as the euphemism for tears and melancholy and display practical, yet powerful meaning in a short-length song. Equally appealing is Ghostly Beard’s somber second tenor vocal resonance staying behind the music combined with soft harmonies and a guitar solo that electrifyingly alerts you to his inward sadness. The only VOX FX is the echo technique adding to the loneliness. “Let it Rain” opens with a lovely standardly tuned guitar tempered with a little flanging which adds texture and eclecticism to the track. This sole guitar is soon kissed by the bass, snares, keys, and cymbals implementing a fresh take on Classic Soft Rock. </span></p>
<p class="Default"><span style="color:#c0c0c0">And lastly, but not least, is “<strong>Going Away</strong>” a high-spirited track which is about being spontaneous enough to ebb and flow with whatever life throws at you on the daily. Sarah Talbot (Ghostly Beard’s daughter) sings effortlessly and passionately adding to the track’s free-spirited vibe, while Ghostly Beard nonchalantly sings in his distinctive second tenor / baritone airlifting voice. The lyrics sing: <em>Monday, Tuesday, hard to say what happens everyday / we gotta hurry, gotta work, be ready and smile along the way / then time goes by and blood at last is rushing through our brains / who knows what's waiting for us? The time is right again / I got a good feeling... We're going away.</em> The music pullback at the two minute / eighteen second mark introduces Beard’s signature guitar riffs and feature Sarah Talbot’s vocals under a euphoric FX which are panned perfectly in each ear adding to the vacay appeal of this track thus marking “Going Away” as a cult favorite amongst summer jet-setters and roof-top party goers. It’s that perfect balance of North American Rock and a catchy hook that makes “Going Away” one of the best songs on “Inward” – that spice of life married to a dare devil attitude. This song showcases less synthesized production and more classic niche-specific instrumentation which gives way to a more organic Classic Rock track. Road trip anyone? </span></p>
<p class="Default"><span style="color:#c0c0c0">Ghostly Beard is mysterious and meticulous when it comes to his image, music and message, but he is surgical in making sure that what he feels translates into the music and is felt and grasped by anyone who listens. Choosing not to reveal his person adds to the mystery, but we SEE this artist and the tangible reality that transcends from his music. </span></p>
<p><span style="color:#c0c0c0">No stranger to the Indie Music world, Ghostly Beard has set the mark, made the mark, and keeps astounding us with his support of fellow artists, creative ways to better the world of Indie Music, and his talent. </span></p>
<p><span style="color:#c0c0c0">To further explore the genius behind the Ghost, let’s investigate his INtricate creations: </span></p>
<p><span style="color:#c0c0c0">Using the prefix “IN” several times to deepen the scope of his current muse or life reflection, each of Ghostly Beard’s albums/EPs intriguingly delve <strong>into</strong> the life of an artist in different ways and this technique takes us along for a musical ride into the infinite, invisible, and now inside the artist Ghostly Beard. </span></p>
<p><span style="color:#c0c0c0">First, we were gifted with “<a href="http://www.klefnotes.com/music_reviews/ghostly_beards_infinite" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Infinite</strong></span></a>” (i.e. limitless) – an EP that brought out the <strong>musical</strong> aptitude of the artist. It was as if we were stepping into Ghostly Beard’s conservatory and were able to listen to skillfully layered, multiple genres, of songs all housed within the artist’s treasure trove. It was boundless and freeing.</span></p>
<p><span style="color:#c0c0c0">Next, we had “<a href="http://www.klefnotes.com/music_reviews/ghostly_beards_invisible" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Invisible</strong></span></a>” (i.e. not visible) – an EP that musically illustrated the imperceptible, yet strong, <strong>frame</strong> of the artist. This primarily Jazz collection featured songs demonstrating the invisible qualities of life made visible with a glimpse of Ghostly Beard’s music. </span></p>
<p><span style="color:#c0c0c0">Now we have “Inward” – a glimpse inside – we get the opportunity to look at Ghostly Beard’s <strong>musical interior</strong> – to me, this album is like a snap shot of an artist’s soul. </span></p>
<p><span style="color:#c0c0c0">So, as was touched on earlier regarding “re-inventing the wheel,” Ghostly Beard never tries to re-invent the wheel in music so to speak. A true artist like Ghostly Beard could NEVER even attempt to re-invent, it would go against his musical philosophy as he is true to form and original. </span></p>
<p><span style="color:#c0c0c0">In using that metaphor, if music was the wheel, let’s just say Ghostly Beard has upgraded its durability and its efficiency. He is a master at improving not re-inventing his technique – he cleverly polishes, and he does it so well, spiking our curiosity and engaging our senses! </span></p>
<p><span style="color:#c0c0c0">Ghostly Beard experimented with a new musical technique of culminating multiple genres and balancing their edges with his sole style of mellow eclecticism – this expands his artistic horizons. Particularly notable was the fusion of Jazz and Blues with Pop and facets of Rock on the album's sound. </span></p>
<p><span style="color:#c0c0c0">Never disappointing, Ghostly Beard has done it again. </span></p>
<p><span style="color:#c0c0c0">This album shows that Ghostly Beard is not just another cult artist in the Indie Music realm, but a universal artist who is easily becoming a greatly requested and recognizable artist INdefinitely! </span></p>
<p><span style="color:#c0c0c0">“Inward” dropped May 4<sup>th</sup>, so go to <a href="https://ghostlybeard.com/album/710800/inward%20" target="_blank" data-imported="1"><span style="color:#c0c0c0">Ghostly Beard's page</span></a> to get your copy – I promise, it will be worth it.</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535092018-04-05T12:00:00-12:002018-05-20T22:15:17-12:00Zialand: “Shelter” Oslo, Norway (Cinematic Soul Pop)
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/4e09a95aae211e908702b8680b31f6eecaebfcba/original/zialand.jpg/!!/b%3AWyJyZXNpemU6NDU4eDQ1OCJd.jpg" class="size_orig justify_inline border_" alt="" height="458" width="458" /></p>
<p><span style="color:#c0c0c0">When someone speaks about coming in from the storm, they look for a place of tranquility as their place of refuge. And in music, there is no better way to escape life’s pressures than to turn on some soul-satisfying Gospel, a mellow Soul track, or some smooth Jazz. Well, <a href="https://twitter.com/ZialandMusic" target="_blank" data-imported="1"><span style="color:#c0c0c0">Zialand </span></a> offers all of this on “<a href="https://open.spotify.com/track/0Snc51Q2u34a60imoavU5Q" target="_blank" data-imported="1">Shelter</a>.” </span></p>
<p><span style="color:#c0c0c0">Arriving on the heels of two previous releases, “Shelter” is a well-blended triple-genre song with elements of Soul, Jazz, and Gospel. The storyline of Zialand’s recent track is about how <em>real</em> deep-love can be the shelter to heal the most broken. </span></p>
<p><span style="color:#c0c0c0">Featuring only vocals, brass, a Hammond organ, a bass drum, and low-riding accompanying instrumentation, Zialand proves that less is more on this smoky intriguing track. </span></p>
<p><span style="color:#c0c0c0">The classic arrangement of “Shelter” eliminates the popular bells and whistles of many commercial songs thus making it a welcoming difference; but, Zialand’s voice sends the track over the top and reveals a hit. </span></p>
<p><span style="color:#c0c0c0">Zialand’s vocal prowess is superb and on point. The range of her lead, scales, rests, octaves, and harmonies all dig into you with such strength; yet, the tune is easy-listening with a rich attitude. She softly rides the track humbly trilling and displaying a range of lows and unbreaking highs that is a pleasant mix of Anita Baker and Lisa Stansfield. </span></p>
<p><span style="color:#c0c0c0">“Shelter” from Zialand has that lounge singer appeal and is sure to be one of your favorite go-to tracks to just quiet the storm of life. </span></p>
<p><span style="color:#c0c0c0">Zialand’s record “Unbridled & Ablaze” releases June 8<sup>th</sup> and it will establish her as a respected artist – make sure to come back to <a href="http://www.klefnotes.com" target="_blank" data-imported="1">Klef Notes</a> for my full review of Zialand on that date.</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535082018-03-29T12:00:00-12:002018-03-29T20:00:19-12:00James Bakian “The Singles 2018” (London, England)
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/62a448d940434c94ccde8f50361c981bb1aba6ad/original/the-singles-james-bakian.jpg/!!/b%3AWyJyZXNpemU6NTE3eDI5NCJd.jpg" class="size_orig justify_inline border_" alt="" height="294" width="517" /></p>
<p><span style="color:#c0c0c0">James Bakian, the new face of Indie music who has been making waves in the UK and USA, keeps it moving and fresh. Always the innovator, Bakian stays in that “what’s next” frame of mind contemplating how to slide the envelope off of the table and keep his fans guessing (and interested). </span></p>
<p><span style="color:#c0c0c0">We first met the singer/songwriter/musician during my review of his single “<a href="http://www.klefnotes.com/music_reviews/james_bakians_unstoppable_single" target="_blank" data-imported="1"><span style="color:#c0c0c0">Unstoppable</span></a>” (December 2017) and then a fuller scope was placed on the artist with my full review of the “<a href="http://www.klefnotes.com/music_reviews/james_bakanis_unstoppable" target="_blank" data-imported="1"><span style="color:#c0c0c0">Unstoppable” EP</span></a> (February 2018). </span></p>
<p><span style="color:#c0c0c0">Fresh off the reel-to-reel comes some of Bakian’s most recent work to which I have entitled “The Singles 2018!” Five tracks that will keep you engaged, enthralled, and energized. This is a capsule review of singles: “Seven Infections,” “Usual,” “Praying,” “About You,” and “Ice Cold.” </span></p>
<p><span style="color:#c0c0c0">The somber yet stirring “<a href="https://jamesbakian.com/album/662399/seven-infections%20" target="_blank" data-imported="1"><span style="color:#c0c0c0">Seven Infections</span></a>” kicks off this mini collection and it features Bakian singing in a low register with minimal effects and minimal instrumentation. The lyrical storyline depicts a man who has finally shaken his seven infections: “anger, depression, anxiety, aggression, misery, pain, and fear” and how liberating it is to let go of being sick in any form be it mental, physical, or spiritual. A clock tower chime echoes in the background giving off a celebratory impression and further illustrates this outcome.</span></p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/16f2f88ee9582764c0f0ba61815e3162779c59f4/original/james-bakian-seven-infections.jpg/!!/b%3AWyJyZXNpemU6Mzk0eDM5NCJd.jpg" class="size_orig justify_inline border_" alt="" height="394" style="display: block; margin-left: auto; margin-right: auto;" width="394" /></p>
<p><span style="color:#c0c0c0">“Seven Infections” is a great less is more track and gives way for the listener to really feel the melody and how it musically clocks down in its execution further defining the lyrics. Though very different from Bakian’s more driven pieces, “Seven Infections” allow his fans to see the full scope of his range and writing style. Originally, improvised on the piano, Bakian liked its evolution and went ahead to complete its composition – so glad he did!</span></p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/1cb0ce84901650a83f00153699c6d2322ecb1d84/original/james-bakian-usual.jpg/!!/b%3AWyJyZXNpemU6Mzk0eDI5NiJd.jpg" class="size_orig justify_inline border_" alt="" height="296" style="display: block; margin-left: auto; margin-right: auto;" width="394" /></p>
<p><span style="color:#c0c0c0">Next, we have the R&B House ballad “<a href="https://jamesbakian.com/album/670322/usual%20%20" target="_blank" data-imported="1"><span style="color:#c0c0c0">Usual</span></a>” which follows a different, yet refreshing, formula: 1) Bakian chose to open the track with the hook which sings “you’re not acting usual / something’s on your mind / yeah we all got our problems / but we bury them inside / acting like you’re strong ‘ when your heart’s dead and gone / baby it’s all wrong / yeah.“ 2) He features a muted lyric that is laced with Bosa Nova bass licks and this is combined with Samba instrumentation – all of which keeps a kind of sultry flow to the overall beat. And 3) Bakian is almost doing a splice between an R&B melody in the background combined with a sort of Hip-Hop spit in his leads. It’s a crazy, off the cuff, mix of different instrumentations, lyrical flow, and tempo, but it works. This thrice unfamiliar combination of sorts makes for a nice, soothing, yet impulsive track, <em>and</em> it further shows how Bakian is not afraid to push the envelop and make a HIT – very cool. “Usual” has great commercial appeal. </span></p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/8d3c6d0cec347df6af8ec7a2743002c629390cba/original/james-bakian-praying.jpg/!!/b%3AWyJyZXNpemU6Mzk0eDM5NCJd.jpg" class="size_orig justify_inline border_" alt="" height="394" style="display: block; margin-left: auto; margin-right: auto;" width="394" /></p>
<p><span style="color:#c0c0c0">The third single “<a href="https://soundcloud.com/jamesbakian/praying%20" target="_blank" data-imported="1"><span style="color:#c0c0c0">Praying</span></a>” is a musical homage to youths affected by mental health issues and how prayer is a great catharsis to provide encouragement and strength. Bakian’s emotional delivery combined with a crisp piano and violins really pull at your heart strings, but this is not fake sentiments used just for effect, these are honest emotions. The words evoke how life is worth living when Bakian sings “if you’re looking for a better way / I’m telling you, you gotta pray / for a light / that flicker in your eyes / hold on to your life.” In light of the tragic consequences dealing with youth globally, it was great to hear proactive thinking put into words focusing on inspiring, encouraging, and hope. A great nod to healing through faith. </span></p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/ac646007257257b698c98c8667f8143a5fe3c506/original/james-bakian-about-you.jpg/!!/b%3AWyJyZXNpemU6Mzk4eDM5OCJd.jpg" class="size_orig justify_inline border_" alt="" height="398" style="display: block; margin-left: auto; margin-right: auto;" width="398" /></p>
<p><span style="color:#c0c0c0">“About You” is a classic R&B track with a modern bounce. Its premise is about a guy’s feeling towards his lady and how she makes him feel. Bakian sings, “Every time I look at you / I wonder if you got a clue / how I feel about you / feel about you / just look at that view . . . I’ll be takin’ care of you one day.” This cut follows the classic outline of R&B tracks back in the day where a man proclaimed his love for his woman and wanted the entire universe to realize what he has. Even Bakian’s trills, runs, and harmonies are on point. This is great to hear again. <a href="https://youtu.be/TbOdDG2no5A" target="_blank" data-imported="1"><span style="color:#c0c0c0">Here’s the video</span></a>: </span></p>
<p><span style="color:#c0c0c0">On that note, when I read the comments posted on You Tube regarding “About You” posted under the video (which had a clever production BTW), some listeners had a different take on Bakian’s leads and his use of echo and reverb. I see how they can come to this conclusion but let me interject a different view on Bakian’s method of recording his leads in this fashion. </span></p>
<p><span style="color:#c0c0c0">I feel as though Bakian was reaching for this effect to switch up his technique and I feel he has nailed it. As a first attempt, it is done well, and it translates through the entire song with quality. Therefore, one must give the artist credit for at least trying a <strong><em>new</em></strong> feat and accomplishing it as it did do “About You” song-justice. In addition, staying further from the mic to record the vocal as well as laying the lead and backing track with reverb, balances the final listen and it gives a nice nostalgic contemporary R&B vibe to this track. </span></p>
<p><span style="color:#c0c0c0">Taking a listen to R&B bands of the 1990s era, like Color Me Badd or Bobby Brown’s “Don’t Be Cruel,” you will hear a similar technique and effect called New Jack Swing. The listening audience loved it so much they ate it up. And for Bakian to reawaken this New Jack Swing style in 2018 with “About You” was a great attempt for this artist – it’s an entire new dimension that he has conquered. This track is going to do well as it is just one of those feel good tracks that makes the end of the work day alright. Imagine this (and my R&B female fans will attest to this): you get home after work, pour a glass of wine, put your feet up, and just chill to some old school, but modern R&B. Yeah? That’s “About You” all over. </span></p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/118be222962901adff305334e0040833c4057446/original/james-bakian-ice-cold.jpg/!!/b%3AWyJyZXNpemU6NDE1eDQxNSJd.jpg" class="size_orig justify_inline border_" alt="" height="415" style="display: block; margin-left: auto; margin-right: auto;" width="415" /></p>
<p><span style="color:#c0c0c0">Which brings us to the final track of this collection “<a href="https://soundcloud.com/jamesbakian/ice-cold/s-tsASQ" target="_blank" data-imported="1"><span style="color:#c0c0c0">Ice Cold</span></a>.” A song about second chances whose lyrics really support its interpretation, the lyrics read, “Build up strength to live a day yeah / all you want is to escape yeah / don't let words intoxicate you / we all get deserted sometimes / cause you're ice cold / and it's making you bad / but you deserve a chance / and we all make our mistakes / but they are just mis-takes / we don't catch the message / so we all get sad.” Bakian lunged right into Soul and R&B on this cut starting the song with a sort of musical stutter and allowed the beat to build giving an effect of apprehension. Moreover, he merges musical pull-backs with aggressive melodic highs and does it well. From the attitude in his lead, to the varied vocal effects, on to constant command to the beat, this track has texture and an enjoyable flow. There was nothing done accidental on this track – this is intentional ah-someness. </span></p>
<p><span style="color:#c0c0c0">James Bakian began his career by performing many cover tunes, but now we can see and hear that he has evolved into a very eclectic artist where his original tracks far outweigh the cover tunes. </span></p>
<p><span style="color:#c0c0c0">Bakian told me that he wrote, produced, played the instruments (keys/bass guitar) as well as sang every vocal on every one of these tracks. </span></p>
<p><span style="color:#c0c0c0">Far from boring, I feel that this capsule collection of the most recent five singles from James Bakian alludes to his musical course. He has finally found his niche in Soul and R&B as he is so chill and natural on the hooks, beats, scales, harmonies, and delivery of such tracks within these genres. This does not mean that he will not venture back into Pop, or other genres, but when there is a natural flow to the track(s) and the artist has that authoritative support of their work from creation to its end (the way that Bakian has done) then one has to say that the artist has found their niche. </span></p>
<p><span style="color:#c0c0c0">This is something different from the singer/songwriter, but I enjoyed it! James Bakian is not afraid to take risks and has the chops, momentum, and the mind to go far. I cannot wait to hear what he does next! </span></p>
<p><span style="color:#c0c0c0">Keep up with James Bakian by following him on his social media platforms: <a href="https://twitter.com/jamesbakian" target="_blank" data-imported="1"><span style="color:#c0c0c0">Twitter</span></a>, <a href="https://www.facebook.com/Jamesbakian" target="_blank" data-imported="1"><span style="color:#c0c0c0">Facebook </span></a>, and <a href="https://www.instagram.com/jamesbakian" target="_blank" data-imported="1"><span style="color:#c0c0c0">Instagram</span></a>.</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535072018-03-22T12:00:00-12:002018-03-22T22:10:46-12:00Oh Tambo: “Loophole” Stockholm Sweden (Soulful Rock)
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/4c30d52820954f71a03f0bfbc8d9b3b18d95a195/original/oh-tambo.jpg/!!/b%3AWyJyZXNpemU6NDE0eDQxNCJd.jpg" class="size_orig justify_inline border_" alt="" height="414" width="414" /></p>
<p><span style="color:#c0c0c0">When a song starts mellow with sad guitars and an honest vocal, then suddenly is set on fire with full blown musical energy, you know you are in for a treat! Oh Tambo makes it rain on their recent track “<a href="http://ohtambo.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">Loophole</span></a>” and the video illustrating the message is equally intriguing. </span></p>
<p><span style="color:#c0c0c0">“Loophole” features blazing larger than life guitars in unison, deep riffs, tender melodic pre-choruses kissed by a piano, and an aggressive hook that drives home the intensity of the lyrical message which speaks about going to war in the name of religion and how this is the most hypocritical tool used by the governments of the globe. </span></p>
<p><span style="color:#c0c0c0">In addition, the <a href="https://www.youtube.com/watch?v=NekJbIvwbuY%20" target="_blank" data-imported="1">MTV worthy video</a> was masterfully produced with black and white footage of the band performing in a studio setting along with a motion picture color technique that makes the images of social injustice due to war have a vintage film look. This visual approach adds the right emotional touch revealing the dismal side effects of war that will NEVER equal peace. </span></p>
<p><span style="color:#c0c0c0">The closing lyrics sing “tell me you what’s true, true, true” as the video fades with the front man solemnly lowering his hands and raising his head – you can see the concern on his face and the frenetic breathes in his chest. Henrik Perälä did a great job displaying the harsh reality of war’s hysteria in his filming, editing, and directing “Loophole.” </span></p>
<p><span style="color:#c0c0c0">Nothing is suppressed with Oh Tambo. </span></p>
<p><span style="color:#c0c0c0">“Loophole” is an anthem-worthy track that doubly keeps you <strong>standing on your feet</strong> with its amplified instrumental emotion backed by the band’s vocals while making you <strong>stand up for peace</strong> with its relevant message. </span></p>
<p><span style="color:#c0c0c0">Follow <a href="https://twitter.com/oh_tambo" target="_blank" data-imported="1"><span style="color:#c0c0c0">Oh Tambo</span></a> on twitter for up to the minute information and check out their commercial track called “<a href="http://ohtambo.com/video/oh-tambo-journeyman/" target="_blank" data-imported="1"><span style="color:#c0c0c0">Journeyman</span></a>” that touts a controlling piano and glossy strings. </span></p>
<p style="text-align: center;"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/1333b397f2ed4552d5d83ff5065b28a4486c8d49/original/oh-tambo-2.jpg/!!/b%3AWyJyZXNpemU6NjM1eDQwNyJd.jpg" class="size_orig justify_inline border_" alt="" height="407" width="635" /></p>
Klef Notestag:klefnotes.com,2005:Post/60535062018-03-21T12:00:00-12:002018-03-21T20:15:32-12:00GJART: “Lost” (Tobi Remix) UK
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/9ff74266f0c7f1872d01535651a4620243787e41/original/tobi-remix-lost.jpeg/!!/b%3AWyJyZXNpemU6NDM1eDQzNSJd.jpg" class="size_orig justify_inline border_" alt="" height="435" width="435" /></p>
<p><span style="color:#c0c0c0">Looking for a spark to get you stoked? Well, I got something that is the most humane way to achieve a spark and it is a track called “<a href="https://open.spotify.com/track/3H2LIwvHDEeBnQnDDveRFI?si=0SBocvCRYxGfApAXlZ8mSv" target="_blank" data-imported="1"><span style="color:#c0c0c0">Lost</span></a>” by GJART. But what will make this spark electrifying is the mix placed on this track from the Mixologist of Indie Music, Tobi – the same producer who laid a smokin remix to Juxta’s “<a href="https://open.spotify.com/album/4xjRiECJhNbKMI3oYyrKiq" target="_blank" data-imported="1"><span style="color:#c0c0c0">The Beautiful Ones</span></a>” February of this year. </span></p>
<p><span style="color:#c0c0c0">We are talking about Electro Glam Synth combined with Future Pop Synthwave. Now, that is sure to pump electrolysis through your veins! </span></p>
<p><span style="color:#c0c0c0">The intro tip toes in, next the beat builds, and then it mutates into a progressive coherent piece of Alternative Synth Pop. </span></p>
<p><span style="color:#c0c0c0">So, put away your cell phones, iPods, iPads, and laptops (unless you use those devices to listen to music) and crank up this monster. </span></p>
<p><span style="color:#c0c0c0">It’s power – believe that! </span></p>
<p><span style="color:#c0c0c0">“Lost” releases tomorrow #NewMusicFriday 3/23/18! Make sure to <a href="https://open.spotify.com/track/3H2LIwvHDEeBnQnDDveRFI?si=0SBocvCRYxGfApAXlZ8mSv" target="_blank" data-imported="1"><span style="color:#c0c0c0">check it out!</span></a> And keep up with more news by following <a href="https://twitter.com/producedbytobi" target="_blank" data-imported="1"><span style="color:#c0c0c0">Tobi </span></a> and <a href="https://twitter.com/GJARTmusic" target="_blank" data-imported="1"><span style="color:#c0c0c0">GJART</span></a> on Twitter!</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535052018-03-15T12:00:00-12:002018-03-15T21:09:52-12:00Salt Valley - Indie Alternative (Utah)
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/070550d755a29e65a8157b0d346cce9b6e70b008/original/salt-valley.jpg/!!/b%3AWyJyZXNpemU6NTQ2eDMwNyJd.jpg" class="size_orig justify_inline border_" alt="" height="307" width="546" /></p>
<p><span style="color:#c0c0c0">Guys, I got the wonderful opportunity to listen and love a band whose music has a far-reaching arm. These guys are the “all we need is love” band of our generation and they are not afraid to push the envelope while keeping the peace. </span></p>
<p><span style="color:#c0c0c0">Their name is Salt Valley, an Indie Alternative band out of Salt Lake City, Utah and the key players have that GQ look paired with that boy around the way flair that us girls just LOVE – the members are (from left to right): </span></p>
<ul>
<li><span style="color:#c0c0c0"><strong>Gabriel Gledhill on bass guitar and backup vocals</strong></span></li>
<li><span style="color:#c0c0c0"><strong>Matt Hales on drums and backing vocals</strong></span></li>
<li><span style="color:#c0c0c0"><strong>Front-man / acoustic guitarist Oliver Kersey</strong></span></li>
<li><span style="color:#c0c0c0"><strong><strong>Lead guitarist and backup vocalist Jed Bradshaw</strong></strong></span></li>
</ul>
<p><span style="color:#c0c0c0">Choosing to go under the genre of Alternative allows for the band to smoothly fall into the category that best suits the track written at that exact time of creation and uncages their creative processes, so they can produce music that truly comes from an experience or a thought rather than a reaction or trend. </span></p>
<p><span style="color:#c0c0c0">In keeping with this FREE reign of genre, they are also better amped to reach audiences of any creed, social standing, or identity, thus helping society to see the most important facets of life: family, peace, knowledge, and recognition of self. </span></p>
<p><span style="color:#c0c0c0">The fellas proud themselves in being family-friendly and truly feel that music is the universal language that can speak to every heart, so they seriously produce tracks that interpret those values and takes each fan along for the ride on their journey of the human experience. </span></p>
<p><span style="color:#c0c0c0">This review will showcase that musical calling card of Salt Valley by introducing you to their 2017 productions – an EP entitled “Roots” along with two singles “In Time” and “Stars.” </span></p>
<p><span style="color:#c0c0c0">We start with the four track EP “Roots.” </span></p>
<p><span style="color:#c0c0c0">It is skillful that the band chose to open the EP with a mainstream-ready track that introduces itself as a Folk song but quickly gains momentum and goes into a nice Soft Rock cut. “<a href="https://www.youtube.com/watch?v=N9ic-1_d0Jk" target="_blank" data-imported="1"><span style="color:#c0c0c0">Tongue in Cheek</span></a>” is such an excellent, matter of fact song that is heighted by the fluttering way Oliver Kersey rolls his lyrics in the verses. In addition, Kersey adds anticipation with his vocal range falling right in a median of second tenor and a soft baritone on this track, like Adam Levine’s vocal approach. And once again, Jed Bradshaw, Gabriel Gledhill, and Matt Hales do not disappoint as their backing harmonies are on point and adds a great soft, off-the-cuff, approach to the overall emotional feel of the track. This track expresses the way things are in life – we rise, we fall, we break up to make up, and then we often do it again and it is not that bad or have to be so serious; it’s the experiences, the take-aways, that is serious, not the cause. The lyrics read “I’m moving / life isn't all about what you say / we rise and we fall through our choices / Oh you can hurt me or hate me or love me, no matter what I do / you’re bargaining, gambling, waging a life, help don't come when it's through - so be ready / I'm a take you by the hand, and show you what I consider true / Tongue in cheek let me be, the other soul free.” And one cannot overlook that rumbling bass drum and distorted guitar that pleasantly lay into the cut!</span></p>
<p><span style="color:#c0c0c0">If you are looking for that hill-top wedding song, look no further as “<a href="https://www.youtube.com/watch?v=vYpAEypxU7M" target="_blank" data-imported="1"><span style="color:#c0c0c0">Amelie</span></a>,” the second track on “Roots,” is that song. This mild tempo easy listening track contains a cello, bongo, and a bass drum that just makes the heartbeat of the song so pulsating. Moreover, persistence in looking for that special someone is recognizable in this song by its heartfelt lyrics “He pictured her smiling there’s something unseen, between them an early school term / with half a chance in asking her, feeling this way, he’ll stand alongside her one day.” I furthermore enjoyed the unsophisticated acoustic guitar, violins, and the numerical alliteration of this song. In addition, Salt Valley’s vocal harmonies on this track are so perfectly blended that it plays almost like additional instruments – the guy’s ebbed and flowed through the melodies so effortlessly that their harmonies were tightly wound. This is a mental picture song that musically draws that portrait of love and the depths of that love – through the struggles, successes, and transitions of life. </span></p>
<p><span style="color:#c0c0c0">And if you love Coldplay, then you will dig<em style="color: #000000;"> “</em><a href="https://www.youtube.com/watch?v=77wDBZRDeSc" target="_blank" data-imported="1"><span style="color:#c0c0c0">Different than You</span></a>.” Like Coldplay’s method of writing, the third track on “Roots” points to the social biases seen today – how one may be defined as “different” due to their traits be it physical, sexual, or emotional, but all in all, are they different than you? Salt Valley answers that question with the lyrics “I was told that it’s better, stand up in a storm - then I’ll rediscover my fire, raging on a thorn, they say war – say I’m thinking on a word, to bring down those biases happening here / their heart it swayed from inhumane can’t gather pain or fight to gain leeway / what makes me so different than you.” The overlapping guitars softly play alongside crisp percussions and a vocally airy chorus effect that settles in the background and it just makes for a cool track. The overall tempo of the lead vocals as well as the music keep a kind of steady pace with limited interruptions which is calming and casual like the hands on a clock. “Different than You” is a wonderful reflective piece of music that makes you see the similarities in what you may have considered different once before.</span></p>
<p><span style="color:#c0c0c0">The EP closes with the title track “<a href="https://www.youtube.com/watch?v=p6CcixF3QjU" target="_blank" data-imported="1"><span style="color:#c0c0c0">Roots</span></a>” which easily is the grooviest cut of the collection. Teasing with a bit of Soul wrapped into Pop, “Roots” cleverly illustrate that change is good, but only if it is not forced and if it does not alter the true YOU – the person who grew from the roots of your heritage and has now become your core individual. Kersey sings “let’s say you took on all the world, with your background at the forefront of your mind / these, times are tough but you’ve been spending fine / you’ve gotta walk with them don’t you know, to show her what you’re made of oh, oh darling you’ve got roots / oh you’ve got roots.” A swaggering guitar laced with traditional handclaps and tambourine just makes this track a listening favorite and puts you in that eclectic frame of mind. Not to mention, the song’s vocal arrangement lets the bass vocalist’s melody stay afloat within the overall music tapestry versus being washed by too many effects as is the case usually in songs within the genre of Soul in mainstream. In addition, the way that Kersey stays ahead of the chorus helps this track to be edgy and infectious. This track took me back to my roots. Love it!</span></p>
<p><span style="color:#c0c0c0">This brings us to the two singles “In Time” and “Stars: </span></p>
<p><span style="color:#c0c0c0">“In Time” shares the positive and timeless message of positivity and how all good things find their way to you in time. It’s a practical, not generic, track and it stays with you. The double vocal track in the hook is appealing. Equally enjoyable is the video that accompanies the track - a journey in music with the guys embarking on this travel and ending up on the stage - that too, happened all in time. In addition, the guitar interlude and the resonating guitar effects at the two-minute 46 second mark – it’s quite dry during this line of the track which adds a fantastic effect and texture. Then the percussions, guitars, and lead creep back in at the 3-minute mark adding texture and musically illustrating how time affects life – steady yet progressive. Then the additional instrumentation subtly returns and that rolling steady flow of the total melody adds an additional stint effect to the track. And as the track slowly fades, the lyrics “You'll make it in time… in time, in time” reverberate to its conclusion.</span></p>
<p><span style="color:#c0c0c0"> <div class="video responsive"><div class="video-container"><div class="video responsive"><div class="video-container"><iframe frameborder="0" height="350" src="https://www.youtube.com/embed/vkN7WqCcrxE" width="425" class="wrapped wrapped"></iframe></div></div></div></div> </span></p>
<p><span style="color:#c0c0c0">And I would say that “<a href="https://open.spotify.com/album/6AmOx1jRUcF25CWd9h0vCs" target="_blank" data-imported="1"><span style="color:#c0c0c0">Stars</span></a>” is the arena track of the entire repertoire. The track opens with a catchy monotoned vocal effect and wastes no time in getting right to the meat of the track. Then, a solar synthesizer supports that intro and lays the basic cosmic foundation of this driven, radio-ready, track. The tip-toeing keys and Oliver Kersey singing in a lower register set the stage for the overall tone of the piece to soar straight to the top. A very optimistic track, lyrically it is defining how hope is never too far off – the hook sings “We live like stars but when life gets hard start over.” The hook is encased in an unusual, yet euphoric, electronic synth. With stadium rousing choruses and icy pulsating piano keys, this Pop driven track is spinning into a hit automatically.</span></p>
<p><span style="color:#c0c0c0">When I was asked to listen to the music of Salt Valley, the first thing that caught my attention, before the music, was the name. With my sister <a href="https://twitter.com/tonyaskinner2" target="_blank" data-imported="1">Tonya </a> being a Geographer, I initially thought of the Salt Valley in southeast Ladakh, India. But nah! That wasn’t it. </span></p>
<p><span style="color:#c0c0c0">Then, I thought, “okay, I get it – these guys are from Salt Lake City Utah, thus the name.” But being me, I had to delve deeper. </span></p>
<p><span style="color:#c0c0c0">So I listened and lived with their music – the lyrics, the instruments, the highs/lows of their separate vocal timbre, the adlibs, the background vocals laid by the guys, and the story behind the songs and I thought of the phrase “the salt of the earth” – a phrase originally from the Bible at Matthew 5:13 where it reads “You are the salt of the earth” (New World Translation of the Holy Scriptures). And I began to connect some dots. </span></p>
<p><span style="color:#c0c0c0">And no, I am not going to be preachy, but as Salt Valley’s track “Roots” references, it is best to respect the root of anything, right? Even a phrase. Needless to say, that the Bible is the biggest selling book of all time according to the Guinness Book of World Records, so today the Bible is still practical so why not use it as a reference? </span></p>
<p><span style="color:#c0c0c0">But I digress. </span></p>
<p><span style="color:#c0c0c0">My interpretation of the band’s name? </span></p>
<p><span style="color:#c0c0c0">In saying the above, I saw how MUSIC <strong><em>is</em></strong> the salt of the earth, so the band’s name justly fits their vision as entertainers – one of universal oneness – us as a whole within society not a part of the whole. It’s that compassion, consistency, and morality that just rings through their music. </span></p>
<p><span style="color:#c0c0c0">The “<strong>salt</strong>” of their music is so inviting and so tasty that it really hangs on to your inner core and satisfies many feelings that you may encounter on the daily – like doubts of your identity, fears, loves, etc. And music as a catharsis does inspire, change, and even aid the listener on their journey of life, or their “<strong>valley</strong>” to use a better word. </span></p>
<p><span style="color:#c0c0c0">So, Salt Valley is a great name! </span></p>
<p><span style="color:#c0c0c0">Moreover, I’d say that Salt Valley is a great Indie mix of Pet Shop Boys meets Maroon 5 blended with Cold Play. And their music is so radio-friendly and in the now. </span></p>
<p><span style="color:#c0c0c0">Separately, the guys are skilled musicians featuring many forms of strings, percussions, and keys playing in different styles and using different techniques that mutually complement the overall melody and premise of each track. </span></p>
<p><span style="color:#c0c0c0">Salt Valley is just one of those bands that you immediately feel as if you are one of the family – they are so warm, appealing, and just down right dope. Their messages through their music and the “out of the box” way they illustrate that message is a wonderful tool in broadening even those with the tightest of minds. </span></p>
<p><span style="color:#c0c0c0">I welcome you to explore their music and see for yourself just what I mean. </span></p>
<p><span style="color:#c0c0c0">“We Are Salt Valley” they say and I agree; they are the spice to our musical palates. Trust me when I say that there is a song for any, and every, one in their growing repertoire. Check it out! </span></p>
<p><span style="color:#c0c0c0"><a href="http://saltvalleymusic.com" target="_blank" data-imported="1"><span style="color:#c0c0c0">http://saltvalleymusic.com</span></a></span></p>
<p><span style="color:#c0c0c0"><a href="https://www.instagram.com/saltvalleyband" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.instagram.com/saltvalleyband</span></a></span></p>
<p><span style="color:#c0c0c0"><a href="https://www.youtube.com/channel/UCT0ZlW9iAMand_tcQoUHrbQ" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.youtube.com/channel/UCT0ZlW9iAMand_tcQoUHrbQ</span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60535042018-03-13T12:00:00-12:002018-03-14T18:50:31-12:00Wally Hite Rankin: "The River" Melbourne Australia
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/ff842eeacf5075f051f2f62a23286ca3a4ecb6d3/original/615cpapujal-ss500.jpg/!!/b%3AWyJyZXNpemU6NTAweDUwMCJd.jpg" class="size_orig justify_inline border_" alt="" height="500" width="500" /></p>
<p><span style="color:#c0c0c0">Being a multi-faceted artist in mainstream music is quite unrecognizable since so much is studio-created and staff-developed. So, I feel that I would be right to say that if you are looking for that type of artist in that realm, stop and check out the Indie Music arena. </span></p>
<p><span style="color:#c0c0c0">When compared to mainstream music’s often bland one dish choices, the Indie Music community creatively supplies the listening audience with two, or three, course meals, and sometimes even dessert – ha, ha! It’s that wide range of talent and richly developed styles that we offer to the globe. There is always something for anyone’s musical palate. </span></p>
<p><span style="color:#c0c0c0">In saying the above, I would like to introduce you to Wally Hite Rankin. </span></p>
<p><span style="color:#c0c0c0">Rankin is a multi-faceted artist. </span></p>
<p><span style="color:#c0c0c0">Coming out of Melbourne, this Indie singer/songwriter/musician has a range of talent that is unmistakably wide and it is heard on his recent single “The River” – a Prototype Music release with Dallas Cosmas as producer and instrumentalist. </span></p>
<p><span style="color:#c0c0c0">Additionally, “The River” contains two bonus tracks: “Nothing’s Gonna Save Me Now” and “Stone Soup Blues.” </span></p>
<p><span style="color:#c0c0c0">After reading this review and listening to each track, you will see how the overall appeal of the music and the message satisfies your personal musical appetite no matter if it is Soul, Delta Blues, or Pop. </span></p>
<p><span style="color:#c0c0c0">Let’s start with the title track. </span></p>
<p><span style="color:#c0c0c0">Dually purposeful, “<strong>The River</strong>” offers a varied listening experience – on one hand this track beckons the style of The Doobie Brothers with that meticulously blended harmonic chorus, but it also meanders into a Zeppelin-esque slant with the guitar techniques used – more melodic, rhythmic, and bluesy. “Let the water set you free” Rankin sings on this track of honesty and reality using a dual lead. Moreover, the wailing guitar in the background at point 2:22 on to the outro just mellows you man. I mean, this is the type of music that demands meditation as it is just so deep. “The River” includes a striking harmonica performance as well as tight tambourines and vocal interpretations that allows for an approachable track that pulls at your inner wild child. </span></p>
<p><span style="color:#c0c0c0">“<strong>Nothing’s Gonna Save Me Now</strong>” creeps up on you with an eerie chorus and tells the story of how it takes courage, and sadly sometimes liquid courage, to be a man. Distortedly, Rankin sings “everyday takes all it can to find the strength to be a man / well, I think I’m done with whisky / but these days I never know / it seems the harder I keep trying, the less I’ve got to show /and there ain’t nothing’s gonna save me now.” Rankin’s rough second tenor is spicy, and it is followed by his baritone that is not bottomless. Featuring only vocals and guitars, this track still has character and substance – that takes skill to accomplish! </span></p>
<p><span style="color:#c0c0c0">And lastly, but certainly not least, is “<strong>Stone Soup Blues</strong>” a practical track about the everyday man and his story – the lyrics sing “I’ve been stung by the snake oil, got stone soup for main course / they steal all my money but still make me pay.” I fell in love with the awesome harmony notes on this cut. It is intrinsically ah-mazing how Rankin has such soul coming out of Melbourne with rich, classic, vocal and harmonic techniques that reach into the heart of the Southern USA and its eclectic history. This type of harmony was heard often in “work songs” sang by the workers building railroads pre-Civil War era here in the USA. Classically and beautifully utilizing this vocal technique, as well as blending it with simple riffs and chords, makes this song so inviting and re-playable. Actually, the harmonies become the track’s hook lines – so expansive and smoky – from the bass notes on to the tenor and baritone undertones, this track gives you the goosebumps! </span></p>
<p><span style="color:#c0c0c0">Songs like “Stone Soup” give proof of how heritages are shared globally and how like a river meandering its course, music is the string that ties us all as one tapestry. </span></p>
<p><span style="color:#c0c0c0">Being a multi-faceted artist, Rankin penned, played, and sang the entire collection and created a doubly addictive piece of music. This was due to his blending his altruistic lyrics, deep vocals, and skilled instrumenting. Joining in on this triple jam is Dallas Cosmas whom I had the honor to review his “The Memory Keys” May 2017. Check out my review <a href="http://www.klefnotes.com/music_reviews/dallas_cosmas_the_memory_keys" target="_blank" data-imported="1"><span style="color:#c0c0c0">here</span></a> to learn more about the methodological Aussie musician/vocalist/producer/songwriter.</span></p>
<p><span style="color:#c0c0c0">After listening to “The River” you will see why I stated that it is a doubly addictive piece of music – it is rugged enough for even the manliest of men to vibe to and it is soft enough to adore and beguile the femme fatales in the audience – the isolation, intrigue, and ingenuity of the artist is felt by the listener. </span></p>
<p><span style="color:#c0c0c0">“The River” releases tomorrow – for those of you in Oz, that’s 3/16/18, and for us in the UK/USA that’s 3/15/18. Get yours on <a href="https://www.amazon.com/River-Wally-Hite-Rankin/dp/B07BCBXBWG/ref=sr_1_1?s=dmusic&ie=UTF8&qid=1520920061&sr=1-1-mp3-albums-bar-strip-0&keywords=Wally+Hite+Rankin" target="_blank" data-imported="1"><span style="color:#c0c0c0">Amazon</span></a> or on <a href="https://itunes.apple.com/au/album/the-river-single/1359492284" target="_blank" data-imported="1"><span style="color:#c0c0c0">iTunes</span></a>, and keep up with Rankin by going to <a href="https://wallyhiterankin.bandcamp.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://wallyhiterankin.bandcamp.com/</span></a> and <a href="http://www.prototypemusique.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">www.prototypemusique.com</span></a>.</span></p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/1fd83a4daa08cf6a2e2b94809b058e62f58319a5/original/wally-hr.jpg/!!/b%3AWyJyZXNpemU6NDU1eDM3OSJd.jpg" class="size_orig justify_inline border_" alt="" height="379" style="display: block; margin-left: auto; margin-right: auto;" width="455" /></p>
Klef Notestag:klefnotes.com,2005:Post/60535032018-03-08T12:00:00-12:002018-03-08T22:31:02-12:00Walter Hansen - The Compilation Review!
<p><strong><em><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/f5eee73cbea5d17d9420064911ad0344e8947eba/original/walter-promo-1.jpg/!!/b%3AWyJyZXNpemU6MzYweDUzMiJd.jpg" class="size_orig justify_inline border_" alt="" height="532" width="360" /></em></strong></p>
<p><span style="color:#c0c0c0"><strong><em>“I was given a gift and I don’t want to waste it, so I dig down deep inside of me for the strength to keep on working, to keep on working / gonna go for one, not gonna settle for two and when it ends, I know I did all that I could do / I’m doing what I love; my arms are raised up high; I’m gonna take it to the top be the one that never stops / fly high, now you know where I am - I’m soaring!” </em></strong> </span></p>
<p><span style="color:#c0c0c0">These words were taken from a song entitled “<a href="https://open.spotify.com/album/3ezGC5Q7polxWEPrEreZ4p" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Go for 1</strong></span></a>”by Walter Hansen and they truly define the life of an artist and the intensity of the drive it takes to make your dreams come true. These words also express the will it takes to stick to the promise you make to YOURSELF to accomplish whatever it is you were born to do.</span></p>
<p><span style="color:#c0c0c0">For the record …</span></p>
<p><span style="color:#c0c0c0">Walter Hansen is an American singer, producer, songwriter, saxophonist who basically is a cross-cultured artist and his music is proof of that fact. </span></p>
<p><span style="color:#c0c0c0">Walter Hansen’s music releases are more extensive than most artists – his songs are written as the muse becomes available and his albums and/or singles follow suit. This writing and creative method must be a conscious decision by the artist as it aids in garnering many listeners and helps in keeping the REFRESH button to the music placed on replay. </span></p>
<p><span style="color:#c0c0c0">To date, according to the musical repertoire Hansen sent over to me, there are multiple albums, EPs and singles available that allows any musical fan to taste and enjoy – from Jazz aficionados on to Pop lovers and ALL in between. And what I have found while exploring his music is that the theme of pragmatism flows in each note of his collections. </span></p>
<p><span style="color:#c0c0c0">In this Compilation Review, I will feature two tracks off the album entitled “Perspective,” along with singles “Friday’s Here,” “She’s on Fire,” and “The Path” (a track from “I Came to win – Go For 1”) to display the artist’s musical panache. </span></p>
<p><span style="color:#c0c0c0">We start with “Perspective” an instrumental EP that allows the listener to experience music from the viewpoint of the musician thus setting your heart and soul into motion.</span></p>
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/a87859404fa5a70ec2a8539c91164911ea13c03d/original/walter-hansen-perspective.jpg/!!/b%3AWyJyZXNpemU6MzY5eDM2OSJd.jpg" class="size_orig justify_inline border_" alt="" height="369" width="369" /></span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/walter_hansen/i-miss-you" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>I Miss You</strong></span></a>” (from “Perspective”) shows the range of Hansen’s talent. This mellow, chilled, track is a love letter written by a saxophone. And even though this instrumental song has the basic elements of pure Jazz and some Pop, it will find its place into the Latin music realm also. I’m not dimming the talent of Kenny G. or other saxophonists, but on this cut you will hear how Hansen is less commercially influenced than many of the saxophonist who have reached mainstream recognition. Honestly, Hansen has more heartfelt, rational, melodies and true artistic flair that comes from a deeper place rather than staff composers. This is what the listening audience needs to hear to refresh and redo. Being an Indie artist gives Hansen this freedom. In addition, “I Miss You” has a World music feel with its oceanic sound FX and wide acoustic range. The flutter tone and note bending is spectacular!</span></p>
<p><span style="color:#c0c0c0">“<a href="https://soundcloud.com/walter_hansen/beautiful-day" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Beautiful Day</strong></span></a>,” also from “Perspective” is a more up-tempo track which is a diversion from the other mellow tracks on the EP. This track additionally features a splendid acoustic guitar and eclectic vocal FX which mentally establishes a picture of a “beautiful day.” The fusion of such simple instruments cleverly composed and placed puts the listener in a gratifyingly music-induced trance. “Beautiful Day” showcases tuneful effervescence.</span></p>
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/32501c152a8c7d5d7a5b52d6428cb75b569386fe/original/walter-hansen-fridays-here.jpg/!!/b%3AWyJyZXNpemU6MzQ1eDM0NSJd.jpg" class="size_orig justify_inline border_" alt="" height="345" width="345" /></span></p>
<p><span style="color:#c0c0c0">The single “<a href="https://soundcloud.com/walter_hansen/fridays-here" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Friday’s Here</strong></span></a>” feature a carrying bass that sets the emotion and motion of the overall single. This is an anthem-ready track that will never lose its effect, because Friday is always the waiting point of everyone’s work week. Within this review, we are finally introduced to Hansen’s stimulating voice on this cut. Listen carefully, you will hear Hansen instructing how to achieve that “Friday” feeling. That logical writing is so inviting as it is no bells or whistles, just practical talk set to music. In addition to its Rock appeal, “Friday’s Here” will do well on both R&B and Dance charts with its light, catchy, nostalgic feel-good vibe. </span></p>
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/1d4830974f7c0f37a970830bc49d7d68dee559d4/original/walter-hansen-shes-on-fire.jpg/!!/b%3AWyJyZXNpemU6MzQ1eDM0NSJd.jpg" class="size_orig justify_inline border_" alt="" height="345" width="345" /></span></p>
<p><span style="color:#c0c0c0">The vocal and lyrical spice of “<strong><a href="https://soundcloud.com/walter_hansen/shes-on-fire" target="_blank" data-imported="1"><span style="color:#c0c0c0">She’s on Fire</span></a>” </strong>will get to you on all levels. From the infectious guitar riffs on to Hansen’s sexy vocal execution, this modern Rock N Roll track is literally on fire. Hansen croons “she’s so hot, burning / she’s on fire; she’s so fine; I gotta make her mine.” And when Hansen sings “and, whooo!” it does the song a practical justice as that is the usual testosterone-driven sound a guy makes when that girl is “HOT.” This is a hip thrusting, grinding, and in-motion track. This sway from his typical styling of music is an intentional technique used by the artist to give his audience a different perspective of his range and this track proves his versatility. “She’s on Fire” was played on <a href="http://www.KBRadio.ca" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>KB Radio</strong></span></a>, one of the best Indie music radio stations on the scene making it happen!</span></p>
<p><span style="color:#c0c0c0">And if you are in the mood for an instrumental, more elusive form of music, then “<a href="https://soundcloud.com/walter_hansen/the-path" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>The Path</strong></span></a>” is your song. </span></p>
<p><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/571aae0beb788ecd7ae5479257e826043bbc2b2c/original/walter-hansen-i-came-to-win-the-path.jpg/!!/b%3AWyJyZXNpemU6MzYyeDM2MiJd.jpg" class="size_orig justify_inline border_" alt="" height="362" width="362" /></span></p>
<p><span style="color:#c0c0c0">Taken from“I Came to win – Go For 1,” this electronic beauty is so moving, spicy, and alluring. True to Hansen’s typing in music, this song sings to you, literally, and sets you mentally on a path of persistence. The construction of “The Path” is eloquently laid out and produced with a #2 pencil so to speak as every line and note does not smear or go unnoticed. I loved the way the song becomes sonorous and then mellows out with some of the instrumentation dropping back, and then the song builds again – you truly get emotion without a single lyric. This can be a film score or simply the score to your life if you choose.</span></p>
<p><span style="color:#c0c0c0">With his vocal range and composing competence, Hansen can pretty much take on any musical style making him a marketing artist who can find an audience anywhere. Just from this selection of his music you can see that his vocals are flexible and heartfelt stretching from Tenor to a mellow Baritone and in between. By being a saxophonist as well as a songwriter/singer/producer, his music incorporates not only riffs but also melody. </span></p>
<p><span style="color:#c0c0c0">His music is not just danceable, it is memorable. And the emotive messages within his music sets the stage for a conversation to happen, a relationship to be rekindled, burnt bridges to be rebuilt, and for times to change allowing for music to continuously be the soundtrack of our lives. </span></p>
<p><span style="color:#c0c0c0">After listening to the entire collection of Hansen’s music, I realize that he is a Renaissance man in that he offers something for everyone; and while his music stays true to the genres of Jazz, Rock and Pop, there are so many elements that pay tribute to Soul, Country, World, R&B, and New Wave due to his cleaver creativity with grit, grind, and realism. He’s a solo versatile sound machine!<strong> </strong></span></p>
<p><span style="color:#c0c0c0">To hear more from Walter Hansen, check out these sites:</span></p>
<p><span style="color:#c0c0c0"><a href="https://walterhansenmusic.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://walterhansenmusic.com</span></a><strong> </strong></span></p>
<p><span style="color:#c0c0c0"><a href="https://www.facebook.com/walterhansenmusic" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.facebook.com/walterhansenmusic</span></a> </span></p>
<p><span style="color:#c0c0c0"><a href="http://twitter.com/DremR1" target="_blank" data-imported="1"><span style="color:#c0c0c0">http://twitter.com/DremR1</span></a></span></p>
<p><span style="color:#c0c0c0"> </span></p>
Klef Notestag:klefnotes.com,2005:Post/60535022018-02-22T12:00:00-12:002019-12-31T08:10:48-12:00James Bakani's "Unstoppable"
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/45c17a92d5900aabe8f923673154284b4794c7b7/original/268x0w.jpg/!!/b%3AWyJyZXNpemU6MzgyeDM4MiJd.jpg" class="size_orig justify_inline border_" alt="" height="382" width="382" /></p>
<p><span style="color:#c0c0c0">Okay, we have seen the Timberlake’s, Biebers, Jonas’, Sheeran’s, Mendes’, and Zayns before guys – right? And often we say to ourselves, “another one, let’s see if they have that “IT” factor and longevity.” <em>And</em> usually we bet that they will be “unsung” within a year or two. <em>And</em> sadly, we are usually right. </span></p>
<p><span style="color:#c0c0c0">But, honestly our doubts are just because we have seen artists like the above come and go due to the politics of music and the lack of talent of some artists. Not to mention the fake promises laid out by the music reality shows who promise fame and fortune to their winners. And this cycle continues to disappoint music lovers. But then out of London England comes James Bakian – a talented artist who is set to break records, hearts, and doubts.</span></p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/7ab2b62d83349c58a8771e2ed96f39aca140a397/original/james-bakian-nike.jpg/!!/b%3AWyJyZXNpemU6NTIweDM4OSJd.jpg" class="size_orig justify_inline border_" alt="" height="389" style="display: block; margin-left: auto; margin-right: auto;" width="520" /></p>
<p><span style="color:#c0c0c0">James Bakian is a singer/songwriter/musician whom I was introduced to by way of his single “Unstoppable” to which I reviewed in December of 2017. Proving that age is nothin but a number – this emerging teen artist has the maturity and strength in his music to take him above his predecessors and peers as he is professional and honest. To say that he is just another teen heartthrob would be an understatement.</span></p>
<p style="text-align: center;"><span style="color:#c0c0c0"><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/fdff006ab6ad5c3b57a34a6b9479b27d639dc77f/original/james-bakian.jpg/!!/b%3AWyJyZXNpemU6NDgweDM2MCJd.jpg" class="size_orig justify_inline border_" alt="" height="360" width="480" /></span></p>
<p><span style="color:#c0c0c0">His is not mimicking or trying too hard. Like a real artist, he must sing, write, and perform or he could not exist – let’s look at the facts that sets him apart from the names mentioned above: </span></p>
<p><span style="color:#c0c0c0">FACT ONE: he’s the only songwriter on this EP.</span></p>
<p><span style="color:#c0c0c0">FACT TWO: he’s the only vocalist on this EP.</span></p>
<p><span style="color:#c0c0c0">FACT THREE: yes, it is James who you hear on the background vocals of each cut.</span></p>
<p><span style="color:#c0c0c0">FACT FOUR: he’s INDEPENDENT! (hoo-rah)</span></p>
<p><span style="color:#c0c0c0">FACT FIVE: he’s playing every stroke of the keys on this EP. </span></p>
<p><span style="color:#c0c0c0">But along with his driven work ethic, James is a team player as three producers helped Bakian bring his musical visualization to life while incorporating additional instrumentation: Aubrey Whitfield, Jasper Dent, and Matt Allen. </span></p>
<p><span style="color:#c0c0c0">This is a full review of “Unstoppable,” a 6-track EP of Pop, R&B, and Soul. Let’s climb this musical wall of emotions. Are you with me?? </span></p>
<p><span style="color:#c0c0c0">“<a href="https://youtu.be/YFr76vPjXnw" target="_blank" data-imported="1"><span style="color:#c0c0c0">Unstoppable</span></a>” opens the collection with its power. This track will always be one of my favorites from Bakian. Please read my review of this infectious single here: <a href="http://www.klefnotes.com/music_reviews/james_bakians_unstoppable_single/" target="_blank" data-imported="1"><span style="color:#c0c0c0">www.klefnotes.com/music_reviews/james_bakians_unstoppable_single</span></a>. </span></p>
<p><span style="color:#c0c0c0">Next, we are greeted by intriguing synth and poignant piano chords on “<a href="https://jamesbakian.com/track/1373608/ain-t-sure" target="_blank" data-imported="1"><span style="color:#c0c0c0">Ain’t Sure</span></a>,”a song that embraces love’s insecurities. The track quietly starts with a whisper and then soars into a ballad-licious ascend that recalls the classic Soul pattern rotated on the airwaves in the 1980s – equally, “Ain’t Sure” is jam-packed with rich synthesizers, melancholy vocal execution, and demanding beats. Bakian sings “I ain't sure if I want you more or I'm letting go / You've broken me, you tore me up / I'm on the floor / I can't believe, I ever thought / You cared ‘bout me / The fault was mine / I don't know why I'm still angry.” I am not just saying this because I have become a fan of Bakian’s work, but Justin Bieber has nothing on his range. The opening notes gives way to this truth. </span></p>
<p><span style="color:#c0c0c0">Bakian’s words in “<a href="https://jamesbakian.com/track/1373609/colour" target="_blank" data-imported="1"><span style="color:#c0c0c0">Colour</span></a>” tells the story of the tints, hues, and vibrant emotions of a relationship. “In the depths of despair / I'm in need, be there / The only thing on my mind / It's all you / The perfect find / Please let me hold your hand / I love you to bits / I'm your biggest fan / I'm drawn towards Your light, your comfort, your colour” the artist sings. The lyrical imagery encircling this track is ear-provoking. </span></p>
<p><span style="color:#c0c0c0">“<a href="https://jamesbakian.com/track/1373612/know-you" target="_blank" data-imported="1"><span style="color:#c0c0c0">Know You</span></a>” is the fourth track and lyrically shares the anxious, seductive, viewpoint of an emotional longing.<strong> </strong>Bakian’s trills, vibrato, as well as attitude on this track is reminiscent of Michael Jackson’s early work on “Off the Wall” (1979) and it’s that fresh take on choruses, leads, and echoed adlibs that makes this cut so ah-mazing. “Know You” resonates to your inner ear on so many levels. When the music scales back some it softens up the already pillow effect of this track. Bakian cautiously tiptoes through this song and it is great! </span></p>
<p><span style="color:#c0c0c0">And if most of the songs on “Unstoppable” show the longing of love, the fifth track “<a href="https://jamesbakian.com/track/1373614/poison" target="_blank" data-imported="1"><span style="color:#c0c0c0">Poison</span></a>” shows the opposite effect of love – how it can poison you to your core and become infectious. When the track starts, you are already on cloud nine and you cannot come down until the song has reached its conclusion. The lyrics assist this fact with the artist declaring “I’m trapped . . . Your lovin’ messed up everything and took control / A brand new show /The serpent's crawling up my arm / And everything it does is harm / Your words are leaving me with scars / I should've noticed from the start / Your poison, it hurts me, your poison.” The desperation in Bakian’s voice sells this song very much like Usher’s vocals on “U Got It Bad” (2001). Equally spell bounding is the bass licks supporting the throbbing darker approach to the music which is a twist from Bakian’s additional tracks. The funk on this track is banging as well as the depth of his emotions. </span></p>
<p><span style="color:#c0c0c0">The EP closes with “<a href="https://jamesbakian.com/track/1373615/red-dress" target="_blank" data-imported="1"><span style="color:#c0c0c0">Red Dress</span></a>” – a crisp track which illustrates Bakian’s full range and the scope of his writing as an established artist. “Red Dress” talks about fleeting love and the effect it has on the soul and how one item can be the mental trigger of that lost love. Bakian’s “oh, well that’s life” approach to this cut makes it very practical and radio friendly. </span></p>
<p><span style="color:#c0c0c0">The final product is nothing short of wonderful! “Unstoppable” is a perfect musical CV that gives proof that whether crooning about love or the effects of love, James Bakian has the status and the chops to compete and win in today’s competitive music market. The artistry and careful selection of instruments to match the attitude and premise of each track on this EP shows the full scope of Bakian lyrically, vocally, and instrumentally. </span></p>
<p><span style="color:#c0c0c0">Musically illustrating that he is here to stay, Bakian is developing into a multifaceted music artist who is one to watch. Not only does he have talent on his side, he has the ambition already set in his musical bones to garner longevity. That’s right – this is not the last time you will see or hear of Bakian. He IS here to stay; he is <strong>UNSTOPPABLE</strong>! </span></p>
<p><span style="color:#c0c0c0">Check back here on March 30<sup>th</sup> to read my review entitled James Bakian “The Singles” featuring “Usual,” “Seven Infections,” as well as other 2018 tracks dropping soon. Until then, go to <a href="http://www.jamesbakian.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">www.jamesbakian.com</span></a> to find more fantastic music by the artist and follow him on Twitter <a href="https://twitter.com/JamesBakian" target="_blank" data-imported="1"><span style="color:#c0c0c0">@JamesBakian.</span></a></span></p>
<p><strong><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/9c89f3d5bb7ade1f415358531744ac8588a92017/original/james-bakian-wall.jpg/!!/b%3AWyJyZXNpemU6NjY4eDM3MyJd.jpg" class="size_orig justify_inline border_" alt="" height="373" style="display: block; margin-left: auto; margin-right: auto;" width="668" /></strong></p>
Klef Notestag:klefnotes.com,2005:Post/60535012018-02-15T12:00:00-12:002018-02-15T20:24:57-12:00Jambrains: “Life, Love & Lies” Sweden
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/dbf6f2ae4069540f015c5d245f69944c1069f6a0/original/jambrains-lifelovelies.png/!!/b%3AWyJyZXNpemU6NDgxeDQ4MSJd.png" class="size_orig justify_inline border_" alt="" height="481" width="481" /></p>
<p><span style="color:#c0c0c0">How long it’s been since we, the listening public have been graced with great melodies and lyrics in one collection – real memorable music all housed in one album or EP with no filters or collaborations? It has been a while. </span></p>
<p><span style="color:#c0c0c0">We were visited by the likes of such artists years ago – artists that developed and published music that featured ah-mazing melodies and lyrics, for example: Lionel Richie, Richard Marx, and Jon Secada. But as rare as it is, there are still artists out there producing such great music. In the Indie Music realm, we have Jambrains. </span></p>
<p><span style="color:#c0c0c0">Jambrains is the solo creation of Swedish multi-instrumentalist singer-songwriter Johan Alm. </span></p>
<p><span style="color:#c0c0c0">Johan’s music career started as many singer songwriters do, playing in many bands until he decided to go solo. It was in 2014 when Johan decided to take the solo route and created Jambrains which he stated was the “vehicle” delivering what he calls "power with melody." </span></p>
<p><span style="color:#c0c0c0">His debut album “900 Days” was released in December 2016 and documented the 900 days of Jambrains from its inception. “900 Days” was well received and displayed the musical direction Johan was taking as a solo artist. His most recent EP is entitled “Life, Love & Lies” (released September 2017) and it has seven tracks: </span></p>
<ol>
<li><span style="color:#c0c0c0">Since I Met You</span></li>
<li><span style="color:#c0c0c0">Lies?</span></li>
<li><span style="color:#c0c0c0">Sign Your Name</span></li>
<li><span style="color:#c0c0c0">The Curse of Shane MacGowen</span></li>
<li><span style="color:#c0c0c0">One Day We’ll Die</span></li>
<li><span style="color:#c0c0c0">Leave No Stone Unturned (Redux)</span></li>
<li><span style="color:#c0c0c0">Until It’s Time to Part </span></li>
</ol>
<p><span style="color:#c0c0c0">“Life, Love & Lies” was aired on Swedish radio and two of the songs reached semi-finalist positions in the UK Songwriting Contest. </span></p>
<p><span style="color:#c0c0c0">This is a review of “Life, Love & Lies” with the inclusion of “Fade” a single released January 2<sup>nd</sup> which preludes additional singles to drop this year. </span></p>
<p><span style="color:#c0c0c0">In both the full EP and the single, there is a distinctive blend of Pop, Rock, Folk, and Alternative music framing powerful guitars, strong melodies, and straight-laced lyrics to evoke a high level of songwriting that interprets the three most prominent things that affect the human condition: life, love, and lies. </span></p>
<p><span style="color:#c0c0c0">Starting with “<a href="https://soundcloud.com/jambrains/sets/ep-2" target="_blank" data-imported="1"><span style="color:#c0c0c0">Life, Love & Lies</span></a>,” of the seven tracks, four portray this overlapping theme in connection with the single track “Fade” – I will touch on these tracks in this review. </span></p>
<p><span style="color:#c0c0c0">We start with the second track entitled “Lies?<strong>”<span style="text-decoration:underline"> </span></strong>which clearly alludes to the theme of the EP. “Lies?” is the first swift-paced track on the EP and it relates the story of how from childhood to adulthood we are told lies to mold us into what society feels we ought to be, Jambrains sings “Lies! They start out small / lies! They soon grow tall / lies! lies! lies! / they build up a wall / lies! time for it to fall.” This Alternative Pop track has aggressive vocals complimented by distorted guitars, bolting percussions, and a soaring chorus.<strong> </strong></span></p>
<p><span style="color:#c0c0c0">The fourth track, <strong>“</strong>The Curse of Shane MacGowen<strong>” </strong>showcases Jambrains in a more Celtic-fusion oriented setting and features Karen O'Mahony on tin whistle. This pub-worthy anthem-ready track is sure to be a crowd favorite presenting old-world Folk instrumentation and a crowd-yelling hook that stays with you once the song concludes. Jambrains’ lyrical storytelling puts you in a high-school frame of mind and tells the wistful story of his junior high school and collegiate years where the talent-bug bit and the people began to see him for who he truly is – an artist and a singer. Such a sole rendering lighthearted track that any artist can relate.<strong> </strong></span></p>
<p><span style="color:#c0c0c0">“Leave No Stone Unturned” (Redux) is the sixth song in the collection of “Life, Love & Lies,” and it is pure ROCK. Piggybacking off of the style of Rock bands like Def Leppard and Metallica, Jambrains’ guitar riffs sharpen the effect of the overall listening experience making for a gasoline-driven honest track about living life to its fullest and not taking any opportunity for granted. Jambrains drives this theme home by singing “Before I face my curtain call I want it now I want it all / I will run while others crawl / I will rock before the fall / Rock before the fall.” With doubled percussions, multi-layered melodic guitars, and harmonic vocals, this is the brass knuckles of the collection. The music pull-back at point 2:21 is splendid and gives way to a musical die-hard build-up. This is worth a triple listen!<strong> </strong></span></p>
<p><span style="color:#c0c0c0">One track with an emotional beginning is<strong> “</strong>Until It’s Time to Part<strong>”</strong> – a subtle ballad with a yearning piano featuring Jambrains singing in a lower register. This lovely Soft Rock Adult Contemporary track appears to be inspired by the love between a father and a child. Words like “Don't walk ahead / I may not follow / Don't fall behind / I may not lead / Just take me by the hand and walk beside me / I'll guide you / until it's time to part . . . And when I cannot / walk any further please don't you shed a single tear / I'll still be by your side as long as you remember our time before we had to part” display the tender care and protection of a father and how a caring parent chooses to stay in the shadows while you explore the light. Pure love. Employing the musical technique of a synthesized underlying hook makes this mellow song strongly memorable. The melody by itself captivates the listener – you are actually rising and falling in melodic hills and valleys. But when that skilled melody scheme is accompanied by the honest lyrics of Jambrains, this sole song makes your eyes swell with happy tears remembering the memories of your own childhood. I loved this track!! </span></p>
<p><span style="color:#c0c0c0">Which bring us to the 2018 single<strong> “</strong><a href="https://soundcloud.com/jambrains/fade" target="_blank" data-imported="1"><span style="color:#c0c0c0">Fade</span></a>.<strong>”</strong></span></p>
<p><span style="color:#c0c0c0"><strong><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/682e39fba49cdba87563327570e659b4a4ef4c00/original/jambrains-fade.png/!!/b%3AWyJyZXNpemU6MzIzeDMyMyJd.png" class="size_orig justify_inline border_" alt="" height="323" width="323" /></strong></span></p>
<p><span style="color:#c0c0c0"> “Fade” is a lyrical letter depicting how fairytale dreams and aspirations can fade to gray if they are not played out to their fullest colors. Jambrains sings “we've should have known it was too late / pulled over by the state patrol / a broken taillight sealed our fate / we turned the car around and headed back from where we came / and before we even knew it / we were trapped and slowly we faded / to gray / we faded to gray / to gray.” In agreement with the above tracks from “Life, Love & Lies,” “Fade” fits well with its musical direction, but in contrast it ebbs a little towards another direction – a more raw execution, not as subtle in impact as the preceding tunes. This twist is a great choice from the artist. The subtle modulation in the verses and the melodic changes in this cut set your mind to thinking of life and its decisions whether good or bad and how to piece together the remaining parts before they turn to gray. This track features none of the heavy synths that are popular currently in music, it is just Jambrains’ soft vocal combined with classical piano chords, an acoustic, mellow drums, and a dynamic amped guitar solo that comes in and adds salt at the right moment highlighting the emotion of the overall track. </span></p>
<p><span style="color:#c0c0c0">What we have here is what I call the “Jambrains’ Effect” – that hypnotic feeling you get when you listen to good music and that effect that makes you want to share it and keep it alive forever. </span></p>
<p><span style="color:#c0c0c0">The EP “Life, Love and Lies” and the single “Fade” is proof that the name Jambrains is a fitting pseudonym for Johan Alm’s music as his solo musical creations truly does jam right into your brain causing a sort of gridlock effect with melodies neurologically settling in your mind allowing the melodies to stay with you. </span></p>
<p><span style="color:#c0c0c0">Try this effect by going to <a href="https://twitter.com/Jambrains" target="_blank" data-imported="1"><span style="color:#c0c0c0">@Jambrains</span></a> or <a href="https://open.spotify.com/artist/71BXPr8SQ6DnkvYzDKOk46" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://open.spotify.com/artist/71BXPr8SQ6DnkvYzDKOk46</span></a> to hear more from Jambrains – there’s more to come!</span></p>
Klef Notestag:klefnotes.com,2005:Post/60535002018-02-15T12:00:00-12:002019-12-31T08:10:46-12:00Juxta: “The Beautiful Ones” (Tobi Remix) UK
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/815dd10ec3c80cdb1c4c3c34dd1d912d6a201c0e/original/juxta-the-beautiful-ones.jpg/!!/b%3AWyJyZXNpemU6NTk5eDU5NiJd.jpg" class="size_orig justify_inline border_" alt="" height="596" width="599" /></p>
<p><span style="color:#c0c0c0">Remember in the Oscar award winning movie “Apollo 13” where Tom Hanks so thought-provokingly stated “Houston, we have a problem?” well, I’m going to place a remix on those words and say “Houston, we DO NOT have a problem.” FINALLY in our grasp is an Alternative Music rocket-ship remix set for the stars and beyond with cosmic instrumentation, alarming syncopation, and a nebular twist from the norm. And there is nothing better than Industrial Post-Punk music to get the juices flowing 24-7-365. </span></p>
<p><span style="color:#c0c0c0">One band that is gratifyingly pumping up the volume and our blood is Juxta an Industrial Post Punk band coming out of Horsham UK. Their most recent release is entitled “Welcome to Your Life.” And if the original cut of Juxta's “<a href="https://juxtamusic.bandcamp.com/track/the-beautiful-ones" target="_blank" data-imported="1"><span style="color:#c0c0c0">The Beautiful Ones</span></a>” was not dope enough, take a listen to the <a href="http://open.spotify.com/album/4xjRiECJhNbKMI3oYyrKiq" target="_blank" data-imported="1"><span style="color:#c0c0c0">REMIX</span></a>. </span></p>
<p><span style="color:#c0c0c0">This monstrous adaptation was surgically executed by Toby Davis (AKA Tobi), a producing mastermind bringing to life, and back to life, singles and covers spanning multiple genres globally and in the UK. </span></p>
<p><span style="color:#c0c0c0">Coming out of the grasp of Tobi is the newly revisited and hooked-up edition of “The Beautiful Ones.” It is as if someone spiked your Vodka with electricity as this version is blazing with a tastefully slammin driving sequencer bass, LinnDrum beats and Vocoder Vox. The balance of the EQs and the FX is ear candy – nothing in the red, just a complex pulse-racing production. In true Tobi fashion, he has utilized all of the music weapons in his arsenal and has pulled off yet another remix that fans of Techno, Dance, House, and EDM will vibe with and enjoy. </span></p>
<p><span style="color:#c0c0c0">“The Beautiful Ones” (Tobi Remix) is set to release today!! So, if you enjoyed this remix, honestly, you do not want to miss ANYTHANG that comes off of the unique and innovative cuffs of Tobi, so keep up with him on Twitter <a href="https://twitter.com/producedbytobi" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>@</strong>producedbytobi</span></a>. And if you like Radiohead, Nine Inch Nails, The Cure, and/or Talking Heads, then place your fingerprint on the pulse of Juxta by going to: <a href="https://juxtamusic.bandcamp.com/music" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://juxtamusic.bandcamp.com/music</span></a> - <a href="https://twitter.com/JUXTAmusicUK" target="_blank" data-imported="1"><span style="color:#c0c0c0">@JUXTAmusicUK</span></a>.</span></p>
Klef Notestag:klefnotes.com,2005:Post/60534992018-02-15T12:00:00-12:002018-02-15T19:49:56-12:00Kittenhead: “Tinman” Los Angeles, California
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/6ca3249c9ec10629e042c3cc129e01784f0261d0/original/kittenhead.jpg/!!/b%3AWyJyZXNpemU6NTM3eDM1OCJd.jpg" class="size_orig justify_inline border_" alt="" height="358" width="537" /></p>
<p><span style="color:#c0c0c0">It is easy to make a Rock song today, but it is NOT easy to make a Rock song that easily becomes a cult classic – meaning, a song that not only justifies the inner need of the artist but also has enough boom to its bang that it also affects the general population with its message. </span></p>
<p><span style="color:#c0c0c0">“<a href="https://www.youtube.com/watch?v=JJLOnl86hAU" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Tinman</strong></span></a>” is a song recorded by Los Angeles based Rock band Kittenhead and it has just that – the boom and the bang. Amidst the raging guitars, house 808s, and a wide range of distinctive vocals comes a track that is a nonviolent homage to the deaths of Trayvon Martin, Mathew Sheppard, and any/all of those lost too soon by society’s tragic impulsivity and hate. Promoted at a time when our world is ready for a change, this track is sure to awaken the eyes and hearts of lovers of peace and those willing and able to accept the fact that change is eminent. </span></p>
<p><span style="color:#c0c0c0">Kittenhead consists of: Kivi (vocals/frontwoman), Dede (guitar/bass/backup vocals), Victorya (guitar/bass/backup vocals), and Owen (drums). </span></p>
<p><span style="color:#c0c0c0">With lyrics like “when your gonna stand against hate in society; it’s not democracy; it’s hypocrisy,” their latest track is set to be the band’s anthem song and it trails the same music methodology as Tupac’s 1991 track “Brenda’s Got a Baby,” as the music is written, recorded, and executed to spread awareness to the consequences of social ignorance and social depravity. </span></p>
<p><span style="color:#c0c0c0">There is only ONE race that is superior and that is the HUMAN RACE and this band has the aptitude to make their mark in exerting cultural influence and change. </span></p>
<p><span style="color:#c0c0c0">Tattoo this song on your brain and keep up with Kittenhead at <a href="https://www.reverbnation.com/rpk/KITTENHEAD" target="_blank" data-imported="1"><span style="color:#c0c0c0">www.reverbnation.com/rpk/KITTENHEAD</span></a>.</span></p>
Klef Notestag:klefnotes.com,2005:Post/60534982018-02-12T12:00:00-12:002018-02-14T02:31:34-12:00Sunshine Nights: “Soldier Notorious” Brooklyn, New York
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/5ea21975711581148618c634d468ab6f7f91efd0/original/sunshine-nights.jpg/!!/b%3AWyJyZXNpemU6NDkweDczMyJd.jpg" class="size_orig justify_inline border_" alt="" height="733" width="490" /></p>
<p><span style="color:#c0c0c0">Folk music is alive in Brooklyn and it is off the cuff and unconventional and we all dig it! </span></p>
<p><span style="color:#c0c0c0">Sunshine Nights is a Country folk vocal duo consisting of Stephen Sunshine and Amy Priya [Pitti on drums and Kayla Radomski on backup vocals/tambourine for recent releases and live shows]. This duo is set to be a defining force in the current music scene as their compositions and musical presence brings back to life a style of music that the public is anxiously waiting to embrace – songs that have vocal harmonies, surgical music arrangements, fully developed hooks, and meaning. </span></p>
<p><span style="color:#c0c0c0">The gist of the duo’s latest release “<a href="https://open.spotify.com/track/1TXMKKbtlAbKkDUzGVo7rz?si=cYPutzUjSWO5ZLaDzsSpIA%20" target="_blank" data-imported="1"><span style="color:#c0c0c0">Soldier Notorious</span></a>” speaks to the human condition so articulately. Its lyrical premise tells of how life is nothing short of normal and how the demands, commands, and drills of life from youth to adulthood makes one feel like a soldier. One who has been everywhere and has taken on battles, war, and confusion, and now the only need is “to call something my own” as Stephen so rhythmically puts it. </span></p>
<p><span style="color:#c0c0c0">Sunshine Nights’ real-life approach to writing and executing songs makes for easy listening; and Stephen’s frank way of singing allows for a more tongue-in-cheek appeal giving way to radio-friendly music. Moreover, Amy’s breathy soprano timbres are so alluring and compliments the harmony of the band. </span></p>
<p><span style="color:#c0c0c0">The breakdowns are spot on and adds texture and a reboot just when needed; pay attention to the music break at the two minute 13 second mark. </span></p>
<p><span style="color:#c0c0c0">The melody of this track is nostalgic in sound bringing to mind the music of the 1960’s, and the layers of harmony, vocal trills, and linear symbolism is reminiscent of the Folk artists of that era, but this track nowhere dated. Much like the music heard on mainstream radio today, i.e. Mark Ronson's “Uptown Funk” (feat. Bruno Mars) and Meghan Trainor’s “All About that Bass” it features nostalgic melodies but its vocal delivery is solely modern – take for example Stephen’s doubled-tempo (almost rhythmic) final lines to the verses and the command to the beat of the percussions. </span></p>
<p><span style="color:#c0c0c0">The ability to blend Woodstock with today’s musical tastes takes talent and a concrete lineup of professional musicians to pull it off and Sunshine Nights is just that. Actually, they are all that and a bag of chips as they have given us the perfect song to feature at a rooftop party with the shots being passed, the lights bleeding into each other, and a copasetic vibe. This is our springtime into summertime soundtrack – a track that has a Brooklyn backbone mixed with a laid back California vibe! </span></p>
<p><span style="color:#c0c0c0">Listen to this track and head over to <a href="http://www.facebook.com/sunshinenights" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>www.facebook.com/sunshinenights</strong></span></a> to hear more from Sunshine Nights. </span></p>
<p><span style="color:#c0c0c0">Photo courtesy of Evan Mann.</span></p>
Klef Notestag:klefnotes.com,2005:Post/60534972018-02-12T12:00:00-12:002018-02-12T20:35:12-12:00Jerry Hull: “Heart of Gold” UK
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/5e155e5d81faaf2da961be1d58a2260a145554b5/original/jerry-hull-heart-of-gold.jpg/!!/b%3AWyJyZXNpemU6NDcyeDQ3MiJd.jpg" class="size_orig justify_inline border_" alt="" height="472" width="472" /></p>
<p><span style="color:#c0c0c0">If you are one of those guys, or gals, who find it hard to say “I Love You,” or find it difficult to pick the perfect gift for your loved one, how about expressing it with music? </span></p>
<p><span style="color:#c0c0c0">Plenty of singer-songwriters pen tracks to make people fall in love, make love, or just remember love, but not many can pull it off without sounding cheesy or outdated. Only Jerry Hull can make a love song sound so effortless and heart-licious that it shares itself on Valentine’s Day and lives on to thrive throughout the year setting the heart back into passion on those days where there are no chocolates, flowers, or candles. </span></p>
<p><span style="color:#c0c0c0">Jerry Hull is the artist I call the Mozart of The Millennium, the man behind the highly accepted “Celebrate in the Sunshine” released August 26<sup>th</sup> 2017. Coming off of this EP is “<a href="https://www.reverbnation.com/jerryhull/song/29165490-heart-gold-from-celebrate-in-sunshine2017" target="_blank" data-imported="1"><span style="color:#c0c0c0">Heart of Gold</span></a>” a well written romantic ballad that describes the uncompromised, honest, magical affection of two lovers. </span></p>
<p><span style="color:#c0c0c0">Just hitting #2 on the Radio Indie Alliance charts on <em>It Matters Radio</em>, this track shows the type of sincere emotion that takes root in the heart and remains on into the golden years where it still quietly says “your every wish is my command.” </span></p>
<p><span style="color:#c0c0c0">Featuring a piano-based melody laced with soft rock chords, light percussion, and killing me softly violins and guitars, “Heart of Gold” is a perfect musical/vocal arrangement that just sets the right mood and fancifully adds that delightful “forget me not” endearing musical touch. Hull’s vocals, as always, are crisp, full-bodied, and personal. From its subtle intro to its conclusion, this song allows the listener to see that fairy tales do come true. </span></p>
<p><span style="color:#c0c0c0">Download this track and say “I love you” without having to say “I Love You.” </span></p>
<p><span style="color:#c0c0c0">To hear more of Hull’s music, go to: <a title="https://www.reverbnation.com/jerryhull" href="http://t.co/1SsOJT7xMX" target="_blank" data-imported="1"><span style="color:#c0c0c0">reverbnation.com/jerryhull</span></a> and to read about the Mozart of the Millennium, click here: <a href="http://www.klefnotes.com/music_reviews/jerry_hulls_celebrate_in_the_sunshine" target="_blank" data-imported="1"><span style="color:#c0c0c0">www.klefnotes.com/music_reviews/jerry_hulls_celebrate_in_the_sunshine</span></a></span></p>
Klef Notestag:klefnotes.com,2005:Post/60534962018-02-08T12:00:00-12:002018-02-08T20:29:48-12:00Jack Endelouz’: “Ain’t Gonna Change My Mind” – Chattanooga, Tennessee
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/89495b2418abec3af9fac5967fe564a845372cac/original/je-cover-front-resize.jpg/!!/b%3AWyJyZXNpemU6NDU1eDQ1NSJd.jpg" class="size_orig justify_inline border_" alt="" height="455" width="455" /></p>
<p><span style="color:#c0c0c0">Harmonicas, percussions, guitars, and a bizarre sounding synth lay down, accompanied by a male and female vocal makes for a great song and works on so many levels, and let me tell you why. Today, we are so indebted to music that features collaborations, remixes, auto-tune, and highly-synthed instrumentation that going back to the basics is the type of music that makes Americans proud to be American – music that has the classic, great, off the cuff style that dominated the 1980s music – that blasé, carefree, talent that said "so long" in 1990. </span></p>
<p><span style="color:#c0c0c0">“<a href="https://endelouz.bandcamp.com/album/jack-endelouz" target="_blank" data-imported="1"><span style="color:#c0c0c0">Ain’t Gonna Change My Mind</span></a>” is an unpretentious song by Rock artist Jack Endelouz featuring his band Endelouz and it welcomes back real music. Written from the self-perspective of an artist who dares to grow old or settle for the mundane, this track opens with the heartbeat of America, so to speak, and has a crisp thumping bass drum that runs straight through to the end giving the cut a smooth and bumpy ride. The majority male lead that is kissed by the soft feminine vocal just makes this song so fun, while the music equally gives off a relaxed dance patterned aesthetic that is non-muddled. </span></p>
<p><span style="color:#c0c0c0">I’m not trying to change your mind (no pun intended) but you know how that simple blazer compliments the wardrobe oh so right? That blazer that goes with the blue jeans and crisp white cotton shirt? Well, consider this track to be that blazer of music, or that LBD, as it goes with EVERYTHING. It’s a contrasting variation mix of Heartland Rock and Roots Rock. </span></p>
<p><span style="color:#c0c0c0">If you are in or around the Chattanooga, Tennessee area in the weeks to come, step into the Frequency Arts located at 1804 E. Main St. on Friday, February 16 from 7:00 PM - 1:00 AM (EST). You can find more of Jack Endelouz’ music at <a href="https://endelouz.bandcamp.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://endelouz.bandcamp.com</span></a>.</span></p>
Klef Notestag:klefnotes.com,2005:Post/60534952018-02-08T12:00:00-12:002018-02-08T20:19:11-12:00Gabriel Fernandez: Algo Hay (There's Something)
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/c6f896ebc2f103ddad2c61ce93ac7b8f39b91234/original/gabriel-f.jpg/!!/b%3AWyJyZXNpemU6NDY2eDQ2NiJd.jpg" class="size_orig justify_inline border_" alt="" height="466" width="466" /></p>
<p><span style="color:#c0c0c0">Coming from Iced Note Music is Gabriel Fernandez, a soulful, romantic, singer/songwriter whose latest track “<a href="https://open.spotify.com/track/0mJVnUe25VCqcn3zGXNoDM" target="_blank" data-imported="1"><span style="color:#c0c0c0">Algo Hay</span></a>” (There’s Something) gives the same effect to your soul that fingers gently walking up your spine evoke – sultry exhilaration. </span></p>
<p><span style="color:#c0c0c0">Finally, a Latin-Pop track that has no collaborations, no fluff, and no auto-tune. Nothing mechanical gets in the way of this track that features unadulterated vocals, eclectic instrumentation, and practical story-telling. Not since Jon Secada and Marc Anthony have we been kissed with such deep down soul stirring, dream-making tremble, range, and harmonies. </span></p>
<p><span style="color:#c0c0c0">The heartfelt emotion and range of Fernandez’ vocals touch a part of the global musical heart that has not been touched in years. “Algo Hay” is a Spanish single with Rock undertones that lyrically relates the story of a man in search of that special “something” that makes you know IT is love. </span></p>
<p><span style="color:#c0c0c0">Fernandez is no stranger to Central and South America as well as Venezuela, but now the globe is ready to welcome him into our ears and hearts. </span></p>
<p><span style="color:#c0c0c0">Gabriel Fernandez is a dramatic tenor whose passion for music is worn on his sleeve and his talent is placed within every note of his songs. </span></p>
<p><span style="color:#c0c0c0">Go to <a href="https://twitter.com/IcedNoteMusic" target="_blank" data-imported="1"><span style="color:#c0c0c0">Iced Note Music</span></a> to learn more about the artist. </span></p>
Klef Notestag:klefnotes.com,2005:Post/60534942018-02-01T12:00:00-12:002019-12-31T08:10:43-12:00Ghostly Beard: “The Love in Your Eyes” (Quebec Canada)
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/90d196d9a2f404e5fb83e1b1b580b3de234522f4/original/yokmfrww.jpg/!!/b%3AWyJyZXNpemU6NTU0eDU1NCJd.jpg" class="size_orig justify_inline border_" alt="" height="554" width="554" /></p>
<p><span style="color:#c0c0c0">When a song starts with a sentimental guitar, you first think that it is going to be a tearjerker, but “<a href="https://ghostlybeard.com/music" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>The Love in Your Eyes</strong></span></a>” is not your average ballad and Ghostly Beard is not your average artist. Flipping the script and allowing hope to shine through the most torn chapters of one’s life, the first single off of Ghostly Beard’s highly anticipated album “Inward” due to release May 4<sup>th</sup>, is anything but depressing. </span></p>
<p><span style="color:#c0c0c0">Vocally at the top of his game, Ghostly Beard’s “The Love in Your Eyes” is a reflective, genuine, song that is almost meditative in its delivery with its easy building tempo. Using calm percussions, a laid back vocal, and mellow view-pointing lyrics, Ghostly Beard displays his heart on his sleeve and captures that angst feeling one gets when it is time to say goodbye and you do not feel whole enough to let go. Dedicated to his lovely mother Christiane, this track finds its way into your soul with its silent strength and does not let go until it is time to let go. </span></p>
<p><span style="color:#c0c0c0">If the quote “the eyes are the windows to the soul” were put to music, “The Love in Your Eyes” would be that song. It’s the unsaid set to music that literally says what often is hard to say! </span></p>
<p><span style="color:#c0c0c0">This is the 2018 reflective track that will crawl its way up to the number one spot.</span></p>
<p><span style="color:#c0c0c0"> “The Love in Your Eyes” drops today ladies and gents, so please go to: <a href="https://www.ghostlybeard.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.ghostlybeard.com</span></a> to get your copy and check back here to read the full review of Ghostly Beard’s 2018 album “Inward.”</span></p>
Klef Notestag:klefnotes.com,2005:Post/60534932018-02-01T12:00:00-12:002018-02-01T20:51:44-12:00Daniel Fogel: “Stick Your Nose In” (Tel Aviv Yafo, Israel)
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/99fa698052b5da379e34263bc0b5fcdf2d2cc754/original/daniel-fogel.jpg/!!/b%3AWyJyZXNpemU6NTAweDUwMCJd.jpg" class="size_orig justify_inline border_" alt="" height="500" width="500" /></p>
<p><span style="color:#c0c0c0">The state of our world currently is like a three-ringed circus with the movie industry’s battle with sexual abuse, cities not having the economic means to develop its youth, and world governments acting like children on a playground taking to Twitter to ridicule one another when there are serious issues open for discussion. One tradition in music that always offered a bird’s eye view of society is the Protest Song – an artist’s way to start a dialog or feature major issues prevalent within society while offering their opinion without literally taking action in the form of a demonstration, war, etc. </span></p>
<p><span style="color:#c0c0c0">Today, there are still Protest Songs played on the radio, but now they come in the form of Rap, Rock, and Folk. Singer/songwriter Daniel Fogel is one such artist who is still writing and performing this type of music to enlighten today’s society to the reality of war. “<a href="https://soundcloud.com/daniel-fogel-music/stick-your-nose-in" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Stick Your Nose In</strong></span></a>” is Fogel’s recent release – a Folk Rock anti-war song sang in a dark tone lyrically telling a fragmented story about how politics continue to rape and pillage society with wars. It also relates how nothing will ever change unless you get involved, or “stick your nose in,” and do something about. </span></p>
<p><span style="color:#c0c0c0">The track starts off slow and builds into a frenetic piece of good music with Fogel utilizing the Tremolo guitar technique and choosing to lay the foundation of this song with honest lyrics, aggressive guitars, tambourines, varied eclectic instrumentation, and aerial sound effects. </span></p>
<p><span style="color:#c0c0c0">This is a well-crafted off the cuff, raw, and realistic song very much like Paul Simon and Bob Dylan that gives a much-needed musical alarm to peacefully call to arms those passionate enough about change and willing to make a change without violence. </span></p>
<p><span style="color:#c0c0c0">To keep up with Fogel’s gigs and music, follow him on Twitter <a href="https://twitter.com/fogelda?lang=en" target="_blank" data-imported="1"><span style="color:#c0c0c0">@fogelda</span></a>.</span></p>
Klef Notestag:klefnotes.com,2005:Post/60534922018-02-01T12:00:00-12:002018-02-01T20:46:12-12:00Devio & Brivido: "Niente di Particolare” (Nothing in Particular) – UK/Italy
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/44f1ac9da5a803b7ddaa6d649908bad2be160bda/original/devio-and-brivido.jpg/!!/b%3AWyJyZXNpemU6NDMweDQzMCJd.jpg" class="size_orig justify_inline border_" alt="" height="430" width="430" /></p>
<p><span style="color:#c0c0c0">If every music note were a different color, then this track is full bloom rainbow – we have the HOT reds, the COOL blues, the VIBRANT yellows; we got it all – in other words, we got the Pop; we got the Hip Hop; we got the seduction, machismo, and passion all neatly wrapped up into three minutes. Wooo! </span></p>
<p><span style="color:#c0c0c0">“<a href="https://open.spotify.com/album/0IBdLePjFoHWwicV7e76DV" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Niente di Particolare</strong></span></a>” is a nice mix of commercially ready Techno Pop fused with Hip-Hop given to the world by duo Devio & Brivido and it musically tells the story about the best way to love - purely and honestly – <em>nothing in particular</em>, just real old school methods of affection and new school reactions – that’s the best way to love. Devio’s sharp vocal presence lends itself to the street-wise rapping skills of Brivido and this in turn makes this track a win win with mainstream music fans. </span></p>
<p><span style="color:#c0c0c0">Trust me, every back beat and quarter note is meticulously played. Yes, you are in for a real treat from the mellow intro, to the rush of adrenaline that musically weaves itself through the entire track, along with that solo piano speaking to you in the verses, on to the stylistic pulsed bass drum and synthesizers. And an added bonus is at the one minute 55 second point when the music scales back and Brivido takes the reins with a seductive triple speed spit that places you on air so you are ready to fly on to the perfectly executed outro. </span></p>
<p><span style="color:#c0c0c0">This will be a favorite for Tech House and Pop/Hip-Hop audiences – it gets you on your feet and keeps you there. </span></p>
<p><span style="color:#c0c0c0">Go to Iced Note Music to learn more about the artist. (<a href="https://www.youtube.com/channel/UCZ4KwdMT7kVTeBlqgavCeMA" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://www.youtube.com/channel/UCZ4KwdMT7kVTeBlqgavCeMA</span></a>) </span></p>
Klef Notestag:klefnotes.com,2005:Post/60534912018-01-18T12:00:00-12:002018-01-18T19:18:51-12:00Parmy Dhillon “Friend or Foe” – Melbourne
<p><strong><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/66c1ffb758971ea5068689bea277d8d5a5f728b2/original/parmy-dhillon.jpg/!!/b%3AWyJyZXNpemU6NTI4eDUyOCJd.jpg" class="size_orig justify_inline border_" alt="" height="528" width="528" /></strong></p>
<p><span style="color:#c0c0c0"><strong>Parmy Dhillon “Friend or Foe” – Melbourne</strong> </span></p>
<p><span style="color:#c0c0c0">Is it just me or is anything RAW better than overcooked. Yeah?? Well we can say that about the music industry too; we like the fresh vs the overdone. Oh how we love the in your face, rule breakers that deliver the best freakin music that our ears dare to hear! </span></p>
<p><span style="color:#c0c0c0">Feast your ears on Parmy Dhillon, an unapologetic singer songwriter out of Melbourne, Australia who is doing for Alternative Rock music what Tupac did for Rap – making you aware of the realities in life and flipping the script to accomplish that goal. And he has the backing of one dynamite, smokin, band helping him to make his mark. </span></p>
<p><span style="color:#c0c0c0">Dhillon’s “Friend or Foe” off of the EP “This is Where I’m At” lyrically and instrumentally illustrate how the highest high can become the lowest low. It is dark in tone and theme but so dangerously delightful to the ears. Addicting in its melody and hook, Dhillon has hit pay dirt with this commercially-ready track that has a video that is equally ripped. I love the flirty violins and the hopeful soul appeal of the piano. </span></p>
<p><span style="color:#c0c0c0">Like it is with a lot of the music created by many artists who choose to do the opposite action of every reaction, some people may not “get” the concept or feel the “reason” behind the track, but what rings true about this type of music, you will NEVER forget and you will ALWAYS respect it. </span></p>
<p><span style="color:#c0c0c0">So, if you are like me and you enjoy the music and methodology of the likes of Tupac and Pearl Jam, or Smashing Pumpkins, then you will definitely dig this diverse, layered, well textured, guitar driven track that is right here, in your face, no apologies needed!</span></p>
<p><span style="color:#c0c0c0"></span></p>
<p><span style="color:#c0c0c0"><a href="https://parmydhillon.bandcamp.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">https://parmydhillon.bandcamp.com</span></a> <a href="https://twitter.com/parmy01?lang=en" target="_blank" data-imported="1"><span style="color:#c0c0c0">@Parmy01</span></a></span></p>
<p><a href="https://twitter.com/parmy01?lang=en" target="_blank" data-imported="1"><span style="color:#c0c0c0"></span></a></p>
<p><a href="https://twitter.com/parmy01?lang=en" target="_blank" data-imported="1"><span style="color:#c0c0c0"></span></a></p>
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<div class="video responsive"><div class="video-container"><div class="video responsive"><div class="video-container"><iframe frameborder="0" height="240" src="https://www.youtube.com/embed/rCAPUXJLqE4" width="320" class="wrapped wrapped"></iframe></div></div></div></div>
Klef Notestag:klefnotes.com,2005:Post/60534902018-01-18T12:00:00-12:002018-01-18T19:08:06-12:00Collegians: Black Mass (Melbourne)
<p><strong><img src="//d10j3mvrs1suex.cloudfront.net/u/393930/f2a3adb964d026d2ad495ba1bb476437ba46d354/original/collegians-black-mass.jpg/!!/b%3AWyJyZXNpemU6NTI3eDUyNyJd.jpg" class="size_orig justify_inline border_" alt="" height="527" width="527" /></strong></p>
<p><span style="color:#c0c0c0"><strong>Collegians: Black Mass (Melbourne)</strong> </span></p>
<p><span style="color:#c0c0c0">If you are tired of the herding routine of the current establishment, what’s one way to wake them up and shake things up? Smack em in the face with a righteous, hypnotic, song that is <em>in</em> your face, infectious, unapologetic, and smokin. A track just released in Australia and soon set to drop in the UK from the Collegians’ camp does just that and it is entitled “<a href="https://soundcloud.com/collegians/black-mass" target="_blank" data-imported="1"><span style="color:#c0c0c0"><strong>Black Mass</strong></span></a>.” </span></p>
<p><span style="color:#c0c0c0">Following the monster track “Vaccine,” “Black Mass” is an arena-worthy track that is not just one of your run-of-the-mill Techno cuts with overdubbed midi, synths, and effects, so don’t get it twisted; no, this new release is Synth-Pop done at its best and it touts blazing guitars, spanking hi-hats, heart whipping percussions, along with stimulating lyrics, hooks, and harmonies. </span></p>
<p><span style="color:#c0c0c0">The track mutates and progresses to a level of musical strength that makes even the weakest link in the bunch become the strongest – from the flow of the lead’s adrenaline-like vocals on to the pulse-pulling modern instrumentation. Peeps, get ready for a musical spinal tap. </span></p>
<p><span style="color:#c0c0c0">Coming out of Melbourne is Collegians – 4 heart-throbs that are easily a New Wave blend of U2 meets the Pet Shop Boys mixed with sex appeal and attitude. “Black Mass” is a musical wakeup call for the masses. Check out these guys at <a href="http://www.collegiansmusic.com/" target="_blank" data-imported="1"><span style="color:#c0c0c0">www.collegiansmusic.com</span></a> and <a href="https://twitter.com/CollegiansMusic" target="_blank" data-imported="1"><span style="color:#c0c0c0">@CollegiansMusic</span></a>.</span></p>
Klef Notes